DOCSLIB.ORG

Maker Synth Sound Engine Oscillator [Sheet1!D1] Voices

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Maker Synth Sound engine Oscillator [Sheet1!D1]Voices Timbrality Presets Oscillators [Sheet1!H1]Sub Oscillators Noise Velocity Aftertouch [Sheet1!L1]Sequencer Arpeggiator # LFOs # EGs Keys Effects MSRP Prod. Date In production Ext. Audio In Midi Socket CV/Gate Modulation Matrix Filter Slope Filter Shape # of Filters Access Access Virus A Digital NCO No Access Virus B Digital NCO No Access Virus C Digital NCO No Access Virus TI Digital NCO Yes Access Virus TI2 Digital NCO Yes Acidlab Acidlab Bassline 3 Analog VCO Mono - 96 1 - - - - Yes No None [Sheet1!Q9] No 420€ Yes? Akai Akai Timbre Wolf Analog VCO 4 4 No Yes No Akai AX60 Analog VCO 6 Bitimbral 64 1 - No Akai AX73 Analog VCO 6 1 - No Akai AX80 Analog DCO 8 2 1 No Alesis Alesis Andromeda A6 Analog 16 16 256+128+Card 2 per voice 2 per voice Yes Yes Yes Yes Yes 3 per voice 3 per voice 61 Yes $2999 No yes In/Out/Thru Yes Yes 12db/24db LP,BP,HP 2 per voice Alesis Ion Virtual Analog Alesis Micron Virtual Analog ARP ARP 2500 Analog Mono No No ARP 2600 Analog Mono No 3 No ARP Avatar Analog No ARP Axxe Analog No ARP Explorer I Analog No ARP Odyssey Analog VCO 2 Paraphonic No 2 37 No Yes Korg / ARP Odyssey (See Korg) No Korg / ARP Odyssey module (See Korg) No ARP Omni No ARP Pro-Soloist No ARP Pro/DGX No ARP Quadra No ARP Quartet No Solina String Ensemble No Solina String Synthesizer No ARP Soloist No ARP Solus No Arturia Arturia MatrixBrute Analog VCO Duophonic - 256 3 Yes Yes Yes Yes Yes 49 Yes [Sheet1!R38] No Yes Yes Yes 12db/24db LP,BP,HP 2 Arturia MicroBrute Analog VCO Mono - No 1 1 No No No Yes No 1 1 25 Yes [Sheet1!R39] $299 USD 2014 Yes Yes In Yes Yes 12db LP,BP,HP 1 Arturia MiniBrute Analog VCO Mono - No 1 1 Yes Yes Yes Yes/No Yes/No 1 2 25 No Yes Yes Yes No 12db LP,BP,HP 1 Behringer Behringer DeepMind 12 Analog DCO 12 - 256 2 - Yes Yes Yes Yes 49 Yes $1,000 No No In, Out, Thru Yes Casio Casio CZ-1 Digital PD Casio CZ-1000 Digital PD 4 (8 one-osc) 4 16 2 (1 8-voice) 0 Sorta No No No No 1 6 (3 1-osc) 49 No 1984 No No In, Out No No Phase Distort LP 8 (1 per osc.) Dave Smith Instruments Dave Smith Instruments Prophet '08 Analog DCO 8 Bitimbral ? 2 - Yes Yes Yes Yes Yes 4 ? 61 No Yes No In, Out, Thru No Yes Dave Smith Instruments Prophet '08 Desktop Analog DCO 8 Bitimbral ? 2 - Yes Yes Yes Yes Yes 4 ? None No Yes No In, Out, Thru No Yes Dave Smith Instruments Mopho Keyboard Analog DCO Mono - ? 2 2 Yes Yes ? Yes Yes 4 ? 32 No No Yes In, Out/Thru No Yes Dave Smith Instruments Mopho Analog DCO Mono - ? 2 2 Yes Yes ? Yes Yes 4 ? None No No Yes In, Out/Thru No Yes Dave Smith Instruments Mopho SE Analog DCO Mono - ? 2 2 Yes Yes ? Yes Yes 4 ? 44 No No Yes In, Out/Thru No Yes Dave Smith Instruments Tetra Analog DCO 4 4 ? 2 2 Yes Yes ? Yes Yes 4 ? None No No No In, Out/Thru No Yes Dave Smith Instruments Mopho x4 Analog DCO 4 - 1024 2x4 2 Yes Yes Yes Yes, 16x4 Yes 4 ? 44 1 $999 Yes No In, Out/Thru No Yes Dave Smith Instruments Tempest Analog, Sample Multiple 6 32 452 4 [Sheet1!H54] ? Yes Yes Yes Yes Yes 4 ? No [Sheet1!Q54]Yes [Sheet1!R54] $2,000 Yes No In, Out No Yes Dave Smith Instruments Evolver Digital, Analog Multiple Mono - ? 