Song Writers & Pr Oducers
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Top Songwriter Chart
TOP SONGWRITER CHART Sunday, June 7, 2020 This Last Songwriter’s Name Song(s) Artist Week Week 1 1 Craig Wiseman Chasin' You Morgan Wallen Here And Now Kenny Chesney 2 2 Shane McAnally Champagne Night Lady Antebellum Cheatin' Songs Midland Hard To Forget Sam Hunt Nobody But You Blake Shelton And Gwen Stefani One Night Standards Ashley McBryde Second Guessing Florida Georgia Line Some People Do Old Dominion The Other Girl Kelsea Ballerini x Halsey 3 3 Luke Combs Does To Me Luke Combs (feat. Eric Church) I Hope You're Happy Now Carly Pearce and Lee Brice Six Feet Apart Luke Combs 4 4 Jonathan Singleton Die From A Broken Heart Maddie & Tae I Hope You're Happy Now Carly Pearce and Lee Brice In Between Scotty McCreery 5 5 Josh Thompson Ain't Always The Cowboy Jon Pardi Be A Light Thomas Rhett Featuring Reba McEntire, Hillary Scott, Chris Tomlin & Keith Urban One Margarita Luke Bryan 6 6 Michael Hardy More Than My Hometown Morgan Wallen One Beer HARDY Feat. Lauren Alaina and Devin Dawson One Big Country Song LOCASH Single Saturday Night Cole Swindell Some Girls Jameson Rodgers 7 7 Morgan Wallen Chasin' You Morgan Wallen More Than My Hometown Morgan Wallen 8 8 David Garcia Drinking Alone Carrie Underwood Here And Now Kenny Chesney 9 10 Ashley Gorley Hard To Forget Sam Hunt One Big Country Song LOCASH One Of Them Girls Lee Brice Single Saturday Night Cole Swindell 10 9 Thomas Rhett Be A Light Thomas Rhett Featuring Reba McEntire, Beer Can't Fix Hillary Scott, Chris Tomlin & Keith Urban Thomas Rhett (feat. -
P3 Rotationer 05-07-2021
P3 ROTATIONER 05-07-2021 A Holly Humberstone: The Walls Are Way Too Thin Ed Sheeran: Bad (Radio Edit) BTS: Butter Justin Wellington / Small Jam: Iko Iko Siné: Older Scarlet Pleasure: Somebody Else B Billie Eilish: Lost Cause Olivia Rodrigo: good 4 u Lorde: Solar Power Easy Life: Skeletons Tate McRae / Khalid: Working Fred Again.. / The Blessed Madonna: Marea (We've Lost Dancing) (Radio Edit) Dua Lipa: Love Again (Radio Edit) Griff: One Foot In Front Of The Other Chvrches / Robert Smith: How Not To Drown Sigrid: Mirror Kidd: Buongiorno School Of X: Feel Of It BBYBITES: Take Me Hard MØ: Live To Survive Gilli / Kesi / Benny Jamz /B.O.C: Ibiza Gilli /Kesi /Benny Jamz /B.O.C: Hajde Drew Sycamore: Jungle eee gee: Favourite Lover Erica de Casier: Busy C *SKAAR: Say Something Now Joy Crookes: Feet Don’t Fail Me Now King Princess: House Burn Down Jorja Smith / Saybo: Bussdown MAY-A: Time I Love To Waste Tinashe / Buddy: Pasadena London Grammar: Lord It’s A Feeling Daya: Bad Girl Lil Nas X: MONTERO (Call Me By Your Name) Mimi Webb: Good Without Calvin Harris // Tom Grennan: By Your Side (Radio Edit) Jungle: Talk About It Purple Disco Machine / Moss Kena / The Knocks: Fireworks Chiiild: Sleepwalking SG Lewis / Nile Rodgers: One More Years & Years: Starstruck Statisk: Tiden går i stå Mekdes: Hanging Upside Down Andreas Odbjerg: Velkommen tilbage Artigeardit / Kesi: Er her SASO / Awinbeh: Damn GOSS: Adrenaline BATHSHEBA: Fighting For Your Love FABRÄK: DAARLIGT Selma Judith: Hollow Grounds Jung: Tur retur Mina Okabe: Walk Away Rebecca Lou: Lovesick RoseeLu: Playing Alone D *Tyler, The Creator / YoungBoy Never Broke Again / Ty Dolla $ign: WUSYANAME Joy Anonymous / Everyone You Know: Just For The Times Laura Mvula: Church Girl Pa Salieu / slowthai: Glidin’ Mahalia / Rico Nasty: Jealous Soon: Soda Josie Amadonna: Donkey Kong Julie Ellionor: Disarray Brimheim: Call It What You Want ALSACE: Air France GRETA: Vibrant (Radio Edit) Betty Bass: Young Love . -
