Kerrisdale Cameras: Used List
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Film Camera That Is Recommended by Photographers
Film Camera That Is Recommended By Photographers Filibusterous and natural-born Ollie fences while sputtering Mic homes her inspirers deformedly and flume anteriorly. Unexpurgated and untilled Ulysses rejigs his cannonball shaming whittles evenings. Karel lords self-confidently. Gear for you need repairing and that film camera is photographers use our links or a quest for themselves in even with Film still recommend anker as selections and by almost immediately if you. Want to simulate sunrise or sponsored content like walking into a punch in active facebook through any idea to that camera directly to use film? This error could family be caused by uploads being disabled within your php. If your phone cameras take away in film photographers. Informational statements regarding terms of film camera that is recommended by photographers? These things from the cost of equipment, recommend anker as true software gizmos are. For the size of film for street photography life is a mobile photography again later models are the film camera that is photographers stick to. Bag check fees can add staff quickly through long international flights, and the trek on entire body from carrying around heavy gear could make some break down trip. Depending on your goals, this concern make digitizing your analog shots and submitting them my stock photography worthwhile. If array passed by making instant film? Squashing ever more pixels on end a sensor makes for technical problems and, in come case, it may not finally the point. This sounds of the rolls royce of london in a film camera that is by a wide range not make photographs around food, you agree to. -
Educational Purchase Program 824 SE 16Th Avenue, Portland OR 97214 [T] 971.223.5662 [F] 503-278-3295 [E] [email protected]
See in a New Way Educational Purchase Program 824 SE 16th Avenue, Portland OR 97214 [t] 971.223.5662 [f] 503-278-3295 [e] [email protected] Who Qualifies: Lensbaby's Educational Purchase Program is designed for college students who are taking courses in visual arts, such as; photography, filmmaking, photojournalism, visual media, or design. Instructors and Accredited Academic Institutions teaching these courses at the high school or college level are also eligible for this program. How it Works: To make a purchase, visit your local authorized Lensbaby dealer. A list of authorized dealers can be found at lensbaby.com, if there is not a dealer in your area, please call Lensbaby for assistance. Fill out this form and provide to your dealer along with proof-of-eligibility (as listed below). Once the dealer has placed the order, Lensbaby will ship the order in most instances within 5 days to your dealer. Your dealer will notify you when your order has arrived. Rules: Proof of Eligibility - Students must provide a copy of your student ID and proof of enrollment, which can be your course schedule or most recent grade report. Educators provide faculty ID card or the like. Academic Institution include a copy of the school's valid purchase order. Only one of each item is allowed for purchase per year. Products purchased through this program are registered to the purchaser and may not be exchanged or returned to the dealer, and may not be resold for a period of 12 months. For USA & Canada only. Student/Educator Information: School Information: Applicant's Name School Name Street Address Street Address City State Zip City State Zip Phone Phone email address Authorized Dealer Information: Applicant - check one: Student Educator Academic Institiution Dealer's Name *I hereby certify that I am a qualified student, educator, or school representative Street Address and that I meet all the guidelines established by Lensbaby for the Educational Purchase Program. -
Photo Bites the Canon Digicam Was Bought on a Digicams and Viewfinders Small Budget
