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Dieter Meier: Künstler, Schriftsteller, Filmer, Musiker Und Unternehmer
12 Dezember 2011 Dieter Meier: Künstler, Schriftsteller, Filmer, Musiker und Unternehmer. 14 Dieter Meier Perpetuum mobile der Selbstverwirklichung marketing & management Dieter Meier Perpetuum mobile der Selbstverwirklichung Mit seiner Band «Yello» erlangte Dieter Meier in den Achtzigerjahren internationalen Ruhm. Heute konzentriert sich der ehemalige Pokerspieler vor allem auf seine Tätigkeit als Biofarmer in Argentinien, auf Museumsausstellungen mit seiner Konzeptkunst und den nächsten Spielfilm. Gibt es für Meier ein Erfolgsrezept, und wie begegnet er den wirtschaft- lichen Entwicklungen? «persönlich» hat mit ihm gesprochen. Interview: Matthias Ackeret Bearbeitung: Nathalie Zeindler Bilder: Marc Wetli Herr Meier, auf Ihrer Internetseite haben Sie welches dem Peronismus seit vielen Jahr- Fünf Farmen, welche die verschiedensten einen Kalender mit den einzelnen Jahreszahlen zehnten die Macht garantiert. Produkte hervorbringen: Wein, Premium und ihren Ereignissen aufgeführt. War das Beef, Mais, Getreide, Soja, Früchte und Wolle. Jahr 2011 ein wichtiges Dieter-Meier-Jahr? Demnach ist ein politischer Wandel in Ja, ich konnte in diesem Jahr diverse Pro- Argentinien noch in weiter Ferne? Wie laufen Ihre Geschäfte im Silicon Valley? jekte realisieren, darunter ein Kinderbuch, Es sieht so aus. Allein die Stadtverwaltung Ich habe die Firma verkauft. Obwohl wir die ein Buch über «Yello», ein autobiografi- von Buenos Aires beschäftigt 150 000 An- ersten digitalen Mischpulte herstellten und sches Bilderbuch und eine Retrospektive gestellte. Bürgermeister Mauricio Macri hat damit auch sechs Oscars für «Best Soundmi- in einem Museum in Hamburg. Viel Freude vor zwei Jahren 3000 Personen entlassen. xing« gewannen, gelang es mir nicht, diese machte mir, dass ich nach 35 Jahren mit der Aber das hat niemand gemerkt, weil diese Maschinen erfolgreich zu vermarkten. -
Beat Streuli Living Room
Beat Streuli Living Room September 3 to October 8, 2014 Yumiko Chiba Associates viewing room shinjuku Gallery Talk & Opening Reception: Saturday, September 6 (Gallery Talk will be held in HILLSIDE TERRACE café at Daikanyama Hillside Terrace.) ©Beat Streuli, Courtesy of Yumiko Chiba Associates Yumiko Chiba Associates viewing room shinjuku is pleased to present a solo exhibition by Beat Streuli, ‘Living Room’, from September 3 to October 8, 2014. Beat Streuli, a Swiss photographer who started working in the 1980s, has presented his works in cities around the globe. Presently based in Zurich and Brussels, he has been actively working all over Europe and in many other parts of the world. He first received attention for his series from the early 1990s; some of this work was photographed in Rome, Paris, and New York. Streuli takes photographs of local people in public places, often with a telephoto lens, focusing on them and their ordinary lives. He has begun to work more outside of Europe and the United States, in both Western and non-Western countries. Recently, his work has started to include more non-figurative, almost abstract elements. At the beginning of his career, Streuli produced and presented his works as small format and black and white photographs, but in the early 1990s, he developed new forms of presentation, working with floor to ceiling, multi-screen slide and video projections. He also started working with large scale images installed on the façades of public buildings in various cities, and with monumental billboard installations. For the past twenty years, Streuli's work has been frequently exhibited around the world; he has also realized many temporary and permanent projects in public spaces. -
