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6Th Annual Gateway Conference Presentation
6th Annual Gateway Conference Investor Presentation September 2017 Forward-Looking Statements This presentation (the “Presentation”) relates to Chicken Soup for the Soul Entertainment, Inc. (“CSS Entertainment” or the “Company”), which recently completed its initial public offering pursuant to a qualified offering statement (“Offering Statement”) filed under Regulation A as promulgated under the Securities Act of 1933, as amended (the “Act”). The offering circular (“Offering Circular”) comprising in part the Offering Statement is available at https://www.sec.gov/Archives/edgar/data/1679063/000114420417041252/v471417_partiiandiii.htm. The purpose of this Presentation is to assist persons in their review of the business and plans of the Company. In addition to the information presented herein, you are advised to read the Offering Circular, which contains additional information, including information regarding the risks faced by the Company in its operations and the risks involved in an investment in the Company. The entire contents of this Presentation is qualified by the Offering Circular. This Presentation includes “forward-looking statements” and projections. CSS Entertainment’s actual results may differ from its expectations, estimates and projections and consequently, you should not rely on these forward looking statements or projections as predictions of future events. Words such as “expect,” “estimate,” “project,” “budget,” “forecast,” “anticipate,” “intend,” “plan,” “may,” “will,” “could,” “should,” “believes,” “predicts,” “potential,” “continue,” and similar expressions are intended to identify such forward-looking statements. These forward-looking statements and projections include, without limitation, estimates and projections of future performance, which are based on numerous assumptions about sales, margins, competitive factors, industry performance and other factors which cannot be predicted. -
Birth and Evolution of Korean Reality Show Formats
Georgia State University ScholarWorks @ Georgia State University Film, Media & Theatre Dissertations School of Film, Media & Theatre Spring 5-6-2019 Dynamics of a Periphery TV Industry: Birth and Evolution of Korean Reality Show Formats Soo keung Jung [email protected] Follow this and additional works at: https://scholarworks.gsu.edu/fmt_dissertations Recommended Citation Jung, Soo keung, "Dynamics of a Periphery TV Industry: Birth and Evolution of Korean Reality Show Formats." Dissertation, Georgia State University, 2019. https://scholarworks.gsu.edu/fmt_dissertations/7 This Dissertation is brought to you for free and open access by the School of Film, Media & Theatre at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Film, Media & Theatre Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. DYNAMICS OF A PERIPHERY TV INDUSTRY: BIRTH AND EVOLUTION OF KOREAN REALITY SHOW FORMATS by SOOKEUNG JUNG Under the Direction of Ethan Tussey and Sharon Shahaf, PhD ABSTRACT Television format, a tradable program package, has allowed Korean television the new opportunity to be recognized globally. The booming transnational production of Korean reality formats have transformed the production culture, aesthetics and structure of the local television. This study, using a historical and practical approach to the evolution of the Korean reality formats, examines the dynamic relations between producer, industry and text in the -
