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Haunted Mansion Dinner When Hinges Creak in Doorless Chambers, and Strange and Frightening Sounds Echo Through the Halls
Event Possibilities Disney Style event concept | An Evening in the Mansion The Haunted Mansion Dinner When hinges creak in doorless chambers, and strange and frightening sounds echo through the halls. Whenever candlelights flicker where the air is deathly still. That is the time when ghosts are present, practicing their terror with ghoulish delight! Welcome, foolish mortals, to your very own dinner inside of the Haunted Mansion! They may have 999 happy haunts, but tonight, there is room for not only one more, but up to 34 brave souls. Our Ghosts are dying to meet you for a one-in-a-afterlife dining experience. Any volunteers? ® © Disney 101813 Disneyland Park Page 1 Event Possibilities Disney Style event concept | An Evening in the Mansion The Haunted Mansion Dinner Sample Timeline: 8:00 p.m. Disneyland® Park concludes its normal operating day. 10:00 p.m. Guests arrive at Disneyland® Park and are escorted to The Haunted Mansion. There they will enjoy a private event to include: •Formal 5-course Dinner •Special surprises from somewhere beyond 12:30 a.m. Dinner concludes and guests exit via private ride on the Attraction. Capacities: Seated Dinner Minimum 20 Guests, Maximum 35 Guests Minimum spend is $75,000++ Sample Pricing: Park Venue Package $2,000 Includes venue, custodial support, operational support and first aid Entertainment Base Package $50,000 Fully themed dinner environment, custom mood lighting, character appearances, musical support, costuming support and all related production costs Catering Food and Beverage 5 - Course Menu -
The Theme Park As "De Sprookjessprokkelaar," the Gatherer and Teller of Stories
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2018 Exploring a Three-Dimensional Narrative Medium: The Theme Park as "De Sprookjessprokkelaar," The Gatherer and Teller of Stories Carissa Baker University of Central Florida, [email protected] Part of the Rhetoric Commons, and the Tourism and Travel Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Doctoral Dissertation (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Baker, Carissa, "Exploring a Three-Dimensional Narrative Medium: The Theme Park as "De Sprookjessprokkelaar," The Gatherer and Teller of Stories" (2018). Electronic Theses and Dissertations, 2004-2019. 5795. https://stars.library.ucf.edu/etd/5795 EXPLORING A THREE-DIMENSIONAL NARRATIVE MEDIUM: THE THEME PARK AS “DE SPROOKJESSPROKKELAAR,” THE GATHERER AND TELLER OF STORIES by CARISSA ANN BAKER B.A. Chapman University, 2006 M.A. University of Central Florida, 2008 A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the College of Arts and Humanities at the University of Central Florida Orlando, FL Spring Term 2018 Major Professor: Rudy McDaniel © 2018 Carissa Ann Baker ii ABSTRACT This dissertation examines the pervasiveness of storytelling in theme parks and establishes the theme park as a distinct narrative medium. It traces the characteristics of theme park storytelling, how it has changed over time, and what makes the medium unique. -
AIR FORCE Magazine / March 1999 48
Photo by Paul Kennedy 48 AIR FORCE Magazine / March 1999 The US Air Force asked a group of artists to take a different look at the force. The rest is history. History on Canvas In 1954, Gen. Nathan F. Twining, Air Force Chief of Staff, formally established the USAF art program. Many of the better known artists and illustrators of the day were asked to use their creative talents to take a fresh look at the service, record their impressions, and contribute the re- sult to what would, in time, become an amazing store of art. By 1963, the USAF Art Collection contained more than 700 works. A selection of 50 paintings trav- eled from base to base, sometimes in the form of a metal box of slides, as shown at left. What follows is a small part of that first traveling collection. AIR FORCE Magazine / March 1999 49 Artist Reynold Brown created this painting, called “Green Light —Go,” after visiting an F-102 alert base in Japan. Here he shows some of the tension as the crew chief and pilot wait for the signal for the aircraft to take off. An artist for North American Aviation during World War II, Brown also assisted Hal Forrest with the popular comic strip “Tailspin Tommy.” Today, Keith Ferris is one of the best known artists in the field of aviation art. This painting, “B-52 Air Refueling,” was the first in a long line of work he has created for the program. 50 AIR FORCE Magazine / March 1999 Claude Coats portrayed a serene landscape of rice paddies near Beppu, Japan, and included the jets as a way of showing airpower as a protector of postwar Japan. -
The Illusion of Life: Disney Animation Interactive Edition
