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Silabus Karawitan Surakarta Ii SILABUS KARAWITAN SURAKARTA II Fakultas : Seni Pertunjukan Program Studi : Seni Karawitan Mata Kuliah : Karawitan Surakarta II Kode Mata Kuliah : MKB 01201 Bobot : 1 SKS Semester : II (dua) Standar Kompetensi : Setelah menyelesaikan perkuliahan ini, mahasiswa dapat memainkan garap gendhing bentuk ketawang balungan nibani, gendhing ladrang garap kendhang setunggal, dan garap ciblon irama dadi. NO KOMPETENSI INDIKATOR PENGALAMAN MATERI POKOK ALOKA SUMBER/BAHAN PENIL DASAR BELAJAR SI AIAN WAKTU 1. Menjelaskan 1. Menyebutkan 1. Memahami fungsi 1. Kontrak 100 1. Mloyowidodo. 6% ciri-ciri fungsi gendhing dalam perkuliahan menit Gending-gending bentuk gendhing dunia karawitan. 2. Penjelasan fungsi Jawa Gaya gendhing alit dalam dunia 2. Mengenal bentuk gendhing dalam Surakarta Jilid I, II, (ketawang) karawitan. gendhing dunia karawitan. dan III. Surakarta: 2. mengetahui ketawang beserta 3. menjelaskan ciri- ASKI Surakarta. ciri-ciri ciri-cirinya. ciri gendhing 1976. gendhing 3. Mengenal ketawang balungan 2. Martopangrawit, ketawang gendhing nibani. Pengetahuan balungan ketawang 4. Menjelaskan Karawitan, Jilid I, nibani. balungan nibani. tabuhan pancer II, ASKI 1975 3. Memainkan 4. Mendemonstrasik pada gendhing 3. Waridi, Tata Letak balungan an balungan Ktw. Subokastawa, Gamelan Jawa gendhing Ktw. gendhing ktw. Slendro sanga. Dalam Pergelaran Subokastawa, Subokastawa, 5. Menjelaskan Seni Tradisi, Gelar, Slendro sanga Slendro sanga tabuhan saron Jurnal Ilmu dan pada ricikan pada ricikan penerus pada Seni STSI balungan. balungan. balungan nibani. Surakarta, Vol. 2 N. 2, 2000. 2. Menjelaskan 1. Menyebutkan 1. Memahami teknik 1. menjelaskan teknik 100 1. Soeroso. 6% teknik mipil teknik mipil mipil bonang tabuhan bonang menit Bagaimana pada ricikan pada ricikan barung dan bonang barung, bonang Bermain Gamelan. bonang bentuk bonang penerus. penerus. Jakarta: Balai gendhing alit barung. 2. Mendemonstrasika 2. Menjelaskan Pustaka, Jakarta. (ketawang) 2. Menyebutkan n tabuhan bonang tabuhan 1982. teknik mipil barung dan bonang gembyangan duduk 2. Richard pada ricikan penerus. gendhing Pickvance. A bonang 3. Mengenal teknik Subokastawa. Gamelan Manual, penerus. tabuhan 3. Demonstrasi A Player’s Guide 3. Memainkan gembyangan duduk tabuhan bonang to The Central secara dalam ricikan barung, bonang Javanese bersama-sama bonang. penerus, balungan, Gamelan. Jaman bonang 4. Memahami dan saron penerus. Mas Book, London, barung dan sinkronisasi 4. Sinkronisasi pola United Kingdom. bonang tabuhan mipil kendhang 2005. penerus. dengan tabuhan ketawang balungan. kendhang kalih dalam tabuhan bersama 3. Menjelaskan 1. Menyebutkan 1. Memahami 1. Menjelaskan 100 1. Martopangrawit, 6% tabuhan kedudukan kedudukan ketuk kedudukan ketuk menit Pengetahuan ricikan ketuk kempyang, kempyang, kenong, Karawitan, Jilid I, struktural kempyang, kenong, kempul kempul dan gong II, ASKI 1975 gendhing alit kenong, dan gong dalam dalam bentuk 2. Joko Purwanto. (ketawang) kempul dan bentuk ketawang. ketawang. “Ricikan Kethuk gong dalam 2. memainkan teknik 2. Menjelaskan Pada Karawitan bentuk tabuhan ketuk teknik tabuhan Jawa Gaya ketawang. kempyang, ketuk kempyang, Surakarta”, Gelar, 2. Menyebutkan kenong, kempul kenong, kempul Jurnal Seni teknik tabuhan dan gong. dan gong. Budaya, volume 8 ketuk 3. Memahami 3. Menjelaskan No 2. Institut Seni kempyang, sinkronisasi sinkronisasi ricikan Indinesia (ISI) kenong, ricikan struktural struktural dengan Surakarta. 