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Tenor Saxophone Mouthpiece When
MAY 2014 U.K. £3.50 DOWNBEAT.COM MAY 2014 VOLUME 81 / NUMBER 5 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editors Ed Enright Kathleen Costanza Art Director LoriAnne Nelson Contributing Designer Ara Tirado Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, -
Mapping Australia's Public Domain
FOR THE TERM OF HIS NATURAL LIFE… PLUS SEVENTY YEARS: MAPPING AUSTRALIA’S PUBLIC DOMAIN CATHERINE MICHELLE BOND A THESIS SUBMITTED IN FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY FACULTY OF LAW UNIVERSITY OF NEW SOUTH WALES FEBRUARY 2010 ABSTRACT This Thesis considers the concept of the ‘public domain’ and whether such a space exists, or has the capacity to exist, under Australian copyright law. Rather than the bulk of public domain literature that presumes that the public domain is an intrinsically valuable space, the Thesis commences from the premise that the role and history of a national public domain must be examined before any judgment on its benefit can be made. Therefore it seeks to situate the public domain by referring to solely Australian issues of constitutional and copyright law, from the enactment of the first colonial copyright statutes through to the Copyright Act 1968 (Cth). The Thesis begins with an evaluation of two doctrines of the Australian Constitution: section 51(xviii), which provides the Federal Parliament power to make laws with respect to ‘copyrights’; and the implied guarantee of freedom of political communication, the only doctrine guaranteeing any form of freedom of expression in the Constitution. This discussion examines whether there has been or is any role for the public domain within these doctrines. Following this constitutional analysis, the focus of this research turns to an evaluation of the copyright laws passed in the pre-Federation colonies through to today and the standing of the public domain under these statutes. Both the specifics of a number of the provisions contained in these statutes and the social history surrounding the passing of these laws are analysed to create a greater understanding of the role and standing of the public domain from pre-Federation Australia to the present day. -
Archives of American Art Journal, Vol. 49 Nos. 1-2: the Anniversary Issue
From the director This year marks the fiftieth anniversary of theArchives of American Art Journal. What started as a modest pamphlet for announcing new acquisitions and other Archives’ activities soon blossomed into one of the signature publications for the dissemination of new research in the field of American art history. During its history, the Archives has published the work of most of the leading thinkers in the field. The list of contributors is far too long to include, but choose a name and most likely their bibliography will include an essay for the Journal. To celebrate this occasion, we mined the Journal’s archive and reprinted some of the finest and most representative work to have appeared in these pages in the past five decades. Additionally, we invited several leading scholars to prepare short testimonies to the value of the Journal and to the crucial role that the Archives has played in advancing not only their own work, but its larger mission to foster a wider appreciation and deeper understanding of American art and artists. I’m particularly grateful to Neil Harris, Patricia Hills, Gail Levin, Lucy Lippard, and H. Barbara Weinberg for their thoughtful tributes to the Journal. Additionally, I’d like to thank David McCarthy, Gerald Monroe, H. Barbara Weinberg, and Judith Zilczer for their essays. And I would like to make a very special acknowledgement to Garnett McCoy, who served as the Journal’s editor for thirty years. As our current editor Darcy Tell points out, the Journal’s vigor and intellectual rigor owe much to Garnett’s stewardship and keen Endpapers inspired by the Artists' Union logo. -
Andy Warhol's
13 MOST BEAUTIFUL... SONGS FOR ANDY WARHOL’S SCREEN TESTS FEAUTURING DEAN & BRITTA JANUARY 17, 2015 OZ ARTS NASHVILLE SUPPORTS THE CREATION, DEVELOPMENT AND PRESENTATION OF SIGNIFICANT CONTEMPORARY PERFORMING AND VISUAL ART WORKS BY LEADING ARTISTS WHOSE CONTRIBUTION INFLUENCES THE ADVANCEMENT OF THEIR FIELD. ADVISORY BOARD Amy Atkinson Karen Elson Jill Robinson Anne Brown Karen Hayes Patterson Sims Libby Callaway Gavin Ivester Mike Smith Chase Cole Keith Meacham Ronnie Steine Jen Cole Ellen Meyer Joseph Sulkowski Stephanie Conner Dave Pittman Stacy Widelitz Gavin Duke Paul Polycarpou Betsy Wills Kristy Edmunds Anne Pope Mel Ziegler aA MESSAGE FROM OZ ARTS President John F. Kennedy had just been assassinated, the Civil Rights Act was mere months from inception, and the US was