PUBLIC RECORD for F'2 - IL-( Itemp

Total Page:16

File Type:pdf, Size:1020Kb

PUBLIC RECORD for F'2 - IL-( Itemp -----..----Forwarded message ---------- From: Joan Gringer <secvii@,vahoo.com> Date: Jun 21,2007 4:33 PM Subject: Broadcasting - Film Production - Pre To: [email protected] ** CRAIGSLIST ADVISORY --- AVOID SCAMS BY DRALING LOCALLY ** Avoid: wiring money, cross-border deals, work-at-home ** Beware: cashier checks, money orders, escrow, shipping ** More Info: http://www.craigslist,org/about/sc~l To Whom It May Concern, I am a Producer in the advertising and promotion industry. I am interested in the Hotel industry as an agent for the film and entertainment industries. As a producer in NY an LA and now SoFlorida, with my contacts in the industry I would be a perfect candidate for your Hotel and Film Complex. Please email me and I will send you my resume and bio. nlank YOU, Joan Gringer - -- PUBLIC RECORD FOR f'2 - IL-( ITEMp. 1s ON 7/aLIo7 . Submitted Into the public7 reco in connection with Vlady Garcia item bQly415 on 7- =ow Priscilla A. Thompson 310.704.5922 -. City Clerk [email protected] 720 4'h St, Herrnosa Beach, CA 90254 Producer Credits Supervising Producer-Black Eye Peas Concert /Coming Home Studios (2007) Aerial Producer- Private Mexican Company / HD Wireless on Gyron / (2007) Mun2 Loco Comedy Jam - Supervising Producer (2004) LAW- " MEX 2 the MAXu - Segment Producer (2004-2005) Audience Segments 'reduction Management 1 Tech Coordinator Credits 'rivate Corr~pany- Production Manager (2007) -0GO " Cull Girls" -Tech/ Field Production Coordinator/ Sound Mixer (2006) 3ravo " Work Out" - Production Coordinator (2006) WTV Networks "8'h& Oceann- Tech Coordinator (2005) /Miami WTV Networks- ""Parental Controln- Tech Asst (2005) 3ET- "BET Awards 2005- ENG Coordinator Wun2- "CAFE TACUBA" Production Manager (2005) ,Am- Unit Production Manager (2004-2005) Studio Management MTV New WWs Years Eve "Iced Out" - Talent Logistics (2004) / NYC dH1 -"Big In 2003" -Credentials Dept. WTV Spring Break 2000- Credentials Dept. ICancun, MX Camera, Tech & Sound Credits Style Network "The Relationship Show" Pilot (2006) Sound Mixer LOGO " Curl Girlsn (2006) 4'h Unit ENG Sound Mixer Bravo- Work Out"- (sound Mixer) 3" Unit ENG Mixer Choice Game - lndependent Film / Bismarck, ND (2006) Sound Mixer LAW Live- (200412005) ENG Sound Mixer MEX 2 the MAX IKJLA (2005) ENG Sound Mixer Strictly Raza- KJLA (2005) Sound Mixer Ventana Life- Infomercials (2006) Sound Mixer Kid's Class - Independent Film (2005) Sound Mixer MTV Networks: 'Ashlee Simpson Show" (2004) 2"d A.C. MTV Networks: Carmen & Dave "Till' Death Do Us Part" (2003) Cam Asst. MW Pilot: The Wake Up Show" (2003) Production Asstl Camera Asst. FOX-"My Big, Fat Obnoxious Fiancee" - (2003) Camera Assist. Stage Management Credits MTV Spring Break'04- Nightwatch (2004) Cancun, MX DANCESTAR USA Award Show (2003 & 2004) /Miami MTV Networks - MTV Campus Invasion Tour 2003 (California) PHONE (305) 724-61 17 E-MAIL: [email protected] EDWIN MESA SUBMITTED INTO THE ---EDUCATION --- Att Institute of Ft Laudadale Fl. pRJE3FKEl:ORD FOR Associates In Science Video Production Bachelors in Video Production /2005 AWARDS RECEIVED Outstanding Achievement Award. Fashion Show 2002 Outstanding Achievement Award. Fashion Storm 2003 Outstanding Achievement Award. Joe Dirnaggio concert 2003 LANGUAGES Fluent in English and Spanish WORK EXPERIENCE 2007/Present Magical Elves, Top Chef 3 Assistant Camera/ Episodes 1-6 Production Assistant- Stage, On location The Cheesecake Factory Senior Kitchen Manager I worked with all aspects in The back of the house that includes, Schedules, Labor, Inventory MTV Latin America / Video Music Awards 2004 Camera operator Production Assis