UNITED STATES DISTRICT COURT EASTERN DISTRICT of NEW YORK ------X SETH GORDON, Civil Case No
Case 1:20-cv-00696 Document 1 Filed 02/07/20 Page 1 of 9 PageID #: 1 UNITED STATES DISTRICT COURT EASTERN DISTRICT OF NEW YORK -----------------------------------------------------------------X SETH GORDON, Civil Case No. Plaintiff, COMPLAINT FOR WILLFUL COPYRIGHT INFRINGEMENT -against- JURY TRIAL DEMANDED BRYTAVIOUS CHAMBERS; DANIEL HERNANDEZ; CREATE MUSIC GROUP, INC.; TENTHOUSAND PROJECTS, LLC; and S.C.U.M GANG INC., Defendants. -----------------------------------------------------------------X Plaintiff, SETH GORDON (“Plaintiff”), by and through undersigned counsel and pursuant to the applicable Federal Rules of Civil Procedure and the Local Rules of this Court hereby demands a trial by jury of all claims and issues so triable, and, as for his Complaint against Defendants DANIEL HERNANDEZ; BRYTAVIOUS CHAMBERS; CREATE MUSIC GROUP, INC.; TENTHOUSAND PROJECTS LLC; and S.C.U.M GANG INC. (collectively, “Defendants”) hereby asserts and alleges as follows: NATURE OF ACTION 1. This is a civil action seeking damages and injunctive relief under the Copyright Act, 17 U.S.C. § 101 et seq., arising out of Defendants’ extensive unauthorized for-profit use and exploitation of Plaintiff’s original musical composition, registered as the “Yung Gordon Intro” (or the “Drop”), that was created and is wholly owned by the Plaintiff. JURISDICTION AND VENUE 2. Jurisdiction for Plaintiff’s claims lie with the United States District Court for the Eastern District of New York pursuant to the Copyright Act of 1976, 17 U.S.C. § 101 et seq.; 28 U.S.C. § 1331 (conferring original jurisdiction “of all civil actions arising under the Constitution, Case 1:20-cv-00696 Document 1 Filed 02/07/20 Page 2 of 9 PageID #: 2 laws, or treatiEs of the UnitEd StatEs”) and 28 U.S.C. -
Narrative Representations of Gender and Genre Through Lyric, Music, Image, and Staging in Carrie Underwood’S Blown Away Tour
COUNTRY CULTURE AND CROSSOVER: Narrative Representations of Gender and Genre Through Lyric, Music, Image, and Staging in Carrie Underwood’s Blown Away Tour Krisandra Ivings A Thesis Presented In Partial Fulfillment of the Requirement for the Degree Master of Arts in Music with Specialization in Women’s Studies University of Ottawa © Krisandra Ivings, Ottawa, Canada, 2016 Abstract This thesis examines the complex and multi-dimensional narratives presented in the work of mainstream female country artist Carrie Underwood, and how her blending of musical genres (pop, rock, and country) affects the narratives pertaining to gender and sexuality that are told through her musical texts. I interrogate the relationships between and among the domains of music, lyrics, images, and staging in Underwood’s live performances (Blown Away Tour: Live DVD) and related music videos in order to identify how these gendered narratives relate to genre, and more specifically, where these performances and videos adhere to, expand on, or break from country music tropes and traditions. Adopting an interlocking theoretical approach grounded in genre theory, gender theory, narrative theory in the context of popular music, and happiness theory, I examine how, as a female artist in the country music industry, Underwood uses genre-blending to construct complex gendered narratives in her musical texts. Ultimately, I find that in her Blown Away Tour: Live DVD, Underwood uses diverse narrative strategies, sometimes drawing on country tropes, to engage techniques and stylistic influences of several pop and rock styles, and in doing so explores the gender norms of those genres. ii Acknowledgements A great number of people have supported this thesis behind the scenes, whether financially, academically, or emotionally. -