Interviste E Conversazioni
Interviews with Michelangelo Pistoletto Marcello Venturoli, Dialogo con Pistoletto, in “Tutti gli uomini dell’arte”, Milano, 1968 Guido Boursier, Far scattare nella gente meccanismi di liberazione, in “Sipario”, n. 276, Milano, April 1969 Germano Celant, Intervista con Michelangelo Pistoletto, Genova, February 1971, in Germano Celant, “Michelangelo Pistoletto”, catalogue of the exhibition, Palazzo Grassi, Venezia, 1976 (Ed. Electa) Achille Bonito Oliva, Michelangelo Pistoletto, Torino 1972, in “Enciclopedia della parola. Dialoghi d'artista. 1968-2008”, ed. Skira, Milano 2008 Mirella Bandini, Torino 1960-73, in “Nac”, n. 3, Bari, March 1973, re- published in Mirella Bandini, “1972 - Arte Povera a Torino”, Allemandi Editore, Torino, 2002 Mirella Bandini, Il significato di Gallizio per la nuova generazione, in “Pinot Gallizio e il laboratorio sperimentale d’Alba”, catalogue of the exhibition, Galleria Civica d’Arte Moderna, Torino 1974 Umberto Allemandi, Specchio delle mie brame, in “Bolaffi Arte”, anno VII, n. 57, Milano, February - March 1976 Francesco Prestipino, Viaggio nelle stanze di Michelangelo Pistoletto, in “Le Arti”, anno XXVI, n. 4, Milano, April 1976 l.k.. Un palcoscenico tutto bianco, in “La Repubblica”, Roma, 10 June 1977 Giuseppe Risso, Pistoletto. Datemi uno specchio, in “Gazzetta del Popolo”, Torino, 4 May 1978 no author (the name of the author of the interview is not mentioned in the publication, henceforth abbreviated n.a.), Pistoletto an 14 Orten in Berlin, transcript of the conference/debate with Pistoletto at Hochschule der Künste, 3 November 1978, in “Kunstmagazin”, n. 4, Mainz, 1978 Anne Livet, An Interview with Maynard Jackson and Michelangelo Pistoletto, in “Contemporary Art/Southeast, Volume II, n. 2, Michelangelo Pistoletto in the South”, Atlanta 1979 Michael Auping, Venus of the rags, 18 December 1979, Berkeley, in 30 years interviews and outtakes, ed. -
One of a Kind, Unique Artist's Books Heide
ONE OF A KIND ONE OF A KIND Unique Artist’s Books curated by Heide Hatry Pierre Menard Gallery Cambridge, MA 2011 ConTenTS © 2011, Pierre Menard Gallery Foreword 10 Arrow Street, Cambridge, MA 02138 by John Wronoski 6 Paul* M. Kaestner 74 617 868 20033 / www.pierremenardgallery.com Kahn & Selesnick 78 Editing: Heide Hatry Curator’s Statement Ulrich Klieber 66 Design: Heide Hatry, Joanna Seitz by Heide Hatry 7 Bill Knott 82 All images © the artist Bodo Korsig 84 Foreword © 2011 John Wronoski The Artist’s Book: Rich Kostelanetz 88 Curator’s Statement © 2011 Heide Hatry A Matter of Self-Reflection Christina Kruse 90 The Artist’s Book: A Matter of Self-Reflection © 2011 Thyrza Nichols Goodeve by Thyrza Nichols Goodeve 8 Andrea Lange 92 All rights reserved Nick Lawrence 94 No part of this catalogue Jean-Jacques Lebel 96 may be reproduced in any form Roberta Allen 18 Gregg LeFevre 98 by electronic or mechanical means, including photocopying, recording, or information storage retrieval Tatjana Bergelt 20 Annette Lemieux 100 without permission in writing from the publisher Elena Berriolo 24 Stephen Lipman 102 Star Black 26 Larry Miller 104 Christine Bofinger 28 Kate Millett 108 Curator’s Acknowledgements Dianne Bowen 30 Roberta Paul 110 My deepest gratitude belongs to Pierre Menard Gallery, the most generous gallery I’ve ever worked with Ian Boyden 32 Jim Peters 112 Dove Bradshaw 36 Raquel Rabinovich 116 I want to acknowledge the writers who have contributed text for the artist’s books Eli Brown 38 Aviva Rahmani 118 Jorge Accame, Walter Abish, Samuel Beckett, Paul Celan, Max Frisch, Sam Hamill, Friedrich Hoelderin, John Keats, Robert Kelly Inge Bruggeman 40 Osmo Rauhala 120 Andreas Koziol, Stéphane Mallarmé, Herbert Niemann, Johann P. -
