Museumland Washington
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Ryan Molenkamp
RYAN MOLENKAMP Selected solo exhibitions 2018 The Last Frontier, Kirkland Arts Center/Kirkland Public Library, Kirkland, WA 2017 Vancouver! Vancouver! This is It!, Linda Hodges Gallery, Seattle, WA 2016 Still Afraid, Linda Hodges Gallery, Seattle, WA 2016 New Paintings, Duplex Gallery, Portland, OR 2014 Fear of Volcanoes, Linda Hodges Gallery, Seattle, WA 2011 The Watcher, Bryan Ohno Gallery, Seattle, WA 2010 Flood, Gallery4Culture, Seattle, WA Sound Plans, Handforth Gallery @ Tacoma Public Library, Tacoma, WA 2008 View Lots, SOIL Gallery, Seattle, WA 2003 Automatic Style, Brick and Mortar Gallery, Tacoma, WA Selected group exhibitions 2018 Collectors Choice, SAM Gallery, Seattle, WA 2018 Outside Influences, SAM Gallery, Seattle, WA 2017 Point of View, LAUNCH LA/KP Projects, Los Angeles, CA 2017 Seeing Northwest Nature, SAM Gallery, Seattle, WA 2016 Urban Artist Showcase, Chehalem Cultural Center, Newberg, OR 2015 Bellingham National 2015, Whatcom Museum, Bellingham, WA 2014 Made in the Northwest, SAM Gallery, Seattle, WA 2013 Suburbia: Dream or Nightmare?, Linda Hodges Gallery, Seattle, WA Connections, Cuchifritos Gallery, New York, NY Cascadia, Collar Works Galley, Troy, NY 2012 Conditions of Possibility, Umpqua Valley Arts Center, Roseburg, OR 2011 Earth Matters, SAM Gallery, Seattle, WA Home Away From Home, Jacob Lawrence Gallery, Seattle, WA Mad Homes, public art exhibition presented by MadArt, Seattle, WA Forecast: Communicating Weather and Climate, WA State Convention Center Bloom + Collapse, SOIL, Seattle, WA 2010 KAC Links Invitational, -
Washington State National Maritime Heritage Area Feasibility Study for Designation As a National Heritage Area
Washington State National Maritime Heritage Area Feasibility Study for Designation as a National Heritage Area WASHINGTON DEPARTMENT OF ARCHAEOLOGY AND HISTORIC PRESERVATION Washington State National Maritime Heritage Area Feasibility Study for Designation as a National Heritage Area WASHINGTON DEPARTMENT OF ARCHAEOLOGY AND HISTORIC PRESERVATION APRIL 2010 The National Maritime Heritage Area feasibility study was guided by the work of a steering committee assembled by the Washington State Department of Archaeology and Historic Preservation. Steering committee members included: • Dick Thompson (Chair), Principal, Thompson Consulting • Allyson Brooks, Ph.D., Department of Archaeology and Historic Preservation • Chris Endresen, Office of Maria Cantwell • Leonard Forsman, Chair, Suquamish Tribe • Chuck Fowler, President, Pacific Northwest Maritime Heritage Council • Senator Karen Fraser, Thurston County • Patricia Lantz, Member, Washington State Heritage Center Trust Board of Trustees • Flo Lentz, King County 4Culture • Jennifer Meisner, Washington Trust for Historic Preservation • Lita Dawn Stanton, Gig Harbor Historic Preservation Coordinator Prepared for the Washington State Department of Archaeology and Historic Preservation by Parametrix Berk & Associates March , 2010 Washington State NATIONAL MARITIME HERITAGE AREA Feasibility Study Preface National Heritage Areas are special places recognized by Congress as having nationally important heritage resources. The request to designate an area as a National Heritage Area is locally initiated, -
Oral History Interview with Edward B. Thomas, 1983 April 28-May 10
Oral history interview with Edward B. Thomas, 1983 April 28-May 10 Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service. Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Preface The following oral history transcript is the result of a tape-recorded interview with Edward B. Thomas on April 28 & May 10, 1983. The interview took place in Seattle, Washington, and was conducted by John Olbrantz for the Archives of American Art, Smithsonian Institution. Interview DATE: APRIL 28, 1983 [Tape 1] JOHN OLBRANTZ: Ed, can you tell me a little bit about your background, where you were born, your early childhood experiences, your parents, who your father was, who your mother was, how they came to live in this part of the country? EDWARD THOMAS: Well, I was born in Cosmopolis, Washington, and many times when I've come through customs, when I was much younger and especially at the Mexican border, they would say, "Where were you born?" and I'd say, "Cosmopolis, Washington," they'd say, "Look, bud! Don't get funny with us." (laughter) But there actually is such a place as Cosmopolis, Washington. Nobody had any particular influence upon me, I would say, in my younger years as far as becoming interested in art, and particularly teaching art. I had a very severe illness when I was four and five years old and was confined to bed a lot, and so people brought me tablets and color crayons and pencils and stuff like that. -
French Impressionism and the Northwest
Contact: Hillary Ryan, 253.272.4258 ext 3051 [email protected] Tacoma Art Museum presents New Exhibition Monet, Renoir, Degas, and Their Circle: French Impressionism and the Northwest IMAGES AVAILABLE August 2, 2019 (Tacoma, WA)— Opening on September 28, Tacoma Art Museum will present Monet, Renoir, Degas, and Their Circle: French Impressionism and the Northwest, a new exhibition that examines how the work of French Impressionists and their immediate precursors made their way into Northwest public and private collections. It also will include selected paintings by American and Northwest artists to illustrate the spread of Impressionism across the country. “The purpose of this exhibition is deeply connected to the same passion that drove the French Impressionists, to transform the way we see,” said David F. Setford, TAM’s Executive Director and curator of this exhibition. “It does this in two ways. First, it puts rarely seen works from TAM’s European art collection into context and allows for an expanded visitor learning opportunity. In addition, it is also the first time that these Impressionist works from museums and private collections in the Northwest have been seen together. It will provide a lasting resource about French Impressionism and its historical impact for curators and collectors in our region and beyond.” Monet, Renoir, Degas, and Their Circle: French Impressionism and the Northwest was organized and curated by the Tacoma Art Museum, and includes approximately fifty (50) works of art. The exhibition is accompanied by a small publication including essays by Setford and TAM curator Margaret Bullock, as well as an online listing of French Impressionist works currently in Northwest public collections. -
Annual Report for the Year 2003–2004
2003–2004 ANNUAL REPORT SAM Students with Sanislo Feast SAM CONNECTS ART TO LIFE CONTEMPORARY CHINESE ARTIST LI JIN’S A FEAST made a permanent impression on the fourth- and fifth-grade students at Sanislo Elementary School. Inspired by the fifty-nine- foot-long painting depicting food from a traditional Chinese dinner on a background of recipes written in Chinese calligraphy, the students set out to re-create their own version. Art teachers Ruth Winter and Carolyn Autenrieth designed the project to celebrate the diversity of cultures at their school. Students painted their favorite ethnic foods, and staff helped transcribe the recipes into the students’ original languages. On display at the Seattle Asian Art Museum last spring, the students’ work, Sanislo Feast, a fifty-foot-long art scroll portraying food and languages from seventeen different nations and cultures, reflected the heritage of Sanislo students and staff. Students, families and teachers commemorated the unveiling of their “masterpiece” with a special celebration at SAAM. cover: Li Jin, China, born 1958, A Feast, 2001, ink on Xuan paper, 39 3/8 x 708 5/8 in., Courtesy of the artist and CourtYard Gallery, Beijing right: Wolfgang Groschedel and Kunz Lochner, Equestrian armor for Philip II, ca. 1554, etched steel and gold, Patrimonio Nacional, Real Armería, Madrid SEATTLE ART MUSEUM TABLE OF CONTENTS 1 Director’s Letter 17 Betty Bowen Award 2 Board of Trustees 18 Reaching Out to Youth & Families 3 Broadening, Deepening, Diversifying 19 Teaching and Learning 4–5 One Museum, Three -
