Summerfilm Behind the Scenes 2020
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Daft Punk Collectible Sales Skyrocket After Breakup: 'I Could've Made
BILLBOARD COUNTRY UPDATE APRIL 13, 2020 | PAGE 4 OF 19 ON THE CHARTS JIM ASKER [email protected] Bulletin SamHunt’s Southside Rules Top Country YOURAlbu DAILYms; BrettENTERTAINMENT Young ‘Catc NEWSh UPDATE’-es Fifth AirplayFEBRUARY 25, 2021 Page 1 of 37 Leader; Travis Denning Makes History INSIDE Daft Punk Collectible Sales Sam Hunt’s second studio full-length, and first in over five years, Southside sales (up 21%) in the tracking week. On Country Airplay, it hops 18-15 (11.9 mil- (MCA Nashville/Universal Music Group Nashville), debutsSkyrocket at No. 1 on Billboard’s lion audience After impressions, Breakup: up 16%). Top Country• Spotify Albums Takes onchart dated April 18. In its first week (ending April 9), it earned$1.3B 46,000 in equivalentDebt album units, including 16,000 in album sales, ac- TRY TO ‘CATCH’ UP WITH YOUNG Brett Youngachieves his fifth consecutive cording• Taylor to Nielsen Swift Music/MRCFiles Data. ‘I Could’veand total Made Country Airplay No.$100,000’ 1 as “Catch” (Big Machine Label Group) ascends SouthsideHer Own marks Lawsuit Hunt’s in second No. 1 on the 2-1, increasing 13% to 36.6 million impressions. chartEscalating and fourth Theme top 10. It follows freshman LP BY STEVE KNOPPER Young’s first of six chart entries, “Sleep With- MontevalloPark, which Battle arrived at the summit in No - out You,” reached No. 2 in December 2016. He vember 2014 and reigned for nine weeks. To date, followed with the multiweek No. 1s “In Case You In the 24 hours following Daft Punk’s breakup Thomas, who figured out how to build the helmets Montevallo• Mumford has andearned Sons’ 3.9 million units, with 1.4 Didn’t Know” (two weeks, June 2017), “Like I Loved millionBen in Lovettalbum sales. -
Acting for Film + Television Acting Essentials Learn More About the Program: Makeup Design for Film + Television Vfs.Edu/Acting
Acting for 12 Alumni The Flash Film + Television 3D Animation + Visual Effects Acting for Film + Television Acting Essentials Learn more about the program: Makeup Design for Film + Television vfs.edu/acting Connect with a VFS Advisor: vfs.edu/startnow For admission requirements go to: vfs.edu/portfolios 14 Alumni Dead Rising 4 Acting for Film + Television Game Design Sound Design for Visual Media 3D Animation + Visual Effects Classical Animation Foundation Visual Art + Design Writing for Film, Television + Games Check us out on YouTube! Visit the VFS YouTube channel and take a look at student projects, alumni interviews, and more! youtube.com/vancouverfilmschool Vancouver Film School 37 Alumni 9 Alumni Star Trek Beyond vancouverfilmschool 3D Animation + Visual Effects Legends of Tomorrow Film Production Acting for Film + Television Makeup Design for Film + Television Acting Essentials Acting for Film + Television @vfs Film Production Acting Essentials Makeup for Film + Television Digital Design Ready for Your Close-Up? vancouverfilmschool We’ll get you ready for the screen and beyond in just one year. VFS’s acclaimed one-year Acting program not only gives VFS has more than 13 Alumni $500,000 CAD in scholarships you in-depth training in camera skills, audition techniques, available! We’re searching worldwide for the most War for the Planet of the Apes movement, voice, and improvisation, but also what it really Acting for Film + Television creative candidates, traveling across countries takes to make it in the film and TV industry. You’ll acquire 3D Animation + Visual Effects Film Production and continents. We’re looking for your talent, your professional-level performance techniques and industry-ready passion, and your drive. -
Voice Overs: Where Do I Begin?