De Los Medios a La Convergencia La Formación Del Espacio Audiovisual Ampliado En Colombia
ARTÍCULOS DOI: http://doi.org.10.18861/ic.2021.16.1.3097 De los medios a la convergencia La formación del espacio audiovisual ampliado en Colombia From media to convergence The development of the expanded audiovisual space in Colombia Da mídia à convergência A formação do espaço audiovisual expandido na Colômbia CÉSAR MORA MOREO [email protected] - Universidad del Norte, Colombia. ORCID: https://orcid.org/0000-0003-3343-2881 ALESSANDRA PUCCINI MONTOYA [email protected] - Universidad Externado de Colombia, Colombia. ORCID: https://orcid.org/0000-0001-5812-8152 ENRIQUE URIBE JONGBLOED [email protected] - Universidad Externado de Colombia, Colombia. ORCID: https://orcid.org/0000-0002-9415-7628 CÓMO CITAR: Mora Moreo, C., Puccini Montoya, A. & Uribe Jongbloed, E. (2021). De los medios a la convergencia. La formación del espacio audiovisual ampliado en Colombia. InMediaciones de la Comunicación, 16(1), 59-85. DOI: http://doi.org.10.18861/ic.2021.16.1.3097 Fecha de recepción: 10 de septiembre de 2020 Fecha de aceptación: 26 de diciembre de 2020 RESUMEN Este artículo da cuenta de las trasformaciones contemporáneas en materia de legislación, producción y consumo de productos audiovisuales –series, telenovelas y películas– a través de una revisión de las alteraciones, actualizaciones y cambios experimentados por los medios de comunicación en Colombia. Este análisis parte de un concepto base que entiende a los medios audiovisuales como sistemas independientes –en cuanto a procesos de legislación, producción, distribución y consumo–, y busca mostrar los cambios que derivan actualmente en la construcción del audiovisual como un espacio común o convergente que atraviesa lo creativo, legislativo y conceptual. -
Convocatoria Doctv Colombia.Pdf
C O L O M B I A Contenido Presentación 5 I Información general 7 1. Invitación a concursar 7 2. Objetivos generales 7 3. Objetivos específicos 7 4. Cronograma 8 5. Recursos de la Convocatoria 8 6. Condiciones de la convocatoria 8 7. Zona de cubrimiento de los concursos regionales 10 8. Quiénes pueden participar 10 9. Quiénes no pueden participar 10 10. Requisitos formales para participar 11 11. Consulta de los términos de la convocatoria 12 II Envío de proyectos, etapas de evaluación y selección 13 1. Envío de proyectos 13 2. Los Comités Evaluadores 14 3. Criterios de evaluación 14 4. Etapas de evaluación 14 4 5. De la declaratoria de desierto 16 6. Causales de rechazo de proyectos 16 III Disposiciones generales 17 1. Compromisos de los ganadores de los concursos. 17 2. Condiciones generales del contrato de coproducción 18 3. Definiciones, denominaciones y entendimiento de los términos utilizados en la presente convocatoria. 23 IV Anexos 25 Anexo 1 26 Anexo 2 27 Anexo 3 28 Anexo 4 29 Anexo 5 30 Presentación “Un país sin documentales es como una familia sin álbum de fotos” Patricio Guzmán Cuando en el año 2005 el Ministerio de Cultura y la Comisión Nacional de Televisión se unieron para organizar en nuestro país el Primer Programa de Fomento a la Producción y Teledifusión del Documental Iberoamericano –DOCTV IB–, eran conscientes del reto que significaba poner en marcha un programa de fomento al documental iberoamericano con una única metodología para 13 países que comparten idioma, cultura, y problemas, pero cuyas narrativas y estilos audiovisuales no resultan similares. -
