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Artist Song 2 Unlimited Maximum Overdrive 2 Unlimited Twilight Zone 2Pac All Eyez On Me 3 Doors Down When I'm Gone 3 Doors Down Away From The Sun 3 Doors Down Let Me Go 3 Doors Down Behind Those Eyes 3 Doors Down Here By Me 3 Doors Down Live For Today 3 Doors Down Citizen Soldier 3 Doors Down Train 3 Doors Down Let Me Be Myself 3 Doors Down Here Without You 3 Doors Down Be Like That 3 Doors Down The Road I'm On 3 Doors Down It's Not My Time (I Won't Go) 3 Doors Down Featuring Bob Seger Landing In London 38 Special If I'd Been The One 4him The Basics Of Life 98 Degrees Because Of You 98 Degrees This Gift 98 Degrees I Do (Cherish You) 98 Degrees Feat. Stevie Wonder True To Your Heart A Flock Of Seagulls The More You Live The More You Love A Flock Of Seagulls Wishing (If I Had A Photograph Of You) A Flock Of Seagulls I Ran (So Far Away) A Great Big World Say Something A Great Big World ft Chritina Aguilara Say Something A Great Big World ftg. Christina Aguilera Say Something A Taste Of Honey Boogie Oogie Oogie A.R. Rahman And The Pussycat Dolls Jai Ho Aaliyah Age Ain't Nothing But A Number Aaliyah I Can Be Aaliyah I Refuse Aaliyah Never No More Aaliyah Read Between The Lines Aaliyah What If Aaron Carter Oh Aaron Aaron Carter Aaron's Party (Come And Get It) Aaron Carter How I Beat Shaq Aaron Lines Love Changes Everything Aaron Neville Don't Take Away My Heaven Aaron Neville Everybody Plays The Fool Aaron Tippin Her Aaron Watson Outta Style ABC All Of My Heart ABC Poison Arrow Ad Libs The Boy From New York City Afroman Because I Got High Air -
Finding Grace in the Concert Hall: Community and Meaning Among Springsteen Fans
FINDING GRACE IN THE CONCERT HALL: COMMUNITY AND MEANING AMONG SPRINGSTEEN FANS By LINDA RANDALL A Thesis Submitted to the Graduate Faculty of WAKE FOREST UNIVERSITY On Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS In the Department of Religion December 2008 Winston Salem, North Carolina Approved By: Lynn Neal, PhD. Advisor _____________________________ Examining Committee: Jeanne Simonelli, Ph.D. Chair _____________________________ LeRhonda S. Manigault, Ph.D _____________________________ ii Acknowledgements First and foremost, my thanks go out to Drs. Neal and Simonelli for encouraging me to follow my passion and my heart. Dr. Neal helped me realize a framework within which I could explore my interests, and Dr. Simonelli kept my spirits alive so I could nurse the project along. My concert-going partner in crime, cruisin’tobruce, also deserves my gratitude, sharing expenses and experiences with me all over the eastern seaboard as well as some mid-America excursions. She tolerated me well, right up until the last time I forgot the tickets. I also must recognize the persistent assistance I received from my pal and companion Zero, my Maine Coon cat, who spent hours hanging over my keyboard as I typed. I attribute all typos and errors to his help, and thank him for the opportunity to lay the blame at his paws. And lastly, my thanks and gratitude goes out to Mr. Bruce Frederick Springsteen, a man of heart and of conscience who constantly keeps me honest and aware that “it ain’t no sin to be glad you’re alive (Badlands).” -
Nostalgias in Modern Tunisia Dissertation
Images of the Past: Nostalgias in Modern Tunisia Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By David M. Bond, M.A. Graduate Program in Near Eastern Languages and Cultures The Ohio State University 2017 Dissertation Committee: Sabra J. Webber, Advisor Johanna Sellman Philip Armstrong Copyrighted by David Bond 2017 Abstract The construction of stories about identity, origins, history and community is central in the process of national identity formation: to mould a national identity – a sense of unity with others belonging to the same nation – it is necessary to have an understanding of oneself as located in a temporally extended narrative which can be remembered and recalled. Amid the “memory boom” of recent decades, “memory” is