DOCSLIB.ORG

Days of ‘49 Bob Dylan 1990

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Days of ‘49 Bob Dylan 1990 DAYS OF ‘49 BOB DYLAN 1990 by Olof Björner A SUMMARY OF RECORDING & CONCERT ACTIVITIES , RELEASES , TAPES & BOOKS . © 2001 by Olof Björner All Rights Reserved. This text may be reproduced, re-transmitted, redistributed and otherwise propagated at will, provided that this notice remains intact and in place. Days of ‘49 — Bob Dylan 1990 CONTENTS 1 A SHORT SUBJECTIVE RETROSPECTIVE.......................................................................................................... 3 2 THE YEAR AT A GLANCE ....................................................................................................................................... 3 3 CALENDAR .................................................................................................................................................................. 4 4 RECORDINGS ............................................................................................................................................................. 8 5 NEW TAPES ................................................................................................................................................................. 8 6 UNDER THE RED SKY .............................................................................................................................................. 9 7 THE NEVER-ENDING TOUR: THIRD YEAR ........................................................................................................ 9 7.1 INTRODUCTION ...................................................................................................................................................... 9 7.2 THE MUSICIANS ................................................................................................................................................... 10 7.3 THE SHOW ............................................................................................................................................................ 10 7.4 THE FASTBREAK TOUR ........................................................................................................................................ 11 7.4.1 The dates......................................................................................................................................................... 11 7.4.2 The songs ........................................................................................................................................................ 12 7.4.3 Statistics.......................................................................................................................................................... 16 7.4.4 Comments ....................................................................................................................................................... 16 7.5 SPRING TOUR OF NORTH AMERICA ...................................................................................................................... 18 7.5.1 The dates......................................................................................................................................................... 18 7.5.2 The songs ........................................................................................................................................................ 19 7.5.3 Statistics.......................................................................................................................................................... 22 7.5.4 Comments ....................................................................................................................................................... 22 7.6 SUMMER FESTIVAL TOUR OF EUROPE .................................................................................................................. 24 7.6.1 The dates......................................................................................................................................................... 24 7.6.2 The songs ........................................................................................................................................................ 25 7.6.3 Statistics.......................................................................................................................................................... 27 7.6.4 Comments ....................................................................................................................................................... 27 7.7 LATE SUMMER TOUR OF NORTH AMERICA .......................................................................................................... 29 7.7.1 The dates......................................................................................................................................................... 29 7.7.2 The songs ........................................................................................................................................................ 30 7.7.3 Statistics.......................................................................................................................................................... 38 7.7.4 Comments ....................................................................................................................................................... 38 7.8 1990 US FALL TOUR ............................................................................................................................................ 40 7.8.1 The dates......................................................................................................................................................... 40 7.8.2 The songs ........................................................................................................................................................ 41 7.8.3 Statistics.......................................................................................................................................................... 49 7.8.4 Comments ....................................................................................................................................................... 49 7.9 SUMMARY ............................................................................................................................................................ 