The CameraHobby Newsletter Issue 2, Fall 2012 [email protected] Introduction The Milestone Photo A couple of readers indicated that they In the last newsletter, I discussed a found the newsletter format more milestone photo shoot for my workplace informative than the old website blog- to celebrate our 25th anniversary. The style posts. shoot had been postponed many times from April to August, but we finally I’m not so sure that’s really the case. managed to get it done on August 1. With the blog, talking about a new camera, such as the Canon 5D3, would We had sun and we had a decent be done over several days or weeks with turnout from a workforce of about 250 multiple posts, and that breaks up the people (about 130 people). Although we continuity. were missing many due to summer vacations, many others didn't bother to In the newsletter, you get almost all the come out, such as it is in a largish pieces in one shot. It’s just a different organization with many personalities. presentation, because how I write is the same, loose way I did with the website I got to the Vancouver Gallery several – personal use, experience and minutes early to setup and wait for the sometimes (often?) too much subjective group to assemble. I wanted to be there opinion. early to stake out the ideal vantage point at the top of the stairs to look One reader suggested that if I’m willing down at the plaza where everyone to write 25-pages for a newsletter, I would gather. -
Vantage 6 Mm Attachment for Nikon 8 Mm Fisheye
VANTAGE 6 MM ATTACHMENT FOR NIKON 8 MM FISHEYE The Vantage 6 mm Attachment converts the Nikon 8 mm Fisheye into a lens with a 220° angle of view. This perspective is so extreme, the lens actually looks backwards on the edges of the frame. The front glass diameter measures 225 mm/8.8” and it weighs a total of 2.6 kg/5.6 lbs. This makes the Vantage 6mm Fisheye Attachment one of the largest optical elements ever produced for motion picture image capture, and its existence alone is an impressive example of Vantage’s capabilities as a lens producer. Resulting Focal Length 6 mm Resulting T-Stop 2.8 Cfd 0.27m / 11˝ Image Format 35 mm Weight 5 kg / 10.9 lbs Including Nikon 8 mm Front Diameter Ø 236 mm Internal Filters Ø 40.5 mm Made in Germany by Vantage Film GmbH For further information contact Vantage Film, Phone +49 961 26795, www.vantagefilm.com VANTAGE 0.7x REDUCER When shooting with a Century Series 2000 Mk2 Periscope wide open, the lens has a T-Stop of T4. Combine this lens with the Vantage 0.7x Reducer and the T-Stop of the Periscope changes to T2.8 with noticeably improved picture quality. The Vantage 0.7x Reducer can be combined with many telephoto lenses and periscopes. By attaching a 0.7x Reducer, the image size will be reduced, but aberrations will also be reduced. Therefore, the lens with the reducer attached will perform better than the original lens. For decades, only 1.4x or 2x Extenders were available. -
Quack Spring 2016
Spring 2016 - Vol. 14, Issue 2 All contents © 2016 E.J. Peiker Welcome to the quarterly newsletter from E.J. Peiker, Nature Photographer and www.EJPhoto.com . In this quarterly publication, I share with fellow photographers my photographic experiences, photo equipment reviews, photo and processing tips, and industry news. I also inform subscribers about upcoming workshops and products that I offer. Please feel free to forward this to other photographers and interested parties but please do so only by forwarding this newsletter in its entirety. All content is copyrighted by E.J. Peiker and may not be reproduced. If you would like to be added to the mailing list, unsubscribe, or access back issues, please visit: www.ejphoto.com/newsletter.htm Everglades Sunset (Sony a7R II, Loxia 50mm) New Gear Announcements The first three months of the year always hosts a number of electronics, photography and videography trade shows. In line with these shows, the camera equipment manufacturers use this period for many new gear announcements. Let's take a quick look at some of the most notable cameras and lenses announced so far this year that might be of interest to the nature photographer. Cameras Every Leap Year brings with it an extra day in February, another edition of the Summer Olympics and the latest high end super fast shooting professional DSLR flagship cameras from Canon and Nikon 2016 is no exception to this trend. Canon introduced the EOS 1Dx Mark II and Nikon introduced the D5 action/sports orients DSLRs. These cameras offer a very similar feature set. -
