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Feature Article} {Profile}
{PROFILE} {PROFILE} {FEATURE ARTICLE} {PROFILE} 28 {OUTLINE} ISSUE 4, 2013 Photo Credit: Sharon Givoni {FEATURE ARTICLE} Street Art: Another Brick in the Copyright Wall “A visual conversation between many voices”, street art is “colourful, raw, witty” 1 and thought-provoking... however perhaps most importantly, a potential new source of income for illustrators. Here, Melbourne-based copyright lawyer, Sharon Givoni, considers how the laws relating to street art may be relevant to illustrators. She tries to make you “street smart” in an environment where increasingly such creations are not only tolerated, but even celebrated. 1 Street Art Melbourne, Lou Chamberlin, Explore Australia Publishing Pty Ltd, 2013, Comments made on the back cover. It canvasses: 1. copyright issues; 2. moral rights laws; and 3. the conflict between intellectual property and real property. Why this topic? One only needs to drive down the streets of Melbourne to realise that urban art is so ubiquitous that the city has been unofficially dubbed the stencil graffiti capital. Street art has rapidly gained momentum as an art form in its own right. So much so that Melbourne-based street artist Luke Cornish (aka E.L.K.) was an Archibald finalist in 2012 with his street art inspired stencilled portrait.1 The work, according to Bonham’s Auction House, was recently sold at auction for AUD $34,160.00.2 Stencil seen in the London suburb of Shoreditch. Photo Credit: Chris Scott Artist: Unknown It is therefore becoming increasingly important that illustra- tors working within the street art scene understand how the law (particularly copyright law) may apply. -
Schedule of Olympic Fencing Competitions 1896
Schedule of Olympic Fencing Competitions Event Days Competitors Nations 1896 - Athens Master's Foil 7 April 2 2 Venue: Zappeion Men's Foil Individual 7 April 8 2 Venue: Zappeion Men's Sabre Individual 9 April 5 3 Venue: Zappeion 1900 - Paris Men's Foil Individual 14-19, 21 May 54 9 Venue: La Grande Salle des Fêtes de l'Exposition/Galerie des Machines Master's Foil 22-25, 27-29 May 60 7 Venue: La Grande Salle des Fêtes de l'Exposition/Galerie des Machines Master's Epee 11-14 June 41 4 Venue: La Terrasse du Jeu de Paume aux Tuileries Men's Epee Individual 1-2, 5-7, 9-10, 13-14 June 103 12 Venue: La Terrasse du Jeu de Paume aux Tuileries Master's/Amateur's Epee 15 June 8 2 Venue: La Terrasse du Jeu de Paume aux Tuileries Men's Sabre Individual 19-20, 22,25 June 23 7 Venue: La Grande Salle des Fêtes de l'Exposition/Galerie des Machines Master's Sabre 23, 25-27 June 27 7 Venue: La Grande Salle des Fêtes de l'Exposition/Galerie des Machines 1904 - St. Louis Men's Epee Individual 7 September 5 3 Venue: Physical Culture Gymnasium next to Francis Field Sunday, May 06, 2012 Olympic Fencing Database Page 1 of 17 Schedule of Olympic Fencing Competitions Event Days Competitors Nations Men's Foil Individual 7 September 9 3 Venue: Physical Culture Gymnasium next to Francis Field Men's Foil Team 8 September 6 2 Venue: Physical Culture Gymnasium next to Francis Field Men's Sabre Individual 8 September 5 2 Venue: Physical Culture Gymnasium next to Francis Field Single Sticks 8 September 3 1 Venue: Physical Culture Gymnasium next to Francis Field 1906 - -
City of Port Phillip Flag Protocol
PORT PHILLIP CITY COUNCIL FLAG PROTOCOL The Australian national flag, will be flown at mast head from the highest flagpole on every day of the year from the St Kilda, South Melbourne and Port Melbourne Town Halls in accordance with the Flag Act 1953, with the following exceptions subject to the advice of the Chief Executive Officer: UNITED NATIONS DAY The United Nations flag will be flown all day on United Nations Day (24 October) at mast head from the highest flagpole at the St Kilda, South Melbourne and Port Melbourne Town Halls. As part of an agreement made by the Australian Government as a member of the United Nations, the United Nations