TAKE EVERY WAVE: the Life of Laird Hamilton
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2017 Highlights
EIGHTH ANNUAL EDITION November 9-16, 2017 “DOC NYC has quickly become one of the city’s grandest film events.” Spans downtown Hailed as Manhattan from “ambitious” IFC Center to 250+ SVA Theatre and films & events “selective but Cinepolis Chelsea eclectic” ARTISTIC DIRECTOR EXECUTIVE DIRECTOR Thom Powers programs for the Toronto Raphaela Neihausen & Powers run the weekly International Film Festival and hosts the series Stranger Than Fiction at IFC Center and podcast Pure Nonfiction. host WNYC’s “Documentary of the Week.” DOC NYC has welcomed over 50 sponsors through the years, most of which have returned for 3+ years. ACSIL Discovery Image Nation Abu Dhabi Participant Media Technicolor-Postworks NY Brooklyn Roasting Co. Docurama Impact Partners Peru Ministry of Tribeca Grand Hotel Tourism & Culture Chicago Media Project Essentia Water IndieWire VH1 & Logo Documentary Posteritati Films Chicken & Egg Pictures Goose Island JustFilms/Ford Foundation RADiUS Vulcan Cowan DeBaets Half Pops Abrahams & Sheppard Kickstarter The Screening Room Wheelhouse Creative Heineken CNN Films MTV Stoli The World Channel International City of New York Documentary Association NBCUniversal Archives SundanceNow The Yard Mayor’s Office for Doc Club Media & Entertainment Illy New York Magazine ZICO SVA Owl’s Brew DOCNYC.NET DOCNYCFEST Voted by Movie Maker Magazine as one of the top 5 coolest documentary film festivals in the world! DOC NYC 2016 FEATURED: 12k 200+ likes on Facebook 60k special guests visits DOCNYC.net 125k 92 reached by e-mail Largest premieres Documentary -
The Most Important Dates in the History of Surfing
11/16/2016 The most important dates in the history of surfing (/) Explore longer 31 highway mpg2 2016 Jeep Renegade BUILD & PRICE VEHICLE DETAILS ® LEGAL Search ... GO (https://www.facebook.com/surfertoday) (https://www.twitter.com/surfertoday) (https://plus.google.com/+Surfertodaycom) (https://www.pinterest.com/surfertoday/) (http://www.surfertoday.com/rssfeeds) The most important dates in the history of surfing (/surfing/10553themost importantdatesinthehistoryofsurfing) Surfing is one of the world's oldest sports. Although the act of riding a wave started as a religious/cultural tradition, surfing rapidly transformed into a global water sport. The popularity of surfing is the result of events, innovations, influential people (http://www.surfertoday.com/surfing/9754themostinfluentialpeopleto thebirthofsurfing), and technological developments. Early surfers had to challenge the power of the oceans with heavy, finless surfboards. Today, surfing has evolved into a hightech extreme sport, in which hydrodynamics and materials play vital roles. Surfboard craftsmen have improved their techniques; wave riders have bettered their skills. The present and future of surfing can only be understood if we look back at its glorious past. From the rudimentary "caballitos de totora" to computerized shaping machines, there's an incredible trunk full of memories, culture, achievements and inventions to be rifled through. Discover the most important dates in the history of surfing: 30001000 BCE: Peruvian fishermen build and ride "caballitos -
March 6– 9, 2002 @ the Historic Fargo Theatre
F A R G O T h e F i l m F e s t i v a l March 6– 9, 2002 @ The Historic Fargo Theatre www.fargofilmfestival.com SCHEDULE @ a g l a n c e ... Wednesday Evening, March 6th 5:00-9:00 p.m. Early Bird Registration 6:00 p.m. The Farm 58 min. USA (Emmy-award documentary) Directed by Liz Garbus. Introduced by Filmmaker Liz Garbus. 7:30 p.m. Do It For Uncle Manny USA 2001 (Best Feature Comedy) Directed by Adam Baratta, Director Present. After Glow: Juano’s Restaurant Thursday, March 7th A celebration of the art of documentary filmmaking Thursday Morning 8:00 a.m. Registration, Fargo Theatre Lobby 9:00 a.m. Opening Press Conference, Fargo Theatre. An introduction to the festival’s featured filmmakers and honored guests. 