Spring 2019 CAS Events
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Karmic Imprints: Liberation Through Seeing
Karmic Imprints: Liberation through seeing Art exhibition First of all I would like to thank all the artists for being part of this event. Pulling this exhibition together from all corners of the Tibetan diaspora was quite a feat and wouldn’t have been possible without the warmhearted support from the following people: Carolyn Stubbin and Joanna Christy from Perfect Potion for producing this catalogue and taking care of the logistics; the Brisbane Powerhouse team especially Alex Winters, Kevin Stallan and Jane O’Hara; Jennifer Rowe for the research and commentary; Tarun Nagesh; Sal Battaglia; Victoria Parson; Phil Brown; Philip Bacon; Karma Phuntsok; Bronwyn Richards and all the Festival sponsors - many thanks to you all for your encouragement and support. Love and regards Tenzin Choeygal Festival Director Karmic Imprints: Liberation through seeing Karmic Imprints – Liberation through seeing brings From the rich colours of thangka painting to quiet artworks from some of the most prominent, sought after meditative compositions, the works featured carry an and sometimes-controversial contemporary Tibetan energy and voice for Tibetans, each providing their own artists from around the world to the Festival of Tibet in spiritual or emotional imprint, releasing their own karmic 2016. This unique exhibition will open a window into the presence. Karma is created by making free-will choices minds of these artists, some of whom have experienced not in line with your Higher Self. Karma represents moral censorship during their careers, and their inspirations of decisions, concepts, vows, unresolved emotions and politics and religion and the conflicts and synergies that attitudes that are held consciously and unconsciously exist between identity, traditions, spirituality and life in by YOU that create, influence, or magnetize events and the modern world. -
Annual Report 2018-2019
ANNUAL REPORT 2018-2019 Table of Contents 1 Letter from the Director 2 2 Weatherhead East Asian Institute 4 3 70 Years 6 4 Research Community 8 5 Publications 27 6 Research Programs of the Weatherhead East Asian Institute and Affiliated Columbia Centers 32 7 Public Programming 36 8 Graduate and Postdoctoral Studies 47 9 Students 48 10 Asia for Educators Program 52 11 Staff of the Weatherhead East Asian Institute 55 12 Funding Sources 56 13 Columbia University Map: Morningside Campus and Environs 57 1 LETTER FROM THE DIRECTOR us about the future of global migration, Research’s 2018–2019 Academy of and how the academy can encourage Korean Studies Postdoctoral Fellow. Her pathbreaking scholarship. research focuses on South Korean popular culture and its complex embodiments of In addition, WEAI welcomed three new neoliberalism. Last but not least, Eveline faculty members to our community. Washul conducted research examining Thomas Christensen, at the School of the history of geographical regions in Public and International Affairs, brings Tibet. We congratulate her, also, on his years of experience in academia and her new appointment as director of the diplomacy to the table as director of the Modern Tibetan Studies (MTS) Program new China and the World Program at at the Institute. Columbia. Assistant Professor Jinyu Liu joins us from the School of Social Work. Seventieth anniversary festivities officially Her research is focused on the support began with a gala reception in February I am delighted to report that the 2018– systems available to older Chinese adults in honor of both the WEAI and the Lunar 2019 academic year was an exciting in the US and China. -
Tiananmen China 25 Jahre Danach Perspektiven Für Tibet Brennpunkt Tibet 2 | 2014 1 GEMEINSAM
Ausgabe 2 | 2014 3 EUR Das Magazin der Tibet Initiative BRENNPUNKTDeutschland e.V. TIANANMEN China 25 Jahre danach Perspektiven für Tibet Brennpunkt Tibet 2 | 2014 1 GEMEINSAM. STARK. FÜR TIBET. 25 Jahre Tibet Initiative Deutschland e. V. | 35 Jahre Verein der Tibeter in Deutschland e. V. Jubiläum mit Seiner Heiligkeit dem 14. Dalai Lama Dienstag, 12.00 Uhr | Einlass 13.00 Uhr | Jubiläumsprogramm 26. August 2014 Moderation Dinah Dechen Schmechel Laeiszhalle „…und was ist mit Tibet?“ Johannes-Brahms-Platz 1 Gert Scobel im Gespräch mit 20355 Hamburg Seiner Heiligkeit dem 14. Dalai Lama 15.30 Uhr | Ausklang Weitere Infos und Karten: www.tibet-initiative.de Telefonische Bestellung: +49 40 | 35 76 66 66 EDITORIAL China steckt in einer Zwickmühle seit sich Russland unter Putin entschieden hat, sich die ukrainische Halbinsel Krim einzuverleiben. Die chinesische Regierung möchte am liebsten keine Position beziehen, da sie die Separatismus-Bestre- bungen von Tibetern und Uiguren und auch die Problematik um Hongkong und Taiwan im Blick hat. Sie selbst würde eine per Volksabstimmung herbeigeführte Unabhängigkeit niemals akzeptieren und militärisch eingreifen, um eben diese zu verhindern. China blieb daher nur die Enthaltung im UN-Sicherheitsrat, wie auch 2008, als Russland Südossetien und Abchasien für unabhängig erklärte. China und Russland sind jedoch strategische Partner. Beide fühlen sich vom Westen missverstanden und stimmen sich in vielen Krisenregionen wie Syrien, Libyen und Iran politisch ab. Störend ist sicherlich für die chinesische Regierung, dass der zuvor gewählte Präsident Janukowitsch von der Maidan-Bewegung gestürzt worden ist. Nichts ist für die KP Chinas gefährlicher als eine oppositio- nelle Bewegung. Da ist sie mit der russischen Führung einer Meinung, diese muss im Keim erstickt werden. -
The Iconography of Contemporary Tibetan
$" $" "& !" #"%!" #" ! $ +&. +++/*."/+ $##$##! $!#"!#!#! "( %!"#( " Statement of Authorship "#""#"#!&"#!!!( # %!"#( ! ( #! "##$#* '# ( &( !$ !# $(&##""*##"#(& #! !%$"( $" ! &!## ( #! !" '# &! $ &#"##'###""*!"##""#( #!##!"(!#+ !( ( %!3127 Statement of Access "#""(%!#($# !&## + !( ( %!3127 Abstract My thesis examines the contemporary Tibetan art movement that has emerged not only in the Tibetan homeland but also amongst the Tibetan diaspora. As the movement spans temporal and spatial boundaries, national and geographical borders, it is appropriate to examine the movement in the context of globalisation. I argue that these contemporary Tibetan artists are re-claiming their identity: an identity which has been usurped, not only by the Chinese occupation of their homeland which resulted in suppression of Tibetan culture within Tibet and displacement of culture in case of the diaspora, but also by the pervasive Orientalist view of Tibet as an exotic Shangri-La, a remote and imaginary utopia. This identity emerges in a post-modern global era as one that draws on a sense of place and culture to reflect on issues that transcend the local and have a universal relevance. I examine the different ways in which the artists, in both their homeland and in exile, negotiate their modern Tibetan identity, and how this is expressed in their art. Works of contemporary Tibetan art often involve the deconstruction and reconfiguration of Tibetan Buddhist iconography. They challenge art audiences to confront the stereotypes and assumptions of Tibetan culture. In this thesis I argue that while these artworks may appear iconoclastic, the artists do not reject tradition or denigrate religious images, but rather, reinterpret Buddhist iconography in a way that is relevant to current day issues in contemporary life. By redeploying Buddhist iconography in a contemporary context, these artists renew Tibetan art and Tibetan Buddhist culture, thereby helping to keep this endangered culture vital and dynamic.