VOICE OVERS: WHERE DO I BEGIN? 1. WELCOME 2. GETTING STARTED 3. WHAT IS A VOICE OVER? 4. ON THE JOB 5. TODAY’S VOICE 6. UNDERSTANDING YOUR VOICE 7. WHERE TO LOOK FOR WORK 8. INDUSTRY PROS AND CONS 9. HOW DO I BEGIN? 2 WELCOME Welcome! I want to personally thank you for your interest in this publication. I’ve been fortunate to produce voice overs and educate aspiring voice actors for more than 20 years, and it is an experience I continue to sincerely enjoy. While there are always opportunities to learn something new, I feel that true excitement comes from a decision to choose something to learn about. As is common with many professions, there’s a lot of information out there about the voice over field. The good news is that most of that information is valuable. Of course, there will always be information that doesn’t exactly satisfy your specific curiosity. Fortunately for you, there are always new learning opportunities. Unfortunately, there is also information out there that sensationalizes our industry or presents it in an unrealistic manner. One of my primary goals in developing this publication is to introduce the voice over field in a manner that is realistic. I will share information based on my own experience, but I’ll also share information from other professionals, including voice actors, casting professionals, agents, and producers. And I’ll incorporate perspective from people who hire voice actors. After all, if you understand the mindset of a potential client, you are much more likely to position yourself for success. -
35 Years of Nominees and Winners 36
3635 Years of Nominees and Winners 2021 Nominees (Winners in bold) BEST FEATURE JOHN CASSAVETES AWARD BEST MALE LEAD (Award given to the producer) (Award given to the best feature made for under *RIZ AHMED - Sound of Metal $500,000; award given to the writer, director, *NOMADLAND and producer) CHADWICK BOSEMAN - Ma Rainey’s Black Bottom PRODUCERS: Mollye Asher, Dan Janvey, ADARSH GOURAV - The White Tiger Frances McDormand, Peter Spears, Chloé Zhao *RESIDUE WRITER/DIRECTOR: Merawi Gerima ROB MORGAN - Bull FIRST COW PRODUCERS: Neil Kopp, Vincent Savino, THE KILLING OF TWO LOVERS STEVEN YEUN - Minari Anish Savjani WRITER/DIRECTOR/PRODUCER: Robert Machoian PRODUCERS: Scott Christopherson, BEST SUPPORTING FEMALE MA RAINEY’S BLACK BOTTOM Clayne Crawford PRODUCERS: Todd Black, Denzel Washington, *YUH-JUNG YOUN - Minari Dany Wolf LA LEYENDA NEGRA ALEXIS CHIKAEZE - Miss Juneteenth WRITER/DIRECTOR: Patricia Vidal Delgado MINARI YERI HAN - Minari PRODUCERS: Alicia Herder, Marcel Perez PRODUCERS: Dede Gardner, Jeremy Kleiner, VALERIE MAHAFFEY - French Exit Christina Oh LINGUA FRANCA WRITER/DIRECTOR/PRODUCER: Isabel Sandoval TALIA RYDER - Never Rarely Sometimes Always NEVER RARELY SOMETIMES ALWAYS PRODUCERS: Darlene Catly Malimas, Jhett Tolentino, PRODUCERS: Sara Murphy, Adele Romanski Carlo Velayo BEST SUPPORTING MALE BEST FIRST FEATURE SAINT FRANCES *PAUL RACI - Sound of Metal (Award given to the director and producer) DIRECTOR/PRODUCER: Alex Thompson COLMAN DOMINGO - Ma Rainey’s Black Bottom WRITER: Kelly O’Sullivan *SOUND OF METAL ORION LEE - First -
2021 – 2022 Red Deer College Course Guide Welcome to Rdc Learning Philosophy
2021 – 2022 RED DEER COLLEGE COURSE GUIDE WELCOME TO RDC LEARNING PHILOSOPHY Our commitment to learners and learning is at the heart of Red Deer College and this is reflected in our values of accountability, inclusiveness, exploration, excellence, integrity and community. We believe in fostering intellectually rigorous, professionally relevant, and dynamic learning environments of inquiry, exploration, application and creativity. We ensure accessibility to multiple pathways of formal and informal learning through active engagement, facilitated learning processes, and scholarly excellence. We value learning because it empowers our learners to be highly productive in the work force and within our communities. We honour the intrinsic value of learning in supporting self development, growth and fulfillment in the individual learner. We promote positive lifelong learning habits and attitudes that embrace local, national, and global experiences, issues and perspectives. Contents Table of Contents . 3 Health Sciences. .42 Adult Basic Education Courses . 85 . Academic Schedule . 4 History . 