The Illusion of Life: Disney Animation Interactive Edition By Michelle L. Walsh Submitted to the Faculty of the Information Technology Program in Partial Fulfillment of the Requirements for the Degree of Bachelor of Science in Information Technology University of Cincinnati College of Applied Science June 2006 The Illusion of Life: Disney Animation Interactive Edition by Michelle L. Walsh Submitted to the Faculty of the Information Technology Program in Partial Fulfillment of the Requirements for the Degree of Bachelor of Science in Information Technology © Copyright 2006 Michelle Walsh The author grants to the Information Technology Program permission to reproduce and distribute copies of this document in whole or in part. ___________________________________________________ __________________ Michelle L. Walsh Date ___________________________________________________ __________________ Sam Geonetta, Faculty Advisor Date ___________________________________________________ __________________ Patrick C. Kumpf, Ed.D. Interim Department Head Date Acknowledgements A great many people helped me with support and guidance over the course of this project. I would like to give special thanks to Sam Geonetta and Russ McMahon for working with me to complete this project via distance learning due to an unexpected job transfer at the beginning of my final year before completing my Bachelor’s degree. Additionally, the encouragement of my family, friends and coworkers was instrumental in keeping my motivation levels high. Specific thanks to my uncle, Keith -
Once Upon a Time
ONCE UPON A TIME THE SOURCES OF INSPIRATION FOR THE DISNEY STUDIOS ONCE UPON A TIME THE SOURCES OF INSPIRATION FOR THE DISNEY STUDIOS Galeries Nationales du Grand Palais, Paris September 16, 2006 – January 15, 2007 Pavillon Jean-Noël Desmarais The Montreal Museum of Fine Arts March 8 – June 24, 2007 PRESTEL Munich · Berlin · London · New York This exhibition was organized by the Réunion des Musées Nationaux, Paris, and the Montreal Museum of Fine Arts Design: Atelier Mendini, Milan Project management in Paris: Yves Kneusé, architect, DPLG Project management in Montreal: Sandra Gagné General co-ordination and organization in Paris: Organization in Montreal: Réunion des Musées Nationaux Montreal Museum of Fine Arts Olivier Toche Bernard Lamarre Director of Cultural Development Chairman of the Board Magali Sicsic Nathalie Blondil Administrator of Galeries Nationales du Grand Palais Principal Curator Juliette Armand Paul Lavallée Head of Exhibitions Department Administrative Director Vincent David Pascal Normandin Project Manager, Exhibitions Co-ordinator, Exhibitions Jean Naudin Registrar Communications Christine Jéquel Registrar assistant Danielle Champagne Director of Communications Communications Françoise Pams Director of Communications Cécile Vignot Head of Promotion Services and Media Partnerships Florence Le Moing Press Officer Advisory committee Paris Francine Mariani-Ducray Director, Musées de France Marcel Pochard Chairman of the Board Réunion des Musées Nationaux Thomas Grenon Director General Réunion des Musées Nationaux Montreal -
A Critique of Disney's EPCOT and Creating a Futuristic Curriculum
Georgia Southern University Digital Commons@Georgia Southern Electronic Theses and Dissertations Graduate Studies, Jack N. Averitt College of Spring 2019 FUTURE WORLD(S): A Critique of Disney's EPCOT and Creating a Futuristic Curriculum Alan Bowers Follow this and additional works at: https://digitalcommons.georgiasouthern.edu/etd Part of the Curriculum and Instruction Commons, and the Curriculum and Social Inquiry Commons Recommended Citation Bowers, Alan, "FUTURE WORLD(S): A Critique of Disney's EPCOT and Creating a Futuristic Curriculum" (2019). Electronic Theses and Dissertations. 1921. https://digitalcommons.georgiasouthern.edu/etd/1921 This dissertation (open access) is brought to you for free and open access by the Graduate Studies, Jack N. Averitt College of at Digital Commons@Georgia Southern. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons@Georgia Southern. For more information, please contact [email protected]. FUTURE WORLD(S): A Critique of Disney's EPCOT and Creating a Futuristic Curriculum by ALAN BOWERS (Under the Direction of Daniel Chapman) ABSTRACT In my dissertation inquiry, I explore the need for utopian based curriculum which was inspired by Walt Disney’s EPCOT Center. Theoretically building upon such works regarding utopian visons (Bregman, 2017, e.g., Claeys 2011;) and Disney studies (Garlen and Sandlin, 2016; Fjellman, 1992), this work combines historiography and speculative essays as its methodologies. In addition, this project explores how schools must do the hard work of working toward building a better future (Chomsky and Foucault, 1971). Through tracing the evolution of EPCOT as an idea for a community that would “always be in the state of becoming” to EPCOT Center as an inspirational theme park, this work contends that those ideas contain possibilities for how to interject utopian thought in schooling. -
And Here's the Answer Key!