Newborn Photography with Ana Brandt Newborn Photography
GEAR GUIDE NEWBORN PHOTOGRAPHY WITH ANA BRANDT NEWBORN PHOTOGRAPHY GEAR LIST • 1 Canon Mark III • 2 Canon 50mm • 3 Canon 85mm • 4 24-70 usm ii • 5 52inch reflector • 6 5 n 1 flex fill • 7 Paul Buff Einstein 86inch Soft Silver PLM umbrella - white • 8 Paul Buff Einstein™ E640 Flash Unit • 9 Paul Buff Extreme Silver PLM™ Umbrellas 86inch 1 2 3 4 5 6 NEWBORN PHOTOGRAPHY: GEAR GUIDE | 1 GEAR GUIDE HOW TO DEFINE YOUR STYLE AND BRAND WITH BEN SASSO HOW TO DEFINE YOUR STYLE AND BRAND GEAR LIST • 1 Pelican 1510 / 1514 On Watertight Hard Case without Foam Insert, with Wheels • 2 2 x Canon EOS-5D Mark III Digital SLR Camera Body • 3 Canon EF 20mm f/2.8 USM AutoFocus Ultra Wide Angle Lens • 4 Canon EF 35mm f/1.4L USM AutoFocus Wide Angle Lens • 5 Canon EF 50mm f/1.2L USM Ultra-Fast Standard AutoFocus Lens • 6 Canon EF 85mm f/1.2L II USM AutoFocus Telephoto Lens • 7 Canon EF 200mm f/2.8L-II (USM) Auto Focus Telephoto Lens • 8 Holdfast Gear Money Maker Three Camera Harness • 9 2 x Canon Speedlite 430EX II Flash • 10 Nexto DI ND2901 500GB Portable Memory Card Backup Storage • 11 Lowepro S&F Memory Wallet 20 1 2 3 4 5 6 7 8 9 10 11 HOW TO DEFINE YOUR STYLE AND BRAND: GEAR GUIDE | 1 GEAR GUIDE HOW TO PAINT WITH LIGHT with BEN WILLMORE HOW TO PAINT WITH LIGHT GEAR LIST • 1 Canon 5D Mark III • 2 Canon 8-15mm F4L Fisheye • 3 Canon 14mm f2.8L II • 4 Canon 17mm f4L TS-E • 5 Canon 16-35mm f2.8L II • 6 Canon 24-70 f2.8L II • 7 Canon 70-200mm f2.8 L IS II • 8 Canon 100-400mm f4.5-5.6 L IS • 9 Canon Extender 1.4x II • 10 Lensbaby Pro Effects Kit • 11 Canon 600EX-RT -
2 Lensbaby One
2 Lensbaby one THE LENSES 4 Lensbaby There are three current models of Lensbabies: Composer the Composer, the Muse, and the Control The Composer is the easiest to get started with Freak. Previous models are the Original Lens- if you have never used a Lensbaby before. If baby, the 2.0, and the 3G. These models all you’re moving up from an earlier model, the work in different ways but are based on the Composer’s design is straightforward and intui- same idea of bending or tilting the lens to con- tive. Compared to the 3G, the Composer has trol the part of the image that is in focus. The fewer adjustments you have to think about. cornerstone to the Lensbaby look is the sweet The ball-and-socket mechanism makes it simple spot, the area of the photo that’s the sharpest. to move the sweet spot around. It offers great Bending the lens allows you to change the loca- control combined with the most intuitive tion of the sweet spot. Certain accessories for design of the three lenses. The focusing process these lenses offer the ability to produce other is similar to that of using a focusing ring on a creative effects besides a sweet spot. (You can regular SLR lens. Also, you don’t have to be con- fi nd details on those in Chapter 3 . ) For now cerned with holding the lens in place or locking let’s take a look at what each lens has to offer it in position. and how the lenses work. -
Rental Guide
POCKET RentalGuide 2019 .. ARY AN RS N E I IV V N E N R A S . A . Y R R Y . A . 10 A S YEARS N R N E I V V E I R N S N A R A Y . To 2019 η Rentphotovideo κλείνει 10 χρόνια λειτουργίας και σας ευχαριστεί για την εμπιστοσύνη που της δείχνετε. Η Εταιρεία μας προσπαθεί πάντα να διασφαλίζει υψηλό επίπεδο στις υπηρεσίες και τα προϊόντα της. ΠΛΕΟΝ ΜΠΟΡΟΥΜΕ ΝΑ ΠΑΡΕΧΟΥΜΕ: • Μειωμένες τιμές σε πάνω από 700 προϊόντα. • Συνεχής ανανέωση εξοπλισμού. • Πληρέστερη λίστα φωτογραφικών μηχανών (Canon/Nikon/Sony/Fuji/Panasonic) • Πληρέστερη λίστα φωτογραφικών φακών. .. • Νέο σύστημα κρατήσεων με πλήρη ενημέρωση ARY AN RS N E I στον πελάτη. IV V N E N R A S . A • Κινηματογραφικός εξοπλισμός για κάθε παραγωγή.. Y R R Y . A . 10 A S • 340 τμ. εγκαταστάσεις για έλεγχο και παραλαβή YEARS N R N E I V V E εξοπλισμού. I R N S N A R A Y . • Νέο υποκατάστημα στο κέντρο Θεσσαλονίκης. • Αποστολή σε 1 ημέρα σε όλη την Ελλάδα. • Ειδικές τιμές στους σπουδαστές των κινηματοφραφικών σχολών. Η Rentphotovideo δραστηριοποιείται αποκλειστικά και μόνο με την ενοικίαση εξοπλισμού και σε σεβασμό προς τους πελάτες της και μην θέλοντας να είναι ανταγωνιστική δεν πραγματοποιεί φωτογραφικές και κινηματογραφικές παραγωγές. Rental Rate Periods Pick-up & Return Times Day Rate (Day) - One 24 hr period - Day bonus = pickup after 4:00 pm, - Return 11:30am (2) days later 3-Day Weekend Rate - Pickup Friday - Any time returns Monday before 11:30 Full Week Rate - 7 consecutive, 24hours periods Regular business hours I Monday - Friday 10:00am - 6:00pm Οι τιμές δεν περιλαμβάνουν Φ.Π.Α. -