4 - Yes Yes ? Yes Yes 4 ? None Yes No Yes In, Out/Thru No Yes Dave Smith Instruments Mono Evolver Digital, Analog Multiple Mono - ? 4 - Yes Yes ? Yes Yes 4 ? 37 Yes No Yes In, Out/Thru No Yes Dave Smith Instruments Poly Evolver Digital, Analog Multiple 4 - ? 4 - Yes Yes ? Yes Yes 4 ? 61 Yes No ? ? No Yes Dave Smith Instruments Prophet-6 Analog VCO 6 - 1000 2 1 Yes Yes Yes Yes Yes 1 2 49 Yes Yes No In, Out, Thru No No 24dB Dave Smith Instruments Prophet-6 Desktop Analog VCO 6 - 1000 2 1 Yes Yes Yes Yes Yes 1 2 None Yes Yes No In, Out, Thru No No 24dB Dave Smith Instruments OB-6 Analog VCO 6 - 1000 2 1 Yes Yes Yes Yes Yes 1 2 49 Yes $2999 Yes No In, Out, Thru No No 12dB LP/BP/HP/Notch 1 Dave Smith Instruments OB-6 Desktop Analog VCO 6 - 1000 2 1 Yes Yes Yes Yes Yes 1 2 None Yes Yes No In, Out, Thru No No 12dB LP/BP/HP/Notch 1 Dave Smith Instruments Prophet 12 Digital, Analog Multiple 12 Bitimbral 792 [Sheet1!G62] 4 1 Yes Yes Yes No Yes 4 4 61 Yes [Sheet1!R62] Yes No In, Out, Thru No Yes 12/24db LP/HP 2 Dave Smith Instruments Prophet 12 Desktop Digital, Analog Multiple 12 Bitimbral 792 [Sheet1!G63] 4 1 Yes Yes Yes No Yes 4 4 None Yes [Sheet1!R63] Yes No In, Out, Thru No Yes 12/24db LP/HP 2 Dave Smith Instruments Pro 2 Digital, Analog Multiple 4 Paraphonic 792 4 1 Yes Yes Yes Yes Yes 4 5 49 Yes [Sheet1!R64] Yes Yes In, Out, Thru Yes Yes 12/24db LP/BP/HP/Notch 2 Dreadbox Dreadbox Hades Analog VCO Mono - No 1 2 No No No No No 1 2 None No Yes ? Yes Dreadbox Erebus Analog VCO 2 Paraphonic No 2 ? No No No No No 1 2 None Yes Yes ? Yes Dreadbox Murmux Analog VCO 2 Paraphonic No 2 2 Yes No No Yes No 1 1 None No No ? Yes Dreadbox Murmux v2 Analog VCO 4 Paraphonic No 4 1 Yes No No Yes No 3 3 None Yes 2016 No Yes In, Thru Yes Yes 24db LP, HP, Notch 1 Elektron Elektron Sidstation Analog - Soundchip 3 1 1 - None No ? Elektron Monomachine SFX6 Digital None No ? Elektron Monomachine Digital 6 6 Yes None Yes No ? In, Out, Thru Elektron Analog Four Analog 4 4 1024 2 2 Yes Yes ? Yes Yes 2 + dedicated 3 None Yes [Sheet1!R74] $1,250 Yes Yes In, Out, Thru Out Yes 12/24db LP/BP/HP/Notch/Peak 2 Elektron Analog Keys Analog 4 4 1024 2 2 Yes Yes Yes Yes Yes 2 + dedicated 3 37 Yes [Sheet1!R75] $1,350 Yes Yes In, Out, Thru Out Yes 12/24db LP/BP/HP/Notch/Peak 2 Grendel Grendel Drone Commander Analog VCO No No Grendel Drone Commander 2Analog VCO No No Grendel Grenadier Analog VCO No No Korg Korg Delta Analog VCO No Korg Lambda ES50 Analog VCO No Korg Sigma Analog VCO No Korg Trident / Trident mkII Analog VCO 8 Bitimbral 3 preset, 16/32userSynth 2, Strings 1, Brass 1 - - - No No 61 Flanger 1980 No None 24db LP 1 Korg Poly-61 / Poly-61M Analog DCO 6 - 64 2 - - - Yes 61 (Get it?) No LP 1 Korg Poly-800 Analog DCO 8/4 [Sheet1!E86] 1/2 Yes [Sheet1!U86] Korg Poly-800 II Analog DCO 8/4 1/2 Yes [Sheet1!U87] Korg Volca Keys Analog VCO 3 - No 1 - No No No Yes No None Yes Yes No In No Korg MonoPoly Analog VCO 4 Paraphonic ? ? No Korg PolySix Analog VCO 6 No Korg Volca Bass Analog VCO 3 [Sheet1!E91] - No 3 - No No No Yes No ? No Yes No In No Korg Minilogue Analog VCO 4 - 200 2 - Yes Yes No Yes Yes 1 2 37 Yes [Sheet1!R92] $499 2016 Yes Yes In, Out No 12/24db LP 1 Korg MS-50 (MS-20 Expander)Analog VCO - No 1 - - - - - - No No 1 Korg MS-20 Analog VCO Mono - No 2 - Yes