Study Guide: Students & Educators

Total Page:16

File Type:pdf, Size:1020Kb

Study Guide: Students & Educators Study Guide: Students & Educators Heather Baird Director of Education Tyler Easter Education Associate Fran Tarr Education Coordinator Written by Kenneth Lonergan Directed by Neil Pepe 1 Section 1: The Play Synopsis, Characters, Setting, Themes Section 2: Cast & Creative Director & Cast Bios Section 3: Your Students As Audience Theater Vocabulary, Webbing & Discussion, Connecting Themes To Pop Culture Section 4: Your Students As Actors Reading A Scene for Understanding, Practical Aesthetics, Scene Analysis, Mini-Lesson Vocabulary Section 5: Your Students As Artists Post-Theater Creative Response Activity, Post-Theater Creative Writing Activity, Post-Theater: Challenging The Plot, Common Core & DOE Theater Blueprint Section 6: The Atlantic Legacy Atlantic Theater Company, Atlantic Acting School 2 Section 1: The Play PLAY PLAY Synopsis, Characters Setting, Themes 3 SYNOPSIS SETTING On learning of his mother’s death, world famous country and Present day – a luxury hotel western star Strings McCrane begins questioning the meaning in Kansas City, various rural of his life and what it all adds up to. Determined to abandon his Tennessee locations. celebrity and his career, he moves back to his hometown in Ten- nessee. It doesn’t go well. Here, as Strings’ grasps for an anchor to steady him -- relationships, old and new, rush into Strings’ vul- nerable world bringing each step he takes into a blur rather than a clarifying moment. This outstanding new play from acclaimed playwright Kenneth Lonergan examines the costs of fame, fortune and narcissism in pursuit of the American Dream. THEMES Loss Narcissism Trust Manipulation Fame/Celebrity Strings McCrane: 35-45. A world-famous country & western singer and Anonymity movie star. Charismatic, attractive, essentially good-hearted; a huge star from a little town in Tennessee, lost in a spiral of self-doubt, self-recrimination, and an Search For Identity inexhaustible but exhausting capacity for self-examination. He lives in a rarefied world of wealth and worshipers which he loves and feels ashamed of at the same time. Struggling with a genuine onslaught of grief and guilt in the wake of his mother’s death, he is torn between the tremendous pull of his immense celebri- ty, and the lure of a simple, possibly nonexistent, anonymous life. Jimmy: About 30. Strings’ personal assistant. Idolizes Strings and has been his assistant for 12 years. Kind, eager, and completely devoted to Strings with near total abnegation. The casual observer might miss his buried but active intelli- gence, and an eye that misses almost nothing. Nancy: 35-45. An attractive and ambitious working-class small-town South- ern mother of two. Her life has run into a dead end, in a dead marriage. She is desperate for a way out and when it presents itself she bends heaven and earth to make the most of it. Duke: Strings’ half-brother, a few years older. He is a heavy-equipment opera- tor, living in rural poverty. A level-headed man of strong character both resentful and clear-eyed about Strings’ success and his own working/family man exis- tence. Essie: Late 20s-Early 30s. Strings’ second cousin twice removed. A young widow and kindergarten teacher. Had a close relationship with Strings’ mother. She’s lonely with a good heart and good head on her shoulders. Sensitive and vulnerable and even-keeled. Mitch: 60’s. Strings’ runaway father. A modestly successful small business owner based in Monterey, Ca. He is originally from the same little Tennessee town. Small, quiet, and unassuming, he abandoned his young son years ago -- or more accurately, he allowed himself to be pushed out of his son’s life, and has followed his famous son from a distance for years. He has never reached out because he never felt he had the right, and also because of his natural timidity. Despite this, when approached, he responds with generosity, self-effacement, and a tremendous natural kindness. 