tant/Pre Production / IvfI'V Asia / Producer Assistant 2004 Camera operator Pre production and Post Production SUBMITTED INTO THE Coordinate and schedule upcoming sh PUBLIC RECORD FOR MTV Latin America IIntern 20041 Assist in the development and assembly of daily scripts for a program. I conduct extensive research of current events, music news, and pop culture for on air VJ's. Also, master tape dubbing, transcribing and logging of original footage of interviews and shows SOFTWARE (KNOWLEDGE OF SOTFTWARE--- USED IN POST PRODUCTION)- Adobe Photoshop Apple Sake 3.0 Adobe Premiere Peak Express 3.3 Adobe After Effects IDVD Media 100 Pro-tools After Affects Avid Express Final Cut 3.0 &4.0 MS Office Equipment Sct and Obcration o_f Various eauhmcnt used in Pmakction~ Sony 24 p Mini DV Cam Sony Beta SP DXC-D30 Sony PD 150 DV Cam Sony VX 2000 Mini DV Steady Cam SK2 Studio Pedestal Camera Panasonic DVC Pro 410 EZ Jib, Multi Camera set up SUBMInED INTO THE From: ~hrisRickards ~lihrisrickards~gmai~-corn>RJBLIC RECORD FOR Date: Jun 2 1,2007 4:07 PM Subject: Hi my name is Khris Rickards To: job-356845466@crai1~slist.orrr,- ** CRAIGSLIST ADVISORY --- AVOID SCAMS BY DEALING LOCALLY ** Avoid: wiring money, cross-border deals, work-at-home ** Beware: cashier checks, money orders, escrow, shipping ** More Info: http://www,craigslist.org/about/scams,html I am interested in learning more about the positions you guys are offering because I am a qualified audio assistant, production assistant and also graduated fully capable of handling any broadcasting duties. I have taken the liberty of pasting my resume below for you to look over. I would also like to know more about this project and the goals that you all are looking to accomplish. Regards, Khris Rickards 786-266-5 15 1 Khris H. Rickards Miami, FL 33 186 (786)-266-5 151 Objective: To obtain a position that fully utilizes my talents.. Education : B.A Communication Studies, April 2006 College of Communication Florida State University, Tallahassee, FL Work Experience Production Assistant ,Top Chef Miami, FL (March-May 07) PUBLIC RECQRD FOR worked in many different areas including audio and set a, Audio Assistant .. --, --- *-- --...=---.---,.- ,Top Chef Miami, FL (March-May 07) Worked with audio directly on the Top Chef set. Wired and De-Wired talent as well as helping and assisting all the audio mixers on the set. Production assistant, Deal or no Deal Miami, FL (January 07) Worked in many different positions including camera's and assisting in developing a comfortable environment for the casting personnel to operate in during the open call. Mock Interviewer, FSU Career Center Mock interview Mentor program Tallahassee, FL (Fall 2005- Spring 2006) Helped students by interviewing them for the Mock interview program and prepared them for the professional interviews they would face in the future. Secretary/Assistant, Gator Source and Supply Filed documents, answered phone calls and assisted in many diverse ways around the office. Used my computer skill set to fully actualize the potential of small business. Camera OperatorISlow-mol Statistics, FSU Seminole Productions Operated the camera for some football games and also performed various duties inside The studio for basketball games such as replays and plugging in statistics. Telemarketer, Dial America Marketing Tallahassee, FL (Summer 2005) Negotiated different sales transactions for the company while using my communications and social skills to appease disgruntled customers. Public Relations, FSU Sponsored Radio Station V89 WVFS 89.7 Tallahassee, FL (August 2004- Spring 2005) Promoted for the radio station at various shows and events increasing the awareness of The station and its programs On-Air