No No No No 1 2 37 No 1978-1983 No Yes No Yes Yes HP + LP 2 Korg MS-20 mini Analog VCO Mono - No 2 - Yes No No No No 37 No 2013 Yes Yes No Yes HP + LP 2 Korg MS-20 (Reissue) Analog VCO Mono - No 2 - Yes No No No No 37 No 2013 ? Yes No Yes HP + LP 2 Korg MS-20m Analog VCO Mono - No 2 - Yes No No No No - No 2014 ? Yes No Yes HP + LP 2 Korg MS-10 Analog VCO Mono - No 1 - No No No No 25 No No Yes No Yes Yes LP 1 Korg VC-10 Analog VCO / Vocoder 32 - No 1 - No No No No 32 No No Korg PS-3100 Analog VCO 48 - 2 - No No Korg PS-3200 Analog VCO 48 - 2 - No No Korg PS-3300 Analog VCO 48 2? 3 - No No Maker Synth Sound engine Oscillator [Sheet1!D1]Voices Timbrality Presets Oscillators [Sheet1!H1]Sub Oscillators Noise Velocity Aftertouch [Sheet1!L1]Sequencer Arpeggiator # LFOs # EGs Keys Effects MSRP Prod. Date In production Ext. Audio In Midi Socket CV/Gate Modulation Matrix Filter Slope Filter Shape # of Filters Korg / ARP Odyssey Analog VCO "Duophonic" - No 2 - No? No No No No 1 37 No $1000? Yes In Yes Korg / ARP Odyssey Module Analog VCO "Duophonic" - No 2 - No? No No No No 1 37 No Yes In Yes No Korg Volca FM FM NCO 3 - 32? 6 - No No No Yes Yes 1 6 27 [Sheet1!Q105]Yes [Sheet1!R105] Yes No In No - - - Korg MS2000 Virtual Analog NCO 4 Bitimbral 128? 2 Yes ? ? Yes Yes 44 Yes Yes Yes Korg Microkorg Virtual Analog NCO 4 Bitimbral Yes ? ? Yes Yes Yes Korg R3 Virtual Analog NCO 8 Bitimbral 2 1 Yes Yes No No Yes 2 3 37 Yes No Yes In, Out, Thru No Yes Varible LP/BP/HP/COMB 2 Korg Kingkorg Virtual Analog NCO 24 Bitimbral 300 3 Yes Yes No No Yes 61 Yes Yes Yes In, Out No Yes LP/BP/HP 1 Korg RADIAS Virtual Analog NCO 24 Quadtimbral 256 2 1 Yes Yes No Yes Yes 2 3 None Yes No Yes In, Out, Thru No Yes Varible LP/BP/HP/COMB 2 MFB MFB Dominion 1 Analog VCO Mono - 3 Yes Yes Yes Yes Yes No Yes In, Out, Thru Yes Yes Modal Electronics Modal Electronics 008 ? Yes Modal Electronics 002 ? Modal Electronics 001 ? Yes Moog Moog Concertmate MG-1 Analog VCOMono Synth, 32 Poly Strings 2 No No No No No Moog Etherwave Theremin Analog VCO Mono - No No No No No No Moog Liberation Analog VCOMono Synth, 10 Poly Strings No Moog Minimoog Analog VCO Mono - No 3 - Yes No No No No No? 2 No No Yes No Yes No 24dB 1 Moog Memorymoog Analog VCO 3 No Moog Micromoog Analog VCO Mono 1 No Moog Minimoog Voyager Analog VCO Mono - 3 - No Moog Minimoog Voyager XLAnalog VCO - No Moog Minitaur Analog VCO Mono - 100? 2 - Yes No No No None No ? Moog Minitmoog Analog VCO No Moog Multimoog Analog VCO No Moog Mother 32 Analog VCO Mono - No 1 - Yes Assignable Assignable Yes No 1 1 None No $600 2015 Yes Yes In Yes Yes 24db LP, HP 1 Moog Opus-3 Analog VCO No Moog Sub37 Analog VCO Duophonic - 2 1 Yes Yes Yes Yes Yes 2 2 37 No $1,500 Yes Moog Polymoog Analog VCO 71 2 No Moog Polymoog Keyboard Analog VCO 2 No Moog Prodigy Analog VCO Mono - 2 No Moog Rogue Analog VCO Mono - 2 No Moog Satellite Analog VCO Mono - 1 No Moog Sonic Six Analog VCO Duophonic - 2 No Moog Source Analog VCO Mono - 2 No Moog Taurus I Analog VCO Mono - 2 No No Moog Taurus II Analog VCO Mono - 2 No No Moog Sub Phatty Analog VCO Mono - 16 1 ? Moog Theremini Digital Wavetable Mono - Yes Moog Little Phatty Analog VCO Mono - 100 2 - Modulation source
Recommended publications
  • Moogerfooger® MF-107 Freqbox™