4 Section 2: Cast & Creative CAST Director And CAST Cast Bios 5 KENNETH LONERGAN NEIL PEPE ADELAIDE CLEMENS JONATHAN HOGAN Playwright Director (Essie) (Mitch) Plays include This is Our Youth Neil Pepe is an acclaimed director Adelaide Clemens makes her Jonathan Hogan has appeared on (1996), Drama Desk Best Play nomi- who has been the Artistic Director Off-Broadway debut with Hold On To Broadway in Comedians, Otherwise nee, 2015 Tony Award® Best Revival of Atlantic Theater Company since Me Darling. She co-stars in the hit Engaged, Fifth of July, The Caine nominee (Steppenwolf); The Waverly 1992. As a director, his Broadway Sundance Channel series “Rectify,” Mutiny Court Martial, As Is (Tony® Gallery (2000), Pulitzer Prize finalist; credits include Doug Wright, Trey An- now in its fourth season, and has and Drama Desk Award nominations Lobby Hero (2001), Drama Desk Best astasio and Amanda Green’s musical received critical acclaim for her Best Actor), Burn This, Taking Steps Play nominee, Outer Critics Circle Hands on a Hardbody, the acclaimed performance as ‘Tawney.’ She began and The Homecoming. A few of the Best Play nominee, 2002 Olivier revival of David Mamet’s Speed-the- working as an actress in Australian plays he appeared in as a member, Award nominee for Best Play during Plow as well as Mamet’s A Life in television and came to prominence for 25 years, of the celebrated, its West End run; The Starry Messen- the Theatre. At the Atlantic, Neil has as ‘Harper’ in the critically acclaimed award-winning Circle Rep include The ger (2009), and Medieval Play (2012). most recently directed John Guare’s series “Love My Way.” She starred Hot l Baltimore, The Mound Builders His first film, You Can Count On Me 3 Kinds of Exile, Moira Buffini’s Dying as ‘Valentine’ in the Tom Stoppard and Balm in Gilead (in collaboration (2000), which he wrote and direct- for It, Jez Butterworth’s Parlour HBO/BBC miniseries “Parade’s End” with Steppenwolf, Drama Desk Award ed, was an Academy Award® and Song, Mojo and The Night Heron. opposite Benedict Cumberbatch and for Best Ensemble). Off-Broadway Golden Globe® Nominee for Best Other Off-Broadway and Regional Rebecca Hall, directed by Susanna includes Book of Days, Molly Swee- Screenplay, and won the Sundance credits include: Ethan Coen’s Happy White. On film she was featured in ney, London Wall and Pocatello (2015 Grand Jury Prize, Waldo Salt Screen- Hour, Offices and Almost an Evening; Baz Luhrmann’s film adaptation of Drama Desk nomination Outstanding writing Award, NY Film Critics Circle, Harold Pinter’s Celebration and The Great Gatsby, playing ‘Kath- Featured Actor). Regional: The Berk- LA Film Critics Circle, Independent The Room; Adam Rapp’s Dreams erine’ opposite Joel Edgerton, Isla shire Theatre Festival, The McCarter Spirit Award for Best Film and of Flying Dreams of Falling; David Fisher, Leonardo DiCaprio and Carey Theatre, George Street Playhouse, Best Screenplay, among numerous Mamet’s American Buffalo (Donmar Mulligan and just wrapped filming the La Jolla Playhouse, The Repertory awards and nominations. His second Warehouse, Atlantic); Romance, female lead in Martha Coolidge’s Mu- Theatre of St. Louis and Hartford film, Margaret (2011) and Margaret Keep Your Pantheon/School (Center sic, War, and Love in Warsaw, Poland. Stage. Film includes: In Country, The – Extended Edition (2012), won the Theatre Group, Atlantic); Zinnie Har- She can soon be seen in the British House on Carroll Street, A Fish in the European Film Critics’ FIPRESCI ris’ Further than the Furthest Thing filmThe Night of The Lotus directed Bathtub and Revolution #9. Television: Award at the Vienna Film Festival, (Manhattan Theatre Club); Jessica by Henry Mason. “As The World Turns,” “One Life to and the Traverse City