Reporter ,FSU Sponsored Radio Station V89 WVFS 89.7TallahasseeYFL(Spring2004-Spring 2005) Delivered the Sports update at the bottom of the hour for the campus affiliated radio station. I also worked in sports department researching and developing new stories. Promotions Def Jam, Crazy Hood Miami, FL (June- August 2004) Distributed material to increase awareness of artists currently associated with or affiliated with the Def Jam Label. On-Aii Talent , Sports N' Chicken Tallahassee, FL (August 2003- December 2003) Organized and reported sports, entertainment and other news to the Florida State Campus. Producer ,Sports N Chicken Tallahassee, FL (August 2003- December 2003) Organized meetings and thoroughly planned the shows that were created and spearheaded by myself and other inventive thinkers. Oversaw pre-production, production, and post-production. Computer Skills Microsoft Windows 95,98,2000, NT, XP; Internet; Microsoft Office 2000 (Powerpoint, Excel, Access); Pro Tools 4.0, Adobe Photoshop 5.5 References furnished upon request ITEM---- /PA-/i From: Raymond St.Claire <[email protected]> Date: Jun 2 1,2007 359 PM Subject: RE:Production PositionsNideolFilm/Pre/Post To: job-356845466@,craigslist.org ** CRAIGSLIST ADVISORY --- AVOID SCAMS BY DEALING LOCALLY ** Avoid: wiring money, cross-border deals, work-at-home ** Beware: cashier checks, money orders, escrow, shipping ** More Info: h~:l/www.crainslist.ordabout~scams.h~l I am qualified for any position you have available. Please accept my resume for your review. SUBMITTED INTO THE Thank You Raymond St.Claire PUBLIC RECORD FOR Award Winning - Senior Editor-Producer-Videographer 182 1 SW 68th Avenue N. Lauderdale Florida 33068 (954) 825-3 179 ernail: raymondstclaire@yahoo. ONLINE DEMO REEL LINK: http://www.esni~s.com/web/raymondstclairevideofiles Professional Skills include: Award Winning Editor 1 Producer 1 Videographer with 15 plus years in field including 10 years in Hollywood, CA working for some of the industries top production companies. Why should you hire me? I edit, manage, produce, oversee, create and execute, edit broadcast television, radio and internet promotions and production, control room environments, video
Recommended publications
  • Broadcast Actions 2/19/2020
    Federal Communications Commission 445 Twelfth Street SW PUBLIC NOTICE Washington, D.C. 20554 News media information 202 / 418-0500 Recorded listing of releases and texts 202 / 418-2222 REPORT NO. 49677 Broadcast Actions 2/19/2020 STATE FILE NUMBER E/P CALL LETTERS APPLICANT AND LOCATION N A T U R E O F A P P L I C A T I O N Actions of: 02/12/2020 AM STATION APPLICATIONS FOR ASSIGNMENT OF LICENSE GRANTED GA BAL-20200110AAH WSB 73977 COX RADIO, INC. Voluntary Assignment of License From: COX RADIO, INC. E 750 KHZ GA ,ATLANTA To: COX RADIO, LLC Form 316 GA BAL-20200110AAQ WGAU 11709 COX RADIO, INC. Voluntary Assignment of License From: COX RADIO, INC. E 1340 KHZ GA ,ATHENS To: COX RADIO, LLC Form 316 GA BAL-20200110AAR WRFC 1218 COX RADIO, INC. Voluntary Assignment of License From: COX RADIO, INC. E 960 KHZ GA ,ATHENS To: COX RADIO, LLC Form 316 FL BAL-20200110ABA WOKV 53601 COX RADIO, INC. Voluntary Assignment of License From: COX RADIO, INC. E 690 KHZ FL , JACKSONVILLE To: COX RADIO, LLC Form 316 Page 1 of 33 Federal Communications Commission 445 Twelfth Street SW PUBLIC NOTICE Washington, D.C. 20554 News media information 202 / 418-0500 Recorded listing of releases and texts 202 / 418-2222 REPORT NO. 49677 Broadcast Actions 2/19/2020 STATE FILE NUMBER E/P CALL LETTERS APPLICANT AND LOCATION N A T U R E O F A P P L I C A T I O N Actions of: 02/12/2020 AM STATION APPLICATIONS FOR ASSIGNMENT OF LICENSE GRANTED FL BAL-20200110ABI WDBO 48726 COX RADIO, INC.