    Moogerfooger® MF-107 Freqbox™

    Understanding and Using your moogerfooger® MF-107 FreqBox™ TABLE OF CONTENTS Introduction.................................................2 Getting Started Right Away!.......................4 Basic Applications......................................6 FreqBox Theory........................................10 FreqBox Functions....................................16 Advanced Applications.............................21 Technical Information...............................24 Limited Warranty......................................25 MF-107 Specifications..............................26 1 Welcome to the world of moogerfooger® Analog Effects Modules. Your Model MF-107 FreqBox™ is a rugged, professional-quality instrument, designed to be equally at home on stage or in the studio. Its great sound comes from the state-of-the- art analog circuitry, designed and built by the folks at Moog Music in Asheville, NC. Your MF-107 FreqBox is a direct descendent of the original modular Moog® synthesizers. It contains several complete modular synth functions: a voltage-controlled oscillator (VCO) with variable waveshape, capable of being hard synced and frequency modulated by the audio input, and an envelope follower which allows the dynamics of the input signal to modulate the frequency of the VCO. In addition the amplitude of the VCO is controlled by the dynamics of the input signal, and the VCO can be mixed with the audio input. All performance parameters are voltage-controllable, which means that you can use expression pedals, MIDI-to-CV converter, or any other source of control voltages to 'play' your MF-107. Control voltage outputs mean that the MF-107 can be used with other moogerfoogers or voltage controlled devices like the Minimoog Voyager® or Little Phatty® synthesizers. While you can use it on the floor as a conventional effects box, your MF-107 FreqBox is much more versatile and its sound quality is higher than the single fixed function "stomp boxes" that you may be accustomed to.
  • Prices Subject to Change Without Notice. Call Today Or Visit Us Online! Keyboard Workstations & Synthesizers 299

    Prices Subject to Change Without Notice. Call Today Or Visit Us Online! Keyboard Workstations & Synthesizers 299

    298 KEYBOARD WORKSTATIONS & SYNTHESIZERS NEW! ROLAND JUPITER-50 SYNTHESIZER A 76-key, 128-voice synth for both studio and stage performances. Combines the expression of the JUPITER-80 with the travel friendliness of the JUNO series, bringing SuperNATURAL® sound and pro performance to every stage and studio. Features weighted keyboard, friendly user interface with intui- tive color-coded buttons/sliders, registration function for saving and selecting sounds instantly, pro-quality multi-effects and reverb, and USB audio/MIDI functionality. • Expressive performance controllers (D BEAM, pitch/mod lever, & control in jacks) • Bundled with SONAR LE and JUPITER-50 Control Surface plug-in for SONAR. • Over 1,500 SuperNATURAL® synthesizer tones ITEM DESCRIPTION PRICE JP-50......................... JUPITER-50 synthesizer ...................................................................1999.00 ROLAND JUNO-GI MOBILE SYNTHESIZER Roland’s JUNO-GI has over 1,300 ROLAND JUPITER 80 The latest incarnation of one of the most legendary sounds, an onboard eight-track digital recorder, and professional effects cre- names in synthesis. The Jupiter 80 is a live performance powerhouse with 256 ated by BOSS. Over 1,300 factory selections cover a wide array of instrument polyphonic voices. There is a full color touch screen and plenty of assignable types and musical styles, and Tone Category buttons help you scan the vast buttons, knobs, pitch and mod wheels, and a D-Beam controller. library with ease. • Fat, multi-layered SuperNATURAL sound set • AC Adapter or
  • El Padre Del Sinte Y, Quizá, El Hombre Más Influyente En La