Film Festival Goldberg’s Refuge (Playwrights Live,” several Movies of the Week, Founders Prize, and received wide- Horizons); Frank Gilroy’s The Subject “L.A. Law,” “Quantum Leap,” all the spread critical acclaim both in the Was Roses with Martin Sheen (CTG) “Law & Orders” and three episodes on U.S. and abroad, as well as becoming and Eric Bogosian’s Red Angel (Wil- season three of “House of Cards.” Mr. a cause celebre among cinema jour- liamstown Theatre Festival). Neil has Hogan is a graduate of The Goodman nalists and critics worldwide. He also been a master teacher at the Atlantic Theatre and School of Drama. co-wrote the screenplays for Analyze Acting School at New York University This and Gangs of New York (2002 Tisch School of the Arts and an asso- WGA and Academy Award nomina- ciate adjunct professor of directing at tion for Best Original Screenplay). He Columbia University Graduate Film lives in New York City with his wife Division. He has been a guest at The and frequent collaborator, actress J. O’Neill Playwrights Conference as Smith-Cameron, and their daughter, well as the American Theatre Wing. Nellie. 6 JENN LYON KEITH NOBBS TIMOTHY OLYPHANT C.J. WILSON (Nancy) (Jimmy) (Strings McCrane) (Duke) Broadway: Fish in the Dark, The Broadway: Lombardi, Bronx Bomb- Timothy Olyphant returns to the New Atlantic Theater Company: Dying for Coast of Utopia: Voyage, Shipwreck, ers, Lion in Winter. Off-Broadway: York stage for the first time in 20 It, Our New Girl, Offices, The Voysey Salvage. Off-Broadway: The Wayside The Legend of Georgia McBride, years following starring Off-Broadway Inheritance. Broadway: Bronx Bomb- Motor Inn, (Drama Desk Award) I’m Looking for Helen Twelvetrees, in The Santaland Diaries and The ers, The Big Knife, Festen, Henry IV, Twelfth Night. Select regional roles The Tutors, Great God Pan, Lemon Monogamist, for which he received The Best Man. Off-Broadway: Bronx include Hildy in His Girl Friday (La Sky, Dog Sees God, Romance, The a prestigious Theatre World Award Bombers, Happy Now? (Lucille Lortel Jolla Playhouse), Billie Dawn in Born Hasty Heart, Triple Happiness, Bye for Outstanding Debut Performance.
Recommended publications
  • OSLO Big Winner at the 2017 Lucille Lortel Awards, Full List! by BWW News Desk May
    Click Here for More Articles on 2017 AWARDS SEASON OSLO Big Winner at the 2017 Lucille Lortel Awards, Full List! by BWW News Desk May. 7, 2017 ​ ​ Tweet Share ​ ​ The Lortel Awards were presented May 7, 2017 at NYU Skirball Center beginning at 7:00 PM EST. This year's event was hosted by actor and comedian, Taran Killam, and once again served as a benefit for The Actors Fund. Leading the nominations this year with 7 each are the new musical, Hadestown - a folk opera produced by New York Theatre Workshop - and Sweeney Todd: The Demon Barber of Fleet Street, currently at the Barrow Street Theatre, which has been converted into a pie shop for the intimate staging. In the category of plays, both Paula Vogel's Indecent and J.T. Rogers' Oslo, current Broadway transfers, earned a total of 4 nominations, including for Outstanding Play. Playwrights Horizons' A Life also earned 4 total nominations, including for star David Hyde Pierce and director Anne Kauffman, earning her 4th career Lortel Award nomination; as did MCC Theater's YEN, including one for recent Academy Award nominee Lucas Hedges for Outstanding Lead Actor. Lighting Designer Ben Stanton earned a nomination for the fifth consecutive year - and his seventh career nomination, including a win in 2011 - for his work on YEN. Check below for live updates from the ceremony. Winners will be marked: **Winner** ​ Outstanding Play Indecent Produced by Vineyard Theatre in association with La Jolla Playhouse and Yale Repertory Theatre Written by Paula Vogel, Created by Paula Vogel & Rebecca Taichman Oslo **Winner** ​ Produced by Lincoln Center Theater Written by J.T.