    [Show full text]
  • Alphabetical Channel Guide 800-355-5668
    Miami www.gethotwired.com ALPHABETICAL CHANNEL GUIDE 800-355-5668 Looking for your favorite channel? Our alphabetical channel reference guide makes it easy to find, and you’ll see the packages that include it! Availability of local channels varies by region. Please see your rate sheet for the packages available at your property. Subscription Channel Name Number HD Number Digital Digital Digital Access Favorites Premium The Works Package 5StarMAX 712 774 Cinemax A&E 95 488 ABC 10 WPLG 10 410 Local Local Local Local ABC Family 62 432 AccuWeather 27 ActionMAX 713 775 Cinemax AMC 84 479 America TeVe WJAN 21 Local Local Local Local En Espanol Package American Heroes Channel 112 Animal Planet 61 420 AWE 256 491 AXS TV 493 Azteca America 399 Local Local Local Local En Espanol Package Bandamax 625 En Espanol Package Bang U 810 Adult BBC America 51 BBC World 115 Becon WBEC 397 Local Local Local Local beIN Sports 214 502 beIN Sports (en Espanol) 602 En Espanol Package BET 85 499 BET Gospel 114 Big Ten Network 208 458 Bloomberg 222 Boomerang 302 Bravo 77 471 Brazzers TV 811 Adult CanalSur 618 En Espanol Package Cartoon Network 301 433 CBS 4 WFOR 4 404 Local Local Local Local CBS Sports Network 201 459 Centric 106 Chiller 109 CineLatino 630 En Espanol Package Cinemax 710 772 Cinemax Cloo Network 108 CMT 93 CMT Pure Country 94 CNBC 48 473 CNBC World 116 CNN 49 465 CNN en Espanol 617 En Espanol Package CNN International 221 Comedy Central 29 426 Subscription Channel Name Number HD Number Digital Digital Digital Access Favorites Premium The Works Package
    [Show full text]
  • D2492609215cd311123628ab69
    Acknowledgements Publisher AN Cheongsook, Chairperson of KOFIC 206-46, Cheongnyangni-dong, Dongdaemun-gu. Seoul, Korea (130-010) Editor in Chief Daniel D. H. PARK, Director of International Promotion Department Editors KIM YeonSoo, Hyun-chang JUNG English Translators KIM YeonSoo, Darcy PAQUET Collaborators HUH Kyoung, KANG Byeong-woon, Darcy PAQUET Contributing Writer MOON Seok Cover and Book Design Design KongKam Film image and still photographs are provided by directors, producers, production & sales companies, JIFF (Jeonju International Film Festival), GIFF (Gwangju International Film Festival) and KIFV (The Association of Korean Independent Film & Video). Korean Film Council (KOFIC), December 2005 Korean Cinema 2005 Contents Foreword 04 A Review of Korean Cinema in 2005 06 Korean Film Council 12 Feature Films 20 Fiction 22 Animation 218 Documentary 224 Feature / Middle Length 226 Short 248 Short Films 258 Fiction 260 Animation 320 Films in Production 356 Appendix 386 Statistics 388 Index of 2005 Films 402 Addresses 412 Foreword The year 2005 saw the continued solid and sound prosperity of Korean films, both in terms of the domestic and international arenas, as well as industrial and artistic aspects. As of November, the market share for Korean films in the domestic market stood at 55 percent, which indicates that the yearly market share of Korean films will be over 50 percent for the third year in a row. In the international arena as well, Korean films were invited to major international film festivals including Cannes, Berlin, Venice, Locarno, and San Sebastian and received a warm reception from critics and audiences. It is often said that the current prosperity of Korean cinema is due to the strong commitment and policies introduced by the KIM Dae-joong government in 1999 to promote Korean films.
