CAP UCLA Presents
KID KOALA Music To Draw To
SAT, DEC 5, 2020 AT 3 PM PST LIVESTREAMED FROM MONTREAL ART MATTERS NOW MORE THAN EVER
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cap.ucla.edu #CAPUCLA CAP UCLA Presents KID KOALA MUSIC TO DRAW TO
Sat, Dec 5 at 3PM PST Livestreamed from Montreal
Approximate run time: 60 minutes, no intermission
CREDITS: Eric San - Musician / Composer, Corinne Merrell - Visuals and Live Editor and Produced by Envision Management and Production MESSAGE FROM THE ARTIST
Normally, we would host these Music To Draw To events somewhere cozy with everyone in the same room. It started in the winter of 2009 in Montreal at Théâtre Ste. Catherine. Each Monday, I would play a set of quiet time focus music and people were invited to come draw, write, code and study. We strung lights and set up seats and little drawing tables for everyone. The point was to create a cozy atmosphere for people to work on their own creative projects.
Over the years, I started to improvise and create some original ambient pieces live. Several of which would become the skeletal tracks for the Music To Draw To album series which would start almost a decade later.
Since 2009, we have been lucky enough to bring this event to several cities around the world. We also continue hosting them in Montreal every winter. It remains one of my favorite events to host.
I’m constantly inspired by the range of projects that people work on at these sessions. Over the years, there have been many writers, painters, animators, sculptors and video game coders at the events. But there have also been filmmakers finishing screenplays, teachers finishing lesson plans and even designers bringing in looms and dress forms for their clothing/textile projects. I remember this one attendee was working on a laptop on what I thought was some wild 3D animation. I asked her if it was for a video game or music video but it turned out she was a neuroscientist studying CT scans. I love that! Everybody’s welcome!
Bring your creative projects.
Come join us if you need a little focus music or to get some (quiet) work done.
Eric, AKA Kid Koala ABOUT THE ARTIST
More than just a DJ, Kid Koala has established himself as a respected performer, film composer, theatre producer and visual artist. His career began as a scratch DJ in 1994, rapidly growing a cult fan base due to his virtuosic skills. Ever innovating, he quickly evolved into combining turntables with analog machines and visual storytelling devices to create his signature style. Kid Koala jumps effortlessly between genres as eclectic as hip hop, ambient, alternative, contemporary classical, blues, classic rock and traditional jazz. He has released 5 solo albums on Ninja Tune, and 3 albums on Arts & Crafts Records. He has also toured with Radiohead, Arcade Fire, the Beastie Boys, Money Mark, A Tribe Called Quest, Mike Patton, Jack Johnson, DJ Shadow and The Preservation Hall Jazz Band. He has collaborated with Deltron 3030, Gorillaz, Lovage, The Slew and the Afiara String Quartet. He has written and produced collaborative albums with vocalists Emilìana Torrini and Trixie Whitley and scored the multi platform video game Floor Kids.
Kid Koala’s unforgettable live shows range from touring turntable carnivals like Vinyl Vaudeville, to immersive multimedia shows like Nufonia Must Fall, The Storyville Mosquito, Satellite Turntable Orchestra and his Space Cadet Headphone Concert; each of which express his unique form of storytelling with music, animation, film and interactive entertainment.
He has contributed to scores for the films The Great Gatsby, Baby Driver, Scott Pilgrim vs. The World, Men Women and Children, Shaun of the Dead and Looper. He has composed music for The National Film Board of Canada, the Cartoon Network, Sesame Street and Adult Swim. He has also been commissioned to create music for runway shows for Belgian fashion designer Dries Van Noten. He has published the award-winning graphic novels Nufonia Must Fall and Space Cadet. DIGITAL PROGRAMMING FOR DIGITAL AUDIENCES
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MESHELL NDEGEOCELLO Chapter and Verse: The Gospel of James Baldwin Sep 15 - Dec 31, 2020
Inspired by the writing of James Baldwin Created by Meshell Ndegeocello; In collaboration with Charlotte Brathwaite Featuring the contributions of Staceyann Chin, Suné Woods, Nicholas Galanin, and others to be announced
A free, multimedia, community-based ritual tool kit for justice in the 21st century. Inspired by The Fire Next Time, Baldwin’s seminal treatise on justice in America, Chapter and Verse has been adapted from its orignial stage version to accommodate the social distancing realities of the world-wide pandemic. This three- part work is an accessible interactive experience.
Learn more at cap.ucla.edu/Baldwin
A Co-Production of Bismillah, LLC and Fisher Center at Bard. Co-Commissioned by Fisher Center at Bard, UCLA’s Center for the Art of Performance, MCA Chicago, and Festival de Marseille.