2010. kempul dan dengan ricikan ricikan lainnya 3. Djoko Purwanto, gong. lainnya dalam dalam perangkat “Permainan Ricikan 3. Memainkan perangkat gamelan Ageng. Kenong Dalam secara gamelan Ageng. 4. Sinkronisasi pola Karawitan Jawa bersama-sama kendangan Gaya Surakarta”, dengan ricikan ketawang Gelar, Jurnal Seni yang lain di kendhang kalih, Budaya, Volume 11 perangkat garap rebab dan No 2. Institut Seni gamelan garap gender Indonesia (ISI) Ageng. barung ke dalam Surakarta, 2013. tabuhan bersama. 4. Menjelaskan 1. Menyebutkan 1. Memahami teknik 1. Menjelaskan teknik 100 1. Djumadi, S.Kar., 6% teknik teknik “klénangan” tabuhan menit Titilaras Rebaban “klénangan” “klénangan” bonang barung “klénangan” jilid I dan II, ASKI pada ricikan pada ricikan dan bonang bonang barung dan Surakarta. 1975. bonang bentuk bonang penerus. bonang penerus. 2. R.L. Marto gendhing alit barung dan 2. Mendemonstrasik 2. Menjelaskan Pangrawit, (ketawang) bonang an tabuhan tabuhan Titilaras penerus. “klénangan” “klénangan” pada Kendangan, 2. Menyebutkan bonang barung gendhing konservatori sinkronisasi dan bonang Subokastawa. Karawitan teknik penerus. 3. Demonstrasi Indonesia, “klénangan” 3. Memahami tabuhan Departemen P dan pada ricikan sinkronisasi “klénangan” K. di Surakarta. bonang tabuhan klenan bonang barung, 1972. barung dan “klénangan” gan bonang penerus. 3. R.L. Marto penerus. dengan tabuhan 4. Menjelaskan Pangrawit, 3. Memainkan balungan. perubahan tabuhan Titilaras Cengkok- secara 4. Memahami struktural dengan Cengkok Genderan bersama-sama perubahan teknik dan Wiledannya, bonang tabuhan “klénangan”. ASKI Surakarta, barung dan struktural dengan 5. Sinkronisasi pola 1973. bonang teknik kendhang penerus. “klénangan”. ketawang, garap rebab dan garap gender barung ke dalam tabuhan bersama. 5. Menjelaskan 1. Mengetahui 1. Mengenal bentuk 1. Menjelaskan ciri- 100 1. Martopangrawit, 6% ciri-ciri ciri-ciri bentuk gendhing ladrang ciri gendhing menit Pengetahuan bentuk gendhing beserta ciri- ladrang Wilujeng, Karawitan, Jilid I, gendhing alit ladrang. cirinya. Pelog barang. II, ASKI 1975 (ladrang) 2. Memainkan 2. Mendemonstrasika 2. Menjelaskan 2. Sindusawarno. Ilmu balungan n balungan tabuhan mipil pada Karawitan jilid I, II. gendhing Ldr. gendhing Ldr. ricikan bonang Surakarta: Wilujeng, Wilujeng, pelog barung dan bonang Konservatori Pelog barang barang, pada penerus. Karawitan pada ricikan ricikan balungan. 3. Menjelaskan Indonesia. 1959. balungan. 3. Memahami teknik sinkronisasi teknik 3. Waridi, Tata Letak 3. Mengetahui mipil lombo dan tabuhan mipil Gamelan Jawa teknik mipil mipil rangkep dengan tabuhan Dalam Pergelaran untuk ricikan pada ricikan balungan dan saron Seni Tradisi, Gelar, bonang. bonang. penerus. Jurnal Ilmu dan Seni STSI Surakarta, Vol. 2 N. 2, 2000. 6. Menjelaskan 1. Menyebutkan 1. Memahami 1. Menjelaskan 100 1. Soeroso. 