51 7.9.1 Show statistics ................................................................................................................................................ 51 7.9.2 Album statistics ............................................................................................................................................... 52 7.9.3 Song statistics ................................................................................................................................................. 53 8 SONGS 1990 ................................................................................................................................................................ 58 9 SOURCES ................................................................................................................................................................... 58 10 SUGGESTED READINGS ........................................................................................................................................ 59 10.1 GENERAL BACKGROUND ...................................................................................................................................... 59 10.2 ARTICLE COMPILATIONS ...................................................................................................................................... 59 10.3 ARTICLES ............................................................................................................................................................. 59 11 APPENDIX: SET-LISTS ........................................................................................................................................... 60 Days of ‘49 — Bob Dylan 1990 page 3 1 A SHORT SUBJECTIVE RETROSPECTIVE 92 shows on three continents, two albums, two videos and a couple of guest appearances says it all! The busiest man in show business. Unfortunately it seemed that quality was sacrificed for quantity. The new record was for many people not only surprisingly different, both musically and lyrically, but also very disappointing artistically. The promotional video made for Unbelievable is virtually impossible to distinguish from the usual worthless MTV output. The shows, finally, were very uneven, from the wonderful run in Paris and London in January-February and the magnificent set of shows, mostly in Canada, in May-June to the rather bleak late summer tour with "live auditioning" with a number of different guitarists. The year ended with Dylan on the road with a band where G. E. Smith had been replaced by two guitarists, none of which could or would play lead guitar! 2 THE YEAR AT A GLANCE Days of ‘49 — Bob Dylan 1990 page 4 3 CALENDAR Early January Under The Red Sky recording sessions in Los Angeles with Stevie Ray Vaughan results in four songs. 12 January Toad's Place, New Haven, Connecticut. 4 hours. Many covers, first time songs, requests taken with a smile. This is really a long public rehearsal and no acoustic set is included. 14 January Another semi rehearsal show, this time at the Recreation Hall, Penn State, State College in Pennsylvania. Again all electric. Before performing Wiggle Wiggle Dylan says "this is from
Load more

Recommended publications
  • AC/DC You Shook Me All Night Long Adele Rolling in the Deep Al Green
    AC/DC You Shook Me All Night Long Adele Rolling in the Deep Al Green Let's Stay Together Alabama Dixieland Delight Alan Jackson It's Five O'Clock Somewhere Alex Claire Too Close Alice in Chains No Excuses America Lonely People Sister Golden Hair American Authors The Best Day of My Life Avicii Hey Brother Bad Company Feel Like Making Love Can't Get Enough of Your Love Bastille Pompeii Ben Harper Steal My Kisses Bill Withers Ain't No Sunshine Lean on Me Billy Joel You May Be Right Don't Ask Me Why Just the Way You Are Only the Good Die Young Still Rock and Roll to Me Captain Jack Blake Shelton Boys 'Round Here God Gave Me You Bob Dylan Tangled Up in Blue The Man in Me To Make You Feel My Love You Belong to Me Knocking on Heaven's Door Don't Think Twice Bob Marley and the Wailers One Love Three Little Birds Bob Seger Old Time Rock & Roll Night Moves Turn the Page Bobby Darin Beyond the Sea Bon Jovi Dead or Alive Living on a Prayer You Give Love a Bad Name Brad Paisley She's Everything Bruce Springsteen Glory Days Bruno Mars Locked Out of Heaven Marry You Treasure Bryan Adams Summer of '69 Cat Stevens Wild World If You Want to Sing Out CCR Bad Moon Rising Down on the Corner Have You Ever Seen the Rain Looking Out My Backdoor Midnight Special Cee Lo Green Forget You Charlie Pride Kiss an Angel Good Morning Cheap Trick I Want You to Want Me Christina Perri A Thousand Years Counting Crows Mr.
    [Show full text]
  • Farm Aid: a Case Study of a Charity Rock Organization Andrew Palen University of Wisconsin-Milwaukee
    University of Wisconsin Milwaukee UWM Digital Commons Theses and Dissertations December 2016 Farm Aid: a Case Study of a Charity Rock Organization Andrew Palen University of Wisconsin-Milwaukee Follow this and additional works at: https://dc.uwm.edu/etd Part of the Mass Communication Commons, and the Public Affairs, Public Policy and Public Administration Commons Recommended Citation Palen, Andrew, "Farm Aid: a Case Study of a Charity Rock Organization" (2016). Theses and Dissertations. 1399. https://dc.uwm.edu/etd/1399 This Thesis is brought to you for free and open access by UWM Digital Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of UWM Digital Commons. For more information, please contact [email protected]. FARM AID: A CASE STUDY OF A CHARITY ROCK ORGANIZATION by Andrew M. Palen A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts in Media Studies at The University of Wisconsin – Milwaukee December 2016 ABSTRACT FARM AID: A CASE STUDY ON THE IMPACT OF A CHARITY ROCK ORGANIZATION by Andrew M. Palen The University of Wisconsin – Milwaukee, 2016 Under the Supervision of Professor David Pritchard This study examines the impact that the non-profit organization Farm Aid has had on the farming industry, policy, and the concert realm known as charity rock. This study also examines how the organization has maintained its longevity. By conducting an evaluation on Farm Aid and its history, the organization’s messaging and means to communicate, a detailed analysis of the past media coverage on Farm Aid from 1985-2010, and a phone interview with Executive Director Carolyn Mugar, I have determined that Farm Aid’s impact is complex and not clear.