    El Padre Del Sinte Y, Quizá, El Hombre Más Influyente En La

    Pioneros FM BOB MOOG La gente corriente conoce muy pocos nombres de creadores de instrumentos –Stradivarius, Hammond, Wurlitzer, Fender, Gibson… y por supuesto, Moog OB MOOG, en una revista de electrónica. EL padre del De repente, en plena adolescencia, sintetizador y, “El padre del sinte y, ya estaba haciendo y vendiendo kits con quizá, el hombre su pequeña empresa R.A. Moog Co. más influyente quizá, el hombre más En 1961, siendo todavía un estudiante, en la música publicó un diseño de theremin a durante las transistores del cual vendió más de mil últimas cinco influyente en la música unidades, bien como kits de montaje Bdécadas, murió el pasado 21 de Agosto. de los últimos 50 años” o como instrumentos finalizados. Tenía 71 años –una edad respetable para A partir de entonces, conoció muchos, pero no para él. Cualquiera al pionero de la música electrónica que haya podido compartir algún Raymond Scott, quien producía jingles momento con el entrañable Bob antes para importantes cadenas de TV de que le diagnosticaran un tumor cerebral en disfrutar durante unas horas de su inspiradora, con su enorme muro de equipos electrónicos. Abril de este mismo año, te confirmará que carismática y entrañable compañía. Es posible que aquello le inspirase, porque estaba lleno de energía, humor y vitalidad, así Por no molestar, Moog prefería viajar en tren a principios de los 60, Moog presentó, que es una auténtica pena que no haya podido o en autobús antes que aceptar el ofrecimiento de posiblemente, la mayor revolución de la música seguir algunas décadas más entre nosotros.
  • Rack Mount Edition by R.Stephen Dunnington

    Rack Mount Edition by R.Stephen Dunnington

    USER’s MANUAL for the Rack Mount Edition By R.Stephen Dunnington Here it is – the Minimoog Voyager Rack Mount Edition®. Moog Music has put more than 30 years of experience with analog synthesizer technology into the design of this instrument to bring you the fattest lead synthesizer since the minimoog was introduced in 1970. We’ve done away with the things that made 30-year- old analog synthesizers difficult – the tuning instability, the lack of patch memory, and the lack of compatibility with MIDI gear. We’ve kept the good parts – the rugged construction, the fun of changing a sound with knobs in real time, and the amazing, warm, fat, pleasing analog sound. The Voyager is our invitation to you to explore analog synthesis and express yourself. It doesn’t matter what style of music you play – the Voyager is here to help you tear it up in the studio, on stage, or in the privacy of your own home. Have fun! Acknowledgements – Thanks to Bob Moog for designing yet another fantastic music making machine! Thanks are also due to the Moog Music Team, Rudi Linhard of Lintronics for his amazing software, Brian Kehew, Nigel Hopkins, and all the great folks who contributed design ideas, and of course, you – the Moog Music customer. TABLE OF CONTENTS: I. Getting Started……………………………………………………... 2 II. The Basics of Analog Synthesis…………………………………… 5 III. Basic MIDI................................................................................ 12 IV. The Voyager’s Features…………………………………………… 13 V. The Voyager’s Components A. Mixer……………………………………………………………... 17 B. Oscillators……………………………………………………….. 19 C. Filters…………………………………………………………….. 22 D. Envelope Generators………………………………………….. 26 E. Audio Outputs…………………………………………………… 28 F.
  • Synthesizer-Guide 2018