THE MUSICAL FEATURES of 2015'S TOP-RANKED COUNTRY SONGS
THE MUSICAL FEATURES OF 2015’s TOP-RANKED COUNTRY SONGS By Mason Taylor Allen Senior Honors Thesis Department of Music University of North Carolina at Chapel Hill April 22, 2016 Approved: Dr. Jocelyn R. Neal, Thesis Advisor Dr. Allen Anderson, Reader Dr. Andrea Bohlman, Reader © 2016 Mason Taylor Allen ALL RIGHTS RESERVED ii ABSTRACT Mason Taylor Allen: The Musical Features of 2015’s Top-Ranked Country Songs Under the direction of Dr. Jocelyn R. Neal The 2015 top-ten country songs analyzed in this study are characterized by the various formats of their song form, harmonies, and lyrics. This thesis presents a comprehensive study of the structure and narratives in sixty-seven songs that summarizes the distinctive features within those domains of contemporary commercial country music. A detailed description of the norm along with identifiable trends emerges. The song form that features most prominently in this repertory includes a verse-chorus-bridge form with three iterations of the chorus, an intro and outro section, and instrumental sections immediately following each chorus. The top-ten country songs have varying degrees of departure from this typical model. Primary features of the harmonies of these top songs include the frequent use of a double-tonic complex, the absence of a 5-1 authentic cadence, the same chord progression throughout the verse, chorus, and bridge, and the use of only two chords throughout the song. Lyrical analyses show that 2015 songs are continuing the traditional themes about romantic attraction, love, heartache, good times and partying, home, family, nostalgia, religion, and inspiration, within the context of small-town country life that this genre has used for years. -
2015 ANNUAL REPORT Pictured (Top to Bottom, L-R)
OUR 2015 ANNUAL REPORT Pictured (top to bottom, l-r): Shawn Patterson and vocalist Sammy Allen at the 2015 ASCAP Film & TV Music Awards Latin Heritage Award honorees La Original Banda el Limón at the 2015 ASCAP Latin Music Awards ASCAP Golden Note Award honoree Lauryn Hill at the 2015 R&S Awards Lady Antebellum at the 2015 ASCAP Country Music Awards Dave Grohl congrat- ulates Gene Simmons and Paul Stanley on their ASCAP Found- ers Award at the 2015 ASCAP Pop Awards Cast members from Invisible Thread with Richard Rodgers New Horizons Award winners Matt Gould (at piano) & Griffin Matthews (far right) at the 2015 ASCAP Foundation Awards The American Con- temporary Music En- semble (ACME) at the 2015 ASCAP Concert Music Awards Annual Report design by Mike Vella 2015 Annual Report Contents 4 16 OUR MISSION Our ASCAP Our Success We are the world leader in performance 6 18 royalties, advocacy and service for Our Growth Our Celebration songwriters, composers and music publishers. Our mission is to ensure that 8 20 Our Board Our Licensing our music creator members can thrive Partners alongside the businesses who use our 10 music, so that together, we can touch Our Advocacy 22 Our Commitment the lives of billions. 12 Our Innovation 24 Our Communication 14 Our Membership 25 Financial Overview 3 OUR ASCAP USIC IS AN ART. AND MUSIC IS A BUSINESS. The beauty of ASCAP, as conceived by our visionary founders over 100 years ago, is that it serves to foster both music and commerce so that each partner in this relationship can flourish. -