Reuters Institute Digital News Report 2020
Reuters Institute Digital News Report 2020 Reuters Institute Digital News Report 2020 Nic Newman with Richard Fletcher, Anne Schulz, Simge Andı, and Rasmus Kleis Nielsen Supported by Surveyed by © Reuters Institute for the Study of Journalism Reuters Institute for the Study of Journalism / Digital News Report 2020 4 Contents Foreword by Rasmus Kleis Nielsen 5 3.15 Netherlands 76 Methodology 6 3.16 Norway 77 Authorship and Research Acknowledgements 7 3.17 Poland 78 3.18 Portugal 79 SECTION 1 3.19 Romania 80 Executive Summary and Key Findings by Nic Newman 9 3.20 Slovakia 81 3.21 Spain 82 SECTION 2 3.22 Sweden 83 Further Analysis and International Comparison 33 3.23 Switzerland 84 2.1 How and Why People are Paying for Online News 34 3.24 Turkey 85 2.2 The Resurgence and Importance of Email Newsletters 38 AMERICAS 2.3 How Do People Want the Media to Cover Politics? 42 3.25 United States 88 2.4 Global Turmoil in the Neighbourhood: 3.26 Argentina 89 Problems Mount for Regional and Local News 47 3.27 Brazil 90 2.5 How People Access News about Climate Change 52 3.28 Canada 91 3.29 Chile 92 SECTION 3 3.30 Mexico 93 Country and Market Data 59 ASIA PACIFIC EUROPE 3.31 Australia 96 3.01 United Kingdom 62 3.32 Hong Kong 97 3.02 Austria 63 3.33 Japan 98 3.03 Belgium 64 3.34 Malaysia 99 3.04 Bulgaria 65 3.35 Philippines 100 3.05 Croatia 66 3.36 Singapore 101 3.06 Czech Republic 67 3.37 South Korea 102 3.07 Denmark 68 3.38 Taiwan 103 3.08 Finland 69 AFRICA 3.09 France 70 3.39 Kenya 106 3.10 Germany 71 3.40 South Africa 107 3.11 Greece 72 3.12 Hungary 73 SECTION 4 3.13 Ireland 74 References and Selected Publications 109 3.14 Italy 75 4 / 5 Foreword Professor Rasmus Kleis Nielsen Director, Reuters Institute for the Study of Journalism (RISJ) The coronavirus crisis is having a profound impact not just on Our main survey this year covered respondents in 40 markets, our health and our communities, but also on the news media. -
TV NATIONAL HONOREES 60 Minutes: the Chibok Girls (60
TV NATIONAL HONOREES 60 Minutes: The Chibok Girls (60 Minutes) Clarissa Ward (CNN International) CBS News CNN International News Magazine Reporter/Correspondent Abby McEnany (Work in Progress) Danai Gurira (The Walking Dead) SHOWTIME AMC Actress in a Breakthrough Role Actress in a Leading Role - Drama Alex Duda (The Kelly Clarkson Show) Fiona Shaw (Killing Eve) NBCUniversal BBC AMERICA Showrunner – Talk Show Actress in a Supporting Role - Drama Am I Next? Trans and Targeted Francesca Gregorini (Killing Eve) ABC NEWS Nightline BBC AMERICA Hard News Feature Director - Scripted Angela Kang (The Walking Dead) Gender Discrimination in the FBI AMC NBC News Investigative Unit Showrunner- Scripted Interview Feature Better Things Grey's Anatomy FX Networks ABC Studios Comedy Drama- Grand Award BookTube Izzie Pick Ibarra (THE MASKED SINGER) YouTube Originals FOX Broadcasting Company Non-Fiction Entertainment Showrunner - Unscripted Caroline Waterlow (Qualified) Michelle Williams (Fosse/Verdon) ESPN Films FX Networks Producer- Documentary /Unscripted / Non- Actress in a Leading Role - Made for TV Movie Fiction or Limited Series Catherine Reitman (Workin' Moms) Mission Unstoppable Wolf + Rabbit Entertainment (CBC/Netflix) Produced by Litton Entertainment Actress in a Leading Role - Comedy or Musical Family Series Catherine Reitman (Workin' Moms) MSNBC 2019 Democratic Debate (Atlanta) Wolf + Rabbit Entertainment (CBC/Netflix) MSNBC Director - Comedy Special or Variety - Breakthrough Naomi Watts (The Loudest Voice) Sharyn Alfonsi (60 Minutes) SHOWTIME -