The Ultimate Disney Bachelorette Party Scavenger Hunt – Answer Key o 20 POINTS for being chosen to participate in any WDW attraction. o 10 POINTS: Get a photo kissing Mickey Mouse. o 12 POINTS: Get a photo doing the wedding march with Mickey and Minnie. o 6 POINTS: Get a photo doing a “first dance” with a character. o 6 POINTS: Get a photo with a character “carrying you across the threshold.” o 6 POINTS: Take an awkward prom photo with a Disney prince. o 6 POINTS: Get a photo of 2 characters fighting over you. o 6 POINTS: Get a photo of a character proposing to you (on one knee). o 6 POINTS: Take a video of a Disney prince/princess giving the couple marital advice. o 6 POINTS: Get a photo of you and a pirate doing the Captain Morgan stance. (+4 POINTS if it’s Captain Jack Sparrow). o 4 POINTS: Get a photo being sprinkled with Fairy Dust (try the Bibbidi Bobbidi Boutique). o 4 POINTS: Take a photo with another bride wearing Mickey Ears. o 4 POINTS: Take a photo with a groom wearing Mickey Ears. o 4 POINTS: Get a photo with you and a “little princess” (a little girl in a princess dress). o 2 POINTS per photo with a “Hidden Mickey.” o 12 POINTS if you get a video/photo being part of the Magic Kingdom Welcome Show. o Take a seat alongside Walt’s big brother, along with the mouse that could be dubbed Disney’s “mother.” 2 POINTS: Get a photo sitting with Roy O. -
What to Know Walt Disney World Railroad – Show Starring All of the American Presidents
Mainstreet U.S.A. The Hall of Presidents – A film about the Tomorrowland United States Constitution and an Audio-Animatronics What to know Walt Disney World Railroad – show starring all of the American Presidents. Tomorrowland Indy Speedway – • Disney Characters greet you at Mickey’s Toontown Ride around Magic Kingdom Park in a Show time: 20 minutes. Miniature gas-powered cars offer big fun. Fair and other locations throughout the Park. You train pulled by a classic whistle-blowing Minimum height to ride alone: 132 cm. can also enjoy them in shows and parades. steam engine. Ride time: 20 minutes. Fantasyland Space Mountain – Popular roller • Each land in the Magic Kingdom Park features coaster ride proves that screams can be heard live entertainment. Pick up a Guidemap when Adventureland “it’s a small world” – Float past hundreds you enter the Park for times and information, of colourfully costumed dolls in this musical in outer space. Minimum height: 111.8 cm. or check the Tip Board. Swiss Family Treehouse – Tour a replica celebration of cultures. Walt Disney’s Carousel of Progress – An • For shorter wait times, visit the more popular of the Swiss Family Robinson’s giant banyan Audio-Animatronics classic first seen at the 1964 tree home. Peter Pan’s Flight – Fly to Never Land with attractions during parades or traditional dining periods. Peter Pan for adventures with Captain Hook World’s Fair in New York. Show time: 20 minutes. • Inside the Castle you’ll discover Cinderella’s Royal Table, a magical Jungle Cruise – Cruise through and a hungry crocodile. Tomorrowland Transit Authority – restaurant serving acclaimed chefs’ creations at lunch and dinner. -
'Magic Is Here' As Disneyland Park and Disney California Adventure Park
From Family Favorites to Thrilling Attractions, the ‘Magic is Here’ as Disneyland Park and Disney California Adventure Park Welcome Back Guests Beginning April 30, 2021 AHAHEIM, Calif. (April 14, 2021) – The fun, the magic and the dreams are coming back to the “Happiest Place on Earth” when Disneyland Resort theme parks reopen on April 30, 2021. Guests can discover or rediscover some favorite attractions and experiences at Disneyland Park and Disney California Adventure Park, from thrilling adventures like Star Wars: Rise of the Resistance and the Incredicoaster, to family-friendly experiences like Toy Story Midway Mania!, Soarin’ Around the World and the newly reimagined Snow White’s Enchanted Wish. Because theme park capacity will be limited to comply with governmental requirements and promote physical distancing, the Disneyland Resort will manage attendance through a new theme park reservation system that requires all guests to obtain a reservation for park entry in advance. To enter a park, both a park reservation and valid admission for the same park on the same date are required for guests ages 3 and up. Theme park reservations will be limited and subject to availability and, until further notice, only California residents, in groups no larger than three households, may visit the parks in line with current state guidelines. Classic, family-friendly attractions Disneyland Snow White’s Enchanted Wish, in Fantasyland, has been reimagined with new magic in storytelling. Guests will celebrate this timeless fairytale with new scenes throughout the experience including a dancing figure of Snow White joining the dwarfs in their cottage as the scent of a pie baking wafts through the air. -
“I'm Not Walt Disney Anymore!”
