Scotland's 2011 Census and the Demographic Politics of Disability
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Evaluation of Polyglot Theatre's Workshop and Performance
Muckheap in Auslan An evaluation of Polyglot Theatre’s workshop and performance program 2011-2012 Information contained in this report is freely available for use by participating groups and other interested parties. Where information is quoted and used, the author requests that this report is cited. For commercial use, this document is copyright © 2012 Ricci-Jane Adams. Published by Polyglot Theatre, Melbourne, 2012. http://www.polyglottheatre.com The author can be contacted at: [email protected] Muckheap in Auslan – An evaluation of Polyglot Theatre’s workshop and performance program in 2011-2012. - ii - TABLE OF CONTENTS EXECUTIVE SUMMARY ...................................... iv OUTLINE ............................................................ 1 1. The Deaf community in Australia...................................................1 2. Background to the production.......................................................1 3. Participating Groups ......................................................................2 PROJECT SUMMARY........................................... 5 EVALUATION OUTLINE ....................................... 6 METHODOLOGY................................................. 6 ANALYSIS........................................................... 7 1. Did Polyglot’s Muckheap in Auslan achieve equity of experience for both deaf and hearing audience members?....................................7 2. Did the performance provide access to an artistically satisfying and engaging theatre experience for deaf children? ............................9 -
Communication
Communication rarechromo.org Communication guide Communication isn’t just about speech. We communicate in lots of different ways. Speech, signing, pointing, eye contact, body movements, expressions etc. It can and is used by everyone, every day. This guide was written to help parents whose child has a rare chromosome or gene disorder, and includes ideas to help them to teach communication skills and to learn how to communicate with their child who has a developmental delay. Speech is a skill that children begin to develop as babies. Infants start by communicating through crying, then they move onto develop babbling speech which contains no real words. This can carry on for some time. For most children, their first words are made up of simple vowel sounds like ‘da da’, ‘ma ma’ or ‘ba ba’. Gradually children begin to use these sounds to form language but this can come at very different ages. As children begin to develop more complicated language, they produce longer words and can string words together to form a sentence. By the time they start school; most children have speech that is easily understood. However, some children take longer to develop their speech to a level where everything they say can be understood. Some children do not learn to speak at all and have to find other methods of communicating their wants and needs. If your child has a Speech – the oral sounds that are made developmental delay, speech Language - the use of words or gestures will often also be delayed, or Receptive skills - understanding language not develop at all. -
The Effect of Communication Mode on Story Recall Maria C. Hartman Submitted in Partial Fulfillment of the Requirements for the D
The Effect of Communication Mode on Story Recall Maria C. Hartman Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy under the Executive Committee of the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2015 © 2015 Maria C. Hartman All rights reserved ABSTRACT Effect of Communication Mode on Story Recall Maria C. Hartman Most learning occurs in social contexts through interaction with other people. Such learning is possible only when individuals are able to communicate with understanding. Currently, the most commonly used mode of communication for instruction in schools for the deaf in the United States is a bimodal form of signs and speech referred to as “simultaneous communication” (SIMCOM). Numerous studies have addressed the practicability of teachers’ attempts to produce this mode for instruction, but fewer have attempted to understand its impact on deaf children’s comprehension. This study examined the effect of communication mode on story recall performance in thirty-six 11- to 14-year-old deaf students. Participants were presented with a series of short stories “bimodally” (using simultaneous sign and speech/SIMCOM) and “unimodally” (using sign only) and then asked to recall whatever they could remember. A within-subjects analysis was used to examine the differences in recall scores as a function of communication mode. Analysis of secondary variables was included to note effects on the dependent variable. Mode of participants’ response was also coded and analyzed. Results of the study showed statistically significant differences in the mean story-retell scores between the two conditions, with participants scoring higher during the sign-only condition than in the SIMCOM condition. -