    [Show full text]
  • Protest As Event
    PROTEST AS EVENT OVERVIEW ESSENTIAL QUESTION Since the 1960s, how have artists used musical events to promote change? OVERVIEW “Artists write, and sing, and think, and this is how we get to put our two cents in, and we do it right in front of people, not in secret meetings behind closed doors. We let people know what we think … I don’t know if people go to musicians for their politics. I doubt that they do, you know, but you can rally people to think on serious issues together, and that’s what we’re trying to do.” - Bruce Springsteen, August 4, 2004, Nightline, ABC Network In August 1971, former member of the Beatles George Harrison gathered a group of musical colleagues that included Bob Dylan, Ringo Starr, Eric Clapton, and many others to perform two benefit concerts at New York’s Madison Square Garden. The so-called Concert for Bangladesh was intended to raise money for and awareness of the refugees fleeing a bloody civil war in Pakistan, a situation made even worse by a devastating cyclone earlier that year. The concert, which was also recorded as a film and a live album, became a model for how Rock and Roll stars could marshal their celebrity in support of a particular cause. The efforts of Harrison and his friends ultimately raised millions of dollars for UNICEF and established a new precedent for how Rock and Roll could engage the public in order to promote meaningful change in the world. The mass gatherings of the 1960s – including the March on Washington, antiwar demonstrations on college campuses, and the Woodstock festival – had clearly demonstrated the power of events to command media attention and to make voices heard.
    [Show full text]
  • Famine and Foreigners: Ethiopia Since Live Aid This Page Intentionally Left Blank Famine and Foreigners: Ethiopia Since Live Aid
    ‘Th ank God for great journalism. Th is book is a much needed, ex- haustively researched and eff ortlessly well written recent history of Ethiopia. A book that strips away the cant and rumour, the pros and antis and thoroughly explains the people, politics and economics of that most beautiful nation. A superb and vital piece of work by some- one who clearly loves the country of which he writes.’ Bob Geldof ‘Th e great Ethiopian famine changed everything and nothing. It fun- damentally altered the rich world’s sense of its responsibility to the hungry and the poor, but didn’t solve anything. A quarter of a century on, we’re still arguing about the roots of the problem, let alone the so- lution, and—though there has been progress—Ethiopia’s food inse- curity gets worse, not better. Peter Gill was one of the most thorough and eff ective television journalists of his generation. He was there in 1984 and his work at the time added up to the most sensible, balanced and comprehensive explanation of what had happened. Twenty-fi ve years later, he’s gone back to test decades of aspiration against the re- alities on the ground. It’s a book that bridges journalism and history, judicious analysis with a strong, and often gripping, narrative. Always readable, but never glib, this is a must for all those who think there is a simple answer to the famine, still waiting in the wings. ’ Michael Buerk ‘No outsider understands Ethiopia better than Peter Gill. He com- bines compassion with a clinical commitment to the truth.
    [Show full text]
  • Midwestern Isolationist
    Journal of American Studies http://journals.cambridge.org/AMS Additional services for Journal of American Studies: Email alerts: Click here Subscriptions: Click here Commercial reprints: Click here Terms of use : Click here Bringing It All Back Home or Another Side of Bob Dylan: Midwestern Isolationist Tor Egil Førland Journal of American Studies / Volume 26 / Issue 03 / December 1992, pp 337 - 355 DOI: 10.1017/S0021875800031108, Published online: 16 January 2009 Link to this article: http://journals.cambridge.org/ abstract_S0021875800031108 How to cite this article: Tor Egil Førland (1992). Bringing It All Back Home or Another Side of Bob Dylan: Midwestern Isolationist. Journal of American Studies, 26, pp 337-355 doi:10.1017/S0021875800031108 Request Permissions : Click here Downloaded from http://journals.cambridge.org/AMS, IP address: 138.251.14.35 on 17 Mar 2015 Bringing It All Back Home or Another Side of Bob Dylan: Midwestern Isolationist TOR EGIL F0RLAND The subject of this article is the foreign policy views of singer and songwriter Bob Dylan: a personality whose footprints during the 1960s were so impressive that a whole generation followed his lead. Today, after thirty years of recording, the number of devoted Dylan disciples is reduced but he is still very much present on the rock scene. His political influence having been considerable, his policy views deserve scrutiny. My thesis is that Dylan's foreign policy views are best characterized as "isolationist." More specifically: Dylan's foreign policy message is what so-called progressive isolationists from the Midwest would have advocated, had they been transferred into the United States of the 1960s or later.