becoming more heavily involved in the conflict in Vietnam. It was 1964, and at The Factory in New York, Andy Warhol was experimenting with film. Over the course of two years, Andy Warhol selected regulars to his factory, both famous and anonymous that he felt had “star potential” to sit and be filmed in one take, using 100 foot rolls of film. It has been documented that Warhol shot nearly 500 screen tests, but not all were kept. Many of his screen tests have been curated into groups that start with “13 Most Beautiful…” To accompany these film portraits, Dean & Britta, formerly of the NY band, Luna, were commissioned by the Pittsburgh Cultural Trust and The Andy Warhol Museum in Pittsburgh, Pennsylvania, to create original songs, and remixes of songs from musicians of the era. This endeavor led Dean & Britta to a third studio album consisting of a total of 21 songs titled, “13 Most Beautiful.. -
OMC | Data Export
Aimee Hinds, "Entry on: Awful Sound (Oh Eurydice) by Arcade Fire ", peer-reviewed by Susan Deacy and Elżbieta Olechowska. Our Mythical Childhood Survey (Warsaw: University of Warsaw, 2020). Link: http://omc.obta.al.uw.edu.pl/myth-survey/item/1128. Entry version as of October 06, 2021. Arcade Fire Awful Sound (Oh Eurydice) Canada (2013) TAGS: Underworld We are still trying to obtain permission for posting the original cover. General information Title of the work Awful Sound (Oh Eurydice) Title of the Album(s) Reflektor Sonovox; Merge Records / Arcade Fire; Markus Dravs; James Studio/Production Company Murphy Country of the First Edition Canada Country/countries of popularity worldwide Original Language English, French First Edition Date 2013 Arcade Fire, Reflektor: Awful Sound (Oh Eurydice), Sonovox; First Edition Details Merge Records / Arcade Fire; Markus Dravs; James Murphy, October 28, 2013, 6:13 min. Running time 6:13 min. Format CD, Vinyl, Digital Official Website arcadefire.com (accessed: September 22, 2020) iTunes (accessed: September 22, 2020) Available Onllne Spotify (accessed: September 22, 2020) Genre Indie rock*, Narrative song* Target Audience Young adults Aimee Hinds, University of Roehampton, Author of the Entry [email protected] 1 This Project has received funding from the European Research Council (ERC) under the European Union’s Horizon 2020 Research and Innovation Programme under grant agreement No 681202, Our Mythical Childhood... The Reception of Classical Antiquity in Children’s and Young Adults’ Culture in Response to Regional and Global Challenges, ERC Consolidator Grant (2016–2021), led by Prof. Katarzyna Marciniak, Faculty of “Artes Liberales” of the University of Warsaw. -
Qurrat Ann Kadwani: Still Calling Her Q!
1 More Next Blog» Create Blog Sign In InfiniteBody art and creative consciousness by Eva Yaa Asantewaa Tuesday, May 6, 2014 Your Host Qurrat Ann Kadwani: Still calling her Q! Eva Yaa Asantewaa Follow View my complete profile My Pages Home About Eva Yaa Asantewaa Getting to know Eva (interview) Qurrat Ann Kadwani Eva's Tarot site (photo Bolti Studios) Interview on Tarot Talk Contact Eva Name Email * Message * Send Contribute to InfiniteBody Subscribe to IB's feed Click to subscribe to InfiniteBody RSS Get InfiniteBody by Email Talented and personable Qurrat Ann Kadwani (whose solo show, They Call Me Q!, I wrote about Email address... Submit here) is back and, I hope, every bit as "wicked smart and genuinely funny" as I observed back in September. Now she's bringing the show to the Off Broadway St. Luke's Theatre , May 19-June 4, Mondays at 7pm and Wednesdays at 8pm. THEY CALL ME Q is the story of an Indian girl growing up in the Boogie Down Bronx who gracefully seeks balance between the cultural pressures brought forth by her traditional InfiniteBody Archive parents and wanting acceptance into her new culture. Along the journey, Qurrat Ann Kadwani transforms into 13 characters that have shaped her life including her parents, ► 2015 (222) Caucasian teachers, Puerto Rican classmates, and African-American friends. Laden with ▼ 2014 (648) heart and abundant humor, THEY CALL ME Q speaks to the universal search for identity ► December (55) experienced by immigrants of all nationalities. ► November (55) Program, schedule and ticket information ► October (56) ► September (42) St. -
Bloc Party Gets Intimate on New LP