    [Show full text]
  • Excesss Karaoke Master by Artist
    XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not
    [Show full text]
  • Asolo Rep Continues Its 60Th Season with NOISES OFF Directed By
    NOISES OFF Page 1 of 7 **FOR IMMEDIATE RELEASE** February 25, 2019 Asolo Rep Continues its 60th Season with NOISES OFF Directed by Comedic Broadway Veteran Don Stephenson March 20 - April 20 (SARASOTA, February 25, 2019) — Asolo Rep continues its celebration of 60 years on stage with Tony Award®-winner Michael Frayn's rip-roaringly hilarious play NOISES OFF, one of the most celebrated farces of all time. Directed by comedic Broadway veteran Don Stephenson, NOISES OFF previews March 20 and 21, opens March 22 and runs through April 20 in rotating repertory in the Mertz Theatre, located in the FSU Center for the Performing Arts. A comedy of epic proportions, NOISES OFF has been the laugh-until-you-cry guilty pleasure of audiences for decades. With opening night just hours away, a motley company of actors stumbles through a frantic, final rehearsal of the British sex farce Nothing On, and things could not be going worse. Lines are forgotten, love triangles are unraveling, sardines are flying everywhere, and complete pandemonium ensues. Will the cast pull their act together on stage even if they can't behind the scenes? “With Don Stephenson, an extraordinary comedic actor and director at the helm, this production of NOISES OFF is bound to be one of the funniest theatrical experiences we have ever presented,” said Asolo Rep Producing Artistic Director Michael Donald Edwards. “I urge the Sarasota community to take a break and escape to NOISES OFF, a joyous celebration of the magic of live theatre.” Don Stephenson's directing work includes Titanic (Lincoln Center, MUNY), Broadway Classics (Carnegie Hall),Of Mice and Manhattan (Kennedy Center), A Comedy of Tenors (Paper Mill Playhouse) and more.
    [Show full text]
  • Shakespeare in Love
    FEB Shakespeare 26 MAR in Love 29 Based on the screenplay by Marc Norman & Tom Stoppard Adapted for the stage by Lee Hall Music by Alex Bechtel Directed by Matt Pfeiffer Welcome to Shakespeare in Love. Every year, many of you cry out to us “Dear God, no more Shakespeare!” While others plead “I loved your Winter’s Tale, your Richard III. Please put on Midsummer. I beg you for a Twelfth Night.” With Shakespeare In Love, the Purists and the Never Barders may unite to curse us with a plague on both our houses, but if they — and you — are someone who loves love, well then . Here is a love letter to romantic love, to the theatre, and to the rebellious, transgressive, mysterious, and glorious madness of both. Whether you keep Shakespeare close to your heart or far from it, we invite you to celebrate what he loved most: the stage, its players, poetry . and a dog. Zak Berkman, Producing Director Lend me your ears Matt Pfeiffer, Director I’ve been really blessed to spend most of my career working on the plays of William Shakespeare. I believe his plays are foundational to Western culture. Love him or hate him, his infuence is an essential part of our understanding of stories and storytelling. And I’ve had the privilege for the last six years of fostering a specifc approach to his plays. I found that attempting to be in conversation with the principals of the theatre practices of Shakespeare’s time was a good starting place—not so much aesthetically, but logistically.
    [Show full text]
  • Horton Foote
    38th Season • 373rd Production MAINSTAGE / MARCH 29 THROUGH MAY 5, 2002 David Emmes Martin Benson Producing Artistic Director Artistic Director presents the World Premiere of by HORTON FOOTE Scenic Design Costume Design Lighting Design Composer MICHAEL DEVINE MAGGIE MORGAN TOM RUZIKA DENNIS MCCARTHY Dramaturgs Production Manager Stage Manager JENNIFER KIGER/LINDA S. BAITY TOM ABERGER *RANDALL K. LUM Directed by MARTIN BENSON Honorary Producers JEAN AND TIM WEISS, AT&T: ONSTAGE ADMINISTERED BY THEATRE COMMUNICATIONS GROUP PERFORMING ARTS NETWORK / SOUTH COAST REPERTORY P - 1 CAST OF CHARACTERS (In order of appearance) Constance ................................................................................................... *Annie LaRussa Laverne .................................................................................................... *Jennifer Parsons Mae ............................................................................................................ *Barbara Roberts Frankie ...................................................................................................... *Juliana Donald Fred ............................................................................................................... *Joel Anderson Georgia Dale ............................................................................................ *Linda Gehringer S.P. ............................................................................................................... *Hal Landon Jr. Mrs. Willis .......................................................................................................