    [Show full text]
  • 1988 Tour of North America
    1988 TOUR OF NORTH AMERICA Interstate 88 Tour, part 1: Summer Tour of North America. JUNE 7 Concord, California Concord Pavilion 9 Sacramento, California Cal Expo Amphitheatre 10 Berkeley, California Greek Theatre, University Of California 11 Mountain View, California Shoreline Amphitheatre 13 Salt Lake City, Utah Park West, Park City 15 Denver, Colorado Fiddler's Green Amphitheatre 17 St Louis, Missouri The Muny, Forest Park 18 East Troy, Wisconsin Alpine Valley Music Theatre 21 Cuyahoga Falls, Ohio Blossom Music Center 22 Cincinnati, Ohio Riverbend Music Center 24 Holmdel, New Jersey Garden State Performing Arts Center 25 Holmdel, New Jersey Garden State Performing Arts Center 26 Saratoga Springs, New York Saratoga Performing Arts Center 28 Canandaigua, New York Finger Lakes Performing Arts Center 30 Wantagh, New York Jones Beach Theater, Jones Beach State Park JULY 1 Wantagh, New York Jones Beach Theater, Jones Beach State Park 2 Mansfield, Massachussetts Great Woods Performing Arts Center 3 Old Orchard Beach, Maine Old Orchard Beach Ballpark 6 Philadelphia, Pennsylvania Frederick Mann Music Center 8 Montreal, Quebec, Canada Forum de Montréal 9 Ottawa, Ontario, Canada Ottawa Civic Centre Arena 11 Hamilton, Ontario, Canada Copps Coliseum 13 Charlevoix, Michigan Castle Fares Music Theatre 14 Chicago, Illinois Poplar Creek Music Theatre, Hoffman Estates 15 Indianapolis, Indiana Indiana State Fairground Grandstand 17 Rochester, Michigan Meadowbrook Music Theatre, Oakland University 18 Rochester, Michigan Meadowbrook Music Theatre, Oakland
    [Show full text]
  • Traveling Wilburys'
    '* -' ERO~3 Denar ROS i appointment with a gynecologist. Your H kCKING Sometimes when I have sexual clinician can examine you for possible EROS intercourse with my boyfriend I physical or hormonal problems. continued from page 15 Room 119 experience pain. I'm not sure why, but I of people who are interested in playing think it might be due to the fact that my with technology and manipulating it. vagina is dry and not well lubricated. Dear EROS, Do you have any suggestion to solve I was in the Union and overheard SBP: Ok, here's one last question for my problems? two people talking about the use of a everyone at the Psychology Depart- -Undergraduate condom during fellatio. Were they ment: Do you ever dream about serious orjustjoking around? hacking? Dear Undergraduate, -Wondering Inadequate lubrication, a common Corley: When you're playing with a problem among many women, may system for a long time, you will keep account for the pain you are experi- playing with that system in your sleep- encing during sexual intercourse. "...try using pineapple No question about that. I've had Frequently, inadequate lubrication is the rings, honey or whipped occasions where, people have woke me result of beginning intercourse with cream..." up and have told me that I was asking little or insufficient sexual arousal and for passwords in my sleep [laughs]. minimal stimulation. Consequently, a Sometimes, you come up with the little more time devoted to sexual Dear Wondering, answer in your sleep, which is really arousal in addition to increased stimu- The conversation you overheard amazing.