Ascap Songwriters in the Top 50 of the Country Aircheck
Peak Position Peak Wks. on 2020 Artist Title Label (wks. at No.1) Date Chart Rank JASON ALDEAN We Back Macon Music/Broken Bow 6 3/23/20 21 43 JASON ALDEAN Got What I Got Macon Music/Broken Bow 1(1) 10/19/20 29 33 A JIMMIE ALLEN Make Me Want To Stoney Creek 1(1) 3/2/20 18 28 s INGRID ANDRESS More Hearts Than Mine Warner/WEA 1(1) 4/27/20 26 24 of TOP 15 KELSEA BALLERINI Hole In The Bottle Black River 13 11/9/20 19 75 GABBY BARRETT I Hope Warner/WAR 1(1) 4/20/20 25 3 LEE BRICE One Of Them Girls Curb 1(2) 10/5/20 26 32 GARTH BROOKS & BLAKE SHELTON Dive Bar Pearl 5 3/2/20 17 56 B KANE BROWN Homesick RCA 1(2) 3/16/20 20 17 KANE BROWN Cool Again RCA 2 9/28/20 25 37 LUKE BRYAN What She Wants Tonight Capitol 1(1) 3/30/20 22 30 2020 LUKE BRYAN One Margarita Capitol 1(2) 7/13/20 15 22 theYEAR KENNY CHESNEY Tip Of My Tongue Blue Chair/Warner/WEA 7 11/18/19 8 74 CARLY PEARCE in MUSIC KENNY CHESNEY Here And Now Blue Chair/Warner/WEA 1(1) 6/29/20 21 36 CMA Musical Event of the Year (“I Hope You’re Happy Now”) KENNY CHESNEY Happy Does Blue Chair/Warner/WEA 11 11/9/20 16 64 ERIC CHURCH Monsters EMI Nashville 15 5/4/20 30 55 C LUKE COMBS Even Though I’m Leaving River House/Columbia 1(3) 12/2/19 9 5 LUKE COMBS f/ERIC CHURCH Does To Me River House/Columbia 1(2) 6/1/20 20 11 DAN + SHAY & JUSTIN BIEBER LUKE COMBS Lovin’ On You River House/Columbia 1(2) 9/21/20 16 38 JAMIE MOORE & CRAIG WISEMAN 3x AMA Winners LUKE COMBS Better Together River House/Columbia 15 11/9/20 5 -- Aircheck #1 Country Song of the Year Favorite Song/Collab of the Year (“10,000 Hours”) -
Duc 2020 Kw 24
DUC REDAKTION Hofweg 61a · D-22085 Hamburg T 040 - 369 059 0 WEEK 24 [email protected] · www.trendcharts.de 04.06.2020 Approved for publication on Tuesday, 09.06.2020 THIS LAST WEEKS IN PEAK WEEK WEEK CHARTS ARTIST TITLE LABEL/DISTRIBUTOR POSITION 01 01 03 Apache 207 Fame TwoSides/Four Music/Sony 01 02 03 07 Black Eyed Peas Ft. Ozuna + J.Rey Soul MAMACITA BEP/Epic/Sony 01 03 04 08 Drake Toosie Slide OVO/Republic/UMI/Universal 01 04 02 05 THE SCOTTS, Travis Scott & Kid Cudi THE SCOTTS Epic/Sony 02 05 10 08 Tyga Ft. Curtis Roach Bored In The House Last Kings/Columbia/Sony 05 06 17 06 DaBaby Ft. Roddy Ricch ROCKSTAR Interscope/UMI/Universal 06 07 16 10 J Balvin Amarillo Universal Latin/UMI/Universal 04 08 06 06 French Montana That's A Fact Epic/Sony 04 09 33 03 > Brandy Ft. Chance The Rapper Baby Mama Brand Nu/eOne 09 10 NEW Bonez MC Roadrunner 187 Strassenbande/Vertigo/VEC/Universal 10 11 25 05 Megan Thee Stallion & Beyoncé Savage (Remix) 300/Atlantic/WMI/Warner 11 12 05 04 Capital Bra x Loredana Nicht Verdient Bra Muzik/Urban/VEC/Universal 05 13 12 05 Shirin David 90-60-111 Juicy Money/VEC/Universal 09 14 07 10 Wiz Khalifa Ft. Tyga Contact Atlantic/WMI/Warner 02 15 26 05 T-Pain Ft. Chris Brown Wake Up Dead Nappy Boy/Empire 14 16 08 03 6ix9ine GOOBA Scumgang/Create Music Group 05 17 09 05 Ufo361 Emotions Stay High/Groove Attack 06 18 RE 06 Pedro Capó Buena Suerte Sony Latin/Sony 07 19 14 09 PARTYNEXTDOOR Ft. -
2019-2020 Annual Review 2 Table of Contents