SIGNALONG in Swindon
SIGNALONG in Swindon What is Signalong? It encourages Total Communication. This means using a combination of speech, facial expression, body language, tone of voice and sign to communicate our message. It is based on BSL (British Sign Language) but only key words are signed. Key words are the important words that you want to emphasise in a sentence / phrase, for example: the dog is eating the biscuit. It is sign supported communication. You always sign AND say the word. This means that it will encourage language development, not hinder it, in any way. It’s similar to Makaton and Mr Tumble’s signs, but in Swindon we chose to use one system across all settings …that choice was Signalong. Signs are introduced in everyday, real-life situations using objects or pictures. For example, every time you give your child a cup, you would say the word “cup”, and use the sign alongside this. Why sign with my child? There is no evidence that signing holds back speech and language. Signing can help reduce frustration. It gives your child a way of getting their message across. develop a child’s understanding of words Signing helps to . Spoken words are fleeting and quickly gone. This can make them hard to learn. The combination of seeing a sign and making a sign can help children to remember new words. Signing will help to gain your child’s attention as they will look at the actions that you make. Signing slows down your rate of speech. Slowing down your talking will make it easier for your child to follow. -
<Begin New Recto> <AT> (Sub)Lexical Changes in Iconic Signs to Realign
<Begin new recto> <AT> (Sub)lexical changes in iconic signs to realign with community sensibilities and experiences Commented [AS1]: What would you like the page header title to be? This is too long. Can you come up with a shortened version that expresses your title? Maybe just “(Sub)lexical changes in iconic <AU>GENE MIRUS signs”? Thanks! Commented [DJN2R1]: (Sub)lexical changes as corrections <AA>Gallaudet University, USA <AU>JAMI FISHER <AA>University of Pennsylvania, USA <AU>DONNA JO NAPOLI <AA>Swarthmore College, USA <AB>ABSTRACT <TX>Sign language lexicons include iconic items, where phonological form is somewhat representative of sense. As experiences of individuals change, the mapping from form to meaning may become inappropriate (as when technological or environmental changes occur) or may be considered incongruous with perceptions of reality (as when culture shifts). Many misalignments of form and sense are tolerated, with the result that a sign’s original iconicity is lost. Other misalignments are obliterated; signers make sublexical changes or entire lexical substitutions. We call these (sub)lexical changes ‘corrections’. We argue that misalignments that are regrettable are more likely to be corrected, where regrettable misalignments are those that are not true to realities/experiences of profound importance to deaf individuals. While the focus here is on American Sign Language, corrections should be apparent in any sign language and might occur in those spoken languages with a high frequency of 1 nonarbitrary relationships between form and sense. (Sign language, variation, taboo terms, euphemism, iconicity, identity)* <A>INTRODUCTION <TX>Iconicity in sign language lexicons is high, where there is a nonarbitrary relationship between form and sense. -
The Language Skills of Singaporean Deaf Children Using Total Communication Mandy Phua Su Yin National University of Singapore 20
THE LANGUAGE SKILLS OF SINGAPOREAN DEAF CHILDREN USING TOTAL COMMUNICATION MANDY PHUA SU YIN NATIONAL UNIVERSITY OF SINGAPORE 2003 THE LANGUAGE SKILLS OF SINGAPOREAN DEAF CHILDREN USING TOTAL COMMUNICATION MANDY PHUA SU YIN (B.A.(Hons.), NUS) A THESIS SUBMITTED FOR THE DEGREE OF MASTER OF SOCIAL SCIENCE (PSYCHOLOGY) DEPARTMENT OF SOCIAL WORK AND PSYCHOLOGY NATIONAL UNIVERSITY OF SINGAPORE 2003 i Acknowledgements I would like to express my gratitude to: ❖ A/P Susan Rickard Liow, Department of Social Work and Psychology, National University of Singapore, for your advice and patient guidance. ❖ The Principal, Mrs Ang-Chang Kah Chai, staff and students of the Singapore School for the Deaf for participating in this study and for teaching me much about the Deaf community. ❖ A/P Low Wong Kein, Head, Department of Otolaryngology, Singapore General Hospital, and colleagues in the Listen and Talk Programme for always being quick to provide instrumental aid. ❖ Ms Wendy Tham and Mr Tracey Evans Chan for your helpful suggestions and comments on the thesis. ii Table of Contents Acknowledgements i Table of Contents ii List of Tables vi List of Figures vii Summary viii Chapter 1 Introduction 1 1.1. Deaf Education Worldwide 1 1.1.1. Definitions and Terminology 1 1.1.2. Language and Literacy 2 1.1.3. Approaches to Deaf Education and Programmes 3 1.1.3.1. Auditory-Verbal Approach 4 1.1.3.2. Bilingual-Bicultural Approach 4 1.1.3.3. Cued Speech 5 1.1.3.4. Oral Approach 5 1.1.3.5. Total Communication 5 1.2. -