    [Show full text]
  • Indigo in Motion …A Decidedly Unique Fusion of Jazz and Ballet
    A Teacher's Handbook for Pittsburgh Ballet Theatre's Production of Indigo in Motion …a decidedly unique fusion of jazz and ballet Choreography Kevin O'Day Lynne Taylor-Corbett Dwight Rhoden Music Ray Brown Stanley Turrentine Lena Horne Billy Strayhorn Sponsored by Pittsburgh Ballet Theatre's Arts Education programs are supported by major grants from the following: Allegheny Regional Asset District Claude Worthington Benedum Foundation Pennsylvania Council on the Arts The Hearst Foundation Sponsoring the William Randolph Hearst Endowed Fund for Arts Education Additional support is provided by: Alcoa Foundation, Allegheny County, Bayer Foundation, H. M. Bitner Charitable Trust, Columbia Gas of Pennsylvania, Dominion, Duquesne Light Company, Frick Fund of the Buhl Foundation, Grable Foundation, Highmark Blue Cross Blue Shield, The Mary Hillman Jennings Foundation, Milton G. Hulme Charitable Foundation, The Roy A. Hunt Foundation, Earl Knudsen Charitable Foundation, Lazarus Fund of the Federated Foundation, Matthews Educational and Charitable Foundation,, McFeely-Rogers Fund of The Pittsburgh Foundation, William V. and Catherine A. McKinney Charitable Foundation, Howard and Nell E. Miller Foundation, The Charles M. Morris Charitable Trust, Pennsylvania Department of Community and Economic Development, The Rockwell Foundation, James M. and Lucy K. Schoonmaker Foundation, Target Corporation, Robert and Mary Weisbrod Foundation, and the Hilda M. Willis Foundation. INTRODUCTION Dear Educator, In the social atmosphere of our country, in this generation, a professional ballet company with dedicated and highly trained artists cannot afford to be just a vehicle for public entertainment. We have a mission, a commission, and an obligation to be the standard bearer for this beautiful classical art so that generations to come can view, enjoy, and appreciate the significance that culture has in our lives.
    [Show full text]
  • Concordia Club Sale to Pitt Set to Close This Month PITTSBURGH POST-GAZETTE PITTSBURGH PHOTOS COURTESY of ©
    INSIDE African American Council Endowed Scholarship....... 3 Pitt researchers, Large Hadron Collider project... 5 PittNewspaper of the University of PittsburghChronicle Volume X • Number 34 • December 14, 2009 $7.2 Million Grant for Pitt to Develop Microbicides Against HIV/AIDS By Clare Collins The University of Pittsburgh Gradu- “The HIV/AIDS epidemic remains evaluate these microbicides in two formula- women in developing countries, giving them ate School of Public Health (GSPH) has uncontrolled in many regions in the world,” tions—a film delivery system inserted into the power to prevent sexually transmitted received a five-year, $7.2 million grant said principal investigator Phalguni Gupta, the vagina and used for up to seven days, diseases,” Gupta said. from the National Institute of Allergy and professor and assistant chair, Department and a ring deliv- At the fore- Infectious Diseases (NIAID) to develop of Infectious Diseases and Microbiology, e r y s y s t e m front of research on microbicides against HIV transmission. The in GSPH. “In developing countries, HIV inser ted on a “The HIV/AIDS epidemic remains microbicides, the grant will allow Pitt to test two is most often spread through monthly or peri- University of Pitts- microbicide formulations—a unprotected heterosexual inter- odic basis. They uncontrolled in many regions in the burgh also leads the film and ring that release the course, creating a great need for also plan to test world. In developing countries, HIV National Institutes active ingredient over time. new ways to prevent transmis- the microbicides of Health-funded Microbicides are sub- sion beyond the condom, whose in the presence is most often spread through Microbicides Trial stances designed to prevent or use is often at the discretion of of other sexually Network (MTN).
