Download the Digital Booklet

Home , Chris Chibnall, Demons of the Punjab, It Takes You Away, Jodie Whittaker, Nikki Wilson, Resolution (Doctor Who)

SERIES 11 ORIGINAL TELEVISION SOUNDTRACK MUSIC BY SEGUN AKINOLA 01 SERIES 11 OPENING TITLES THIRTEEN 01 02 GETTING THAT BIKE GET OUT THAT DOOR 02 03 LONG STORY PARKS, ROSA PARKS 03 04 THIS NEW NOSE IS SO UNRELIABLE ARTRON ENERGY 04 05 THE WARRIOR THIS IS VERY BAD NEWS 05 06 SONIC SCREWDRIVER FISHING TAKE DOWN 06 07 THE DOCTOR STAND UP NOW 07 08 YOU REALLY NEED TO GET OUT OF THOSE CLOTHES A LIVING ICON FOR FREEDOM 08 09 THREE SUNS UMBREEN 09 10 MAKE IT THROUGH THOSE RUINS THIJARIAN HIVE 10 11 MY BEAUTIFUL GHOST MONUMENT I LOVE YOU NANI 11 12 MISSING YOU YAZ AND NANI END CREDITS 12 13 INSURANCE POLICY KING JAMES 13 14 MY FAM TENDRIL 14 15 TSURANGA MORAX 15 16 RESUS ONE REVERSE THE POLARITY 16 17 KERBLAM MADE A NEW FRIEND 17 18 HELP IN DISPATCH REBUILT 18 19 RANSKOOR AV KOLOS ME AND MY MATES 19 20 THE SHRINE SERIES 11 END CREDITS 20 21 KEEP YOUR FAITH Matt Strevens, Executive Producer

Most importantly for this series, he is an instinctive Working with Segunon the new seriesof Doctor Who has been a totaljoy and a musical revelation. His mission (and thank God he accepted it) was to providenew a soundscape for a new era, a new versionof the show and for Chris Chibnall’s vision. In that, he excelled and then some. wanted We to make11 stand-alone movies and he has given us 11 stand-alone scores. He’s embraced the historyof the show with his love of interrogating just what makes up music and what music can be. The useof found sounds and experimentation in the best traditions of of love His Workshop. Radiophonic BBC pioneering the chart pop is in there, so too ambient film scores, big electronic and synth and pomp classical orchestrated soundscapes. storyteller. He understands how the scorecan accentuate and elevate the narrative arc and the worlds, evokes He characters. the of journeys emotional whether the Punjab of 1947, the civil rights embattled American south of the Fifties or a medical ship hurtling throughspace. He’s embraced the shifts in genre, from a giant spiders horror movie to a supernatural chiller set in the witch trials of seventeenth century lovingly and curated individually All Lancashire. specific. He’s made them, however, all seem like part of a whole, with his beautiful themes for the characters weave personality and their with through shot are that their way through the series in ever new and surprising iterations. needed We a new voice for the show and with Segun we got a choir of them.

A new soundscape soundscape new A for a new era Recording the Chamber Orchestra of London for ‘Demons of the Punjab’ at Abbey Road Studios