flag is to be flown in the position of honour all day on United Nations Day, displacing the Australian National flag for that day. SORRY DAY The Australian Aboriginal flag will be flown at mast head from the highest flagpole at the St Kilda, South Melbourne and Port Melbourne Town Halls (displacing the Australian National flag) during and the week leading up to Sorry Day (26 May). NATIONAL ABORIGINAL AND ISLANDERS’ DAY OBSERVANCE COMMITTEE (NAIDOC WEEK) The Australian Aboriginal flag will be flown at mast head from the highest flagpole at the St Kilda, South Melbourne and Port Melbourne Town Halls (displacing the Australian National flag) during and the week leading up to NAIDOC Week (first week of July). PRIDE MARCH The Rainbow Flag will be flown at mast head from the highest flagpole at the St Kilda, South Melbourne and Port Melbourne Town Halls (displacing the Australian National flag) during and the week leading up to Pride March (January, nominated week). -
Diorama, Vera Cortês Art Agency, 2012
Opening— Friday, June 1, 10 pm Diorama Alexandre Farto AKA Vhils Av. 24 de Julho, 54 -1ºE 1200-868 Lisboa, PT June 2 – September 8, 2012 The gallery will be closed from T/F +351 213 950 177 Tuesday to Saturday July 28 to September 4 for www.veracortes.com From 2pm to 7pm Summer holidays ALEXANDRE FARTO Na arquitectura actual habita um certo deslumbramento pelo tempo e pelo Como em quase todas as suas obras, o mais interessante da série Diorama DIORAMA espaço, em que tudo parece acontecer em todo o lado, quase em simultâ- encontra-se na habilidade manobrar os tempos de recepção do espectador. neo. O efémero e transitório ergue-se como protagonista do estado fluido de O primeiro momento, muito visível, mas vinculado à técnica, ao método. Texto por David Barro uma vida que muda constantemente de pele na ânsia pelo novo. Nada parece O seguinte, mais subtil, tem mais a ver com o processo e com o tempo, com vincular-se a um lugar concreto e há muito que as cidades deixaram de ser um a desconstrução destrutiva daquilo que flui como resto de um modo natural. lugar estável ou de ter uma forma claramente determinada. E muito menos um É, por isso, uma interrupção da realidade em si, do seu tempo e do seu espaço. movimento coerente. Crescemos mal e rápido demais. O suburbano transbor- Mas o jogo de ancas não é necessariamente uma ruptura da sua continuidade. dou e a cidade desapareceu enquanto unidade. Como na arte, uma realidade Seria mais uma elipse ou essa necessidade contemporânea de acidentar, de substitui outra, ocultando coisas, deixando de mostrar alguns fragmentos. -
Port Phillip Planning Scheme Amendment C107
Planning and Environment Act 1987 PORT PHILLIP PLANNING SCHEME AMENDMENT C107 EXPLANATORY REPORT Who is the planning authority? This amendment has been prepared by the Port Phillip City Council, which is the planning authority for this amendment. Land affected by the amendment The amendment applies to the ‘St Kilda Road North Precinct’ comprising land generally between St Kilda Road and Queens Road, Melbourne and Kings Way, South Melbourne, extending from Dorcas Street, South Melbourne, in the north to Punt Road and High Street, Windsor, in the south. The precinct also includes land along Albert Road and the south side of Palmerston Crescent, east of Moray Street, South Melbourne. Figure 1: Map of the St Kilda Road North Precinct What the amendment does Amendment C107 gives statutory effect to the St Kilda Road North Precinct Plan 2013 (Updated 2015), through updating the Local Planning Policy Framework and Design and Development Overlay to reflect the vision, strategic directions and built form (development) outcomes of the Plan. Specifically, Amendment C107: Inserts a new Schedule 26 to Clause 43.02 - Design and Development Overlay, which specifies ‘design objectives’ and ‘design requirements’ (including mandatory heights) for the overall St Kilda Road North Precinct, and for individual sub-precincts; Deletes the existing Schedule 3 and Schedule 4 to the Design and Development Overlay that apply to the St Kilda Road North precinct; Modifies the Port Phillip Planning Scheme Maps No. 3DDO, Map No. 4DDO and Map No. 6DDO (Design and -