    [Show full text]
  • In Re Gemstar-TV Guide International, Inc. Securities Litigation 02-CV
    1 BERNSTEIN LITOWITZ BERGER ti & GROSSMANN LLP 2 ALAN SCHULMAN (Bar No . 128661 ) ROBERT S . GANS (Bar No. 214420) 3 BLAIR A. NICHOLAS (Bar No . 178428 ) 12544 High Bluff Drive, Suite 15 0 4 San Diego, CA 92130 = 0 Tel: (858) 793-0070 5 Fax: (858) 793-0323 6 Attorneys for Plaintiffs and Lead Counsel for the Clas s 7 8 UNITED STATES DISTRICT COURT 9 CENTRAL DISTRICT OF CALIFORNIA 10 WESTERN DIVISION 1 1 In re GEMSTAR-TV GUIDE Master File No . 02-2775-MRP (PLAx) INTERNATIONAL INC . 12 SECURITIES LITIGATION CLASS ACTION 13 SECOND AMENDED CLASS 14 ACTION COMPLAINT FOR VIOLATIONS OF THE FEDERAL 15 SECURITIES LAWS 16 17 This Document Relates To : 18 All Actions. 19 20 21 22 23 24 25 26 27 28 SECOND AMENDED CLASS ACTION COMPLAINT Master File No. 02-2775-MRP (PLAx) I 1. INTRODUCTION 2 1 . This securities class action is brought on behalf of plaintiffs and other 3 persons and entities who purchased or otherwise acquired Gemstar-TV Guide 4 International Inc.'s ("Gemstar" or the "Company") common stock between June 1, 5 2000 and April 1, 2002 (the "Class Period"), to recover damages caused by 6 defendants' violations of §§ 10(b) and 20(a) of the Securities Exchange Act of 7 1934 ("Exchange Act"), §§ 11 and 15 of the Securities Act of 1933 (the "Securities 8 Act"), and Securities and Exchange Commission ("SEC") Rule 1Ob-5 . 9 II. SOURCES OF ALLEGATIONS 10 2. The allegations below are pled based on one or more of the following 1 1 sources of information: 12 (a) Source 1 : Director of Finance ("Director of Finance" or 1 3 "DF") .