    [Show full text]
  • AXS TV Schedule for Mon. September 21, 2020 to Sun. September 27, 2020
    AXS TV Schedule for Mon. September 21, 2020 to Sun. September 27, 2020 Monday September 21, 2020 5:00 PM ET / 2:00 PM PT 8:00 AM ET / 5:00 AM PT Plain Spoken: John Mellencamp TrunkFest with Eddie Trunk This stunning, cinematic concert film captures John with his full band, along with special guest Sturgis Motorycycle Rally - Eddie heads to South Dakota for the Sturgis Motorcycle Rally at the Carlene Carter, performing his most cherished songs. “Small Town,” “Minutes to Memories,” “Pop Buffalo Chip. Special guests George Thorogood and Jesse James Dupree join Eddie as he explores Singer,” “Longest Days,” “The Full Catastrophe,” “Rain on the Scarecrow,” “Paper in Fire,” “Authority one of America’s largest gatherings of motorcycle enthusiasts. Song,” “Pink Houses” and “Cherry Bomb” are some of the gems found on this spectacular concert film. 8:30 AM ET / 5:30 AM PT Rock & Roll Road Trip With Sammy Hagar 6:40 PM ET / 3:40 PM PT Livin’ Live - The season 2 Best of Rock and Roll Road Trip with Sammy Hagar brings you never- AXS TV Insider before-seen performances featuring Sammy and various season 2 guests. Featuring highlights and interviews with the biggest names in music. 9:00 AM ET / 6:00 AM PT 6:50 PM ET / 3:50 PM PT The Big Interview Cat Stevens: A Cat’s Attic Joan Baez - Dan Rather sits down with folk trailblazer and human rights activist Joan Baez to Filmed in London, “A Cat’s Attic” celebrates the illustrious career of one of the most important discuss her music, past loves, and recent decision to step away from the stage.
    [Show full text]
  • Jerry Garcia Song Book – Ver
    JERRY GARCIA SONG BOOK – VER. 9 1. After Midnight 46. Chimes of Freedom 92. Freight Train 137. It Must Have Been The 2. Aiko-Aiko 47. blank page 93. Friend of the Devil Roses 3. Alabama Getaway 48. China Cat Sunflower 94. Georgia on My Mind 138. It Takes a lot to Laugh, It 4. All Along the 49. I Know You Rider 95. Get Back Takes a Train to Cry Watchtower 50. China Doll 96. Get Out of My Life 139. It's a Long, Long Way to 5. Alligator 51. Cold Rain and Snow 97. Gimme Some Lovin' the Top of the World 6. Althea 52. Comes A Time 98. Gloria 140. It's All Over Now 7. Amazing Grace 53. Corina 99. Goin' Down the Road 141. It's All Over Now Baby 8. And It Stoned Me 54. Cosmic Charlie Feelin' Bad Blue 9. Arkansas Traveler 55. Crazy Fingers 100. Golden Road 142. It's No Use 10. Around and Around 56. Crazy Love 101. Gomorrah 143. It's Too Late 11. Attics of My Life 57. Cumberland Blues 102. Gone Home 144. I've Been All Around This 12. Baba O’Riley --> 58. Dancing in the Streets 103. Good Lovin' World Tomorrow Never Knows 59. Dark Hollow 104. Good Morning Little 145. Jack-A-Roe 13. Ballad of a Thin Man 60. Dark Star Schoolgirl 146. Jack Straw 14. Beat it on Down The Line 61. Dawg’s Waltz 105. Good Time Blues 147. Jenny Jenkins 15. Believe It Or Not 62. Day Job 106.
    [Show full text]
  • The Songs of Bob Dylan
    The Songwriting of Bob Dylan Contents Dylan Albums of the Sixties (1960s)............................................................................................ 9 The Freewheelin’ Bob Dylan (1963) ...................................................................................................... 9 1. Blowin' In The Wind ...................................................................................................................... 9 2. Girl From The North Country ....................................................................................................... 10 3. Masters of War ............................................................................................................................ 10 4. Down The Highway ...................................................................................................................... 12 5. Bob Dylan's Blues ........................................................................................................................ 13 6. A Hard Rain's A-Gonna Fall .......................................................................................................... 13 7. Don't Think Twice, It's All Right ................................................................................................... 15 8. Bob Dylan's Dream ...................................................................................................................... 15 9. Oxford Town ...............................................................................................................................
    [Show full text]