    Synthesizer-Guide 2018

    Synthesizer 1 Guide 2018 Guide Nr. 9 Guide Nr. Synthesizer Sonnenstraße 15 Tel: 0049/(0)89/55146-116 D-80331 München www.hieber-lindberg.de www.hieber-lindberg.de [email protected] www.hieber-lindberg.de [email protected] Vorwort Novation PEAK Seite 4 Liebe Synthesizer-Freunde! 2 8-stimmiger Hybrid-Synthesizer 3 Jedes Jahr scheint ein neuer, überraschender Höhepunkt im Synthesizer-Sektor Roland SH-01A Seite 8 erreicht. Überraschend insofern, als man eine Sättigung des Marktes annehmen Analoger Klassiker im Boutique Format könnte. Gibt es nicht schon genug monophone Analogsynthesizer? (Nein.) Sind neue Eurorack-Module überhaupt noch möglich? (Ja.) Und was ist mit den poly- Arturia MatrixBrute Seite 10 phonen Analogen, sind diese endlich mal auf der Überholspur unterwegs? (Korg Paraphoner Analog-Synthesizer steigt zu DSI in den Poly-Ring: Die Überholspur ist eröffnet.) Hätte man als Musi- ker die nötigen Zeitressourcen, würde man umgehend (!) einen MatrixBrute samt Korg Prologue Seite 14 einiger der neuen Eurorack-Module ins Studio holen, dazu noch einen Peak und 8- bzw. 16-stimmiger Analog-Synthesizer einen Prologue. Dann Türe zu und genüssliches Klang-Forschen - für mindestens Roland/Studio Electronics SE-02 Seite 16 drei Jahre (oder mehr). Das Potenzial dazu hätten alle genannten Instrumente. Monophoner Analog-Synthesizer Doch natürlich sieht das wahre Leben anders aus. Hier heißt es Entscheidungen Hieber Lindberg Shop Seite 19 treffen - für dieses oder für jenes Instrument. Neuer „Polyphonic Eurorack Syn- Preisliste Synthesizer / Modularsysteme / Module thesizer“ von Doepfer gefällig, zusammen mit Vermonas randomRHYTHM- und twinCussion-Modul - alles im Arturia RackBrute-System verbunden mit dem Mini- Hieber Lindberg News Seite 26 Brute 2? Klingt nicht schlecht.
  • Immer Wieder Breit Moog Minimoog Voyager Select Series – Monofoner Synthesizer

    Immer Wieder Breit Moog Minimoog Voyager Select Series – Monofoner Synthesizer

    _ g 058 test minimoog voyager select Immer wieder breit Moog Minimoog Voyager Select Series – Monofoner Synthesizer Eigentlich muss man über den Minimoog Voyager nicht mehr viele Worte verlieren. Das Instrument gilt nicht nur unter Freaks als das absolute Sahneteil in Sachen „Analogsound-mitten-ins-Gesicht“. Dass wir diesem Ausnahmefetisch trotzdem erneut ein paar Zeilen widmen, hat damit zu tun, dass das Teil jüngst ein neues Gewand bekommen hat. Und – ach ja! – ein paar Neuigkeiten gibt’s auch zu berichten. text: Dr. Stefan Albus fotos: Dieter Stork, Archiv Im Ernst: Auch wem es völlig egal ist, ob die des Panels zu entzücken weiß (Fire, Blue, Solar, Voyager ist ein kleines, unscheinbares Poti Bässe, mit denen er seinen Groove dahermal- Lunar und Jade). Die Story hinter diesem opti- rechts neben der Tastatur, das der Regelung der men lässt, aus einem Renderer oder aus echter schen Update ist schnell erzählt: Bereits 2004 Hintergrundbeleuchtung dient. Seine Wirkung Elektronik kommen, der dürfte seinen Hut zie- brachte Moog eine „Electric Blue“ getaufte, sei hier nur trocken umrissen: Bei Rechtsdre- hen ob der Jahre, die der Minimoog Voyager schwarz-blaue Gary-Numan-Style-Variante der inzwischen auf dem Buckel hat. Fünf Lenze: Das Maschine heraus. Folge: Gib den Leuten den profil ist schon was in einer Branche, und manche kleinen Finger und ... Jedenfalls hofft man bei Keyboarder fragen sich, ob sie eigentlich noch Moog, dass mit den neuen „Selects“ die vielen Hersteller / Vertrieb: Instrumente oder Fashion-Items spielen. Anfragen nach individuell eingetönten Instru- Moogmusic / Und sicher auch ein legitimer Grund, dem Voyager menten erst mal abebben.
  • BOX DIMENSIONS Width, Height