    [Show full text]
  • 26Th Annual Austin Film Festival & Writers
    BADGES & PASSES EVERYONE FEELS LIKE 26TH ANNUAL LIMITED-TIME SAVINGS UP TO $50 IF A STAR IN AUSTIN PAID AUSTIN FILM FESTIVAL & YOU BUY BEFORE SEPTEMBER 20, 2019 US POSTAGE AUSTIN, TEXAS PERMIT NO. 1986 Always a top travel destination, Austin’s creative charm and quirky vibe create NON PROFIT ORG For a more detailed description of each Badge WRITERS CONFERENCE level, please visit austinfilmfestival.com. the perfect environment for this one-of-a-kind film festival. From its world-famous FILM PASS LONE STAR BADGE WEEKEND BADGE CONFERENCE BADGE PRODUCERS BADGE Congress Bridge bats to local brews over a breezy fall sunset, there are endless Before September 20, 2019 $65 $150 $275 $425 $650 OCTOBER 24 – 31, 2019 reasons Austin makes every “Best Place for…” list. COST Walk-Up $75 $150 $325 $475 $695 All Eight Days of Film 3 3 3 3 3 TEXAS-SIZED DISCOUNTS We’ve coordinated special budget-friendly Script Readings 3 3 3 3 3 deals for our Badgeholders to many of Priority Access to Films “AFF WAS (Admitted before Film Passes & GA) 3 3 3 3 Austin’s most popular hotels: INDELIBLE, A Exhibit Hall 3 3 3 3 CONFERENCE HEADQUARTERS TRUE REMINDER OF THE CORE All Panels on Thursday, October 24 3 3 The Driskill Hotel – $336 InterContinental Stephen F. Austin – $329 PASSION THAT All Panels on Friday, October 25 3 3 DREW ME TO THIS All Panels on Saturday, October 26 3 3 3 3 STAY LESS THAN 2 MILES AWAY WORLD…I CAME FILMS AND PANELS All Panels on Sunday, October 27 3 3 3 FROM THE CONFERENCE HOME WITH A La Quinta by Wyndham Austin Capitol – $209 RENEWED RIGOR Access
    [Show full text]
  • 2017 Producers Book Finalists
    PRODUCERS BOOK & PRINT SOURCE LIST Pre-Festival Edition THE 2017 PRODUCERS BOOK A LETTER FROM THE SCREENPLAY & FILM COMPETITION DIRECTORS Hello! Each year, we prepare our annual Producers Book which contains loglines and contact information for the year’s top scripts in our various Script Competitions. Please feel free to reach out to any of the writers listed here to request a copy of their scripts. Also included is our Print Source List containing information for all films selected for the 2017 Festival. This year’s Semifinalists and Finalists were chosen from a field of 9,487 scripts entered in our Screenplay, Digital Series, Playwriting, and Fiction Podcast Competitions. Each year we are amazed by the professional quality and talent that we receive and this year wasn’t any different. The Competition is open to feature-length scripts in the genres of drama, comedy, sci-fi, and horror; teleplay pilots and specs, short scripts, stage plays, fiction podcast scripts, and digital series scripts. Year after year, our strive in programming the Austin Film Festival film slate is to discover and champion the writers and those who can translate amazing stories to the screen. We received over 5,000 film submissions this year and had the task of whittling it down to 182 films that embody our mission and passion for storytelling. It was a harrowing task, but it led to our strongest year of film yet. We’re so proud of this year’s diverse group of filmmakers and unique voices and can’t wait for these works to be seen, shared, and loved.
    [Show full text]
  • Covering All of South Florida Craig Stevens Tapped As New WSVN Co-Anchor
    Covering all of South Florida www.ExpressGayNews.com This Above All... To Thine Own Self Be True. Broward/Dade County’s Independent August 20th, 2001 Gay and Lesbian Community Newspaper Volume 2, Number 17 Craig Stevens Tapped as New WSVN Co-Anchor Stevens originally joined “The News anchor/reporter at WSVN’s Boston sister- media committee of CenterOne, and has Station” in July of 1992 as a general station, NBC affiliate WHDH. He returned been actively involved with numerous assignment reporter. Two years later, he to South Florida in May 1999. charities, many of which serve the GLBT began anchoring the weekend news. Prior From Austin, Texas, Stevens covered community. to his move to Miami, Craig worked as a the tumultuous 2000 presidential election. By hosting the highest rated television reporter and substitute anchor at WBBH-TV, He has also anchored news coverage of such news show on local tv, as WSVN’s co- the NBC affiliate in Fort Myers. major events as Jean-Bertrand Aristide’s anchor, Stevens becomes the most prominent Stevens started his career in 1988 as an return to Haiti, the crash of Valujet flight gay television personality in South Florida. assignment desk assistant at the NBC News 592, and the suicide of Washington Bureau. He worked on such Andrew Cunanan. Gay Republicans Swear-In Officers programs as “NBC Nightly News with Tom In 1991, the Florida Brokaw” and “Meet the Press” as a State School Board production assistant. At NBC, Stevens Association honored worked stories on the presidential elections, Stevens for his outstanding the crash of Pam Am flight 103, the and superior reporting on Armenian earthquake, and Nelson the education beat.