    [Show full text]
  • Songs by Artist
    Reil Entertainment Songs by Artist Karaoke by Artist Title Title &, Caitlin Will 12 Gauge Address In The Stars Dunkie Butt 10 Cc 12 Stones Donna We Are One Dreadlock Holiday 19 Somethin' Im Mandy Fly Me Mark Wills I'm Not In Love 1910 Fruitgum Co Rubber Bullets 1, 2, 3 Redlight Things We Do For Love Simon Says Wall Street Shuffle 1910 Fruitgum Co. 10 Years 1,2,3 Redlight Through The Iris Simon Says Wasteland 1975 10, 000 Maniacs Chocolate These Are The Days City 10,000 Maniacs Love Me Because Of The Night Sex... Because The Night Sex.... More Than This Sound These Are The Days The Sound Trouble Me UGH! 10,000 Maniacs Wvocal 1975, The Because The Night Chocolate 100 Proof Aged In Soul Sex Somebody's Been Sleeping The City 10Cc 1Barenaked Ladies Dreadlock Holiday Be My Yoko Ono I'm Not In Love Brian Wilson (2000 Version) We Do For Love Call And Answer 11) Enid OS Get In Line (Duet Version) 112 Get In Line (Solo Version) Come See Me It's All Been Done Cupid Jane Dance With Me Never Is Enough It's Over Now Old Apartment, The Only You One Week Peaches & Cream Shoe Box Peaches And Cream Straw Hat U Already Know What A Good Boy Song List Generator® Printed 11/21/2017 Page 1 of 486 Licensed to Greg Reil Reil Entertainment Songs by Artist Karaoke by Artist Title Title 1Barenaked Ladies 20 Fingers When I Fall Short Dick Man 1Beatles, The 2AM Club Come Together Not Your Boyfriend Day Tripper 2Pac Good Day Sunshine California Love (Original Version) Help! 3 Degrees I Saw Her Standing There When Will I See You Again Love Me Do Woman In Love Nowhere Man 3 Dog Night P.S.
    [Show full text]
  • Sundance Institute Presents Institute Sundance U.S
    1 Check website or mobile app for full description and content information. description app for full Check website or mobile #sundance • sundance.org/festival sundance.org/festival Sundance Institute Presents Institute Sundance The U.S. Dramatic Competition Films As You Are The Birth of a Nation U.S. Dramatic Competition Dramatic U.S. Many of these films have not yet been rated by the Motion Picture Association of America. Read the full descriptions online and choose responsibly. Films are generally followed by a Q&A with the director and selected members of the cast and crew. All films are shown in 35mm, DCP, or HDCAM. Special thanks to Dolby Laboratories, Inc., for its support of our U.S.A., 2016, 110 min., color U.S.A., 2016, 117 min., color digital cinema projection. As You Are is a telling and retelling of a Set against the antebellum South, this story relationship between three teenagers as it follows Nat Turner, a literate slave and traces the course of their friendship through preacher whose financially strained owner, PROGRAMMERS a construction of disparate memories Samuel Turner, accepts an offer to use prompted by a police investigation. Nat’s preaching to subdue unruly slaves. Director, Associate Programmers Sundance Film Festival Lauren Cioffi, Adam Montgomery, After witnessing countless atrocities against 2 John Cooper Harry Vaughn fellow slaves, Nat devises a plan to lead his DIRECTOR: Miles Joris-Peyrafitte people to freedom. Director of Programming Shorts Programmers SCREENWRITERS: Miles Joris-Peyrafitte, Trevor Groth Dilcia Barrera, Emily Doe, Madison Harrison Ernesto Foronda, Jon Korn, PRINCIPAL CAST: Owen Campbell, DIRECTOR/SCREENWRITER: Nate Parker Senior Programmers Katie Metcalfe, Lisa Ogdie, Charlie Heaton, Amandla Stenberg, PRINCIPAL CAST: Nate Parker, David Courier, Shari Frilot, Adam Piron, Mike Plante, Kim Yutani, John Scurti, Scott Cohen, Armie Hammer, Aja Naomi King, Caroline Libresco, John Nein, Landon Zakheim Mary Stuart Masterson Jackie Earle Haley, Gabrielle Union, Mike Plante, Charlie Reff, Kim Yutani Mark Boone Jr.