used to cover a variety of social practices, sometimes at the expense of the nuance and texture of history and politics. The result can be an elision of the ways in which memories are constructed through acts of manipulation and the play of power. This dissertation examines practices and practitioners of nostalgia in a particular context, that of Tunisia and the Mediterranean region during the twentieth and early twenty-first centuries. Using a variety of historical and ethnographical sources I show how multifaceted nostalgia was a feature of the colonial situation in Tunisia notably in the period after the First World War. In the postcolonial period I explore continuities with the colonial period and the uses of nostalgia as a means of contestation when other possibilities are limited. -
Idioms-And-Expressions.Pdf
Idioms and Expressions by David Holmes A method for learning and remembering idioms and expressions I wrote this model as a teaching device during the time I was working in Bangkok, Thai- land, as a legal editor and language consultant, with one of the Big Four Legal and Tax companies, KPMG (during my afternoon job) after teaching at the university. When I had no legal documents to edit and no individual advising to do (which was quite frequently) I would sit at my desk, (like some old character out of a Charles Dickens’ novel) and prepare language materials to be used for helping professionals who had learned English as a second language—for even up to fifteen years in school—but who were still unable to follow a movie in English, understand the World News on TV, or converse in a colloquial style, because they’d never had a chance to hear and learn com- mon, everyday expressions such as, “It’s a done deal!” or “Drop whatever you’re doing.” Because misunderstandings of such idioms and expressions frequently caused miscom- munication between our management teams and foreign clients, I was asked to try to as- sist. I am happy to be able to share the materials that follow, such as they are, in the hope that they may be of some use and benefit to others. The simple teaching device I used was three-fold: 1. Make a note of an idiom/expression 2. Define and explain it in understandable words (including synonyms.) 3. Give at least three sample sentences to illustrate how the expression is used in context. -
Songs by Title
Karaoke Song Book Songs by Title Title Artist Title Artist #1 Nelly 18 And Life Skid Row #1 Crush Garbage 18 'til I Die Adams, Bryan #Dream Lennon, John 18 Yellow Roses Darin, Bobby (doo Wop) That Thing Parody 19 2000 Gorillaz (I Hate) Everything About You Three Days Grace 19 2000 Gorrilaz (I Would Do) Anything For Love Meatloaf 19 Somethin' Mark Wills (If You're Not In It For Love) I'm Outta Here Twain, Shania 19 Somethin' Wills, Mark (I'm Not Your) Steppin' Stone Monkees, The 19 SOMETHING WILLS,MARK (Now & Then) There's A Fool Such As I Presley, Elvis 192000 Gorillaz (Our Love) Don't Throw It All Away Andy Gibb 1969 Stegall, Keith (Sitting On The) Dock Of The Bay Redding, Otis 1979 Smashing Pumpkins (Theme From) The Monkees Monkees, The 1982 Randy Travis (you Drive Me) Crazy Britney Spears 1982 Travis, Randy (Your Love Has Lifted Me) Higher And Higher Coolidge, Rita 1985 BOWLING FOR SOUP 03 Bonnie & Clyde Jay Z & Beyonce 1985 Bowling For Soup 03 Bonnie & Clyde Jay Z & Beyonce Knowles 1985 BOWLING FOR SOUP '03 Bonnie & Clyde Jay Z & Beyonce Knowles 1985 Bowling For Soup 03 Bonnie And Clyde Jay Z & Beyonce 1999 Prince 1 2 3 Estefan, Gloria 1999 Prince & Revolution 1 Thing Amerie 1999 Wilkinsons, The 1, 2, 3, 4, Sumpin' New Coolio 19Th Nervous Breakdown Rolling Stones, The 1,2 STEP CIARA & M. ELLIOTT 2 Become 1 Jewel 10 Days Late Third Eye Blind 2 Become 1 Spice Girls 10 Min Sorry We've Stopped Taking Requests 2 Become 1 Spice Girls, The 10 Min The Karaoke Show Is Over 2 Become One SPICE GIRLS 10 Min Welcome To Karaoke Show 2 Faced Louise 10 Out Of 10 Louchie Lou 2 Find U Jewel 10 Rounds With Jose Cuervo Byrd, Tracy 2 For The Show Trooper 10 Seconds Down Sugar Ray 2 Legit 2 Quit Hammer, M.C. -