Jesus, Queen of Heaven by Jo Clifford
Theatre works And BEN ANDERSON present THE GOSPEL ACCORDING TO JESUS, QUEEN OF HEAVEN BY JO CLIFFORD 30 APR - 8 may THEATRE WORKS 14 ACLAND STREET, ST KILDA THE GOSPEL ACCORDING TO WRITER’S NOTE | JO CLIFFORD When I first wrote and performed Queen Jesus in Glasgow, back in 2009, I was afraid people JESUS, QUEEN might find her dull. I was wrong about that. OF HEAVEN I was very frightened and distressed by all the hatred she inspired back then. Hatred that came in from all over the world. 30 APR - 8 mAY But the hate taught me her words mattered and I should work to keep her alive. THEATRE WORKS So I did. And I discovered that performing her was a powerful act of resistance against the 14 ACLAND STREET, ST KILDA shame and fear that had possessed me since the time I was a child and knew that I wasn’t a boy. A shame that touches everybody. Because none of us quite measure up to the gender we’re supposed to be. And since then she’s helped many others resist in so many places in the world. All over the UK, all over Brazil, Argentina, Uruguay, Cabo Verde, Belfast, Brussels and Berlin. And here she is incarnate in the magnificent Kristen Smyth and opening in Melbourne. That is so wonderful. And opening to the same hatred, expressed in the same words, as in Glasgow. Because hatred cannot change. But love… love is creative. Love changes everything… DIRECTOR’S NOTE | KITAN PETKOVSKI I can still recall the emotional mess that I was upon reading Jo Clifford’s The Gospel According to Jesus, Queen of Heaven. -
Prompt Pack Pa R
PART A PROMPT PACK VCE Theatre Studies MALTHOUSETITLE GOES HERE THEATRE ACKNOWLEDGES THE LAND AND SONGLINES OF THE BOON WURRUNG AND WURUNDJERI PEOPLES OF THE KULIN NATION. Malthouse Theatre presents Because The Night. © Copyright: Malthouse Theatre, the artists, designers, photographers, collaborators and contributors. All rights reserved, 2021. PROMPT PACK CREATED FOR MALTHOUSE PROMPT—MALTHOUSE THEATRE’S YOUTH AND EDUCATION PROGRAM. Cover Image / Giulia Giannini McGauran Photographer / Phoebe Powell Design / Hours After Theatre Studies Prompt Pack written by / Robyn Kay Consultant / Kamarra Bell-Wykes Contextual Information written by / Mark Pritchard Editor / Jacqui Bathman Page 2—2 04——INTRODUCTION 06——CURRICULUM FOCUS 07——KEY STUDY INFORMATION 08——BECAUSE THE NIGHT SCRIPT 09——CAST & CREATIVE BIOGRAPHIES 20——CONTEXTUAL INFORMATION 24——FACT SHEET 25——WHAT IS IMMERSIVE THEATRE? 26——VIDEO INTERVIEWS 28——INTERVIEW WITH THE DIRECTORS 32——THEATRE STUDIES UNIT 3 37——ATTENDING THE PLAY 38——THEATRE STUDIES UNIT 4 42——RESOURCES ICON KEY LINKS ACTIVITY VIDEO MORE INFO #becausethenight INTRODUCTION Malthouse Theatre’s Theatre Studies Prompt Pack (Part A) is a preshow resource that will provide you with initial information about the VCAA Playlisted production Because The Night. This Pack includes video interviews with Matthew Lutton (Concept, Direction & Text), Marg Horwell (Set Design, Interiors), Matilda Woodroofe (Associate Set Design, Interiors), Kat Chan (Costume Design). There are also some suggestions as to how you might prepare prior to seeing the play staged. Post show Theatre Studies Prompt Packs (Part B & C) will be available to help you make an analysis of the production in performance. The two-pronged approach is intended to break down the task for Unit 3, Outcome 3 and Unit 4, Outcome 3 into a study of the production before and then after seeing Malthouse Theatre’s Because The Night. -
To Download a List of Locations That Have the Mr Moto Digital Screens