    [Show full text]
  • Martin Cloonan Introduction an Attack on the Idea of America
    MUSICAL RESPONSES TO SEPTEMBER 11TH: FROM CONSERVATIVE PATRIOTISM TO RADICALISM Martin Cloonan Introduction I want to propose something very simple in this paper: that the attacks which took place on 11 September 2001 were attacks on the very idea of America. This is not a new idea. It was cited by the New York Times soon after the attack and subsequently by the cultural critic Greil Marcus (2002). But what I want to add is that as time went on it became clear that the mu- sical responses which were made were defences of America. However, there were not uniform responses, but diverse ones and that is partly be- cause the idea of America is not settled, but is open to contestation. So what I want to do in the rest of this paper is to first examine notion that the attacks on 11 September were an attack on the idea of America, look briefly at the importance of identity within popular music, chart initial musical reactions to the events and then look at longer term reactions. An attack on the idea of America The attacks on 11 September were strategically chosen to hit the symbols of America as well as the reality of it. The Twin Towers symbolised American economic power, the Pentagon its military might. This was an attack on the psyche of America as well as its buildings and people. Both the targets were attacked for propaganda purposes as much as military ones. What more devastating way could have been found to show rejection of America and all it stands for? But the point I want to note here is that America itself is a contested notion.
    [Show full text]
  • The Twenty Greatest Music Concerts I've Ever Seen
    THE TWENTY GREATEST MUSIC CONCERTS I'VE EVER SEEN Whew, I'm done. Let me remind everyone how this worked. I would go through my Ipod in that weird Ipod alphabetical order and when I would come upon an artist that I have seen live, I would replay that concert in my head. (BTW, since this segment started I no longer even have an ipod. All my music is on my laptop and phone now.) The number you see at the end of the concert description is the number of times I have seen that artist live. If it was multiple times, I would do my best to describe the one concert that I considered to be their best. If no number appears, it means I only saw that artist once. Mind you, I have seen many artists live that I do not have a song by on my Ipod. That artist is not represented here. So although the final number of concerts I have seen came to 828 concerts (wow, 828!), the number is actually higher. And there are "bar" bands and artists (like LeCompt and Sam Butera, for example) where I have seen them perform hundreds of sets, but I counted those as "one," although I have seen Lecompt in "concert" also. Any show you see with the four stars (****) means they came damn close to being one of the Top Twenty, but they fell just short. So here's the Twenty. Enjoy and thanks so much for all of your input. And don't sue me if I have a date wrong here and there.
    [Show full text]
  • The Shubert Foundation 2020 Grants
    The Shubert Foundation 2020 Grants THEATRE About Face Theatre Chicago, IL $20,000 The Acting Company New York, NY 80,000 Actor's Express Atlanta, GA 30,000 The Actors' Gang Culver City, CA 45,000 Actor's Theatre of Charlotte Charlotte, NC 30,000 Actors Theatre of Louisville Louisville, KY 200,000 Adirondack Theatre Festival Glens Falls, NY 25,000 Adventure Theatre Glen Echo, MD 45,000 Alabama Shakespeare Festival Montgomery, AL 165,000 Alley Theatre Houston, TX 75,000 Alliance Theatre Company Atlanta, GA 220,000 American Blues Theater Chicago, IL 20,000 American Conservatory Theater San Francisco, CA 190,000 American Players Theatre Spring Green, WI 50,000 American Repertory Theatre Cambridge, MA 250,000 American Shakespeare Center Staunton, VA 30,000 American Stage Company St. Petersburg, FL 35,000 American