hundred competitors, for a special project run jointly by the University Religious Conference and the Ford Foundation 5 to combat the negative image of America in India. It was called, simply, “Project India.” Beginning in 1952, Project India sent twelve students of diverse ethnic, cultural, and religious backgrounds for nine summer weeks to India, “I’M NOT WALT DISNEY meeting college students, living with their hosts in villages and cities, and hopefully making friends for America. It was ANYMORE!” a kind of precursor to the Peace Corps, which began in the early 1960s. In 1955 I truly felt that I had earned the right to be the second Jewish student selected—to join my friend Sandy Ragins, who later became a rabbi. But I was not chosen, and I wished the ambassadors well as they prepared to depart for India. Less than a week later, I received a call at the ZBT fra- ternity house. It was that “Las Vegas dealer,” Card Walker, At the end of 1965, Walt celebrated his sixty-fourth birthday, asking if I could come to the Walt Disney Studio for the and Roy O. Disney, age seventy-two, began to plan for his interview that would change my life. Surely that trip to India own retirement. The presumptive future CEO, Card Walker, would never have had such a lifelong effect. called me and the Studio’s graphics leader, Bob Moore, to his office. “We have to let the media, our fans, and the enter- tainment industry know that as great a talent as Walt is, he’s not the only creative person at Disney,” Card told us. -
Saturday April 16Th - Magic Kingdom Park Hours: 9:00Am - 12:00Pm
Saturday April 16th - Magic Kingdom Park Hours: 9:00am - 12:00pm Welcome to the Most Magical Place on Earth! This is by far our favorite of the four Walt Disney World Theme Parks, and after today you will understand why! We have created a plan that covers a great deal of ground for you and hope that you will feel the magic from the moment you enter! Enjoy the sights and sounds of this amazing theme park and be sure to take a few photos in front of the iconic Cinderella Castle! *Note: If your day gets off track from the itinerary times, simply ignore the actual times and do the attractions in the order in which they are listed. Magic Kingdom TIP: If the kids would like to meet Anna and Elsa at Fairytale Hall and you do not have a FastPass+ you will need to report to the Magic Kingdom at least 45 minutes prior to park opening. Be there early! We strongly recommend arriving to the park at 30 minutes before and running straight to the Fairytale Hall with your entire party as soon as the rope drops. 9:13am - Space Mountain (69) - 3,2,1… BLAST OFF on this amazing roller coaster that will take you out of this world (in the DARK)! *Note: 44” height requirement. You can use the Rider Switch option if you would both like to ride and the kids cannot ride or do not want to. 9:24am - Tomorrowland Transit Authority PeopleMover (71) - a quiet ride lasting 10 minutes that takes you through Tomorrowland on a vehicle that has no moving parts because it uses a linear induction motor! 9:38am - Tomorrowland Speedway (68) - Put the pedal to the metal while you cruise around this scenic mini roadway! *Note: 38” height requirement. -
The Ultimate Disney Bachelorette Party Scavenger Hunt
The Ultimate Disney Bachelorette Party Scavenger Hunt o 20 POINTS for being chosen to participate in any WDW attraction. o 10 POINTS: Get a photo kissing Mickey Mouse. o 12 POINTS: Get a photo doing the wedding march with Mickey and Minnie. o 6 POINTS: Get a photo doing a “first dance” with a character. o 6 POINTS: Get a photo with a character “carrying you across the threshold.” o 6 POINTS: Take an awkward prom photo with a Disney prince. o 6 POINTS: Get a photo of 2 characters fighting over you. o 6 POINTS: Get a photo of a character proposing to you (on one knee). o 6 POINTS: Take a video of a Disney prince/princess giving the couple marital advice. o 6 POINTS: Get a photo of you and a pirate doing the Captain Morgan stance. (+4 POINTS if it’s Captain Jack Sparrow). o 4 POINTS: Get a photo being sprinkled with Fairy Dust (try the Bibbidi Bobbidi Boutique). o 4 POINTS: Take a photo with another bride wearing Mickey Ears. o 4 POINTS: Take a photo with a groom wearing Mickey Ears. o 4 POINTS: Get a photo with you and a “little princess” (a little girl in a princess dress). o 2 POINTS per photo with a “Hidden Mickey.” o 12 POINTS if you get a video/photo being part of the Magic Kingdom Welcome Show. o Take a seat alongside Walt’s big brother, along with the mouse that could be dubbed Disney’s “mother.” 2 POINTS: Get a photo sitting with the statue of the duo.