9:45 a.m. Eugene McCarthy: I’m Sorry I Was Right 29 min., USA 2001 (Best Short Documentary) Directed/Produced by Mike Hazard, Director Present 10:30 a.m. Nocturne 6 min. Canada 1996 (Short Documentary) Directed/Produced by Michael Crochetiere 10:45 a.m. Subterranean Passage 32 min. Canada 1999 (Short Feature), Directed/Produced by Michael Crochetiere 11:20 a.m. The Terms 11 min. Ireland 2001 (Short Feature), Directed by Johnny O’Reilly, Produced by Lemon Cut Ltd./Niall McLoughlin Thursday Afternoon 12 Noon Luncheon/Panel Discussion on Documentary filmmaking/filmmakers- Avalon Event Center- Matt Olien, moderator. Panelists Mike Hazard, Jilann Spitzmiller, Hank Rogerson, and our own Bill Snyder. 1:45 p.m. Homeland 58 min. USA 1999 (Best Feature Documentary) Directed by Jilann Spitzmiller and Hank Rogerson, Produced by Philomath Films, Director Present 3:15 p.m. -
A Look at the Academy Awards and the Sundance Kids
lifestyle SATURDAY, JANUARY 24, 2015 MUSIC & MOVIES ‘Hunger Games: Mockingjay’ becomes highest-grossing film of 2014 in US he Hunger Games: Mockingjay million on Wednesday, edging past - Part 1” shot past “Guardians “Guardians” at $333.17 million at the US “Tof the Galaxy” to become the box office. highest-grossing domestic release of Lionsgate also announced Thursday 2014. It’s the second time in a row that that it will release the Digital HD verison the dystopian franchise has topped the of “Mockingjay-Part 1” on Feb 17 and the Blu-ray Combo Pack (plus DVD and Digital HD), DVD (plus Digital) and On Demand versions on March 6. “Mockingjay - Part 1” opens in China on Feb. 8. It has already grossed more than $700 million worldwide, bringing global box office for the three “Hunger Games” films to over $2.2 billion. “The No. 1 theatrical release of 2014 is poised to become one of the biggest home entertainment events of 2015,” said Lionsgate Home Entertainment president Ron Schwartz and Lionsgate president of worldwide television & digital distribution Jim Packer. Unlike most major tentpole releases, the latest “Hunger Games” didn’t get the benefit of a 3D or Imax surcharge. “Mockingjay - Part 1” stars Jennifer Lawrence, Josh Hutcherson and Liam Hemsworth and was directed by Francis Lawrence. The next and final film in the series hits the- charts. It gives Lionsgate bragging rights aters in November. It may be difficult for Robert Redford, right, founder of the Sundance Institute, addresses the media as John Cooper, left, programming director of the Sundance Film as the studio with the top film in consec- Lionsgate to score a three-peat; this year Festival, and Keri Putnam, executive director of the Sundance Institute, look on during the opening day press conference at the 2015 Sundance utive years-something no one else has brings sequels to “Star Wars” and “The Film Festival. -
Evers C Thesis 2005.Pdf (PDF, 10.47MB)
IlARE BOOKS all The University of Sydney Copyright in relation to this thesis. Under the Copyright Act 1968 (several provision of which are referred to below). this thesis must be used only under the normal conditions of scholarly fair dealing for the purposes of research. criticism or review. In particular no results or conclusions should be extracted from it, nor should it be copied or closely paraphrased in whole or in part without the written consent of the author. Proper written acknowledgement should be made for any assistance obtained from this thesis. Under Section 35(2) of the Copyright Act 1968 'the author of a literary, dramatic. musical or artistic work is the owner of any copyright subsisting in the work', By virtue of Section 32( I) copyright 'subsists in an original literary, dramatic, musical or artistic work that is unpublished' and of which the author was anAustralian citizen,anAustralian protected person or a person resident inAustralia. The Act, by Section 36( I) provides: 'Subject to this Act, the copyright in a literary, dramatic, musical or artistic work is infringed by a person who, not being the owner of the copyright and without the licence of the owner of the copyright. does in Australia, or authorises the doing in Australia of, any act comprised in the copyright', Section 31(I )(.)(i) provides that copyright includes the exclusive right to 'reproduce the work in a material form'.Thus.copyright is infringed by a person who, not being the owner of the copyright, reproduces or authorises the reproduction of a work, or of more than a reasonable part of the work, in a material form. -