Mr Moto Digital Screen Event Advertising Network 273 Wellington St, Collingwood VIC 3066 +61 3 9417 7008 www.mrmoto.com.au EST.1985 Mr Moto Digital Screen Event Advertising Network 2019 Venue List Tourist Hub Venues All Nations Hotel 2 Spencer Street, Melbourne Athenaeum Theatre 188 Collins Street, Melbourne | Venue features 2 Digital Screens Base St Kilda 17 Carlisle Street, St Kilda Bird’s Basement Singers Lane, Melbourne Blondie Bar Melbourne Recital Centre - 31 Sturt Street, Southbank Bluetrain Southgate Shopping Centre - Level 2, Southgate Campari House 23 - 25 Hardware Lane, Melbourne Cosmopolitan Hotel 2 - 8 Carlisle Street, St Kilda Halftix Melbourne Town Hall, Collins & Swanston Streets, Melbourne Hairy Little Sista** 240 Little Collins Street, Melbourne | **Location currently closed Hotel Discovery 167 Franklin Street, Melbourne Ibis Styles Kingsgate Hotel 131 King Street, Melbourne Melbourne Central Shopping Centre Melbourne Central - Ground Floor, Swanston Street, Melbourne Melbourne Visitor Booth Bourke Street Mall, Melbourne | Venue features 3 Digital Screens Nomads Hotel on A’Beckett 198 A’Beckett Street, Melbourne Nomads St Kilda 24 Grey Street, Saint Kilda Quest on Bourke 155 Bourke Street, Melbourne Quest Abbotsford 612 Victoria Sreet, Abbotsford * Quest Hawthorn 616 Glenferrie Road, Hawthorn | Venue features 2 Digital Screens Quest Kew 19-21 Walpole Street, Kew Quest Williamstown 1 Syme Street, Williamstown * EST.1985 Professional Lifestyle Venues Airstream Cafe Century City Walk - 287 Springvale Road, Glen Waverley -
Annual Report 2010–11
ANNUAL REPORT 2010–11 ANNUAL REPORT 2010–11 The National Gallery of Australia is a Commonwealth (cover) authority established under the National Gallery Act 1975. Thapich Gloria Fletcher Dhaynagwidh (Thaynakwith) people The vision of the National Gallery of Australia is the Eran 2010 cultural enrichment of all Australians through access aluminium to their national art gallery, the quality of the national 270 cm (diam) collection, the exceptional displays, exhibitions and National Gallery of Australia, Canberra programs, and the professionalism of Gallery staff. acquired through the Founding Donors 2010 Fund, 2010 Photograph: John Gollings The Gallery’s governing body, the Council of the National Gallery of Australia, has expertise in arts administration, (back cover) corporate governance, administration and financial and Hans Heysen business management. Morning light 1913 oil on canvas In 2010–11, the National Gallery of Australia received 118.6 x 102 cm an appropriation from the Australian Government National Gallery of Australia, Canberra totalling $50.373 million (including an equity injection purchased with funds from the Ruth Robertson Bequest Fund, 2011 of $15.775 million for development of the national in memory of Edwin Clive and Leila Jeanne Robertson collection and $2 million for the Stage 1 South Entrance and Australian Indigenous Galleries project), raised $27.421 million, and employed 262 full‑time equivalent staff. © National Gallery of Australia 2011 ISSN 1323 5192 All rights reserved. No part of this publication can be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording or any information storage and retrieval system, without permission in writing from the publisher. -
City of Port Phillip Heritage Review
City of Port Phillip Heritage Review Place name: B.A.L.M. Paints Factory Citation No: Administration Building 8 (former) Other names: - Address: 2 Salmon Street, Port Heritage Precinct: None Melbourne Heritage Overlay: HO282 Category: Factory Graded as: Significant Style: Interwar Modernist Victorian Heritage Register: No Constructed: 1937 Designer: Unknown Amendment: C29, C161 Comment: Revised citation Significance What is significant? The former B.A.L.M. Paints factory administration building, to the extent of the building as constructed in 1937 at 2 Salmon Street, Port Melbourne, is significant. This is in the European Modernist manner having a plain stuccoed and brick façade with fluted Art Deco parapet treatment and projecting hood to the windows emphasising the horizontality of the composition. There is a tower towards the west end with a flag pole mounted on a tiered base in the Streamlined Moderne mode and