Acknowledgements
Acknowledgements This teaching kit was developed by the Division of Education of the Mimi Kirk, intern for the African Art, African Voices exhibition at the Philadelphia Museum of Art to complement the exhibition African Art, Philadelphia Museum of Art, was an extraordinary and exemplary collabo- African Voices: Long Steps Never Broke a Back (on view October 2, 2004– rator in the research, writing, and editing phases of this project, and her January 2, 2005) and to serve as an ongoing curriculum resource. The kit contributions are substantial. Marla Shoemaker, Senior Curator of includes image cards of ten objects from the exhibition, with information Education, lent her outstanding editing skills, and John Zarobell, Assistant on the reverse; slides and postcards of the ten objects; additional informa- Curator of European Art before 1900, provided enthusiastic and informed tion and teaching strategies contained in this book; and a CD of related counsel. Tammy Salvadore, Director of the Delphi Project Foundation, was African music. The Delphi Project Foundation, The Christian R. and Mary F. an active and appreciated presence at the teacher advisory meetings. I am Lindback Foundation, and The Jesse Ball duPont Fund provided generous grateful to my colleagues in the Division of Education who offered infor- support for the development of these materials. mation, support, and suggestions on an ongoing basis: Mindy Nguyen- Balli and Rebecca Hoenig. The original exhibition was organized by the Seattle Art Museum and was on view there in spring 2002. Andrew Frankel’s unique and extensive knowledge of African music and musicians made possible the informed selections of African music for the An advisory group of teachers and professionals guided the selection of CD, and he skillfully arranged for the permissions. -
Audubon/RYAN!
Contact: Hillary Ryan, 253.272.4258 ext 3051 [email protected] Tacoma Art Museum presents New Exhibition The Naturalist & The Trickster: Audubon/RYAN! IMAGES AVAILABLE January 7, 2020 (Tacoma, WA)— On February 1, 2020, Tacoma Art Museum will open The Naturalist & The Trickster: Audubon/RYAN!. Although centuries apart, artists John James Audubon and RYAN! Feddersen draw inspiration from animals and the natural world to create compelling work that urges us to better understand the human impact on the environment. As 2020 marks the 50th anniversary of Earth Day, TAM presents this exhibition which explores themes of animals, environmentalism, and conservation. “Juxtaposing these two artists will present a very immersive and thought-provoking experience regarding perceptions of the natural world and relationships between humans and the environment,” said Faith Brower, TAM’s Haub Curator of Western American Art. “During Audubon’s life his prints were one of the ways that scientific information from the American West could be shared and studied. His respect and concern for the natural world clearly marks him as one of the forefathers of the modern conservation and environmental movements,” noted John James Audubon (1785–1851) Brower. Prairie Wolf (Canis latrans) Plate LXXI, The Viviparous Quadrupeds of North America hand colored lithograph, Printed by J.T. Bowen, Philadelphia, 1845 35 x 41 inches framed Collection of Huntsville Museum of Art Tacoma-based, RYAN! Feddersen, an enrolled member of the Confederated Tribes of the Colville Reservation and a contemporary mixed media artist, explores the character of Coyote, the trickster, as a lens to examine current events. Feddersen’s 75-foot mural encourages collaborative drawing with crayons cast in the shape of coyote bones which further links the community to Coyote’s story. -
Venue Experiences