68Th EMMY® AWARDS NOMINATIONS for Programs Airing June 1, 2015 – May 31, 2016
EMBARGOED UNTIL 8:40AM PT ON JULY 14, 2016 68th EMMY® AWARDS NOMINATIONS For Programs Airing June 1, 2015 – May 31, 2016 Los Angeles, CA, July 14, 2016– Nominations for the 68th Emmy® Awards were announced today by the Television Academy in a ceremony hosted by Television Academy Chairman and CEO Bruce Rosenblum along with Anthony Anderson from the ABC series black-ish and Lauren Graham from Parenthood and the upcoming Netflix revival, Gilmore Girls. "Television dominates the entertainment conversation and is enjoying the most spectacular run in its history with breakthrough creativity, emerging platforms and dynamic new opportunities for our industry's storytellers," said Rosenblum. “From favorites like Game of Thrones, Veep, and House of Cards to nominations newcomers like black-ish, Master of None, The Americans and Mr. Robot, television has never been more impactful in its storytelling, sheer breadth of series and quality of performances by an incredibly diverse array of talented performers. “The Television Academy is thrilled to once again honor the very best that television has to offer.” This year’s Drama and Comedy Series nominees include first-timers as well as returning programs to the Emmy competition: black-ish and Master of None are new in the Outstanding Comedy Series category, and Mr. Robot and The Americans in the Outstanding Drama Series competition. Additionally, both Veep and Game of Thrones return to vie for their second Emmy in Outstanding Comedy Series and Outstanding Drama Series respectively. While Game of Thrones again tallied the most nominations (23), limited series The People v. O.J. Simpson: American Crime Story and Fargo received 22 nominations and 18 nominations respectively. -
2020 Sundance Film Festival: 118 Feature Films Announced
FOR IMMEDIATE RELEASE Media Contact: December 4, 2019 Spencer Alcorn 310.360.1981 [email protected] 2020 SUNDANCE FILM FESTIVAL: 118 FEATURE FILMS ANNOUNCED Drawn From a Record High of 15,100 Submissions Across The Program, Including 3,853 Features, Selected Films Represent 27 Countries Once Upon A Time in Venezuela, photo by John Marquez; The Mountains Are a Dream That Call to Me, photo by Jake Magee; Bloody Nose, Empty Pockets, courtesy of Sundance Institute; Beast Beast, photo by Kristian Zuniga; I Carry You With Me, photo by Alejandro López; Ema, courtesy of Sundance Institute. Park City, UT — The nonprofit Sundance Institute announced today the showcase of new independent feature films selected across all categories for the 2020 Sundance Film Festival. The Festival hosts screenings in Park City, Salt Lake City and at Sundance Mountain Resort, from January 23–February 2, 2020. The Sundance Film Festival is Sundance Institute’s flagship public program, widely regarded as the largest American independent film festival and attended by more than 120,000 people and 1,300 accredited press, and powered by more than 2,000 volunteers last year. Sundance Institute also presents public programs throughout the year and around the world, including Festivals in Hong Kong and London, an international short film tour, an indigenous shorts program, a free summer screening series in Utah, and more. Alongside these public programs, the majority of the nonprofit Institute's resources support independent artists around the world as they make and develop new work, via Labs, direct grants, fellowships, residencies and other strategic and tactical interventions. -