porthole motif constituting the key stylistic elements. The brickwork between the windows is extended vertically through the cement window hood in ornamental terminations. Non-original alterations and additions to the building are not significant. How is it significant? The former B.A.L.M. Paints factory administration building at 2 Salmon Street, Port Melbourne is of local historic, architectural and aesthetic significance to the City of Port Phillip. City of Port Phillip Heritage Review Citation No: 8 Why is it significant? It is historically important (Criterion A) as evidence of the importance of the locality as part of Melbourne's inner industrial hub during the inter-war period, also recalling the presence of other paint manufacturers at Port Melbourne including Glazebrooks, also in Williamstown Road. -
RMIT Gallery Exhibition Program 2011 97
RMIT Gallery Exhibition Program 2011 97 1 21 January — 12 March 108 2 September — 5 November China and Revolution: Space invaders: australian . street . History, Parody and Memory in Contemporary Art stencils . posters . paste-ups . zines . stickers The exhibition re-evaluates the Cultural Revolution through propaganda poster art Drawn entirely from the collection of the National Gallery of Australia, the produced in the 1960s and ’70s, as well as through oral histories collected by the first Australian institution to have collected this type of work, this exhibition curators in 2008–2009. It opens dialogue between the past and present with work surveys the past 10 years of Australian street art. Featuring 150 works by over from artists with first hand experience, as well as through the display of original 40 Australian artists, the exhibition celebrates the energy of street-based political posters carrying political and social messages to the Chinese masses. creativity, recognising street stencils, posters, paste-ups, zines and stickers Curator Professor Stephanie Hemelryk Donald, Dean of the School of Media and as comprising a recent chapter in the development of Australian prints and Communication at RMIT University, and Professor Harriet Evans, Coordinator of drawings. Curator Jaklyn Babington, Assistant Curator, International Prints, Asian Studies Research at the University of Westminster. Artists Liu Dahong, Xu Drawings and Illustrated Books, National Gallery of Australia Artists Aeon, Weixin, Li Gongming, Shen Jiawei. Public Program -
Library Roster to July 18
Library Pick-up Roster Opening times are as Council website - suggest you check these periodically - click link below or call Library www.portphillip.vic.gov.au/print_library_branch_locations.htm Feel free to swap duties with others to suit your needs / holidays etc. There is no absolute need to pick up on Saturdays; Thursdays, Fridays or Sundays, Mondays will be just as good. I have nominated Saturdays for convenience only. However, note that Port Melbourne does not open Sundays. The opening hours below were correct at the time of preparing this roster, but it would be smart to log onto the Port Phillip website and check periodically. You can collect from Albert Park Library any time, the lobby is always open. week month who ending Jun-17 03-Jun Stephen 10-Jun Teschkes 17-Jun Claire 24-Jun Grace Jul-17 01-Jul Adrian Albert Park Branch Library 08-Jul Edward 319 Montague Street, 15-Jul Stephen Albert Park, VIC 3206 22-Jul Paul (Melways reference: Map 57, F3) 29-Jul Grace Phone: 03 9209 6622 Aug-17 05-Aug Tony Albert Park books are left in the lobby which is open 24/7 12-Aug Claire (sometimes), so less need to observe library hours 19-Aug Adrian Opening Hours: 26-Aug Teschkes Day Opens Closes Sep-17 02-Sep Edward Sunday 2:00 PM 5:00 PM 09-Sep Stephen Monday 10:00 AM 8:00 PM 16-Sep Paul Tuesday 8:00 AM 8:00 PM 23-Sep Grace Wednesday 10:00 AM 8:00 PM 30-Sep Tony Thursday 10:00 AM 6:00 PM Oct-17 07-Oct Claire Friday 10:00 AM 6:00 PM 14-Oct Adrian Saturday 10:00 AM 5:00 PM 21-Oct Teschkes 28-Oct Edward Nov-17 04-Nov Stephen Port Melbourne Branch