VENUE EXPERIENCES Wow your guests by hosting an art-filled experience at one of SAM’s three unique locations—the Seattle Art Museum in downtown Seattle, the Seattle Asian Art Museum in Volunteer Park, or the Olympic Sculpture Park on the waterfront. SAM’s spaces feature exquisite art, stunning views, and beautiful interiors to make your next occasion a masterpiece. Contact Information VENUE Please contact SAM’s Director of Group Admissions and Venue Experiences for information on SAM venues and to check date availability. 206.654.3140 [email protected] CATERING TASTE is the exclusive provider for all occasions held at SAM locations. TASTE’s artful creativity and passion for fine locally-grown food makes it possible to fully customize made-from-scratch menus, featuring the best seasonal ingredients. 206.654.1392 [email protected] VENUE EXPERIENCES | CONTACT INFORMATION 2 4 Table of Contents SEATTLE ART MUSEUM IN DOWNTOWN SEATTLE 4 9 ASIAN ART MUSEUM IN VOLUNTEER PARK 9 OLYMPIC SCULPTURE PARK ON THE WATERFRONT 13 13 DECORATIONS MUSEUM POLICIES 17 CATERING BY TASTE 18 17 ACKNOWLEDGMENTS 20 18 VENUE EXPERIENCES | TABLE OF CONTENTS 3 SEATTLE ART MUSEUM IN DOWNTOWN SEATTLE Offer your guests the city at their feet and the experience of roaming the galleries of the Pacific Northwest's leading visual arts organization. The Seattle Art Museum is steps from the world-famous Pike Place Market, the Seattle waterfront, and most major hotels. TASTE offers full- service private dining and our grand, light-filled spaces accommodate large -
Pacific Coast Salish Art and Artists: Educator Resource Guide
S’abadeb— TheGifts: PacificCoast SalishArt &Artists SEATTLE ART MUSEUM EDUCATOR RESOURCE GUIDE Grades3-12 SeattleArtMuseum S’abadeb—The Gifts: Pacific Coast Salish Art and Artists 1300 First Avenue is organized by the Seattle Art Museum and made Seattle, WA 98101 206.654.3100 possible by a generous leadership grant from The Henry seattleartmuseum.org Luce Foundation and presenting sponsors the National Endowment for the Humanities and The Boeing Company. © 2008 Seattle Art Museum This project is supported in part by an award from the National Endowment for the Arts with major support Pleasedirectquestionsabout thisresourceguideto: provided by the Mayor’s Office of Arts & Cultural Affairs, Adobe Systems, Incorporated, PONCHO, Washington State School & Educator Programs Arts Commission, and U.S. Bancorp Foundation. Additional Seattle Art Museum, 206.654.3146 [email protected] support provided by the Native Arts of the Americas and Oceania Council at the Seattle Art Museum, Thaw Exhibitionitinerary: Charitable Trust, Charlie and Gayle Pancerzewski, Suquamish Seattle Art Museum Clearwater Casino Resort, The Hugh and Jane Ferguson October 24, 2008–January 11, 2009 Foundation, Humanities Washington, Kreielsheimer Exhibition Endowment and contributors to the Annual Fund. Royal British Columbia Museum November 20–March 8, 2010 Art education programs and resources supported in Editing: John Pierce part by PONCHO and the Harrington-Schiff Foundation. Author: Nan McNutt Illustrations: Greg Watson ProjectManager: -
Forgotten Stories Northwest Public Art of the 1930S
Contact: Hillary Ryan, 253.272.4258 ext 3051 [email protected] Tacoma Art Museum presents New Exhibition Forgotten Stories: Northwest Public Art of the 1930s IMAGES AVAILABLE November 15, 2019 (Tacoma, WA)— Opening on February 22, 2020, Tacoma Art Museum will present Forgotten Stories: Northwest Public Art of the 1930s. During the economic hard times of the 1930s, U.S. government art projects under the WPA and other agencies created a wealth of public art and supported art communities across the country. In the Northwest hundreds of artists were employed and thousands of artworks created but their stories are almost unknown. The exhibition will offer an extensive overview of the bounty and variety of work created in our region and bring forgotten treasures back to view. “The extent of the federal art projects in the Northwest is surprising,” said Margaret Bullock, TAM’s interim Chief Curator and Curator of Collections and Special