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Volume 2: Issue 4 F I r s t P E r s o n P l u r a l June, 2000 Newsletter for Dissociators and their Allies C O N T E N T S Subscription Renewals Editorial Statement ...................................... 2 A Day in the Lives (MPD Toon) ................... 2 Doesn't time fly? ☺ Yes, its that Writing to Dear Kathryn................................ 2 time of year again. Current subscribers who wish to continue Dear Kathryn................................................ 3 to receive FPP please complete Location of Subscribers 1999/2000 ............. 4 and return enclosed form with ..................................................................... 4 payment. Deadline for renewals th is September 9 . The Beast (short story) ............................... 5 New subcribers - use form on Purple Morning (poem) ................................ 6 back page. Thank you. Play Centre.................................................. 7 Please hear what I'm not saying ................. 9 Dissociation and headaches...................... 10 Drawing by Sheelah................................... 12 A Real Life Fairy Story............................... 12 MPD from Carole's Point of View (poem) .. 14 IMPORTANT - New email address Writings of a Ritual Abuse Survivor ........... 15 First Person Plural has a new email After the Horizon Programme .................... 16 address [email protected] Subscription Form for New subscribers ..... 16 Emails sent to the old aol address will not reach us as this account is now closed. First Person Plural, PO Box 1309, Wolverhampton, WV6 9XY, United Kingdom Email:- [email protected] First person plural Editorial Statement While every effort will be made to keep contributions complete and unedited we reserve the right to make amendments when necessary. Decisions about the inclusion and amendment of contributions are the burden of the editor and are final. Contributions do not necessarily reflect the views and opinions of First Person Plural, members of the steering group or the editor. Inclusion of any reference to an individual or organisational resource should not be taken as a recommendation. The contents of this newsletter are for information and support purposes only. The newsletter is not intended to be a substitute for individual therapy or professional supervision. It is intended that the newsletter will complement, not replace, other networks of support Contributions to next issue to be received by 9th Sept, 2000 articles; stories; resources; book reviews; tips; poetry; artwork; personal experiences IMPORTANT : - When writing to First Person Plural please make it clear if your letter, article or other contribution is for publication and say which, if any, of your personal details can be printed. The editor will assume permission to publish if you do not make your wishes clear. ATTENTION Material in this newsletter may trigger painful memories and feelings. Read with caution and appropriate support if necessary See more MPD Toons on the internet at www.mirrorlady.net or in future issues Writing to Dear Kathryn...... Keep your letters brief State clearly that your letter is for publication. If you wish to receive direct responses give permission for your contact details to be printed. If you wish responses to be forwarded from the FPP address it is essential you send a large 33p s.a.e. Your letter will be printed with a number. No replies will be forwarded if you have not sent an s.a.e. 2 Volume 2 : Issue 4 Dear Kathryn…. First Person Plural encourages respectful open comment and debate about the issues, ideas and experiences of people who are dissociative, their supporters and allies. We welcome letters inspired by any article or other material published in the newsletter and other topics of interest to readers. To reply to a numbered letter place your response in a sealed envelope with the number of the letter you are replying to marked on the outside and place inside a second stamped envelope addressed for posting to;- Kathryn Livingston, First Person Plural, PO Box 1309, Wolverhampton, WV6 9XY email [email protected] Editor's note - I have received no letters for publication since the last issue. However, Madeleine has sent in this poem with an s.a.e. and a request that it be published with a number so people could respond if they wished. This poem was written in September 1996 when we were trying to understand our multiplicity. From Madeleine: Hello, Hello, Friend or foe, Friend or foe, Can I come where you can go? You can come where we can go. Can I see when you are blind? And what we never let us show Are you free when I am bound? You can feel, and you can know. Are my tears your pain or mine? Is your grief mine, out of time? From Jesus: Is my child in you concealed "I in you and they in me or are your parts through me revealed? As three are one, and I am three. If I am lost, then are you found Choose this day whom you will be, or do we share this measured ground? Single, silent: Plural, free." If you are truth, am I a lie? If you are me, then who am I? Madeleine, 2.4/1 From my Family: We are captive, you are free When you are you and we are we, But when you're bound, we can see, Then we are you, and we are free. You are us, can you not see? That we are many, bound yet free. We will never let you be A soul alone, for you are we. 3 First person plural Location of Subscribers 1999 / 2000 Who subscribes Dissociators = 58 of which Members = 31 Therapists & other professionals = 21 Friends & relatives = 11 3 Organizations = 8 Others = 2 2 Overseas = 8 6 USA = 6 New Zealand = 2 7 8 4 8 13 21 4 16 Total = 100 4 Volume 2 : Issue 4 The Beast by Jane Editor's Note: this short story recalls a first memory of splitting. It contains some graphic word images of abuse which might trigger. Please read with caution and support if necessary. Give yourself permission not to read at all if that feels safest. The room was cool, and very still, everything in it's usual place. I could hear the sound of laughter down below as the adults talked and drank wine. This was their time so I couldn't interupt or tell them the secret. I waited for the return of the Beast. I waited for the creak on the stairs, the latch on the door, the turn of the lock, the footsteps that come nearer and nearer, all so strangely familiar. I pretended to be asleep as I always did, it was the easiest thing to do. That way it did not need to be real, it could all be a dream, I could be whoever I wanted to be, I did not have to be me at all. At first I did not know that he was a wolf dressed in sheeps clothing. He was so gentle at first. I even looked at him once and he did not seem all that frightening at all. I liked the feel of the soft touches, the hand gliding backwards and forwards across my body. I even wondered what I had done to receive this nice feeling. I kept very still, there were no words spoken, but then I was supposed to be asleep and he told me it was best to stay that way. Then somewhere in the tingling feeling came a flash of panic, DANGER ran through my body like lightening. The nice feelings were replaced with terror, choking, I couldn't breathe. The child had awoken from her sleep, she wanted to wriggle free but she couldn't move, she was pinned down, the Beast had returned. She was choking, her throat tight - she felt the hand that prevented her scream. She felt she would stop breathing soon, she was scared. The Beast moved faster, more frantic and aggressive, her body crushed beneath the weight of his. The Beast was over the top of her, she caught sight of his piercing eyes. Quickly she thought of the sun, thought of the rain, anything to stop the pain that she felt. She focuses on the window, the darkness, the moon. "That's the moon", she told herself, "cling to it, focus on it, don’t lose sight of it". She could hear the laughter of his sick satisfaction, she panicked. "Don't let go, or you'll die, hold onto the moon". He hurts, he pushes hard and she feels pain going through her whole body. All she can do is look through glazed eyes and hold onto the moon. 5 First person plural For a brief minute she feels pain. "I'm going to die", she tells herself, "I'm going to die, going to be sick, I can't move". Her breathing goes out of control, she tries to focus on the moon, but she shrinks back into the blackness as she passes out. The child is lying back in her bed. Perhaps I am dead, I'm very still, I feel numb, just like I slipped out of my body. In fact it was true she knew that she was dead. It wasn't very beautiful like in the movies, but she looked the right colour for dead, she was drained and waxy looking, straight faced like a porcelain doll. She was quite dead. It felt a strange thing to be killed like that, in you rown bed as well. Even more bizarre to have to clear up after yourself. Usually someone finds you and sorts you out when you are dead, call the undertakers to remove the body, but I done it all myself. Of course, I couldn't tell anyone that as they would never believe me.

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