---~~A~~F~S:~-~ -, --- PAGE6 .&.. · _ ___:--t_ · SEPTEMBER 2- 8 2008 The Expmdalb>les bring SFI showcases singing Sita reggae grooves to SS·U R<;>sEMCMACKIN 1930's. Her jazz and blues recordings StaffWriter give vibrant life and voice to Sita. Paley's animation style is wildly A'1ANDA CRAVER Prairie Sun Studios right here in Cotati. imaginative: the animated Sita resembles StaffWriter This versatile band combines punk rock, The colorfully animated "Sita Sings Betty Boop, the Sri Lankan king sports reggae, and 80's style guitar flare to cre the Blues," is the first feature-length of multiple heads, and Rama's skin is the ate a sound that fans just can't seem to fering from independent filmmaker Nina color of blue bells. Start the semester out with a bang get enough of. Paley, and it's making its Northern Cali Paley uses an abundance of vary and see what kind of entertainment No longer the rookies on the tour, fornia debut this week. ing visual styles, including several sty Sonoma State University is bringing The Expendables have accumulated a The Sonoma Film Institute will be listically rotoscoped sequences. The your way! rather large fan base of their own. Some screening Paley's unique vision of the psychedelic animation features a cast On Sept. 13, the Back to School of their most popular songs include "No "Ramayana" at Warren Auditorium in of hundreds, including flying monkeys, Concert in the Commons will feature Time to Worry," "One Night Stand," and Ives Hall. Screenings will be held on evil monsters, gods, goddesses, warriors, "24/7". -
Happy New Year to All 617-227-8929617-227-8929 Gorilla Exhibit), and 3:00 Pm at the Franklin Farm Barn
VOL. 117 - NO. 52 BOSTON, MASSACHUSETTS, DECEMBER 27, 2013 $.30 A COPY ❄ 1 Celebrate First Night Boston ❄20 ❄ 3 ❄ ❄ Happy ❄ New Year from Pamela Donnaruma and the Staff of the Post-Gazette Ice Sculptures are a favorite of Boston’s First Night Celebration and all will be available to see from 2:00 pm to 12:00 am. (Photo courtesy of entertainmentdesigner.com) It’s that time of year again city and Socially Scene is Night announcement: But- 2014 where we find ourselves ask- bringing you a detailed list- ton holders will get a chance ing the question, “What am ing. If you’re looking to see the U.S. Figure Skat- I going to do for New Year’s for more information on ing Team before Sochi with Eve?” Luckily Boston has one events or where to purchase a buy-one-get-one-free deal News Briefs of the most festive celebra- your buttons you can visit for the 2014 Prudential U.S. tions in the country with www.firstnightboston.org. Championships. by Sal Giarratani more activities than you can Also, Boston be sure to hang This January, Boston will imagine. First Night is full onto those buttons as Mayor of events all throughout theMenino made his last First (Continued on Page 8) If You Like Your Medicine, You Can Keep Your Medicine? Remember all those false promises that Presi- Welcome Mayor Walsh, Thank You Mayor Menino dent Obama kept saying. “If you like your health by Sal Giarratani plan, you can keep it.” Ditto for your doctor. Well, Boston’s economy continues now it turns out you may not be able to even keep to grow and prosper. -
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28 Established 1961 Tuesday, March 20, 2018 Lifestyle Gossip Fifth Harmony announce hiatus ifth Harmony are going on hiatus. time to learn and grow creatively and The ‘Work From Home’ hitmakers - really find out footing as individuals. In Fwhich are comprised of Ally Brooke, doing this we are allowing ourselves to Normani, Dinah Jane and Lauren Jauregui gain new experiences, strengths and per- - have decided to go on a break, six years spectives that we can bring back to our after they formed on US TV show ‘The X Fifth Harmony family.” The ‘Worth It’ hit- Factor’, in order to focus on solo projects. makers - whose fifth member, Camila They announced in a statement: Cabello, quit in December 2016 - went on “Reflecting on the past six years since we to thank fans for their support and prom- started on ‘X Factor’, we’ve realized just ised that concerts they have scheduled in how far we’ve come and we appreciate 2018 will still be going ahead as planned. everything so much, more now than ever. The statement concluded: “To our “We’ve really had one hell of a memorable Harmonizers, thank you for everything we journey together and can’t begin to have been able to build as Fifth Harmony. express our gratitude to y’all for coming With your love and encouragement we along with us on this wild ride!” “After six will continue to build on ourselves, sup- years gong hard, non stop, we also real- port one another in everything we do, and ized that in order to stay authentic to our- keep making you proud, each other proud selves and to you, we do need to take and ourselves proud. -
Thinking out Loud About the Future of Music