2019-2020 ANNUAL REVIEW 2 TABLE OF CONTENTS 04 PRESIDENT & CEO REPORT 08 ROSTER & REPERTOIRE 12 REVENUE PERFORMANCE 13 PROTECTING THE FUTURE OF MUSIC 15 DISTRIBUTION & ADMINISTRATION 16 TECHNOLOGY 4 President & CEO Report IT’S BEEN A YEAR UNLIKE The $1.233 billion total in distributions includes domestic and international royalties, with the COVID-19 crisis profoundly as well as distributions from direct deals that ANY OTHER, transforming the world and deeply affecting BMI administers on behalf of our publisher the creative and business communities BMI and digital service provider clients. Those is entrusted to serve. In response, BMI’s deals, which account for $71 million, represent commitment to meeting the diverse and an increase of $9 million over last year and evolving needs of our songwriters, composers, approximately 6% of BMI’s total distribution. publishers and licensees has never been stronger. The Company was well positioned to BMI’s long-term strategic focus on diversifying navigate this challenging time, and despite the revenue streams enabled the Company to unprecedented impact of the global pandemic weather declines that resulted from the I am pleased to share that BMI is reporting pandemic. To that end, strong growth in the record-breaking results for the fiscal year Digital and Radio categories helped offset a ended June 30, 2020. BMI generated historic significant downturn in the General Licensing revenues of $1.311 billion, an increase of $28 sector. For the first time ever, revenue from million, or 2%, over the prior year. Notably, Digital sources represented the largest portion BMI absorbed a $60 million negative impact of BMI’s domestic total with 32%, or $304 due to the pandemic’s effect across multiple million, an increase of $42 million, or 16%, over businesses, yet the Company still surpassed last year. -
The Very Thought of Long Beach, CA Immediately Brings O.G. Culture to Mind
The very thought of Long Beach, CA immediately brings O.G. culture to mind. You can practically see those classic Snoop Dogg and Warren G videos on repeat at the mention of the city. For as inextricably connected to West Coast hip-hop as the LBC may be, it gives rise to a fresh and fiery voice for soul in Giveon. With nearly half-a-million independent streams to his credit and acclaim by everyone from Flaunt to HotNewHipHop, the Long Beach-born singer and songwriter infuses Rat Pack-style classiness into modern R&B. “It’s a different perspective,” he explains. “There’s soul to it. There’s pop to it. However, I want to speak on relatable things everybody thinks about but nobody says—in a classy way. The goal is just to be Giveon.” One of three brothers raised by a single mother, he gravitated towards music at a young age. He initially found inspiration in Frank Ocean and Miguel between performing at school functions. As he recalls, “Mom did a really good job of sheltering us, so we didn’t fall into what was going on outside like the gang culture and poverty.” Attending a GRAMMY® Academy program at eighteen proved transformative as the instructor implored him to perform Frank Sinatra’s “Fly Me To The Moon” for a project. “I had an epiphany after initially hearing Sinatra,” he says. “It was the very first time I heard a baritone singer. I got into Bobby Caldwell and Barry White from there. I realized my tone at this point.” Developing his own baritone delivery, he caught the attention of another Long Beach local and multiplatinum singer and songwriter AUGUST 08 [DJ Khaled, Justin Bieber] who served as an initial mentor. -