6% tabuhan kedudukan kedudukan ketuk kedudukan ketuk menit Bagaimana ricikan ketuk kempyang, kempyang, kenong, Bermain Gamelan. struktural kempyang, kenong, kempul kempul dan gong Jakarta: Balai gendhing alit kenong, dan gong dalam dalam bentuk Pustaka, Jakarta. (ladrang) kempul dan bentuk ladrang. ladrang. 1982. gong dalam 2. Memainkan teknik 2. Menjelaskan 2. Djoko Purwanto, bentuk tabuhan ketuk teknik tabuhan “Permainan ladrang. kempyang, ketuk kempyang, Ricikan Kenong 2. Menyebutkan kenong, kempul kenong, kempul Dalam Karawitan teknik tabuhan dan gong ladrang dan gong pada ldr. Jawa Gaya ketuk Wilujeng Pelog Wilujeng Pelog Surakarta”, Gelar, kempyang, barang. barang. Jurnal Seni kenong, 3. Memahami 3. Menjelaskan Budaya, Volume 11 kempul dan sinkronisasi sinkronisasi ricikan No 2. Institut Seni gong. ricikan struktural struktural dengan Indonesia (ISI) 3. Memainkan dengan ricikan ricikan lainnya Surakarta, 2013. secara lainnya pada dalam perangkat 3. Martopangrawit, bersama-sama ladrang Wilujeng gamelan Ageng. Titilaras dengan ricikan Pelog barang 4. Sinkronisasi pola Kendangan, yang lain di dalam perangkat kendhang ladrang konservatori perangkat gamelan Ageng. kendhang Karawitan gamelan setunggal dan pola Indonesia, Ageng. penunthung dalam Departemen P dan tabuhan bersama. K. di Surakarta. 1972. 7. Menjelaskan 1. Menyebutkan 1. Memahami teknik 1. Menjelaskan teknik 100 1. Djumadi, S.Kar., 6% teknik teknik “pinjalan” ricikan tabuhan “pinjalan” menit Titilaras Rebaban “pinjalan” “pinjalan” slenthem dan ricikan slenthem jilid I dan II, ASKI pada pada ricikan demung. dan demung dalam Surakarta. 1975. karawitan slenthem dan Mendemonstrasika karawitan gaya 2. R.L. Marto gaya Surakarta demung. n tabuhan Surakarta. Pangrawit, 2. Menyebutkan “pinjalan” 2. Menjelaskan Titilaras sinkronisasi slenthem dan tabuhan “pinjalan” Kendangan, teknik demung. pada gendhing ldr. konservatori “pinjalan” 2. Memahami Wilujeng Pelog Karawitan pada ricikan sinkronisasi barang. Indonesia, slenthem dan tabuhan 3. Demonstrasi Departemen P dan demung. “pinjalan” dengan tabuhan “pinjalan” K. di Surakarta. 3. Memainkan tabuhan balungan. slenthem dan 1972. secara 3. Memahami demung. 3. R.L. Marto bersama-sama perubahan 4. Menjelaskan Pangrawit, dalam tabuhan saron perubahan tabuhan Titilaras Cengkok- perangkat dengan teknik saron dengan Cengkok Genderan gamelan “pinjalan”. teknik “pinjalan”. dan Wiledannya, ageng. 5. Sinkronisasi garap ASKI Surakarta, rebab dan gender 1973. barung bagian umpak ke dalam tabuhan bersama. 8. Menjelaskan 1. Mengetahui 1. Mengenal bentuk 1. Menjelaskan ciri- 100 1. Djumadi, S.Kar., 6% ciri-ciri ciri-ciri bentuk gendhing ladrang ciri gendhing menit Titilaras Rebaban bentuk gendhing beserta ciri- ladrang Wilujeng, jilid I dan II, ASKI gendhing alit ladrang. cirinya. Pelog barang. Surakarta. 1975. (ladrang) 2. Memainkan 2. Mendemonstrasika 2. Menjelaskan 2. R.L. Marto balungan n balungan tabuhan mipil Pangrawit, gendhing Ldr. gendhing Ldr. pada ricikan Titilaras Wilujeng, Wilujeng, Pelog bonang barung dan Kendangan, Pelog barang barang pada bonang penerus. konservatori pada ricikan ricikan balungan. 3. Menjelaskan Karawitan balungan. 3. Memahami teknik sinkronisasi teknik Indonesia, 3. Mengetahui mipil lombo dan tabuhan
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