Immersion Into Noise
Immersion Into Noise Critical Climate Change Series Editors: Tom Cohen and Claire Colebrook The era of climate change involves the mutation of systems beyond 20th century anthropomorphic models and has stood, until recent- ly, outside representation or address. Understood in a broad and critical sense, climate change concerns material agencies that im- pact on biomass and energy, erased borders and microbial inven- tion, geological and nanographic time, and extinction events. The possibility of extinction has always been a latent figure in textual production and archives; but the current sense of depletion, decay, mutation and exhaustion calls for new modes of address, new styles of publishing and authoring, and new formats and speeds of distri- bution. As the pressures and re-alignments of this re-arrangement occur, so must the critical languages and conceptual templates, po- litical premises and definitions of ‘life.’ There is a particular need to publish in timely fashion experimental monographs that redefine the boundaries of disciplinary fields, rhetorical invasions, the in- terface of conceptual and scientific languages, and geomorphic and geopolitical interventions. Critical Climate Change is oriented, in this general manner, toward the epistemo-political mutations that correspond to the temporalities of terrestrial mutation. Immersion Into Noise Joseph Nechvatal OPEN HUMANITIES PRESS An imprint of MPublishing – University of Michigan Library, Ann Arbor, 2011 First edition published by Open Humanities Press 2011 Freely available online at http://hdl.handle.net/2027/spo.9618970.0001.001 Copyright © 2011 Joseph Nechvatal This is an open access book, licensed under the Creative Commons By Attribution Share Alike license. Under this license, authors allow anyone to download, reuse, reprint, modify, distribute, and/or copy this book so long as the authors and source are cited and resulting derivative works are licensed under the same or similar license. -
CV Photo/Ciel Variable, Montreal, No
A N G E L A G R A U E R H O L Z Recognition and Awards (Visual Arts) 2018 Honorary Doctorate Emily Carr University of Art + Design, Vancouver 2017 150 Years of Photography / Canada 150 Commemorative Collection, 2017 Canada Post, Ottawa 2015 Recipient of the Scotiabank Photography Award, Toronto 2014 Recipient of the Governor General Award in Visual and Media Arts, Canada Council for the Arts, Ottawa 2013 Shortlisted for the Scotiabank Photography Award, Toronto 2006 Awarded the Prix Paul-Émile Borduas, Government of Quebec, Quebec Solo exhibitions 2019 The Empty S(h)elf – First iteration, Artexte, Montreal The Book is the Book, installation at the Madras Literary Society (library), 2019 Chennai Photo Biennale, Chennai Angela Grauerholz: Écrins, écrans, McIntosh Gallery, Western University, London, ON 2018 Scotiabank Contact Festival / Olga Korper Gallery, Toronto Art 45, Montréal 2016 Angela Grauerholz (Scotiabank Photography Award), Ryerson Image Centre, Toronto Angela Grauerholz/Écrins, écrans, Canadian Cultural Centre/Centre culturel canadien, Paris 2014 Olga Korper Gallery, Toronto 2012 Art 45, Montreal 2011 Olga Korper Gallery, Toronto Angela Grauerholz: The inexhaustible image…épuiser l’image, University of Toronto Art Centre (UTAC), Toronto 2010 Angela Grauerholz: The inexhaustible image…épuiser l’image, National Gallery of Canada/Musée des beaux-arts du Canada, Canadian Museum of Contemporary Photography/Musée canadien de la photographie contemporaine (CMCP), Ottawa (book/catalogue) McMaster Museum of Art, McMaster University, -