43 Academic Upgrading Courses . .86 . Human Resources Management . 44 Course Descriptions . 6 Indigenous Studies . 45 Index . 90 Instrumentation Engineering Academic Upgrading . 7 Technology . .46 Accounting . 7 Interdisciplinary Studies . 47 Acting. .8 International Business. .48 Administrative Professional . 10 Justice Studies . 49 Anthropology . .11 Kinesiology and Sport Studies . 50 Art . 12 Legal Assistant . 53 Arts and Animation . 15 Management . 54 Animation and Visual Effects. .15 Mathematics . 56 Astronomy. .16 Mechanical Engineering Biochemistry . 17 Technology . 57 Biology . 17 Media Studies and Professional Business . 18 Communication . 58 Business Administration . 19 Medical Lab Assistant . 59 Chemistry . 22 Motion Picture Arts . 59 Classics . 23 Music . 60 Communications. .23 Nursing . .64 Computing Science . 24 Occupational and Physical Creation . -
Dubbing Viewers in Cyberspaces: a Netnographic Investigation of the Attitudes of a Persian-Language Online Community
Original Article KOME − An International Journal of Pure Communication Inquiry Dubbing Viewers in Volume 8 Issue 1, p. 23-43. © The Author(s) 2020 Cyberspaces: A Netnographic Reprints and Permission: [email protected] Investigation of the Attitudes of a Published by the Hungarian Communication Studies Association Persian -language Online DOI: 10.17646/KOME.75672.45 C ommunity Saeed Ameri and Masood Khoshsaligheh Department of English, Ferdowsi University of Mashhad, IRAN Abstract: It appears that online communities have provided a free and user-friendly platform for users to do many real-time pieces of stuff from doing translations to discuss translations. The field of translation studies has begun to investigate these online virtual environments for varied perspectives. Nevertheless, the existing research has mainly addressed fansubbing communities. The present investigation, however, analyzed a Persian-language online community where its users exchanged comments and shared ideas regarding dubbing in Iran. For the purposes of this study, netnography, as a reliable research method within the marketing discipline and communication studies, was employed to study the community and its members. The collection and analysis of posts and comments from this online community yielded new insights into Persian dubbing and how Iranian dubbing audiences view Persian dubbing. On another level, the study provided evidence supporting the application of netnography as a methodological tool in investigating reception in audiovisual translation. Keywords: Netnography; dubbing; reception; Iranian viewers; participant observation; online community Introduction Since the inception of translation studies (TS), varied and original investigative methods have been introduced into the discipline, including Internet-mediated, sociological and ethnographic approaches (Saldanha & O’Brien, 2013). -
DOCUMENT RESUME CE 056 758 Central Florida Film Production Technology Training Program. Curriculum. Universal Studios Florida, O
DOCUMENT RESUME ED 326 663 CE 056 758 TITLE Central Florida Film Production Technology Training Program. Curriculum. INSTITUTION Universal Studios Florida, Orlando.; Valencia Community Coll., Orlando, Fla. SPONS AGENCY Office of Vocational and Adult Education (ED), Washington, DC. PUB DATE 90 CONTRACT V199A90113 NOTE 182p.; For a related final report, see CE 056 759. PUB TYPE Guides - Classroom Use - Teaching Guides (For Teacher) (052) EDRS PRICE MF01/PC08 Plus PoQtage. DESCRIPTORS Associate Degrees, Career Choice; *College Programs; Community Colleges; Cooperative Programs; Course Content; Curriculun; *Entry Workers; Film Industry; Film Production; *Film Production Specialists; Films; Institutional Cooperation; *Job Skills; *Occupational Information; On the Job Training; Photographic Equipment; *School TAisiness Relationship; Technical Education; Two Year Colleges IDENTIFIERS *Valencia Community College FL ABSTRACT The Central Florida Film Production Technology Training program provided training to prepare 134 persons for employment in the motion picture industry. Students were trained in stagecraft, sound, set construction, camera/editing, and post production. The project also developed a curriculum model that could be used for establishing an Associate in Science degree in film production technology, unique in the country. The project was conducted by a partnership of Universal Studios Florida and Valencia Community College. The course combined hands-on classroom instruction with participation in the production of a feature-length film. Curriculum development involved seminars with working professionals in the five subject areas, using the Developing a Curriculum (DACUM) process. This curriculum guide for the 15-week course outlines the course and provides information on film production careers. It is organized in three parts. Part 1 includes brief job summaries ofmany technical positions within the film industry. -
