Technical Specifications
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Parts of a Theatre Building THEATRE PROJECTS 2 THEATRE PROJECTS 3
THEATRE PROJECTS 1 Parts of a Theatre Building THEATRE PROJECTS 2 THEATRE PROJECTS 3 apron box boom (noun) the area of a proscenium stage located (noun) a mounting position for stage spotlights at downstage of the proscenium wall and upstage the front side of the auditorium, usually a vertical of the orchestra pit. If the floor of the orchestra pit pipe is raised to stage level (by machinery or with plat- forms) then it may form an extension of the apron, box, opera box called a forestage or stage extension. (noun) a seating area in an auditorium, usually (a) arbor pit seating between two and twelve spectators, (b) with loose instead of fixed chairs, and (c) separated from (noun) an open slot in the stage floor below the adjacent areas by railings or half walls rigging wall that allows the counterweight arbors to travel lower than the stage floor to provide in- bridge creased batten travel. Also the room or space be- low that slot. (noun) a gallery or catwalk, sometimes suspended from overhead rigging to allow it to be raised, low- auditorium ered, or repositioned (noun) the seating area or audience chamber of a also lighting bridge, loading bridge performance space; the house control room back of house (BOH), backstage (noun) a room, usually at the rear of the auditorium, (noun) the area of a theatre not open to the public, from which lighting, sound, and other control equip- where the performance is prepared ment is operated during the performance (adjective) in or relating to the areas of a theatre also lighting control room, sound -
Backstage Venue Terminology
Balcony: Upper levels of the seating above the main level Synonym: Loge Black Box: Flexible performance space with no fixed stage platform or audience seating Synonym: Studio Border: Short drapery hung horizontally to mask the Venue/Personnel Terminology (A-L) overhead battens, lighting equipment and scenic elements Synonym: Teaser Acting Area: Space in which performer moves in full view of audience Break: Designated time out of work for rest Synonym: Break Time, Coffee, Crew Break Actors' Equity Association: Labor union that represents actors, singers, dancers and stage managers in the Call: Announcement of the time and type of work that is to be professional theatre done and by whom Synonym: AEA, Equity Synonym: Work Hours Aisle: Walkway through seating in an audience area Call Board: Backstage bulletin board information about the production, crew, and venue are posted Alley Staging: Staging running the width of the hall with audience on two sides facing each other Synonym: Corridor Call Sheet: Document on which one finds the crew list and Stage, Traverse Stage supervisors for each call for a crew Amphitheatre: Outdoor performance space with stage and Calling a Show: Process of giving cues to the crew and audience in a bowl-shaped seating performers. Typically performed by the Stage Manager Synonym: Greek Theatre Synonym: Cue Calling Ante Pro: On the audience side of the proscenium Cast: Performers in a production Synonym: AP Catwalk: Elevated walkway used to access equipment Apron: Area downstage of the proscenium arch at stage level -
Theatre Lingo
Victoria Theatre Guild and Dramatic School at Langham Court Theatre THEATRE LINGO December 12, 2008 VTG Theatre Lingo: December 12, 2008 THEATRE LINGO acting areas a small area of the stage that has its own set of lights; lighting designers often divide the stage into acting areas in order to create balanced lighting. adlib to improvise lines or speeches that is not part of the script. amperage a measure of power flowing through cables, plugs and circuit breakers. amplifier an electronic device that makes an audio signal strong enough to create sound. anchor to secure a set piece to the stage floor. apron stage area in front of the proscenium. assistant stage manager (ASM) part of the stage management staff; is usually in charge of backstage crew. audition a performance reading before producers, directors, or others for the purpose of being cast in a production. auditory cue a cue that is called when a sound or musical note is heard; it often is executed by the sound board operator without being given a GO by the SM. back drop a large piece of canvas hung from a batten and painted to represent a particular scenic element. Also called a drop. back light light coming from upstage of an actor. backstage the area away from the acting area, including dressing rooms and the green room. Also called offstage. ballast an electronic device used by fluorescent and HMI lights; necessary to start up these kinds of lights. barn doors A colour frame with two or four flaps that cut off excess light. -
Theater Safety Guidelines