Irish Artist Featured at World's Most Prestigious Art Biennale
Press Release 19th April 2013 Irish artist featured at world’s most prestigious Art Biennale Minister Jimmy Deenihan, TD, announces Ireland’s Representation for the 55th International Art Exhibition at Dublin Launch in RHA The Minister for Arts, Heritage and the Gaeltacht, Jimmy Deenihan TD, will today (19 April 2013), be joined by artists, curators and invited guests at the Dublin launch of Ireland's representation at the 55th International Art Exhibition in Venice. Ireland at Venice is an initiative of the Department of Arts, Heritage and the Gaeltacht's Culture Ireland division in partnership with the Arts Council, the Irish Government agency for funding and developing the arts. Richard Mosse has been selected as the artist to represent Ireland at the Venice Art Biennale and Anna O’Sullivan, Director of the Butler Gallery is the Commissioner. The Venice Biennale has for a century held its place as the most important international showcase for visual arts and in recent years has attracted 400,000 visitors. Speaking at the launch in the Royal Hibernian Academy, Minister Jimmy Deenihan TD., said "the Biennale represents an immense opportunity for Irish artists to present their work at the leading visual arts showcase in the world and to gain international exposure to high profile curators and collectors.’ He went on to say that this showcase is not only a focus on Richard but is also an opportunity to attract attention to the depth, strength and diversity of a generation of visual artists working in Ireland. "I am confident that Richard’s work will be highly regarded alongside that of the other international artists in Venice’ added the Minister. -
Report of the Queensland Art Gallery Board of Trustees
REPORT OF THE QUEENSLAND ART GALLERY BOARD OF TRUSTEES 16 September 2009 The Honourable Anna Bligh, MP Premier of Queensland and Minister for the Arts PO Box 15185 City East Qld 4002 Dear Premier I am pleased to present the Annual Report 2008–09 for the Queensland Art Gallery. I certify that this Annual Report complies with: • the prescribed requirements of the Financial Accountability and Audit Act 1977 and the Financial Management Standard 1997, and • the detailed requirements set out in the Annual Reporting Guidelines for Queensland Government Agencies. A checklist outlining the annual reporting requirements can be accessed at www.qag.qld.gov.au. Yours sincerely Professor John Hay, AC Chair, Board of Trustees GALLERY PROFILE QUEENSLAND ART GALLERY ANNUAL REPORT 2008–09 3 CONTENTS COVER 5 GALLERY PROFILE Works from Ah Xian’s ‘Metaphysica’ series 2007 in ‘The China Project’ at GoMA. With the generosity of Tim Fairfax, AM, a group of six of 6 HIGHLIGHTS AND ACHIEVEMENTS the sculptures was acquired for the Collection. The ‘Metaphysica’ series was loaned by the artist for 9 CHAIR’S OVERVIEW ‘The China Project’. Ah Xian ‘Metaphysica’ series (detail) 2007 13 DIRECTOR’S OVERVIEW Bronze and brass 36 sculptures: dimensions variable 16 2008–09 — CONNECTING ART AND PEOPLE OPPOSITE Installation view of 17 TWO SITES, ONE VISION acquisitions in GoMA. Foreground: Tobias Putrih 21 CULTURAL TOURISM Connection 2004 Cardboard boxes 25 COLLECTION DEVELOPMENT Purchased 2008 with funds from Tim Fairfax, AM, through the 33 ACCESSIBILITY AND EDUCATION Queensland -