Une Issue Grâce À La Pandémie ? La Covid-19 Ne Fait Pas Que Fermer Des Portes
woxx déi aner wochenzeitung l’autre hebdomadaire 1574/20 ISSN 2354-4597 2.50 € 03.04.2020 Une issue grâce à la pandémie ? La Covid-19 ne fait pas que fermer des portes. Avec les mesures prises pour les toxicomanes, certain-e-s pourraient sortir plus facilement de leur dépendance qu’avant. Regards p. 4 EDITO NEWS REGARDS 0 1 5 7 4 Wer ist hier ein Virus? S. 2 Gesundheit und Sicherheit gehen vor S. 3 Grenzen digitalen Lernens S. 6 Die Covid-19-Krise ruft sehr fragewürdige In Bezug auf die Änderungen des Arbeits- Von einem Tag auf den anderen mussten ökologische Diskussionen hervor, rechts wegen der Coronakrise wird die Bildungsinstitutionen auf Fernlehre die zu einem gefährlichen Diskurs befürchtet, dass Arbeitnehmer*innen- umsteigen. Manche Betroffene kommen 5 453000 211009 führen könnten. rechte beschnitten werden. damit besser zurecht als andere. 2 NEWS woxx | 03 04 2020 | Nr 1574 EDITORIAL Covid-19 uNd Ökologie NEWS Das wahre Virus Joël Adami Sind wir Menschen ein Virus, das die Menschen, die ihn verbreiten, sich den Planeten bedroht, und Covid-19 vermutlich um unsere natürliche Um- die Rache der Natur? Solche Ideen welt sorgen, liegt diesem Gedanken sind nicht nur unsinnig, sondern paradoxerweise ein äußerst anthro- richtig gefährlich. pozentrisches Weltbild zugrunde: Die Menschheit und die Natur als sich In vielen Ländern der Welt be- bekämpfende Gegenspielerinnen, die stehen derzeit Ausgangsverbote, die nichts miteinander zu tun haben. wirtschaftliche Aktivität wird auf ein Dabei verhält sich die Sache ganz Minimum zurückgefahren. Das hat anders. selbstverständlich auch Auswirkun- Das Virus ist überhaupt nur des- gen auf die natürliche Umwelt. -
Dubbing Animation Into Spanish: Behind the Voices of Animated Characters Sofía Sánchez Mompeán, Universidad De Murcia
The Journal of Specialised Translation Issue 23 – January 2015 Dubbing animation into Spanish: behind the voices of animated characters Sofía Sánchez Mompeán, Universidad de Murcia ABSTRACT In response to the burgeoning growth that the animation market has witnessed in recent years and to the competitive rivalry that exists within the industry, the presence of celebrity voices in animated movies is increasingly regarded as an effective strategy to broaden audience appeal. This paper attempts to determine if the use of celebrities in the original version may somehow influence the way the target text is dubbed in foreign markets. A clean-cut distinction between two key concepts that are sometimes overlapped, voice acting and dubbing, will not only provide the perfect backdrop for the upcoming sections, but will also offer useful context to understand their theoretical and practical limitations. The data under study will illustrate the current panorama within the Spanish dubbing framework by comparing the presence of both celebrities and dubbing actors in those Hollywood blockbusters released in Spain from 2007 to 2013. The results obtained suggest that some of the strategies used in the dubbed version might indeed be prompted by the original voicing. KEYWORDS Dubbing, voice acting, animated films, celebrities, dubbing actors, voice actors. 1. Introduction Animation is in vogue. The exponential growth that this genre has experienced over the last decade has even led to talk about a period of “animation congestion” (Verrier 2013). In the US, one of the leading countries in animation production, the total amount of movies produced per year since the turn of the new century has doubled from 18 films in 2000 to 37 in 2013, reaching its peak in 2011 with 45 productions, as shown in Figure 1. -
Welcome to the Disability Visibility Podcastresource Guide!