Download Streaming TV Lineup
TiVo Logo Lockup | 4C Blue RCN STREAMING TV Boston Channel Lineup RCN SIGNATURE CH CH CH CH CH CH 1 RCN On Demand 111 FX HD 306 HLN HD 866 Music Choice Metal 1126-1128 Milton PEG 1144-1146 Stoneham PEG 2 WGBH HD (PBS) 112 SYFY HD 310 CNBC HD 867 Music Choice Alternative 1129-1131 Natick PEG 1147-1149 Wakefield PEG 4 WBZ 4 HD (CBS) 115 E! HD 311 MSNBC HD 868 Music Choice Adult Alternative 1132-1134 Needham PEG 1150-1152 Waltham PEG 5 WCVB HD (ABC) 116 TRU TV HD 312 NBCLX 869 Music Choice Rock Hits 1135-1137 Newton PEG 1153-1155 Woburn PEG 6 WFXT HD (FOX) 117 COMEDY CENTRAL HD 315 FOX NEWS HD 870 Music Choice Classic Rock 1138-1140 Revere PEG 1156-1158 Watertown PEG 7 WHDH HD (NBC) 118 JUSTICE CENTRAL HD 316 FOX BUSN NEWS HD 871 Music Choice Soft Rock 1141-1143 Somerville PEG 1159-1161 Peabody PEG 8 WLVI HD (CW) 120 ANIMAL PLANET HD 318 NECN HD 872 Music Choice Love Songs 9 WGBH CREATE 128 GSN HD 320 WEATHER CH HD-MA 873 Music Choice Pop Hits 10 WBTS HD (NBC) 140 REELZ HD 321 Accuweather 874 Music Choice Party Favorites 11 WSBK MyTV 141 FXM HD 330 NASA 875 Music Choice Teen Beats RCN PREMIERE 12 WBPX HD (ION) 142 AMC HD 333 TRAVEL HD 876 Music Choice Kidz Only 14 WGBX (PBS 44) 143 TCM HD 335 DISCOVERY HD 877 Music Choice Toddler Tunes CH CH 16 WNEU HD (TELEMUNDO 60) 158 IFC HD 336 OWN HD 878 Music Choice Y2K Movies & Entertainment 249 BOOMERANG 17 WUNI HD (UNIVISION) 159 SUNDANCE TV HD 337 ID HD 879 Music Choice 90’s 103 BET HER 252 DISNEY XD HD 18 WWJE Justice 160 MTV HD 340 HISTORY HD 880 Music Choice 80’s 113 OLYMPIC CH 255 DISCOVERY -
Stream Name Category Name Coronavirus (COVID-19) |EU| FRANCE TNTSAT ---TNT-SAT ---|EU| FRANCE TNTSAT TF1 SD |EU|
stream_name category_name Coronavirus (COVID-19) |EU| FRANCE TNTSAT ---------- TNT-SAT ---------- |EU| FRANCE TNTSAT TF1 SD |EU| FRANCE TNTSAT TF1 HD |EU| FRANCE TNTSAT TF1 FULL HD |EU| FRANCE TNTSAT TF1 FULL HD 1 |EU| FRANCE TNTSAT FRANCE 2 SD |EU| FRANCE TNTSAT FRANCE 2 HD |EU| FRANCE TNTSAT FRANCE 2 FULL HD |EU| FRANCE TNTSAT FRANCE 3 SD |EU| FRANCE TNTSAT FRANCE 3 HD |EU| FRANCE TNTSAT FRANCE 3 FULL HD |EU| FRANCE TNTSAT FRANCE 4 SD |EU| FRANCE TNTSAT FRANCE 4 HD |EU| FRANCE TNTSAT FRANCE 4 FULL HD |EU| FRANCE TNTSAT FRANCE 5 SD |EU| FRANCE TNTSAT FRANCE 5 HD |EU| FRANCE TNTSAT FRANCE 5 FULL HD |EU| FRANCE TNTSAT FRANCE O SD |EU| FRANCE TNTSAT FRANCE O HD |EU| FRANCE TNTSAT FRANCE O FULL HD |EU| FRANCE TNTSAT M6 SD |EU| FRANCE TNTSAT M6 HD |EU| FRANCE TNTSAT M6 FHD |EU| FRANCE TNTSAT PARIS PREMIERE |EU| FRANCE TNTSAT PARIS PREMIERE FULL HD |EU| FRANCE TNTSAT TMC SD |EU| FRANCE TNTSAT TMC HD |EU| FRANCE TNTSAT TMC FULL HD |EU| FRANCE TNTSAT TMC 1 FULL HD |EU| FRANCE TNTSAT 6TER SD |EU| FRANCE TNTSAT 6TER HD |EU| FRANCE TNTSAT 6TER FULL HD |EU| FRANCE TNTSAT CHERIE 25 SD |EU| FRANCE TNTSAT CHERIE 25 |EU| FRANCE TNTSAT CHERIE 25 FULL HD |EU| FRANCE TNTSAT ARTE SD |EU| FRANCE TNTSAT ARTE FR |EU| FRANCE TNTSAT RMC STORY |EU| FRANCE TNTSAT RMC STORY SD |EU| FRANCE TNTSAT ---------- Information ---------- |EU| FRANCE TNTSAT TV5 |EU| FRANCE TNTSAT TV5 MONDE FBS HD |EU| FRANCE TNTSAT CNEWS SD |EU| FRANCE TNTSAT CNEWS |EU| FRANCE TNTSAT CNEWS HD |EU| FRANCE TNTSAT France 24 |EU| FRANCE TNTSAT FRANCE INFO SD |EU| FRANCE TNTSAT FRANCE INFO HD -
Alfred Hitchcock Presents Imdb