    BOX DIMENSIONS Width, Height

    2/19/2015 BOX DIMENSIONS width, height div { CSS height: 300px; width: 400px; background-color: #ee3e80;} p { height: 75%; width: 75%; background-color: #e1ddda;} RESULT 1 2/19/2015 LIMITING WIDTH min-width, max-width CSS td.description { min-width: 450px; max-width: 650px; text-align: left; padding: 5px; margin: 0px;} RESULT 2 2/19/2015 LIMITING HEIGHT min-height, max-height h2, p { CSS width: 400px; font-size: 90%; line-height: 1.2em;} h2 { color: #0088dd; border-bottom: 1px solid #0088dd;} p { min-height: 10px; max-height: 30px;} RESULT 3 2/19/2015 OVERFLOWING CONTENT overflow CSS p.one { overflow: hidden;} p.two { overflow: scroll;} RESULT 4 2/19/2015 BORDER, MARGIN & PADDING BORDER MARGIN PADDING WHITE SPACE & VERTICAL MARGIN Moog Moog Moog synthesizers were created Moog synthesizers were created by Dr. Robert Moog under the by Dr. Robert Moog under the company name Moog Music. company name Moog Music. Popular models include Moog Popular models include Moog Modular, Minimoog, Micromoog, Modular, Minimoog, Micromoog, Moog Rogue, and Moog Source Moog Rogue, and Moog Source Arp Arp ARP Instruments Inc. was set up ARP Instruments Inc. was set up by Alan Peralman, and was the by Alan Peralman, and was the main competitor for Moog during main competitor for Moog during the 1970's. Popular models the 1970's. Popular models include the Arp 2600 and the include the Arp 2600 and the ARP Odyssey. ARP Odyssey. Sequential Circuits Sequential Circuits Inc was Sequential Circuits founded by Dave Smith, and the Sequential Circuits Inc was company was pivotal in the founded by Dave Smith, and the creation of MIDI.
  • Download PDF of This Issue

    Download PDF of This Issue

    S e p t W c t ^ '' - 1981 — S 2 . 5 / J \ f l \ % ELECTRONICPOLUPHOIMU MUSIC & HOME RECORDING ISSN : 0161- 4M4. ; 1 lasr *SkSi? 5 'jh 'SS O'J Psycho-Acoutic Experiments / Super Controller for SyntAe THE ULTIMATE KEYBOARD The Prophet-10 is the most complete keyboard instrument available today. The Prophet is a true polyphonic programmable synthesizer with 10 complete voices and 2 manuals. Each 5 voice keyboard has its own programmer allowing two completely different sounds to be played simultaneously. All ten voices can also be played from one keyboard program. Each voice has 2 voltage controlled oscillators, a mixer, a four pole low pass filter, two ADSR envelope generators, a final VCA and independent modula­ tion capabilities. The Prophet-10’s total capabilities are too The Prophet-10 has an optional polyphonic numerous to mention here, but some of the sequencer that can be installed when the Prophet features include: is ordered, or at a later date in the field. It fits * Assignable voice modes (normal, single, completely within the main unit and operates on double, alternate) the lower manual. Various features of the * Stereo and mono balanced and unbalanced sequencer are: outputs * Simplicity; just play normally & record ex­ * Pitch bend and modulation wheels actly what you play. * Polyphonic modulation section * 2500 note capability, and 6 memory banks. * Voice defeat system * Built-in micro-cassette deck for both se­ * Two assignable & programmable control quence and program storage. voltage pedals which can act on each man­ * Extensive editing & overdubbing facilities. ual independently * Exact timing can be programmed, and an * Three-band programmable equalization external clock can be used.
  • 11C Software 1034-1187

    11C Software 1034-1187

    Section11c PHOTO - VIDEO - PRO AUDIO Computer Software Ableton.........................................1036-1038 Arturia ...................................................1039 Antares .........................................1040-1044 Arkaos ....................................................1045 Bias ...............................................1046-1051 Bitheadz .......................................1052-1059 Bomb Factory ..............................1060-1063 Celemony ..............................................1064 Chicken Systems...................................1065 Eastwest/Quantum Leap ............1066-1069 IK Multimedia .............................1070-1078 Mackie/UA ...................................1079-1081 McDSP ..........................................1082-1085 Metric Halo..................................1086-1088 Native Instruments .....................1089-1103 Propellerhead ..............................1104-1108 Prosoniq .......................................1109-1111 Serato............................................1112-1113 Sonic Foundry .............................1114-1127 Spectrasonics ...............................1128-1130 Syntrillium ............................................1131 Tascam..........................................1132-1147 TC Works .....................................1148-1157 Ultimate Soundbank ..................1158-1159 Universal Audio ..........................1160-1161 Wave Mechanics..........................1162-1165 Waves ...........................................1166-1185
  • ORIGINAL GAME SOUNDTRACK —— Disc 1 —— Act I 1

