promoting access to White Rose research papers Universities of Leeds, Sheffield and York http://eprints.whiterose.ac.uk/ This is an author produced version of an article published in Ethical Perspectives: Journal of the European Ethics Network. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/75867/ Published article: Kieran, ML (2013) Tragedy versus Comedy: On Why Comedy is the Equal of Tragedy. Ethical Perspectives: Journal of the European Ethics Network, 20 (2). White Rose Research Online
[email protected] 1 Tragedy versus Comedy: On Why Comedy is the Equal of Tragedy Matthew Kieran (University of Leeds) Abstract Tragedy is superior to comedy. This is the received view in much philosophical aesthetics, literary criticism and amongst many ordinary literary appreciators. The paper outlines three standard types of reasons (and the main variants therein) given to underwrite the conceptual nature of the superiority claim, focusing on narrative structure, audience response and moral or human significance respectively. It sketches some possible inter-relations amongst the types of reasons given and raises various methodological worries about how the argument for tragedy‟s superiority typically proceeds. The paper then outlines an original normative account of a type of literary or dramatic comedy – „high comedy‟ – which proves to be tragedy‟s equal. High comedies, it will be argued, have complex narrative structures shaping audience responses of fear and hope underwriting the moral significance of the comic mode. The received view is unjustified and appreciating why this is so casts light on the nature and value of (a certain kind of) comedy.