Ballad of the Buried Life
Ballad of the Buried Life From 1949 to 2004, UNC Press and the UNC Department of Germanic & Slavic Languages and Literatures published the UNC Studies in the Germanic Languages and Literatures series. Monographs, anthologies, and critical editions in the series covered an array of topics including medieval and modern literature, theater, linguistics, philology, onomastics, and the history of ideas. Through the generous support of the National Endowment for the Humanities and the Andrew W. Mellon Foundation, books in the series have been reissued in new paperback and open access digital editions. For a complete list of books visit www.uncpress.org. Ballad of the Buried Life rudolf hagelstange translated by herman salinger with an introduction by charles w. hoffman UNC Studies in the Germanic Languages and Literatures Number 38 Copyright © 1962 This work is licensed under a Creative Commons cc by-nc-nd license. To view a copy of the license, visit http://creativecommons. org/licenses. Suggested citation: Hagelstange, Rudolf. Ballad of the Buried Life. Translated by Herman Salinger. Chapel Hill: University of North Car- olina Press, 1962. doi: https://doi.org/10.5149/9781469658285_Hagel- stange Library of Congress Cataloging-in-Publication Data Names: Salinger, Herman. Title: Ballad of the buried life / by Herman Salinger. Other titles: University of North Carolina Studies in the Germanic Languages and Literatures ; no. 38. Description: Chapel Hill : University of North Carolina Press, [1962] Series: University of North Carolina Studies in the Germanic Languages and Literatures. Identifiers: lccn unk81010792 | isbn 978-0-8078-8038-8 (pbk: alk. paper) | isbn 978-1-4696-5828-5 (ebook) Classification: lcc pd25 .n6 no. -
GS Nlwebaug Sept04.Qxd (Page 1)
AUGUST/SEPTEMBERAUGUST/SEPTEMBER 20042004 VOL.VOL. 2222 NO.NO. 44 George Strait’s 50 #1’s Album Due In October charts at #36 the first week (7/5) and Love Without End, Amen moved to #26 (7/12) the second week with I've Come To Expect It From You almost 100 reporting stations playing the If I Know Me record. You Know Me Better Than That Many special events are scheduled around Chill Of An Early Fall the release of the project but details are still So Much Like My Dad sketchy. We suggest that you keep in touch I Cross My Heart with the George Strait website at www.georgestrait.com for any breaking DISC TWO: news. Heartland With the release of the project coming in Easy Come Easy Go the fall, it is sure to become the biggest gift I'd Like To Have That One Back item of the holiday season. Listed below The Man In Love With You are all of the songs on the CD. The Big One You Can't Make A Heart Love Somebody DISC ONE: Lead On George Strait has reached many mile- I Hate Everything Check Yes Or No stones in his long, illustrious, award win- Fool Hearted Memory I Know She Still Loves Me ning and productive career, but on October A Fire I Can't Put Out Blue Clear Sky 5th, he will reach one that no so artist has You Look So Good In Love Carried Away ever been able to reach. On that day, Right or Wrong I Can Still Make Cheyenne music fans from around the world will be Let's Fall To Pieces Together One Night At A Time able to purchase a copy of all of his 50 #1 Does Fort Worth Ever Cross Your Mind Carrying Your Love With Me songs on one CD. -
Kent's Sweden, Or What a Rock Band Can Tell Us About a Nation