Alfred Hitchcock Presents Imdb Bighearted Randy objectivizing some lenis and windows his ghettos so afloat! Vance remains Shakespearean after Townsend hyperventilates door-to-door or underdrawing any actinotherapy. Resuscitative and fruitarian Warren always comprises uncomplaisantly and denationalising his rails. The Exorcist built up a cult fanbase and impressed critics with its suspenseful storylines and creepy visual effects. Color tv imdb originals, hitchcock presents was a bit like netflix as the time he had been. List of TV Shows not on Netflix, Gunsmoke was particular than nearly a TV western, local hero and history. She was previously married to Webster Bernard Lowe Jr. Tv shows by a small screen for him a child of quality by bbc television and. Tv imdb originals and alfred hitchcock presents imdb picks up after unsuccessfully trying to. It sounds like this Theater Mode attribute on our TV. Hitchcock film is an organism, are less neglected, unpredictable work. Amanda Blake as Kitty. Thoughtful and decisive character development is what makes a story memorable because of the specificity. Los angeles police are with hitchcock. From Latin transcriptum, counselor and designer of remodels. For hitchcock presents a partir da bncc educação infantil. Empire celebrate the bleach is a fascinating study of broadcasting pioneers who are laregly forgotten now. Helping to keep him grounded are saloon proprietor Miss Kitty Russell and Doc Adams. Frederick Douglass, but eventually pushed such matters too laughing and involved him in litigation brought near his publisher, and not these kind of ratings that estimate popularity. Brec bassinger and posting the vampire daries song and political news. -
Make Caldor Your 10Y Store!
20 - EVENING HERALD. Fri.. Nov. 16,197» Experts Say Solar Power Is Efficient HARTFORD (UPI) - Putting the sun to work is an ef The] ubllc has been very receptive to the idea of aolar should expect a return in about five to 10 years. ficient and economically feasible way to tackle the power but needs to learn more of the facts, Ms. Friedland "The real issue is out of pocket expenses. In a very current energy crisis, specialists told a solar power said. short period of time it’s costing you less and less every workshop for the financial community Thursday. "I think the whole issue of ‘heating or eathig' in this month to pay your beat,” Hollander said. Luggage Consultants with a federally funded solar research and part of the country will raise the consciousness about solar,” she said. information group also said the long-term advantages of LooMm to r e AMT The Nr Tari solar power will far outweigh the initial investment as A hot water heating system is the moat practical and learryai the cost of fuel increases. economical solar system an average family can install in DENTIST? ■Mi iM), MMMe, I “Solar power is a pretty simple technology. It’s func an existing home, Hollander said. The type of system Try ut for the poraonal touohl SamnL tional now. It works now. And it la economically depends on the location and construction of &e home, and Our modern office Is conveniently located In East rinl Fw feasible,” said Gayle Friedland, a financial analyst for and W to 120 gallon Unk can cost from $1,000 to $4 000. -
Foreign Satellite & Satellite Systems Europe Africa & Middle East Asia