A Brave New Brussels.Pdf
FOR A BRAVE NEW BRUS SEL S. Lab.01 Artistic Versus Technocentric Approaches On Smart Cities For a Brave New Brussels is an exhibition and discussion platform that Lab.01 stimulates the discourse around the future of our cities in times of technological revolution and ever-increasing global challenges. Con- Artistic Versus temporary cities are magnets that attract people, resources, ideas, Technocentric Approaches opportunities and knowledge. 50% of the world’s population already lives in cities and this percentage will rise to 70% by 2050. Today cities On Smart Cities have to respond to this speed of migration and concentration or they will become social ticking bombs. The reality of a city is never given, its evolution not immutably determined. How will they manage social From 22 until 26 October 2018, and democratic developments, but also technological, economic, and the Museum of Art, Architecture and Technology environmental issues in a global world? Each city will be confronted with different political, social, religious and ecological challenges that in Lisbon (PT) is hosting the exhibition For a Brave can only be solved by the engagement and collaboration between New Brussels. Lab.01 Artistic Versus Technocentric many different players. Approaches On Smart Cities. The initiative for this For a long time technology has been seen as a crucial element in project was taken by BOZAR, GLUON and the preparing cities for a turbulent future. Since its early days, the appli- curator Stéphanie Pécourt, with the support of cation of new digital technologies to the urban environment and pro- the Brussels-Capital Region, and is organised on cesses has been celebrated worldwide for its ability to increase the the occasion of the State visit to the Republic of quality of urban living, but this engagement has mostly been limited to a technocratic focus on energy efficiency, mobility and infrastructure. -
Mark Summers Sunblock Sunburst Sundance
Key - $ = US Number One (1959-date), ✮ UK Million Seller, ➜ Still in Top 75 at this time. A line in red Total Hits : 1 Total Weeks : 11 indicates a Number 1, a line in blue indicate a Top 10 hit. SUNFREAKZ Belgian male producer (Tim Janssens) MARK SUMMERS 28 Jul 07 Counting Down The Days (Sunfreakz featuring Andrea Britton) 37 3 British male producer and record label executive. Formerly half of JT Playaz, he also had a hit a Souvlaki and recorded under numerous other pseudonyms Total Hits : 1 Total Weeks : 3 26 Jan 91 Summers Magic 27 6 SUNKIDS FEATURING CHANCE 15 Feb 97 Inferno (Souvlaki) 24 3 13 Nov 99 Rescue Me 50 2 08 Aug 98 My Time (Souvlaki) 63 1 Total Hits : 1 Total Weeks : 2 Total Hits : 3 Total Weeks : 10 SUNNY SUNBLOCK 30 Mar 74 Doctor's Orders 7 10 21 Jan 06 I'll Be Ready 4 11 Total Hits : 1 Total Weeks : 10 20 May 06 The First Time (Sunblock featuring Robin Beck) 9 9 28 Apr 07 Baby Baby (Sunblock featuring Sandy) 16 6 SUNSCREEM Total Hits : 3 Total Weeks : 26 29 Feb 92 Pressure 60 2 18 Jul 92 Love U More 23 6 SUNBURST See Matt Darey 17 Oct 92 Perfect Motion 18 5 09 Jan 93 Broken English 13 5 SUNDANCE 27 Mar 93 Pressure US 19 5 08 Nov 97 Sundance 33 2 A remake of "Pressure" 10 Jan 98 Welcome To The Future (Shimmon & Woolfson) 69 1 02 Sep 95 When 47 2 03 Oct 98 Sundance '98 37 2 18 Nov 95 Exodus 40 2 27 Feb 99 The Living Dream 56 1 20 Jan 96 White Skies 25 3 05 Feb 00 Won't Let This Feeling Go 40 2 23 Mar 96 Secrets 36 2 Total Hits : 5 Total Weeks : 8 06 Sep 97 Catch Me (I'm Falling) 55 1 20 Oct 01 Pleaase Save Me (Sunscreem -