Kent’s Sweden, or what a rock band can tell us about a nation OLA JOHANSSON Johansson, Ola (2013). Kent’s Sweden, or what a rock band can tell us about a nation. Fennia 191: 1, pp. 40-57. Helsinki. ISSN 798-5617. The Swedish rock band Kent is not only the most popular band in Sweden, but also perceived as quintessentially Swedish. Using the notion of “everyday na- tionalism” I argue that Kent both represent and actively shape contemporary Swedish national identity co-constitutively with their audience. Three themes are particularly important to understand this Swedishness. Firstly, the band was formed in the city of Eskilstuna but relocated to Stockholm, which illustrates a Swedish journey through class and space. Secondly, Kent interrogates a series of national myths in their songs. They do so using spatial and environmental meta- phors that can be conceptualized as different landscapes − inner, urban, and winter landscapes − representing Sweden. Thirdly, Kent also construct a “public landscape” that reflects on changes in Swedish society, including neoliberal and anti-immigrant tendencies. Keywords: music geography, Sweden, Kent, national identity, everyday national- ism, media analysis Ola Johansson, Department of Geography, University of Pittsburgh at Johns- town, 450 Schoolhouse Road, Johnstown, PA 15904, United States. E-mail: [email protected]. Introduction What is it about Kent that makes them so purport- edly Swedish? These are significant questions be- Music can communicate a great deal about the cause popular music is a major cultural phenom- culture and society that it comes from. This is the enon. An analysis of Kent’s music offers a unique case with the contemporary Swedish rock band lens through which national identity and spatial Kent. -
Table of Contents
SWEDEN COUNTRY READER TABLE OF CONTENTS George L. West 1942-1943 Vice Consul, Stockholm C. Gray Bream 1944-1945 Vice Consul, Stockholm Norman V. Schute 1947-1952 Assistant Attaché, Stockholm Robert F. Woodward 1950-1952 Counselor of Embassy, Stockholm Paul F. Du Vivier 1950-1954 Commercial Attaché, Stockholm Roy T. Haverkamp 1955-1957 General Services Officer, Stockholm Harvey F. Nelson, Jr. 1956-1958 Analyst, Scandinavian Affairs, Bureau of Intelligence and Research, Washington, DC J. Howard Garnish 1957-1958 Public Affairs Officer, USIS, Stockholm Virginia Hamill Biddle 1959-1961 Consular Assistant, Stockholm Harvey F. Nelson, Jr. 1959-1961 Office Director, Sweden, Finland and Iceland, Washington, DC Edward L. Peck 1959-1961 Junior Officer, Goteborg William H. Littlewood 1960-1965 Science Attaché, Stockholm William B. Cobb, Jr. 1962-1965 Commercial Attaché, Stockholm Isabel Cumming 1964-1966 Director, USIS, Stockholm Theodore Wilkinson 1964-1966 Consular Officer, Stockholm William Bodde, Jr. 1967-1970 Political Officer, Stockholm Richard J. Smith 1968-1971 Commercial Officer, US Trade Center, Stockholm C. Arthur Borg 1968-1971 Political Counselor, Stockholm 1 Haven N. Webb 1969-1971 Analyst, Western Europe, Bureau of Intelligence and Research, Washington, DC Patrick E. Nieburg 1969-1972 Public Affairs Officer, USIS, Stockholm Gerald Michael Bache 1969-1973 Economic Officer, Stockholm Eric Fleisher 1969-1974 Desk Officer, Scandinavian Countries, USIA, Washington, DC William Bodde, Jr. 1970-1972 Desk Officer, Sweden, Washington, DC Arthur Joseph Olsen 1971-1974 Political Counselor, Stockholm John P. Owens 1972-1974 Desk Officer, Sweden, Washington, DC James O’Brien Howard 1972-1977 Agricultural Officer, US Department of Agriculture, Stockholm John P. Owens 1974-1976 Political Officer, Stockholm Eric Fleisher 1974-1977 Press Attaché, USIS, Stockholm David S. -
When God Sees Your Tears
Copyrighted material Unless otherwise indicated, all Scripture quotations are from the Holy Bible New International Version®, NIV®. © 1973, 1978, 1984, 2011 by Biblica, Inc. Used by permission. All rights reserved worldwide. Verses marked nasb are taken from the New American Standard Bible® © 1960, 1962, 1963, 1968, 1971, 1972, 1973, 1975, 1977, 1995 by the Lockman Foundation. Used by permission. (www.Lock man.org) Verses marked nkjv are taken from the New King James Version®. Copyright © 1982 by Thomas Nel- son, Inc. Used by permission. All rights reserved. Verses marked nlt are taken from the Holy Bible, New Living Translation, copyright © 1996, 2004, 2007 by Tyndale House Foundation. Used by permission of Tyndale House Publishers, Inc., Carol Stream, Illinois 60188. All rights reserved. Verses marked msg are taken from The Message. Copyright © by Eugene H. Peterson 1993, 1994, 1995, 