    ORIGINAL GAME SOUNDTRACK —— Disc 1 —— Act I 1

    ORIGINAL GAME SOUNDTRACK —— Disc 1 —— Act I 1. Hostility 5:22 2. Survival 4:44 3. Exile 6:33 4. Refinement 5:12 5. Complexity 5:30 6. Goliath 2:40 Act II 7. Darkness Eternal 4:36 8. Europa 7:51 9. Regrowth 8:20 10. Really Cold Pain 4:36 11. Meddler 5:24 12. Taurus 3:59 13. Tetrahedron 6:16 14. Enhancement 6:55 —— Disc 2 —— Act III 1. Plus Ultra 6:00 2. Unmanned 6:30 3. Far Flung 7:44 4. Discovery 5:06 5. Spiral Tide 5:33 6. Hidden Grind 3:03 Extras 7. Prepare For Overload 2:28 8. Simulator 1:58 9. Aggression 3:04 10. Tunnel 1:34 11. Decompression 1:27 12. Failure 2:40 13. Beale 1:35 14. Trinidad 1:25 15. Revival 1:21 16. Approach 1:49 17. Evacuation 0:22 18. Level Up 6:44 Total runtime 2:32:54 The soundtrack to Overload is a collection of original game music from artists around the world. Although they have unique musical backgrounds and histories, they share in common a passion for immersive platforms with untethered freedom and full control. Such an experience is Overload. Dan Wentz (Disc 1 Tracks 7, 9-12. Disc 2 Tracks 6-15, 17, 18) danwentz.com soundcloud.com/daniel-wentz It is a great honor and thrill to be involved in this project and I hope you enjoy the results of all of the hard work. I especially enjoyed seeing some familiar faces again and working on a common vision together.
  • Harpsichord 8' Delicate Harpsichord 8' Chorus Harpsichord 8' Spacey 2

    Harpsichord 8' Delicate Harpsichord 8' Chorus Harpsichord 8' Spacey 2

    iPiano Liste partielle des instruments, issue de http://www.ikmultimedia.com/products/igrandipad/ https://itunes.apple.com/fr/app/igrand-piano-for http://www.ikmultimedia.com/products/igrandipad/index.php?pp=igrand-piano-ipad-versions Piano Expansion Pack 1 1 Grand Piano 1 1 Baby Grand 2 Classical Piano 1 2 Bright Baby Grand 3 Jazz Piano 1 3 Classical Baby Grand 4 Rock Piano 1 4 Pop Baby Grand 5 Octave Piano 5 Grand Piano 2 6 Rich Upright 6 Mellow Grand 2 7 Rock Upright 7 Rock Piano 2 8 Soft Upright 8 Saloon Piano 9 Baby Grand 9 Grammophone Upright 10 Bright Baby Grand 11 Pop Baby Grand Piano Expansion Pack 2 12 Classical Baby Grand 1 Hollywood Piano 1 13 Grand Piano 2 2 Hollywood Piano 2 14 Mellow Grand 2 3 Hollywood Piano FX 15 Rock Piano 2 4 Piano and Strings 1 16 Saloon Piano 5 Piano and Strings 2 17 Grammophone Upright 6 Piano and Strings FX 18 Jazz Upright 7 7' Grand Piano 19 Hollywood Piano 1 8 7' Grand Piano CH 20 Hollywood Piano 2 9 7' Grand Piano FL 21 Hollywood Piano FX 10 7' Grand Piano PH 22 Piano and Strings 1 11 Alt Rock Upright 23 Piano and Strings 2 12 Deep Chorus Upright 24 Piano and Strings FX 13 Bright Pop Grand 25 7' Grand Piano 14 Chorused Pop Grand 26 7' Grand Piano CH 15 Real Tack Piano 27 7' Grand Piano FL 16 Saloon Tack Piano 28 7' Grand Piano PH 17 Harpsichord 8' 29 Alt Rock Upright 18 Harpsichord 8' Delicate 30 Deep Chorus Upright 19 Harpsichord 8' Chorus 31 Bright Pop Grand 20 Harpsichord 8' Spacey 32 Chorused Pop Grand 21 2-Octave Harpsichord 1 33 Real Tack Piano 22 2-Octave Harpsichord 2 34 Saloon Tack Piano
  • Download (1MB)

    Download (1MB)

    University of Huddersfield Repository Quinn, Martin The Development of the Role of the Keyboard in Progressive Rock from 1968 to 1980 Original Citation Quinn, Martin (2019) The Development of the Role of the Keyboard in Progressive Rock from 1968 to 1980. Masters thesis, University of Huddersfield. This version is available at http://eprints.hud.ac.uk/id/eprint/34986/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ 0. A Musicological Exploration of the Musicians and Their Use of Technology. 1 The Development of the Role of the Keyboard in Progressive Rock from 1968 to 1980. A Musicological Exploration of the Musicians and Their Use of Technology. MARTIN JAMES QUINN A thesis submitted to the University of Huddersfield in partial fulfilment of the requirements for the degree of Master of Arts.