Variation and Change in English Varieties of British Sign Languagei
Variation and change in English varieties of BSL 1 Variation and change in English varieties of British Sign Languagei Adam Schembri, Rose Stamp, Jordan Fenlon and Kearsy Cormier British Sign Language (BSL) is the language used by the deaf community in the United Kingdom. In this chapter, we describe sociolinguistic variation and change in BSL varieties in England. This will show how factors that drive sociolinguistic variation and change in both spoken and signed language communities are broadly similar. Social factors include, for example, a signer’s age group, region of origin, gender, ethnicity, and socio-economic status (e.g., Lucas, Valli & Bayley 2001). Linguistic factors include assimilation and co-articulation effects (e.g., Schembri et al. 2009; Fenlon et al. 2013). It should be noted, however, some factors involved in sociolinguistic variation in sign languages are distinctive. For example, phonological variation includes features, such as whether a sign is produced with one or two hands, which have no direct parallel in spoken language phonology. In addition, deaf signing communities are invariably minority communities embedded within larger majority communities whose languages are in another entirely different modality and which may have written systems, unlike sign languages. Some of the linguistic outcomes of this contact situation (such as the use of individual signs for letters to spell out written words on the hands, known as fingerspelling) are unique to such communities (Lucas & Valli 1992). This picture is further complicated by patterns of language transmission which see many deaf individuals acquiring sign languages as first languages at a much later age than hearing individuals (e.g., Cormier et al. -
Linguistic Access to Education for Deaf Pupils and Students in Scotland
BRITISH SIGN LANGUAGE AND LINGUISTIC ACCESS WORKING GROUP SCOPING STUDY: LINGUISTIC ACCESS TO EDUCATION FOR DEAF PUPILS AND STUDENTS IN SCOTLAND © Crown copyright 2009 ISBN: 978-0-7559-5849-8 (Web only) This document is also available on the Scottish Government website: www.scotland.gov.uk RR Donnelley B56660 02/09 www.scotland.gov.uk BRITISH SIGN LANGUAGE AND LINGUISTIC ACCESS WORKING GROUP SCOPING STUDY: LINGUISTIC ACCESS TO EDUCATION FOR DEAF PUPILS AND STUDENTS IN SCOTLAND The Scottish Government, Edinburgh 2008 ACKNOWLEDGEMENTS We are very grateful to the many individuals who have contributed their time and commitment to this study. Appendix 2 lists the main organisations who have taken part. The views expressed in this report are those of the researcher and do not necessarily represent those of the Scottish Government or Scottish officials. © Crown copyright 2009 ISBN: 978-0-7559-5849-8 (Web only) The Scottish Government St Andrew’s House Edinburgh EH1 3DG Produced for the Scottish Government by RR Donnelley B56660 02/09 Published by the Scottish Government, February, 2009 CONTENTS 1. INTRODUCTION (including glossary of abbreviations) 1 2. METHODS 4 I Statistical information I Qualitative information I Documentary information THE LINGUISTIC ACCESS CONTEXT FOR DEAF PUPILS AND STUDENTS IN SCOTLAND 3. LANGUAGE APPROACHES USED WITH DEAF PUPILS IN SCOTLAND 7 I Monolingual approaches I Bilingual approaches I ‘No specific policy’ I Regional variation 4. LINGUISTIC ACCESS FOR DEAF STUDENTS IN FURTHER AND HIGHER EDUCATION 11 THE SCHOOL SECTOR: LINGUISTIC ACCESS TO EDUCATION FOR DEAF PUPILS NUMBERS OF PUPILS AND PROFESSIONALS 5. THE NUMBER OF DEAF PUPILS 13 I Scottish Government Statistics I ADPS statistics I Presenting statistics on the population of deaf pupils I Statistics relating to educational attainment I Recommendations 6. -
Qualifications for Teachers of Hearing and Visually Impaired Children And