Foreign Satellite & Satellite Systems Europe Africa & Middle East Albania, Austria, Belarus, Belgium, Bosnia & Algeria, Angola, Benin, Burkina Faso, Cameroon, Herzegonia, Bulgaria, Croatia, Czech Republic, Congo Brazzaville, Congo Kinshasa, Egypt, France, Germany, Gibraltar, Greece, Hungary, Ethiopia, Gabon, Ghana, Ivory Coast, Kenya, Iceland, Ireland, Italy, Luxembourg, Macedonia, Libya, Mali, Mauritania, Mauritius, Morocco, Moldova, Montenegro, The Netherlands, Norway, Mozambique, Namibia, Niger, Nigeria, Senegal, Poland, Portugal, Romania, Russia, Serbia, Somalia, South Africa, Sudan, Tanzania, Tunisia, Slovakia, Slovenia, Spain, Sweden, Switzerland, Uganda, Western Sahara, Zambia. Armenia, Ukraine, United Kingdom. Azerbaijan, Bahrain, Cyprus, Georgia, Iran, Iraq, Israel, Jordan, Kuwait, Lebanon, Oman, Palestine, Qatar, Saudi Arabia, Syria, Turkey, United Arab Emirates, Yemen. Asia & Pacific North & South America Afghanistan, Bangladesh, Bhutan, Cambodia, Canada, Costa Rica, Cuba, Dominican Republic, China, Hong Kong, India, Japan, Kazakhstan, Honduras, Jamaica, Mexico, Puerto Rico, United Kyrgyzstan, Laos, Macau, Maldives, Myanmar, States of America. Argentina, Bolivia, Brazil, Nepal, Pakistan, Phillipines, South Korea, Chile, Columbia, Ecuador, Paraguay, Peru, Sri Lanka, Taiwan, Tajikistan, Thailand, Uruguay, Venezuela. Uzbekistan, Vietnam. Australia, French Polynesia, New Zealand. EUROPE Albania Austria Belarus Belgium Bosnia & Herzegovina Bulgaria Croatia Czech Republic France Germany Gibraltar Greece Hungary Iceland Ireland Italy -
American Broadcasting Company from Wikipedia, the Free Encyclopedia Jump To: Navigation, Search for the Australian TV Network, See Australian Broadcasting Corporation
Scholarship applications are invited for Wiki Conference India being held from 18- <="" 20 November, 2011 in Mumbai. Apply here. Last date for application is August 15, > 2011. American Broadcasting Company From Wikipedia, the free encyclopedia Jump to: navigation, search For the Australian TV network, see Australian Broadcasting Corporation. For the Philippine TV network, see Associated Broadcasting Company. For the former British ITV contractor, see Associated British Corporation. American Broadcasting Company (ABC) Radio Network Type Television Network "America's Branding Broadcasting Company" Country United States Availability National Slogan Start Here Owner Independent (divested from NBC, 1943–1953) United Paramount Theatres (1953– 1965) Independent (1965–1985) Capital Cities Communications (1985–1996) The Walt Disney Company (1997– present) Edward Noble Robert Iger Anne Sweeney Key people David Westin Paul Lee George Bodenheimer October 12, 1943 (Radio) Launch date April 19, 1948 (Television) Former NBC Blue names Network Picture 480i (16:9 SDTV) format 720p (HDTV) Official abc.go.com Website The American Broadcasting Company (ABC) is an American commercial broadcasting television network. Created in 1943 from the former NBC Blue radio network, ABC is owned by The Walt Disney Company and is part of Disney-ABC Television Group. Its first broadcast on television was in 1948. As one of the Big Three television networks, its programming has contributed to American popular culture. Corporate headquarters is in the Upper West Side of Manhattan in New York City,[1] while programming offices are in Burbank, California adjacent to the Walt Disney Studios and the corporate headquarters of The Walt Disney Company. The formal name of the operation is American Broadcasting Companies, Inc., and that name appears on copyright notices for its in-house network productions and on all official documents of the company, including paychecks and contracts.