Chris Chibnall, Showrunner have. It had a punch-the-air heroism allied with an with allied heroism apunch-the-air had It have. to show the I wanted feeling every encompassed it it: to Ilistened Doctor. new the for theme - apossible handful. a him I gave Whittaker. Jodie by played Doctor, new himself. and work the both for ways, right the all in and deep musical knowledge - and hugely ambitious inquisitive,delightful, vastly intelligent with a huge generous, smart, kind, He’s work. his as wonderful energy. the and heart the eclecticism, the to Iresponded work. his of emotion documentaries and was struck by the breadth and from our very conversation. first reward. the worth be might risk the whether decide to You have risk. undeniable an but thrilling is drama multi-episodic scored previously hasn’t who composer anew with Working television. in ashowrunner as do can you things exciting most the of one is talent new with Working 72 hours later a demo track arrived from Segun Segun from arrived track ademo later hours 72 the describe to words afew for me asked He as is personality His Segun. to talked I then and factual in work his of samples to I’d listened Segun made that risk seem completely negligible, It summed up Jodie Whittaker’s Doctor Whittaker’s Jodie up summed It cry. me made it and beam me made It first time each new set of demos came in. came demos of set new each time first the I did as much as work this to listening enjoy you Ihope Who. Doctor as series first Whittaker’s Jodie too. that us gave and went he And music. as incredibly modern and contemporary; as much sound the Radiophonic Workshop, but which also sounds original elements, created by Delia Derbyshire and the uses that aversion there is theme: Who Doctor impossible question I asked him about the iconic series. the of and episode the of sequence, the of moment, the of heart the on in zeroes He before. it to connected been never have performers and collaborators into Doctor Who who making. were we work the for ademo from want ever Icould everything was It Doctor. Whittaker’s Jodie up summed It cry. me made it and beam me made It sensitivity. emotional Segun is one of the key creative talents behind behind talents creative key the of one is Segun seemingly the answered he’s off, it top to And He’s a huge talent. He’s brought sounds and

Segun Akinola, composer In all honesty, it’s been a bit emotional (in the best way) So, for all the fans reading, this is for you. I hope this brings Segun during the recording session for ‘Demons of the Punjab’ at Abbey Road Studios Road Abbey at Punjab’ the of ‘Demons for session recording the during Segun Recording ‘Resolution’ at AIR Studios - Guitar: Andrew Cooksley / Bass: Mike Mondesir Mike Bass: / Cooksley Andrew Guitar: - Studios AIR at ‘Resolution’ Recording Where do I even begin?! Working on Series 11 has been nothing short of the experience oflifetime. a I have loved every single minute of it. From working closely with theproduction team, to writing the character themes, to recording the New Year’s Day special, it’struly been so muchfun. I’m incrediblygrateful to have been entrusted with the musical reins by showrunner Chris Chibnall and executive producer Matt Strevens and to have been welcomed by everyone else in the team. putting this album together; to look back on where we started and where we ended up. wanted We to go on a new musical journey themselves. stories the of ambition the compliment would that continuallyWe tried to make the boldest decisions, to take the exciting option, the one that kept us all on our toes. aimed We to support could it how do, could music the what about questions ask and elevate the story. tried We to be brave every step of the way. This album is a musical snapshot of all that we achieved. back emotions and memories from watching the series; I hope it makes you fall in love with Jodie and the gang all over again. Specialist musicians at Abbey Road Studios Sarangi: Surjeet Singh / Vocals: Shahid Abbas Khan / Tabla: Kuljit Bhamra

India 1947. The Doctor officiates the wedding ceremony of Umbreen and Prem in ‘Demons of the Punjab’ VOLUME ONE