Music! Thinking Out Loud About the Future of Music A RacistRacist Children'sChildren's BookBook isis Reissued:Reissued: BlackBlack IcelandIceland RespondsResponds • RememberingRemembering IcelandIceland Airwaves IcelandicIcelandic CitizenshipCitizenship CanCan bebe Yours,Yours, IfIf YouYou knowknow thethe ProcessProcess – WeWe ExplainExplain ItIt + info. A Complete City Guide and Listings: Map, Dining, Music, Arts and Events Issue 17 // Nov 2 - Dec 6 2007 02 | Reykjavík Grapevine | Issue 17 2007 | Year 5 | November 02 – December 06 The Reykjavík Grapevine Articles Vesturgata 5, 101 Reykjavík www.grapevine.is I Only Ask For Hard Work 06 [email protected] Interview with Ólafur Jóhannesson www.myspace.com/reykjavikgrapevine Published by Fröken ehf. You Too Can be a Citizen 10 The process of applying for citizenship in Iceland Editorial: +354 540 3600 / [email protected] Advertising: +354 540 3605 / [email protected] Opinions Publisher: +354 540 3601 / [email protected] Ten Little Who? 08 An opinion by Gabriele R. Gudbjartsson The Reykjavík Grapevine Staff Publisher: One Little Nigger 08 Hilmar Steinn Grétarsson An opinion by Marvin Lee Dupree [email protected] Editor: Sveinn Birkir Björnsson / [email protected] Assistant Editor: Features Steinunn Jakobsdóttir / [email protected] Editorial Intern: Big Business vs. Icelandic 12 Valgerður Þóroddsdóttir / [email protected] Will the language barrier exclude Iceland from the global economy? Contributing Writer: Ian Watson / www.ianwatson.org The Last Days of the Labels 16 -
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Winter 2016–17 OBAMA’S LEGACY PROFESSOR ROBERT Y. SHAPIRO CONSIDERS THE Columbia PRESIDENT’S TIME IN OFFICE College THE TRANS LIST SELECTIONS FROM PORTRAIT Today PHOTOGRAPHER TIMOTHY GREENFIELD-SANDERS ’74 HOMECOMING VICTORY LIONS SMACK DOWN The DARTMOUTH 9–7 Alumni in the know offer-tos fun, practical how 30 YEARS OF COLUMBIA COLLEGE WOMEN On May 13, 1987, Columbia College graduated its first coeducational class, and the College was forever changed. Join us, 30 years later, for a one-day symposium as we reflect on how women have transformed the College experience, ways College women are shaping the world and why coeducation and gender equality remain topics of great importance to us all. Save the Date SATURDAY, APRIL 22, 2017 Learn more: college.columbia.edu/alumni/ccw30years Registration opens in February. To join the Host Committee, email [email protected]. Contents 30 YEARS OF COLUMBIA COLLEGE WOMEN Columbia College CCT Today VOLUME 44 NUMBER 2 WINTER 2016–17 EDITOR IN CHIEF Alex Sachare ’71 EXECUTIVE EDITOR Lisa Palladino DEPUTY EDITOR 24 12 28 Jill C. Shomer CLASS NOTES EDITOR Anne-Ryan Heatwole JRN’09 FORUM EDITOR Rose Kernochan BC’82 CONTRIBUTING WRITER features Shira Boss ’93, JRN’97, SIPA’98 EDITORIAL INTERN 12 Aiyana K. White ’18 ART DIRECTOR The Experts Eson Chan Alumni in the know offer fun, practical how-tos. Published quarterly by the Columbia College Office of By Alexis Boncy SOA’11; Shira Boss ’93, JRN’97, SIPA’98; Alumni Affairs and Development Anne-Ryan Heatwole JRN’09; Kim Martineau JRN’97, SPS’14; for alumni, students, faculty, parents and friends of Columbia College. -
Music and Your Child a Guide for Parents and Caregivers
Music and Your Child A Guide for Parents and Caregivers Kenneth K. Guilmartin Founder/Artistic Director Music Together Worldwide Lili M. Levinowitz, Ph.D. Professor of Music Education Rowan University Music and Your Child A Guide for Parents and Caregivers Music and Your Child: A Guide for Parents and Caregivers ©1989, 1992, 1996, 2000, 2003, 2017 by Music Together LLC. No part of this publication may be photocopied, recorded, stored, transmitted, or reproduced in any form or by any means, electronic, mechanical, or otherwise, without prior written permission of Music Together LLC, 174 Nassau Street #340, Princeton NJ 08542 (800) 728-2692. Music Together® Music Together is a music and movement ap- proach to early childhood music development for infants, toddlers, preschoolers, and kindergarten children and their parents, teachers, and other primary caregivers. Originally offered to the public in 1987, it pioneered the concept of a research- based, developmentally appropriate early child- hood music curriculum that strongly emphasizes and facilitates adult involvement. The Music Together approach develops every child’s birthright of basic music competence by encouraging the actual experiencing of music rather than the learning of concepts or information about music. For further information about our program, teacher training, parent education, child-safe instruments, or national or international classes, please visit: www.musictogether.com Contents Chapter 1 ...................................................................... 7 Music Is a Basic Life Skill • Your Role Is Essential Regardless of Your Own Music Ability • What Should I Expect of My Child? • What Should I Expect of Myself? • An Important Note to Remember • Hints for Music Together at Home Chapter 2 ...................................................................