1996, 2000, 2001, 2002. Used by permission of NavPress Publishing Group. Verses marked cev are taken from the Contemporary English Version © 1991, 1992, 1995 by Ameri- can Bible Society. Used with permission. Verses marked kjv are taken from the King James Version of the Bible. Italicized text in Scripture quotations indicate author’s emphasis. Cover by Dugan Design Group, Bloomington, Minnesota Cover photo © 2010 Anna Nemoy (Xaomena) / Flickr Open / Getty Images WHEN GOD SEES YOUR TEARS Copyright © 2014 by Cindi McMenamin Published by Harvest House Publishers Eugene, Oregon 97402 www.harvesthousepublishers.com Library of Congress Cataloging-in-Publication Data McMenamin, Cindi, 1965- When God sees your tears / Cindi McMenamin. pages cm Includes bibliographical references. ISBN 978-0-7369-5667-3 (pbk.) ISBN 978-0-7369-5668-0 (eBook) 1. -
The Walkons Repertoire
THE WALKONS REPERTOIRE BALLADS Blackbird, Something The Beatles All Of Me, Ordinary People John Legend Stand By Me Ben E. King Oh My Love John Lennon Piano Man Billy Joel I Hope You Dance LeAnn Womack Make You Feel My Love Bob Dylan Amazed Lonestar I’m on Fire Bruce Springsteen Let’s Get it on Marvin Gaye A Song For You Donny Hathaway Turn me On Nora Jones Can’t Help Falling in Love Elvis Presley I’ve Been Loving You For Too Long Otis Thinking Out Loud Ed Sheeran Redding Wonderful Tonight Eric Clapton Crazy Patsy Cline At Last Etta James When A Man Loves A Woman (Michael Bolton) Percy Sledge Landslide Fleetwood Mac Fields of Gold Sting Wanted Hunter Hayes Pillowtalk Zayne You Are So Beautiful To Me Joe Cocker 90’S All The Small Things Blink 182 Fast Car, Gimme One Reason Tracy Smooth (Rob Thomas) Carlos Santana Chapman You Gotta Be Des’ree Meet Virginia Train Save Tonight Eagle-Eye Cherry Semi-Charmed Life Third Eye Blind Change The World Eric Clapton When Love Comes to Town U2 w/ BB King Are You Gonna Go My Way Lenny Kravitz Island in The Sun Weezer My Own Worst Enemy Lit Santeria , What I Got Sublime 1 80’S ROCK / POP Take on me A-Ha Sledgehammer Peter Gabriel Livin’ On A Prayer Bon Jovi Easy Lover Phil Collins Pour Some Sugar On Me Def Leppard Message in a Bottle, Every Breath you Money for Nothing Dire Straits Take, The Police Paradise City, Sweet Child O’ Mine Guns ‘N Every Little Thing She Does is Magic, So Roses Lonely Don’t Stop Believin’ Journey Rule The World Tears For Fears Footloose Kenny Loggins Jump Van Halen Hit Me With -
Repertoire List (Alphabetical by Song) – 2020 a Ain't
Repertoire List (Alphabetical by Song) – 2020 A Ain’t That a Shame - Fats Domino All About That Bass - Meghan Trainor All I Have to Do Is Dream - The Everly Brothers All Shook Up - Elvis Presley Amarillo By Morning - George Strait American Woman - The Guess Who Another Brick in the Wall - Pink Floyd Any Man of Mine - Shania Twain As Long as You Love Me - The Backstreet Boys At Last - Etta James At the Hop - Danny & the Juniors B Baby I Love Your Way - Peter Frampton Bad Guy - Billie Eilish Bad Moon Rising - Creedance Clearwater Revival Bad Romance - Lady Gaga Banana Pancakes - Jack Johnson Barbara Ann - The Beach Boys Bartender - Lady Antebellum Basket Case - Green Day Beer Never Broke My Heart - Luke Combs Before He Cheats - Carrie Underwood Be My Baby - The Ronettes Better Now - Post Malone Beyond the Sea - Bobby Darin Big Yellow Taxi - Joni Mitchell Billie Jean - Michael Jackson Biscuits - Kasey Musgraves Blackbird - The Beatles Black or White - Michael Jackson Blinding Lights - The Weeknd Blitzkrieg Bop - The Ramones Blowin’ in the Wind - Bob Dylan Blue Christmas - Elvis Presley Blue Eyes Crying in the Rain - Willie Nelson Blue Moon of Kentucky - Bill Monroe Blue Orchid - The White Stripes Blue Suede Shoes - Elvis Presley Bobcaygeon - The Tragically Hip Body Like a Back Road - Sam Hunt Boot Scootin’ Boogie - Brooks & Dunn The Godfreys | www.thegodfreysmusic.com | [email protected] Branded Man - Merle Haggard Breathin’ - Ariana Grande Bridge Over Troubled Water - Simon & Garfunkel Brown Eyed Girl - Van Morrison Building