abcdefghijkm = bÇìÅ~íáçå=aÉé~êíãÉåí sáÅíçêá~=nì~ó= pìééçêí=Ñçê=iÉ~êåáåÖ=aáîáëáçå= bÇáåÄìêÖÜ=beS=Snn= = = qÉäÉéÜçåÉW=MNPNJOQQ=MVMV= Chief Executives of Scottish Local Authorities c~ñW=MNPNJOQQ=TVQP= Directors of Education ãáâÉKÖáÄëçå]ëÅçíä~åÇKÖëáKÖçîKìâ= Headteachers of Schools ÜííéWLLïïïKëÅçíä~åÇKÖçîKìâ= Other interested organisations = 30 January 2007 _____ GUIDANCE ON APPROPRIATE QUALIFICATIONS FOR TEACHERS OF CHILDREN AND YOUNG PERSONS WHO ARE HEARING IMPAIRED, VISUALLY IMPAIRED, OR BOTH HEARING AND VISUALLY IMPAIRED. 1. I am directed by the Scottish Ministers to draw your attention to the attached guidance as to what shall constitute appropriate qualifications for teachers of children and young persons who have a hearing impairment, or visual impairment, or both hearing and visual impairment. 2. On 30 September 2005 The Requirements for Teachers (Scotland) Regulations 2005 (Scottish Statutory Instrument 2005/355) came into force. These Regulations set out the requirements to be met by education authorities in employing teachers in the course of discharging their duty under section 1 of the Education (Scotland) Act 1980, as amended, and section 2(1) of the Standards in Scotland’s Schools etc. Act 2000. In particular, the Regulations require that where an education authority employs a teacher wholly or mainly to teach pupils who are hearing impaired, visually impaired or both hearing and visually impaired, then that teacher must possess an appropriate qualification to teach such pupils. 3. The qualification is defined in terms of specific competences, as detailed at Appendix A. These comprise the specialist knowledge, understanding and skills required of teachers to enable them to teach pupils who are hearing impaired, visually impaired or both hearing and visually impaired. -
An Overview of Sign Language Poetry
An overview of sign language poetry Rachel Sutton-Spence, [email protected] European Cultural Heritage Online (ECHO), http://www.let.kun.nl/sign-lang/echo/docs December 2003 What is Sign Language Poetry? A general definition of poetry is "an aesthetically purposeful distortion of standard language". The language in poems deliberately breaks the rules of standard language in order for the text/utterance to be noticed as language. Sign language poets have also summarised what poetry means to them. Dot Miles: "[It's] a way of putting meaning very briefly so people will see it and feel very strongly". Clayton Valli: "Poetry is using esthetic criteria for placement of words, instead of custom…Beauty of phrase, intensity of motion, and ingeniousness of technique are poetry's substance." Sign language poetry is the ultimate form of aesthetic signing, in which the form of language used is as important as - or even more important than - the message. Like so much poetry in any language, sign language poetry is a means of expressing ideas unusually succinctly, through means of heightened "art" language. It uses specific language devices to maximise the significance of the poem, just as in the poetry of spoken languages, although the language devices are rather different from the rhymes and alliteration that are familiar to most hearing audiences. The metaphors and images used in sign language poems may also be different from those in spoken language poems. In general, though, the basic idea of maximising the message through specially heightened language is the same in poetry in all languages, whether signed or spoken. -
Translating, Interpreting and Communication Support Services Across the Public Sector in Scotland
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Total-Communication-And-AAC.Pdf
icommunicate SPEECH & COMMUNICATION THERAPY Total Communication What is total communication? This is a holistic view of communication, often using a range of modalities, or even thinking “outside the box” to create a system of communication that works for an individual. Other definitions of Total Communication include: ! Using any means and every means to communicate and/or receive a message ! Creating a system that best fits an individual to communicate, optimizing his skills and reducing his impairments ! A “catch-all” that ensures that an individual has access to some means of communication ! Facilitating and assisting each person by providing supports and opportunities to become involved and to actualize their potential For most of us speech is our primary means of communication (although many of us are unaware of the extent that body language and facial expression play in conveying our message). Sometimes, we need to look beyond speech and think of communication in a broader sense, what we call Total Communication. Total communication focusses on every possible modality to express our message and help the information be understood and processed. Conversely, we also need to give the individual with a communication difficulty as many resources and opportunities to convey their message in a way that is understood. The individual with the communication disorder When we have to relate to, or communicate with, someone with a communication disorder we are often unaware of many simple tools that are available to us to improve the interaction. These tools do not have to be expensive or technical to be the most effective (although in some cases technology is the best option).