SAM LEWITT More Heat Than Light (Airbnb)
MIGUEL ABREU GALLERY SAM LEWITT Born in Los Angeles, CA, 1981 Lives and works in New York EDUCATION 2005 Whitney Museum of American Art, Independent Study Program, New York 2004 BFA, School of Visual Arts, New York SOLO EXHIBITIONS 2018 COVER, Miguel Abreu Gallery, New York, NY (forthcoming) 2017 FILLER, Galerie Buchholz, Berlin, Germany 2016 Less Light Warm Words, Swiss Institute, New York, NY More Heat Than Light, Kunsthalle Basel, Switzerland More Heat Than Light (Airbnb), New York, NY 2015 More Heat Than Light, CCA Wattis Institute for Contemporary Arts, San Francisco, CA 2014 Verbrannte Erde: Second Salvage, Leopold-Hoesch-Museum, Düren, Germany Casual Encounters, Miguel Abreu Gallery, New York, NY 2013 International Corrosion Fatigue, Galerie Buchholz, Cologne, Germany 2011 0110_Universal-City_1010, Galerie Buchholz, Berlin, Germany Total Immersion Environment, Miguel Abreu Gallery, New York 2010 Paper Citizens, Art|41|Basel – Art Statements, Miguel Abreu Gallery, Basel, Switzerland 2009 From A to Z and Back, Galleria Franco Soffiantino, Turin, Italy Sam Lewitt: From A to Z and Back, Gallery Taka Ishii, Kyoto, Japan 2008 I hereby promise… etc., Miguel Abreu Gallery, New York, NY Printer, Scriptor: Folios, Galerie Buchholz, Cologne, Germany 2007 1010 in Universal City, Galleria Franco Soffiantino, Turin, Italy 2006 88 Eldridge Street / 36 Orchard Street, New York, NY 10002 • 212.995.1774 • fax 646.688.2302 [email protected] • www.miguelabreugallery.com Patience … Fortitude, Miguel Abreu Gallery, New York, NY SELECTED GROUP -
The Work of Giorgos Kontis (B.1981 Athens) Focuses on Abstract Painting and on Its Function As an Image
The work of Giorgos Kontis (b.1981 Athens) focuses on abstract painting and on its function as an image. It becomes a contemplation on the autonom! the painted image gains, triggering #uestions on authenticity and the artistic agency. Giorgos studied at the Athens $chool of %ine Arts, at the Academ! of &isual Arts (Ad'K) in Munich and at the Uni*ersity of Arts (UdK) in 'erlin. +e did a (%A at $t.Joost Academ! in 'reda" -etherlands, and he holds a practice based .h/ in Painting" from the 0oya 1ollege of Art in 2ondon" on the notion of Authenticity. +e li*es and works in 'erlin and Athens. $o o $hows 3419 Mother Tongue" 1ru5 Galerie" Athens, Greece. 1urated b! Katerina -ikou The Threatening Image" Ph/ &i*a 65hibition" +ockne! Galler!" 01A, 2ondon" UK 3417 Ian Kiaer Presents Giorgos Kontis" Ian Kiaer8s studio, 'ow Arts 2ondon" UK 3419 0" Galerie Kunstbuero, &ienna Art %oundation (with Just :uist)" &ienna" Austria 341; Winter Kept Us Warm" 6urocontrol +ead#uarters, 'russels, 'elgium Let Gooo project" 0uimte 1aesuur" Middelburg" -etherlands. 1urated b! Just :uist 3414 Kaplanon < Galler!" Athens, Greece Group $hows 3434 The Space of Emplacement (works from the 1hristos 1hristofis 1ollection)" $tudio53 Galler!" Athens, Greece Art-Athina !"nline E#ition$" 1ru5 Galerie" Athens" Greece -ationa Theatre of -orthern Greece" 65hibition accompan!ing the pla! =The 'irds” %uarantine E&hi'ition !"nline$" $tudio53 Galler!" Athens, Greece. 1urated b! /ionisis 1hristophilogiannis, $otirios 'ahtsetzis, 2!dia Pribisova" -icolas &am*ouklis In Praise of Sha#ows" Ione and Mann Galler!" 'elgra*ia 2ondon" UK Someone Else)s *ostalgia" 1ru5 Galerie" Athens" Greece.