    [Show full text]
  • Sponsorship Opportunities
    SPONSORSHIP OPPORTUNITIES October 22–October 29, 2020 1 ABOUT THE MISSION Austin Film Festival furthers the art and craft of FESTIVAL storytelling by inspiring and championing the work of writers, filmmakers, and all Austin Film Festival is a 27-year- It was the first event of its kind to agents and screenwriters together artists who use written and visual language to tell a story. old arts organization serving over bring professional and amateur to foster the sale of screenplays and 20,000 people annually with year- screenwriters (and now filmmakers) launch long-term successful careers. round programming, film and together to celebrate the role of Hundreds of writers’ groups, screenplay competitions, a young the screenplay in filmmaking and services and festivals have followed filmmakers program, and, what it discuss the considerable creative the Conference’s model over the is probably best known around the possibilities of writing for film and past ten years, reinforcing the world for, its annual October television. Equally important, the value of its continuing mission to Austin Film Festival & Conference. Conference assembled producers, recognize the art of screenwriting. NORMAN LEAR “ There is no city like Austin and no people like those who live there. Both are as warm and welcoming as they are youthful in spirit and endlessly entertaining.” —Norman Lear, Writer All in the Family OLIVER STONE ISSA RAE JAY AND MARK DUPLASS 2 2019 FESTIVAL AND CONFERENCE DEMOGRAPHICS GENDER AGE 65 & FEMALE over 18-24 45% (11.76%) (10.01%) — — — —
    [Show full text]
  • Silver King Broadcasting
    Diller's Latest Tele -Vision; First, a Network of Cubic Zirconium. Now, a Station of Lips ... Page 1 of 5 Welcome to TimesPeople TimesPeople Lets You Share and Discover the Best of NYTimes.com 11:07 AM Recommend Get Started HOME PAGE TODAY'S PAPER VIDEO MOST POPULAR TIMES TOPICS Log In Register Now Search All NYTimes.com Wednesday, August 5, 2009 Business WORLD U.S. N.Y. / REGION BUSINESS TECHNOLOGY SCIENCE HEALTH SPORTS OPINION ARTS STYLE TRAVEL JOBS REAL ESTATE AUTOS Travel Dispatch E -Mail Diller's Latest Tele -Vision; First, a Network of Cubic Sign up for the latest travel features, sent every Saturday. Zirconium. Now, a Station of Lips and Hardbodies. By GERALDINE FABRIKANT See Sample | Privacy Policy Published: Monday, November 23, 1998 How would you promote a television show called ''10'' that visits the SIGN IN TO RECOMMEND beaches of Miami seeking the best-looking guys and girls and lets audiences vote for their favorites? SIGN IN TO E-MAIL PRINT Well, if you work for WAMI, Barry Diller's new television station in REPRINTS Miami, and it is the Thanksgiving season, you create a commercial SHARE that scans bikinied bodies while a voiceover says ''10'' offers ''all the breasts, legs and thighs you can handle.'' Executives at WAMI (pronounced whammy) like to refer to the show as an ''egalitarian, populist beauty pageant.'' The WAMI approach to local television also includes ''Ken's Freakquency,'' a midnight tour of the outre -- replete with body paint, snakes and nose rings -- that derives its name from the R.E.M.