HOS Transcript 12/16/02
Heart of the Sea -Transcript RELL: A lot of grand-parents come up with the name before you're even in your mom. They have a dream and they tell your mother, well you’re going to have another girl and her name’s going to be: Kapolioka’ehukai, that means Heart of the Sea. COMMENTATOR (WOMAN): Next up is a native of Hawaii: Rell Sunn COMMENTATOR (MAN): She grew up at Makaha and really knows these waves well. Look at her maneuver here. Look right there, Andrea, that’s a nose ride, you don’t see many of them anymore, it’s an extremely different maneuver to perform on these small boards. Looking at in slow motion, you’ll notice she pulls herself up high in the wave, drops her weight back, stalls her board into the critical section and simply walks to the front of the board...plants herself on the nose and rides the wave; extremely difficult, it’s going to score. RELL: Before I could read, I could read the ocean. I knew the tides , I could read the wind on the ocean, I thought I knew everything I ever needed to know just from being on that beach every day, everything. I started surfing when I was four. It’s like you’re four and you’re having a revelation; you can’t quite articulate it but you know the feeling. And my dad was like a beach boy. And he used to surf all the time and so of course that was going to be a part of our lives. -
Laird Hamilton, the Ing By
THE WOR LD'S GREATEST BIG .. <FER DROPS IN ON HELI-SKIING'S NEWEST FRONTIER. BY OAf IEL GLICK IGHTY THE FEROCIOUS RACKET OF HELICOPTER ROTORS FADES. AND WE STAND IN SPELLBOU!',lD SILEhJCE ATOP A SNOWY RIDGE. AS IF fvlAGICALLY TRANSPORTED INTO THE NAVE OF A MOUNTAIN CATHEDRAL. WE GAZE AROUND AT THE MAS SIVE TRIUMVIRATE GLACIER. THE S/vIOKI~~G VOLCA~IO MOUNT SPURR, AND AlSO-MILE PAf'JORAMA TH .A.T ENCOMPASSES 20.320-FOOT IVIOUNT rvICKIf\~LEY, THE CHUG,l,\CH RANGE. AND THE fv10UNTAINS WE .ARE ABOUT TO SKI , THE TORDRILLOS. "I': ----------------- 83 PreVIO US page: The legend, w ith o utdated board technology and insufficient clothing: from left: Laird at the LZ; smoking Mount Spurr. I,aird Hamilton, the sun-blond male pinup and world's chiseled as a marble statue, yet as genuine as the fresh most renowned big-wave surfer, glances at the frozen inch-long scar where a surfboard had recently imprint water around him with a gleeful "Oh, yeah!" and straps ed itself on his left cheek. 1he man with a thousand on his snowboard. stitches proves to be as prodigious as advertised. Guide Darwon Stoneman takes off first, scouting a \lVe had arrived in late March to help inaugurate a new steep line with the t:lmiliar "swoosh, swoosh, swoosh" frontier in the helicopter skiing world: a mjl1ion acres of skis sashaying through calf-deep powder. \Vhen ofunskied terrain based out of th luxurious Tordrillo Laird receives the all-clear, he speeds into the faU line Mountain Lodge, 60 miles west ofAnchorage. -
Stacy Peralta's Crips and Bloods
FOR IMMEDIATE RELEASE CONTACT Voleine Amilcar, ITVS 415-356-8383 x 244 [email protected] Mary Lugo 770-623-8190 [email protected] Cara White 843-881-1480 [email protected] For more information and/or downloadable images visit www.pbs.org/pressroom/ STACY PERALTA’S CRIPS AND BLOODS: Made In America PREMIERES TUESDAY, MAY 12, 2009, ON THE EMMY® AWARD–WINNING PBS SERIES INDEPENDENT LENS Film Chronicles the Reasons Behind the Rise of Gang Culture in South Central Los Angeles “One thing you have to realize. If you opened them up, there would be a stamp under their shirt that says ‘Made in America.’ They weren’t made in Taiwan or Indonesia. They were made in America.” —Kumasi, former gang member (San Francisco, CA)—In the southern portion of the richest city in the richest state in America, a civil war has been raging for more than 40 years. This war has taken more than 15,000 lives, and it passes its legacy from father to son. The battlefield is South Central Los Angeles, an area surrounded by geographical icons of California—Rodeo Drive, Hollywood and Vine, the beaches of Santa Monica and Disneyland. The most violent outbreaks of civil unrest in U.S. history have erupted on its streets twice—27 years and just three miles apart. CRIPS AND BLOODS: Made in America searches for answers by providing a historical and sociological context for the rise of the devastating gang violence. Directed by Stacy Peralta and narrated by Forest Whitaker, the film will premiere on the PBS series Independent Lens, hosted by Terrence Howard, on Tuesday, May 12, 2009, at 10 PM (check local listings). -
Making Waves: Using Hawaii's and California's Public Trust Doctrines
California Western Law Review Volume 56 Number 1 Article 9 2-15-2020 Making Waves: Using Hawaii’s and California’s Public Trust Doctrines to Bring Gender Equality to Professional Big-Wave Surfing Natalie Holtz Follow this and additional works at: https://scholarlycommons.law.cwsl.edu/cwlr Recommended Citation Holtz, Natalie (2020) "Making Waves: Using Hawaii’s and California’s Public Trust Doctrines to Bring Gender Equality to Professional Big-Wave Surfing," California Western Law Review: Vol. 56 : No. 1 , Article 9. Available at: https://scholarlycommons.law.cwsl.edu/cwlr/vol56/iss1/9 This Comment is brought to you for free and open access by CWSL Scholarly Commons. It has been accepted for inclusion in California Western Law Review by an authorized editor of CWSL Scholarly Commons. For more information, please contact [email protected]. Holtz: Making Waves: Using Hawaii’s and California’s Public Trust Doctri Holtz camera ready FINAL (Do Not Delete) 2/10/2020 10:22 AM MAKING WAVES: USING HAWAII’S AND CALIFORNIA’S PUBLIC TRUST DOCTRINES TO BRING GENDER EQUALITY TO PROFESSIONAL BIG-WAVE SURFING TABLE OF CONTENTS INTRODUCTION................................................................................... 284 I. BACKGROUND ................................................................................. 289 A. Big-Wave Contests ................................................................... 289 B. The North Shore’s Contest Calendar ....................................... 291 C. The North Shore’s Shore Water Rules .................................... -
The Wave Was Bigger Than Any- Thing Laird Hamilton
Beneath the waves he wave was bigger than any- thing Laird Hamilton and Brett Lickle had experienced — 80, maybe 100 feet high — and though they were fleeing it flat-out on Hamilton’s jet ski, it chased them down and squashed them like a steamroller. “The only conversation we had was Laird yelling ‘Go go go!’ ” Lickle remembers. “Then it was like hitting the eject button on a jet fighter.” Hamilton, riding on the rescue sled being towed behind the jet ski, dove off at 50 mph as Lickle took the avalanche full bore. Buried deep under the foam, Hamilton’s 20-pound surfboard T was driven fin-first into Lickle’s calf, flaying him open from his Achilles tendon to the back of his knee. “It felt like someone crushed my leg,” Lickle says. The pain of the bone-deep gash was blinding, but irrelevant. Because if Lickle couldn’t some- how kick his way back to the surface, then swim a mile to shore, he knew he’d never see his wife and kids again. The wave that overtook the two surf veterans was one of thousands of giants that raced across the northern Pacific ahead of a historic December 2007 storm, a cyclone that formed when a dying tropical depression over the Philippines met a frigid blast tumbling down the Siberian steppe, found warm water, and went nuclear. “The moisture supercharged the killer surf storm,” says Sean Collins, chief forecaster and president of Garrett McNamara rides a monster Surfline.com. “It was like throwing dynamite on a fire.” at California’s fabled Within a couple of days, a 1,000-mile line of hurricane-force Mavericks on winds was rushing east across the loneliest stretches of the December 4, 2007.