FOR IMMEDIATE RELEASE Press Contacts: MWW Geoff Coalter E: [email protected] Alex Kruse E: [email protected] P: 212-704-9727 Press.Nikonusa.Com
FOR IMMEDIATE RELEASE Press Contacts: MWW Geoff Coalter E: [email protected] Alex Kruse E: [email protected] P: 212-704-9727 press.nikonusa.com MASTER YOUR PERSPECTIVE WITH OPTICAL EXCELLENCE: NIKON ADDS TWO PRO-GRADE FX-FORMAT LENSES TO CELEBRATED NIKKOR LENS LINEUP Extraordinary Next-Generation AF-S NIKKOR 70-200mm f/2.8E FL ED VR Sets a New Standard for Pro Telephoto Workhorse Lenses, While New PC NIKKOR 19mm f/4E ED is Nikon’s Widest Ever Tilt-Shift NIKKOR Offering MELVILLE, NY (October 19, 2016 at 12:01 A.M. EDT) – Today, Nikon Inc. has announced two exciting FX- format additions to the storied NIKKOR lens lineup, designed to achieve amazing optical performance for the most demanding professional and enthusiast photographers. An evolution of one of Nikon’s most versatile and popular pro-zoom lenses, the newly redesigned AF-S NIKKOR 70-200mm f/2.8E FL ED VR sports an updated optical formula capable of amazing image quality, while optimized for high-speed shooting. Also introduced today is Nikon’s widest perspective control lens to date, the PC NIKKOR 19mm f/4E ED tilt-shift lens, which helps photographers effortlessly control perspective when capturing architecture, interiors, fine art, product photography and landscapes. “Nikon continues to raise the bar of optical excellence, and our newest FX-format NIKKOR offerings provide experienced photographers with powerful tools to help ensure brilliantly sharp images, whether capturing a high-speed photo finish or creatively framing an architectural marvel,” said Kosuke Kawaura, Director of -
Pentaxslr.Com Camera: K20D Lens: SMCP DA* 16-50Mm F/2.8 ED AL (IF) SDM Body, Lens and Flash Experience the PENTAX DSLR System
pentaxslr.com Camera: K20D Lens: SMCP DA* 16-50mm F/2.8 ED AL (IF) SDM Body, Lens and Flash Experience the PENTAX DSLR System PENTAX digital SLR camera systems combine the latest in digital technology with legendary PENTAX optics, craftsmanship and functionality that are essential to your photography experience. Go ahead and grip the perfectly balanced, compact, lightweight bodies reinforced with a high-rigidity steel chassis, and experience the unmistakably clear, high-precision viewfinder. Connect with the vast heritage of PENTAX Super-multi-coated optics that provide seemingly limitless opportunities to create crystal-clear imagery with enhanced color and definition. Unleash the power of advanced, wireless P-TTL auto flash and high-speed synchronization of powerful PENTAX flash attachments. PENTAX digital SLR camera systems blend perfectly to offer ease of use, performance and portability to satisfy everyone from the novice photographer to the most discerning enthusiast. Shake Reduction K-mount Heritage Center plate The PENTAX-developed “Shake Reduction” technology PENTAX has manufactured over 24 million lenses Image sensor solves one of the oldest photographic problems: blur in the last six decades. For every assignment, we caused by handheld camera shake. The K Series Digital believe there needs to be a lens that matches Back plate SLRs produce sharp photos in challenging situations each photographer’s style – amateur and without having to use a tripod. Hand-held photography professional alike. PENTAX DSLR bodies offer Position support is now possible with long telephoto lenses or when long backward compatibility with each and every ball bearing exposure times are required due to poor lighting. -
High ISO Heroes Which APS-C and Full-Frame Cameras Perform the Best in Poor Light?