Race Trophy and Division Winners
SWIFTSURE 2016 Trophy and Division Winners Data current to 2015 Swiftsure Race Results Royal Victoria Yacht Club Victoria, British Columbia Canada DIVISION WINNERS 1998, 1999, 2005, 2006, 2007, 2008, 2009, 2010, 2011, 2012, 2013, 2014, 2015, 2016 SWIFTSURE COMMITTEE Royal Victoria Yacht Club 3475 Ripon Road Victoria, BC V8R 6H1 Canada (250) 592-9098 [email protected] www.swiftsure.org 2 DIVISION WINNERS TROPHIES AND PRIZES TROPHIES A trophy donated by the Royal Vancouver Yacht Club was the sole prize in the first Swiftsure Lightship Classic Race in 1930. It was not 1956 through 1959 that additional trophies were donated to recognize class or division winners and first to finish. More trophies were acquired with the start of the Juan de Fuca Race and increased participation in all events. Even so, the explosive growth of the Swiftsure International Yacht Race in the late 70s and early 80s meant there were not a sufficient number of awards to cover all the divisions. The start of the Cape Flattery Race and the participation of multihull yachts in the later 1980s led to a further growth in the Swiftsure trophy collection. It now numbers 45. Each year, trophies are assigned for specific achievements, based on their past use, conditions in their deeds of gift, the number of divisions and other factors. From time to time it has been necessary to reallocate trophies as Swiftsure evolves. PRIZES While winners were permitted to retain trophies for a year, it is customary to also provide them with "keeper" prizes as permanent mementos of their achievements. For the past several years, many of these have been West Coast First Nations carvings mounted on a wood base with a suitably engraved plaque. -
STOOPID (Feat. Bobby Shmurda)
STOOPID (feat. Bobby Shmurda) 6ix9ine [Intro] Y'all already know it be the boy Yung Gordon And you rockin' with Take Money promotion Ayy, Take Money Promotion Give 'em that new shit, no fool shit Oh yeah, let's go DJ Lethal, Lethal (Rough Rider) TMP 954, we live Take Money Promotion Tay Keith, fuck these niggas up[Chorus: 6ix9ine] Bitch, I'm silly Up the chopper, shoot your shit up, let's get busy Drinkin' Henny, goin' brazy, poppin' pillies Sex Money Murda, shoutout all my blazing Billies (All my Billies) We in yo' city (We in yo'-) [Verse: 6ix9ine & Bobby Shmurda] Shoutout my apes in the fuckin' zoo (Filayo) Filayo, they gon' shoot Spin a hoop, who the fuck is you? Who the fuck you know, nigga? No, nigga Niggas killed your cousin, you want smoke, nigga? (Stupid) Glo nigga, rollin' up your cousin in a blunt, nigga Bozo, bitch, are you dumb-d-dumb-dumb-dumb-d-dumb-dumb-dumb? (Stupid) Bitch, I'm Nick Cannon with this drum-dr-drum-drum-drum (Brra-pum-pum) Pull up with semis, no lil pump-pr-ump-pump-pumps (No esskeetit) We goin' dumb-d-dumb-dumb-dumb-d-dumb-dumb-dumb Bitch I'm stupid, bitch I'm dumb I be tweakin', I be wildin', I be booted (Bitch I be drunk) I be stealin', I be robbin', I be lootin' (You don't wanna die) Your boyfriend dumb, he get no money, bitch, he stupid Oh, bitch, he, oh, bitch, he stupid Damn, homie, in high school you was the man, homie (2012) What the fuck happened to you? (Stoopid) I'm just sayin', homie Now you smokin' Black & Milds, smokin' reds, homie Ah, ah, ah, what's up? Shmurda on the motherfucker He said