Exhibitions. “We’ve long thought that the impact of the work was limited but, research has now shown that the projects in the Northwest were widespread and highly productive employing over 600 artists resulting in thousands of artworks and offering art making opportunities to hundreds of thousands of Northwesterners.” Virginia Darcé (born Portland, Oregon, 1910; died Los Angeles, TAM’s exhibition brings together a California, 1985) The Market, 1938 wide variety of the artworks Tempera on board created in Idaho, Montana, 22 ½ x 30 ½ inches Portland Art Museum, Portland, Oregon, Courtesy of the Fine Arts Oregon, and Washington. It Collection, US General Services Administration, New Deal Art reintroduces a number of talented Project, L45.3.2 figures whose names are now unknown, and also includes early work by prominent figures (like Morris Graves and photographer Minor White). -
2014 December
December 2014 Greetings from the Sterett Association The temperatures have dropped, the Christmas lights are up, stores are packed and the kids are excited. It must be that time of the year. This edition of the newsletter contains some items of interest for the Sterett community and some updates for the 2015 reunion. You may notice a change in the newsletter format. We have been forced to utilize a new development tool. If this poses a problem for you, please let us know. Our Webmaster If you click on the link for Sterett Association Officers, you will see a list of people who facilitate the Sterett Association. You will not see the name nor a picture of our webmaster, John Badeau. However, JB is absolutely vital to the Association. The Sterett web site is the engine that makes the Association run. It is the heartbeat of the organization. Newsletters and Facebook are great communication tools but the internet and web site are the key ingredients necessary to keep this going. Our webmaster isn’t a Sterett veteran; he wasn’t even in the Navy. He is however, someone who cares a great deal about US veterans. JB dedicates many long hours formatting the data for proper display on the site, and he does it for little or no compensation. The cruise book project, the PayPal conversions and all the ongoing site updates require a considerable time investment, which we sometimes take for granted. So, whenever you visit the Sterett Association web site, give a mental nod to the person who keeps it all going, John Badeau. -
Maritime Museums Listed by State
U.S. Maritime Museums Offers discounts to BoatU.S. members ALABAMA USS Alabama Battleship Memorial Park, Mobile ALASKA Kodiak Maritime Museum, Kodiak ARKANSAS Arkansas Inland Maritime Museum, North Little Rock CALIFORNIA Cabrillo National Monument, San Diego Catalina Island Museum, Avalon Channel Islands Maritime Museum, Oxnard Humboldt Bay Maritime Museum, Samoa Liberty Ship Jeremiah O’Brien, San Francisco Los Angeles Maritime Museum, San Pedro Maritime Museum of San Diego, San Diego Morro Bay Maritime Museum, Morro Bay Naval Museum of Armament & Technology (Ridgecrest Museum), Ridgecrest Ocean County Marine Institute, Dana Point Port Hueneme Lighthouse, Port Hueneme Pitcairn Islands Study Center, Angwin Point Arena Lighthouse & Museum, Point Arena Queen Mary Heritage Museum (Tours of ship offered; museum in planning), Long Beach San Francisco Maritime National Historical Park, San Francisco Santa Barbara Maritime Museum, Santa Barbara Scripps Institution of Oceanography, La Jolla Spaulding Marine Center, Sausalito SS Lane Victory, San Pedro Tahoe Maritime Center, Tahoe City Treasure Island Museum (New museum being built; small exhibits and historic lectures available), San Francisco U.S. Navy Seabee Museum, Port Hueneme USS Hornet Sea, Air & Space Museum, Alameda USS Midway Museum, San Diego Vallejo Naval & Historical Museum, Vallejo CONNECTICUT Captain’s Cove Seaport, Bridgeport Connecticut River Museum, Essex Custom House Maritime Museum, New London Mystic Seaport Museum, Mystic National Coast Guard Museum, New London Submarine Force