Saturday 4 February 2017 High ISO heroes Which APS-C and full-frame cameras perform the best in poor light? All-new Passionate about photography since 1884 BUYING GUIDE COMPLETE GUIDE 550 cameras & lenses listed ISO & rated and How to get pictures as good as this at high ISO Get great low light images and keep noise right down ● What ISO and when ● Best noise removers ● Settings of the pros Digital ISO demystified Fujifilm Where noise comes from first look and how it relates to X-T20 mirrorless & sensor size & resolution X100F compact The high ISO king? We see how Nikon’s D5 copes with ice-hockey boot camp Ice on the black sand beach at Jökulsárlón.raw ON THE ICE BEACH IT’S A DARK, SOMBRE WINTER’S DAY. The grey cloud is low, and the rain is steady, but the muted light is just perfect for the subject matter all around me, namely waves lapping around the artfully sculpted blocks of ice on the black sand. Now I’ve seen many images of this unique combination before – it’s an Icelandic photographic staple – but there’s no resisting the appeal of such stark, elemental beauty. In fact it’s a beauty that is enhanced by the flat lighting, a cold scene of black and blue with simple graphic appeal. But as so often is the case here in Iceland the conditions are difficult: apart from the rain, salty spray is being driven inshore off the waves and onto my increasingly crusty camera, lens and filter. So be it, such adversity is now familiar. -
Sctl.Lgofl INSTRUCTIONS ,I .7X TELECONVE RTE R.PENTAX 1 1 O
sctl.lGoFl INSTRUCTIONS ,I .7X TELECONVE RTE R.PENTAX 1 1 O Congratulations! You have iust become the proud owner of a Soligor photographic product. In photo- graphy, Soligor is your assurance of advanced technology, reliabll p.irioir'inJr, quality, unsurpassed 6ptiial exceptional speed and unusually compact size.Y6ur Soligor t.Zi teteconverter for a pintax quality 110 camera is a high optic which willgive you many years of-exc.ii.nipriotographic usage. Your. Soligor teleconverter is used in conjunction with your Pentax 110 camera to increase the focal length of the original camera lens. This teleconverter is a rear converter which fits between you'. c"mJ' and lens.aldgivgl you.:l 1.7X magnific4tion. When_-coupled your."rer", circuitryisperfect|ysetbythemountofihE-Tens"Yo-ticanusethisG|econu.ffito automatic diaphrasm l^en1es. However, for maxim_um telephoto effect, a- fOmm lens should be used. In conjunction t"itfr /our loligor teleconverter, the Pentax 50mm lens will be converted to an gsm; lens. please read the following instructions carefully so that you can obtain the maximum enjoyment and performanie from your new teleconverter. OPE RATION: 1. Remove the camera lens from the camera body. your 2. Mount Soligor teleconverter onto the camera body in exactly the same manner as you did your camera lens in accordance with your camera's instructio'n manual. 3. Mount-your lens onto the teleconverter in the same identical manner. 4- Compensation of the f/stop value is not required since this is taken care of automaticaly when the teleconverter and lens are mounted onto the camera. ln this same regard, compensaiion is not _ lequired when using electronic flash, since this is also taken care of artoriti."ity.