The Woman Who Fell to Earth Technical Assistant: James Otto spaceship which gave us a bit of an The Battle of Ranskoor Av Kolos (tracks 2-8) 80s feeling - we thought it best to lean (tracks 19-21) New series. New Doctor. New showrunner. Vocals: Hollie Buhagiar into it! The conclusion of the series, a moving story New era. This was all about introducing the Guitars: Adam Goldsmith of faith, doubt, loss and hope offered the new world of the series and music. Cello: David Cohen Mixed by Goetz Botzenhardt chance to return to the sound of The Woman Bassoon: Julie Price Technical Assistant: Huw White Who Fell to Earth, whilst also encompassing Orchestrated by Alec Roberts Horn: Martin Owen many of the musical journeys we’ve been on Mixed by Goetz Botzenhardt Kerblam! (tracks 17-18) up to this point. Technical Assistant: James Otto Arachnids in the UK (tracks 12-14) Another conspiracy thriller, but very much Big, scary spiders in the midst of a an action-adventure. This time set on a Orchestrated by Alec Roberts Vocals: Hollie Buhagiar conspiracy thriller. Time for some dark, moon in a warehouse with workers fulfilling Recorded by Olga FitzRoy Guitars: Andrew Cooksley pulsing music. repetitive tasks, which called for a groove- Mixed by Goetz Botzenhardt Cello: Matt Constantine based band sound mixed with repetitive Pro Tools Operator: Adam Miller Horn: Daniel Curzon and Martin Owen Orchestrated by Alec Roberts electronic elements. Music Preparation: Simon Whiteside Recorded and Mixed by Olga FitzRoy Technical Assistant: James Otto The Ghost Monument (tracks 9-11) Pro Tools Operator: Paul Clark Orchestrated by Alec Roberts The first alien planet visited in the series Technical Assistant: Huw White Recorded and Mixed by Olga FitzRoy Musicians contracted by Gareth Griffiths needed a bit of a harsher, more aggressive Pro Tools Operator: Paul Clark sound to replicate the hostile environment Guitars: Andrew Cooksley Technical Assistants: James Otto & Huw White Cello: David Cohen the team were in. Cello: David Cohen Horn: Andrew Littlemore Horn: Nick Korth Vocals: Hollie Buhagiar & James Otto Guitars: Andrew Cooksley Orchestrated by Alec Roberts Guitars: Andrew Cooksley Recorded by Goetz Botzenhardt The Tsuranga Conundrum Cello: David Cohen Soprano: Kirsty Hopkins Guitars recorded by Darren Williams (tracks 15-16) Percussion: Matt Whittington Alto: Ksynia Loeffler Mixed by Olga FitzRoy The team is stuck in space on a medical Bass Guitar: Mike Mondesir Tenor: Mark Dobell Drum Kit: Ash Soan Bass: Nicholas Garrett VOLUME TWO

Thirteen Chamber Orchestra of London The Witchfinders (tracks 13-15) New Doctor. New theme! This particular Musicians contracted by Gareth Griffiths A supernatural horror set in the 17th arrangement is written just for the album century provided the opportunity and the fans, from me to you. Solo Trumpet: Chris Deacon to mix a very classical string quartet Guitars: Adam Goldsmith with a more modern, rhythmic sound Conducted & Orchestrated by Alec Roberts in addition to found sounds and Recorded by Olga FitzRoy Demons of the Punjab (tracks 9-12) experimental textures. Mixed by Goetz Botzenhardt Faithfully representing India in 1947 within Pro Tools Operator: Fiona Cruickshank the new musical sound world meant Orchestrated by Alec Roberts Technical Assistants: Huw White & James Otto spending a wonderful day in Abbey Road Recorded by Olga FitzRoy with the orchestra and a group of amazing, Mixed by Goetz Botzenhardt Chamber Orchestra of London specialist musicians. Pro Tools Operator: Adam Miller Musicians contracted by Gareth Griffiths Music Preparation: Simon Whiteside Conducted & Orchestrated by Alec Roberts Technical Assistants: James Otto Rosa (tracks 2-8) Recorded by Olga FitzRoy & Huw White Our first trip back in time had the team Mixed by Goetz Botzenhardt meeting an American hero, so it was time Pro Tools Operator: Toby Hulbert Musicians contracted by Gareth Griffiths to bring out the orchestra. Music Preparation: Simon Whiteside Technical Assistant: James Otto Violin 1: Stephanie Gonley Conducted & Orchestrated by Alec Roberts Violin 2: Jan Schmolck Recorded by Olga FitzRoy Chamber Orchestra of London Viola: Judith Busbridge Guitars recorded by Chris Parker Musicians contracted by Gareth Griffiths Cello: Timothy Walden Mixed by Goetz Botzenhardt Guitars: Andrew Cooksley Pro Tools Operator: Fiona Cruickshank Vocals: Shahid Abbas Khan Music Preparation: Simon Whiteside Sarangi: Surjeet Singh Technical Assistant: Huw White Tabla: Kuljit Bhamra Guitars: Andrew Cooksley It Takes You Away (tracks 16-17) Chamber Orchestra of London This Norway-based story, which was both Musicians contracted by Gareth Griffiths emotionally intimate and scary, asked for a musical palette that could bring out both Solo Cello: David Cohen elements equally; in this case, a cello trio Guitars: Andrew Cooksley & Adam Goldsmith and more found sounds and experimental Bass Guitar: Mike Mondesir textures. Drum Kit: Ash Soan