Theater Group East Brunswick, NJ 15,000 Amphibian Stage Productions Fort Worth, TX 20,000 Antaeus Company Glendale, CA 15,000 Arden Theatre Company Philadelphia, PA 95,000 Arena Stage Washington, DC 325,000 Arizona Theatre Company Tucson, AZ 50,000 Arkansas Arts Center Children's Theatre Little Rock, AR 20,000 Ars Nova New York, NY 70,000 Artists Repertory Theatre Portland, OR 60,000 Arts Emerson Boston, MA 30,000 ArtsPower National Touring Theatre Cedar Grove, NJ 15,000 Asolo Repertory Theatre Sarasota, FL 65,000 Atlantic Theater Company New York, NY 200,000 Aurora Theatre Lawrenceville, GA 30,000 Aurora Theatre Company Berkeley, CA 40,000 Austin Playhouse Austin, TX 20,000 Azuka Theatre Philadelphia, PA 15,000 Barrington Stage Company
    [Show full text]
  • The Honorable Mentions Movies- LIST 1
    The Honorable mentions Movies- LIST 1: 1. A Dog's Life by Charlie Chaplin (1918) 2. Gone with the Wind Victor Fleming, George Cukor, Sam Wood (1940) 3. Sunset Boulevard by Billy Wilder (1950) 4. On the Waterfront by Elia Kazan (1954) 5. Through the Glass Darkly by Ingmar Bergman (1961) 6. La Notte by Michelangelo Antonioni (1961) 7. An Autumn Afternoon by Yasujirō Ozu (1962) 8. From Russia with Love by Terence Young (1963) 9. Shadows of Forgotten Ancestors by Sergei Parajanov (1965) 10. Stolen Kisses by François Truffaut (1968) 11. The Godfather Part II by Francis Ford Coppola (1974) 12. The Mirror by Andrei Tarkovsky (1975) 13. 1900 by Bernardo Bertolucci (1976) 14. Sophie's Choice by Alan J. Pakula (1982) 15. Nostalghia by Andrei Tarkovsky (1983) 16. Paris, Texas by Wim Wenders (1984) 17. The Color Purple by Steven Spielberg (1985) 18. The Last Emperor by Bernardo Bertolucci (1987) 19. Where Is the Friend's Home? by Abbas Kiarostami (1987) 20. My Neighbor Totoro by Hayao Miyazaki (1988) 21. The Sheltering Sky by Bernardo Bertolucci (1990) 22. The Decalogue by Krzysztof Kieślowski (1990) 23. The Silence of the Lambs by Jonathan Demme (1991) 24. Three Colors: Red by Krzysztof Kieślowski (1994) 25. Legends of the Fall by Edward Zwick (1994) 26. The English Patient by Anthony Minghella (1996) 27. Lost highway by David Lynch (1997) 28. Life Is Beautiful by Roberto Benigni (1997) 29. Magnolia by Paul Thomas Anderson (1999) 30. Malèna by Giuseppe Tornatore (2000) 31. Gladiator by Ridley Scott (2000) 32. The Lord of the Rings: The Fellowship of the Ring by Peter Jackson (2001) 33.
    [Show full text]
  • Top 40 Singles Top 40 Albums
    End Of Year Charts 2006 CHART #20061111 Top 40 Singles Top 40 Albums Crazy Based On A True Story 1 Gnarls Barkley 1 Fat Freddy's Drop Last week 0 / 0 weeks WEA/Warner Last week 0 / 0 weeks TheDrop/Rhythmethod Beep Back To Bedlam 2 The Pussycat Dolls feat. Will.I.Am 2 James Blunt Last week 0 / 0 weeks Universal Last week 0 / 0 weeks WEA/Warner Bathe In The River Stadium Arcadium 3 Mt Raskill PS feat. Hollie Smith 3 Red Hot Chili Peppers Last week 0 / 0 weeks EMI Last week 0 / 0 weeks WEA/Warner Hips Don't Lie All The Right Reasons 4 Shakira feat. Wyclef Jean 4 Nickelback Last week 0 / 0 weeks SBME Last week 0 / 0 weeks Roadrunner/Universal Run It! High School Musical OST 5 Chris Brown 5 Various Last week 0 / 0 weeks SBME Last week 0 / 0 weeks Disney/EMI Promiscuous PCD 6 Nelly Furtado feat. Timbaland 6 The Pussycat Dolls Last week 0 / 0 weeks Universal Last week 0 / 0 weeks Universal Touch It Eyes Open 7 Busta Rhymes 7 Snow Patrol Last week 0 / 0 weeks Universal Last week 0 / 0 weeks Universal Buttons Eye To The Telescope 8 The Pussycat Dolls feat. Snoop Dogg 8 KT Tunstall Last week 0 / 0 weeks Universal Last week 0 / 0 weeks Virgin/EMI SexyBack Ring Of Fire: The Legend Of 9 Justin Timberlake 9 Johnny Cash Last week 0 / 0 weeks SBME Last week 0 / 0 weeks Universal Ridin' Sing-Alongs And Lullabies 10 Chamillionaire feat. Tyree 10 Jack Johnson Last week 0 / 0 weeks Universal Last week 0 / 0 weeks Universal I'm In Luv (Wit A Stripper) 10,000 Days 11 T-Pain feat.
    [Show full text]