    [Show full text]
  • It Just Means More
    IT JUST MEANS MORE. Scholars. Champions. Leaders. These are the pillars of the Southeastern Conference, and together they represent the The SEC is a place where Innovation and Leadership are vision for an 86-year-old intercollegiate athletic conference expected and pursued. However, the pursuit extends beyond that continues to experience unparalleled success. Ranging championship rings and trophies to include officiating, ad- from record-breaking accomplishments by student-athletes ministration, and other initiatives. For example, on the heels and administrators to significant growth in media, sponsor- of its football and men’s basketball collaborative replay suc- ship, and branding, the SEC continues to prove on every cess, this year the SEC became the first collegiate conference front why it is SECond to None. to introduce centralized video review in baseball. The Conference continues to deliver record financial distri- The SEC has also amplified its position relative to Branding butions to its member universities, which makes it possible and Celebration efforts. As SECU was renamed “SEC Aca- for the Conference to support scholars through and beyond demic Relations,” it heightened its focus on programs and graduation, win championships in every sponsored varsity activities designed to highlight the teaching, research and sport, and ultimately prepare young people to change the service accomplished on SEC campuses. The Conference world. also executed Year Four of the “It Just Means More” branding campaign, continuing its presence on radio, TV and online The SEC’s leadership believes strongly that intercollegiate while saturating national championship cities with digital athletic conferences have an obligation to aid in Student- outdoor exposure.
    [Show full text]
  • What Do I Need to View Cable
    [email protected] 305-899-4900 or 1-800-472-2054 [email protected] 305-899-4900 or 1-800-472-2054 BARRY UNIVERSITY BARRY UNIVERSITY 10/12 \3/3063 \3/3063 CH. 2 TELEGUIDE CH. 2 TELEGUIDE CH. 4 WPBT 2 (PBS) MIAMI CH. 4 WPBT 2 (PBS) MIAMI CH. 4.1 WFOR 4 (CBS) MIAMI HD CH. 4.1 WFOR 4 (CBS) MIAMI HD CH. 5 CH. 5 CH. 6 WFOR 4 (CBS) MIAMI CH. 6 WFOR 4 (CBS) MIAMI CH. 6.11 WTVJ 6 (NBC) MIAMI HD CH. 6.11 WTVJ 6 (NBC) MIAMI HD CH. 6.12 WTVJ-DT2 6.2 (NBC2) HD CH. 6.12 WTVJ-DT2 6.2 (NBC2) HD CH. 7 WTVJ 6 (NBC) MIAMI CH. 7 WTVJ 6 (NBC) MIAMI CH. 7.11 WSVN 7 (FOX) MIAMI HD CH. 7.11 WSVN 7 (FOX) MIAMI HD CH. 8 WSVN 7 (FOX) MIAMI CH. 8 WSVN 7 (FOX) MIAMI CH. 9 WBFS 33 (MNT) MIAMI CH. 9 WBFS 33 (MNT) MIAMI CH. 10 WSFL 39 (CW) MIAMI CH. 10 WSFL 39 (CW) MIAMI CH. 10.1 WPLG 10 (ABC) MIAMI HD CH. 10.1 WPLG 10 (ABC) MIAMI HD CH. 11 WPLG 10 (ABC) MIAMI CH. 11 WPLG 10 (ABC) MIAMI CH. 12 EWTN CH. 12 EWTN CH. 13 WSCV 51 (TMO) MIAMI CH. 13 WSCV 51 (TMO) MIAMI CH. 15.1 BARRY Information Channel HD CH. 15.1 BARRY Information Channel HD CH. 16 BARRY Radio Station WBRY CH. 16 BARRY Radio Station WBRY CH. 17 GALAVISION CH. 17 GALAVISION CH. 18 UNIVISION CH.
    [Show full text]
  • Table of Contents
    Table of Contents Executive Summary Situation Analysis: Internal Analysis............................................................................. 2 History & Background.................................................................................................... 2 SWOT Analysis .............................................................................................................. 2 Situation Analysis: External Analysis............................................................................ 6 Competitive Analysis...................................................................................................... 6 Competitor SWOT.......................................................................................................... 6 Target Market Analysis................................................................................................. 10 Brand Strategy ............................................................................................................... 17 Objectives ..................................................................................................................... 17 Target Market Segmentation Strategy .......................................................................... 17 Brand Identity Statement .............................................................................................. 19 Mantra........................................................................................................................... 19 Integrated Marketing Communication (IMC)
    [Show full text]