Orchestrated by Alec Roberts Series 11 Opening Titles, Recorded and Mixed by Olga FitzRoy End Credits & Yaz And Nani Pro Tools Operator: Adam Miller End Credits Music Preparation: Simon Whiteside (Volume One track 1; Technical Assistants: James Otto & Huw White Volume Two track 12 & 20) Music Composed by Ron Grainer Musicians contracted by Gareth Griffiths Arranged by Segun Akinola Published by Chappell Music Ltd. (PRS) Cello 1: David Cohen Cello 2: Kate Gould Music Composed* and Produced by Cello 3: Dan Gardner Segun Akinola Guitars: Andrew Cooksley Album Mastered by Simon Gibson at Abbey Road Studios Resolution (tracks 18-19) Music Published* by BBCW Music Publishing The first New Year’s Day special introduced (PRS) and Du Vinage Publishing Ltd. (PRS) a terrible alien threat that required a very special sound. Time to bring out the (*) except Volume One track 1; orchestra AND the band. Volume Two track 12 & 20

Conducted & Orchestrated by Alec Roberts Recorded and Mixed by Olga FitzRoy Pro Tools Operator: Adam Miller Assistant Mix Engineer: Laurence Anslow Music Preparation: Simon Whiteside Technical Assistant: James Otto ambitions for a close synergy between Mark Tonderai, Sallie Aprahamian, Jennifer music and sound design. The number of Perrott, Ed Hime, Malorie Blackman, Vinay times we turned to each other in the dub Patel, Pete McTighe, Joy Wilkinson, Ceres after hearing something and asked “Was Doyle, Claire Rees, Lucy Matthews, Alison that you or was that me?!” proves that we Burton, Charlotte Matthews, Sophie Ray, really did succeed. Mat Clark, Alastair King, Ed Watkins, Daniel Pemberton, Mark Russell, Martin Phipps, Thank you Howard Bargroff for such fun Darrell Alexander, Chris Gutch, Ollie dubbing mixes! Thank you for treating the Fitzgerald, Gareth Griffiths, Zoe Bennett, music with care and always finding a way David Stoner, Dominic Walker, Nick Baxter, to make the music work with all the sound Max Davis and Victoria Watkins. design, foley etc. to tell the story in the best way. Thank you to every single fan! From my announcement to the last note in the Thank you to my parents, sisters and my New Year’s Day special: thank you for whole family: your constant support means embracing me and the music in Series 11 so the world to me and I thank God for you. warmly. You made the best job in the world even better. Thank you Goetz and Olga for the outstanding recording and mixing across Last, and certainly not least, thank you to Thank Yous the series, you really made the music sound my best friend and amazing wife, Jade. the best it could possibly be. Every moment of working on this series was First and foremost, thank you Matt and Chris, even more enjoyable and special because for welcoming me into the amazing Doctor Thank you to my orchestrator and of you. I can’t wait to support you as you go Who family. Thank you for always believing conductor, Alec Roberts, and all the many after your dreams! in me, trusting me and encouraging me to musicians who worked on every episode: wholeheartedly bring my voice to the series. you brought the music to life! Dedicated to Jade Akinola.

Thank you Harry Barnes for being so open A big thank you to the following: to working closely together. We had high Nikki Wilson, Alex Mercer, Jamie Childs, Segun Akinola, Composer Abbey Road Session Photography by Charlie Clift

AIR Studios Session Photography by Hannah Woodall and Chrissy Jones, The Lovely Photographers

Executive Producers for Silva Screen Records Ltd: Reynold D’Silva and David Stoner Artwork and Design by Stuart Ford