Welcome to the Disability Visibility Podcast Resource Guide! This guide will point you to all 100 episodes of the Disability Visibility Podcast, a production of the Disability Visibility Project. Each entry contains links to episode audio, two types of text transcripts, brief episode info, and more links related to the guests or topics. Be sure to visit the show page for each episode on the website for more info, pictures with image descriptions, and more. If you have not already subscribed to the podcast, please do! Although this conversation series has ended, there may be more stories in the future that you won’t want to miss. Subscribe in iTunes, Stitcher, Pandora, and Google Play. About the Disability Visibility Podcast This is life from a disabled lens. Disability Visibility is a podcast hosted by San Francisco night owl Alice Wong featuring conversations on politics, culture, and media with disabled people. If you’re interested in disability rights, social justice, and intersectionality, this show is for you. It’s time to hear more disabled people in podcasting and radio. Named one of the 15 best podcasts by women that you’re not listening to by Refinery 29 in 2021. Disability Visibility is a production of the Disability Visibility Project, an online community dedicated to creating, sharing, and amplifying disability media and culture. The Disability Visibility Podcast ran from September 2017 to April 2021 with the following production team. Alice Wong, Writer, Audio Producer, Host Geraldine Ah-Sue, Audio Producer Cheryl Green, Audio Producer and Transcriber Sarika D. Mehta, Audio Producer Lateef McLeod, Introduction Mike Mort, Artwork Wheelchair Sports Camp, Theme Song This guide was put together by Cheryl Green, with assistance from Shae Cole Weiser through Dr. -
Dubbing Animated Films
Dubbing Animated Films The Process of Re-voicing Characters for a Major Studio Animated Film Andres Nõlvak Bachelor’s thesis November 2018 Degree Programme in Media and Arts Music Production ABSTRACT Tampereen ammattikorkeakoulu Tampere University of Applied Sciences Degree Programme in Media and Arts Option of Music Production NÕLVAK, ANDRES: Dubbing Animated films The Process of Re-voicing Characters for a Major Studio Animated Film Bachelor's thesis 30 pages, appendices 9 pages November 2018 Animated films have used voice-over actors to bring characters to life for almost a hun- dred years. Nowadays many of those actors are replaced by the voices of local actors when films are distributed to different countries. This thesis describes the process of localizing animated films through voice over from the perspective of an audio engineer. This study was carried out as a project. Interviews were conducted as a part of the study. Technical information about project preparation, sound recording, editing and mixing is provided. A major Hollywood studio animated film was dubbed as a part of this thesis. The thesis describes the whole process of dubbing from pre-production to the successful comple- tion of the project. This thesis is an attempt to provide a simple guide to future students of audio engineer- ing who are interested in working in this field. A person who has knowledge on audio engineering will be able to understand the steps of how an animated film is dubbed to a different language. Key words: dubbing, re-voicing, animated film, Nuendo, Pro Tools. 3 CONTENTS 1 INTRODUCTION ....................................................................................................... 5 2 EXPERT INTERVIEWS ............................................................................................ -
Recommended Documentaries to Watch
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