Theater Safety Guidelines Theater Safety Purpose 2 Facilities 4 Number and Type of Classes 5 Number and Type of Productions 6 General Safety Guidelines 7 Theater Safety Equipment 10 Theater Safety Regulations 12 Theater Accidents 13 Theater Safety Best Practice 14 Exhibit 1—Sample Theater Waiver Form 18 Exhibit 2—Sample Medical Treatment Authorization Form 19 Exhibit 3—Sample Theater Permission Form 20 Exhibit 4—Sample Adult Technical Theater and Stage Hand 21 Requirements Theater Safety Purpose Participation in K-14 theater can have many benefits including the development of improved reading comprehension, self-concept, and empathy. In the world of professional theater, each design area has its own department head and several levels of subordinate assistants and workers. However, in the K-14 theater domain, one person often assumes all these roles in addition to his or her regular responsibilities of teaching. Not many people see theater as being dangerous when compared to sports, science laboratories, or vocational education. However, it includes many of the same risks. There are many factors that influence theater safety. These factors include: the education, certification, and training of theater educators; the makeup and expectations of theater; the training and directions of actors and crew; and theater safety and hazards. Theater workers are constantly exposed to hazards—dangerous machinery, mist, smoke, fog, potentially toxic materials such as powdered pigments, dyes, fireproofing chemicals, plastics, resins, spray adhesives, and glues, welding materials, cleaning solvents, sawdust, asbestos, firearms, pyrotechnics, and many kinds of paint. Exposure to these hazards can cause a wide range of reactions from allergies to asthma attacks, to potentially fatal illnesses such as skin and lung cancer, hepatitis, leukemia, heart failure and damage to the central nervous system. -
A Scheme for Arena Theatre Lighting Grid Design in Te R M S of Grid Spacing, Wa L K W a Y Space, and Masking by Louvres
This dissertation has been microfilmed exactly as received 6 7-2415 B O C K n, Fred Clinton, 1932- A SCHEME FOR ARENA THEATRE LIGHTING GRID DESIGN IN TE R M S OF GRID SPACING, WA L K W A Y SPACE, AND MASKING BY LOUVRES. The Ohio State University, Ph.D., 1966 Speech-Theater University Microfilms, Inc., Ann Arbor, Michigan A SCHEME POE ARENA THEATRE LIGHTING GRID RESIGN IN TERMS OF GRID SPACING, WALKWAY SPACE, AND MASKING BY LOUVRES DISSERTATION Preseated la Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy ia the Graduate School of The Ohio State University By Fred Clinton Bock II, B.A., M.A ******* The Ohio State University 1966 Approved by Adviser Dei - _______ ACKNOWLEDGMENTS The writer wishes to express his sincere thanks and appreciation to Dr. Roy H. Bowen and Dr. Walter S. Dewey for their guidance during the writer's graduate pro- gram and their assistance in the preparation of this dissertation. In addition, the writer wishes to express an indebtedness for the experience he gained while a pro duction staff member at Ohio State University's Stadium Theatre. This experience stimulated the writer's interest in the problems of arena theatre grid design and provided a background which was valuable in the preparation of this dissertation. ii VITA October 5» 1932 Born, Akron, Ohio 1954 • • • B.A., University of Akron, Akron, Ohio 1954-1959 0 • • Navigator-Bombardier, U.S.A.F. 1960-1961 Director of Technical Theatre, Players Club Foundation, Columbus, Ohio 1961-1964 • 0 • Assistant, Department of Speech, The Ohio State University, Columbus, Ohio 1963 . -
Paramount Theatre Technical Information Updated January, 2019
Paramount Theatre Technical Information Updated January, 2019 913 West Saint Germain Street St. Cloud, Minnesota 56301 Box Office: 320.259.5463 For questions please contact: Technical Director: Chuck Norwood Email: [email protected] Office: (320) 257-3124 Cell: (320) 761-2598 Stage Specs Main Stage The stage is 29’ deep. The apron downstage of the plaster line is 6’. The orchestra pit elevator extends the apron 12’. Altogether the stage measures 47’ deep by 40’ wide. Proscenium The decorative proscenium arch is 39’11” wide x 21’8” high. Directly behind the proscenium arch is the fire curtain pockets that need to be kept open and accessible by orders of the St. Cloud Fire Marshall. Orchestra Pit The orchestra pit elevator is 40’ wide. It measures 12’ from the downstage edge to the upstage edge at the centerline and 8’ at the offstage ends. Pit lift is a Joyce-Dayton screw lift and can be set at any height. The normal stage height for the pit is 2’10” above the audience level floor leaving 8’ more of travel depth to the basement level. The pit drops to two double hung doors into the pit storage room and also one door to the green room. The two double hung doors for storage area have openings that are 5’10” high and 5’4” wide. Wing Space Stage right has 12’ of clear space from the upstage edge of the plaster line tapering to 10’23” to the back wall. Stage left has 12’ of clear space from the upstage edge of plaster line tapering to 9’ at 20’6” upstage of the plaster line.