2019 Future Sun, S.M.A.K., Ghent (BE) 2006 Rosalind Nashashibi, Harris Lieberman, New Allegory of the Cave Painting, curated by York, NY (US) Mihnea Mircan, Kunsthal Extra City, Antwerp Rosalind Nashashibi Vivian’s Garden, The High Line, New York, NY (BE) b. 1973 in Croydon (UK) (US) 2005 Rosalind Nashashibi, Counter Gallery, (UK) Sound and Vision, curated by Kevin Moore, Lives and works in London (UK) Green Hearts, Centro Andaluz de Arte Paris Photo, Los Angeles, CA (US) Contemporáneo, Seville (ES) 2004 Over In, Kunsthalle, Basel (CH) The Registry of Promise: The Promise of EDUCATION Part One: Where there is a joyous mood, Five Films, SOFA Gallery, Art and Industry Multiple Temporalities, Museum Parc St there a comrade will appear to share a glass Biennial, Christchurch (NZ) 2000 MFA Fine Art, Glasgow School of Art, Léger, Pougues-les-Eaux (FR) of wine & Part Two: The moon nearly at the Glasgow (UK) Hreash House, Lightbox, Britain, London full. The team horse goes astray., Edinburgh 2013 Fusiform Gyrus, curated by Raimundas (UK) 2000 MFA Exchange, CalArts, Valencia, CA (US) Art Festival, Scottish of Malasauskas, Lisson Gallery, London (UK) Modern Art, Modern One , Edinburgh (UK) Songs for Home and Economy, CCA, Glasgow 1995 BA Painting, Sheffield Hallam University, Home, Land, and Sea: Art in the Netherlands, (UK) Sheffield (UK) DEEP REDDER, Secession, Vienna (AT) 1600-1800, Manchester Art Gallery, 2003 Rosalind Nashashibi, Temple Bar Gallery, Manchester (UK) Rosalind Nashashibi, GRIMM, New York, NY (US) Dublin (IE) Northern Art Prize, Leeds Art Gallery, Leeds AWARDS 2018 Rosalind Nashashibi, Foksal Gallery Humaniora, Visions for the Future V, The (UK) Foundation, Warsaw (PL) 2017 Turner Prize (shortlisted) Fruitmarket Gallery, Edinburgh (UK) The Assistants, David Kordansky Gallery, Los Rosalind Nashashibi, a solo exhibition, Witte 2014 Paul Hamlyn Foundation 2001 Open Day, Transmission Gallery Basement, Angeles, CA (US) de With Center for Contemporary Art, Glasgow (UK) 2013 Current Northern Art Prize (shortlisted) Rotterdam (NL) 2012 Glasgow International Festival of Visual Art (commission with Scottish Ballet), Glasgow 2008 John Kobal New Work Award, Whitechapel Rosalind Nashashibi: Vivian’s Garden, The Art (UK) Gallery Institute of Chicago, Chicago, IL (US) SELECTED GROUP EXHIBITIONS Eyeballing, curated by Lisa Oppenheim and 2006 Decibel Award Rosalind Nashashibi & Elena Narbutait: 2020 Between Ears, New Colours, CRAC, Alsace Mike Sperlinger, The High Line, New York, Introduction, PM8 Galería, Vigo (ES) (FR) 2003 Beck’s Futures Art Prize NY (US) 2002 A M Qattan Foundation Artist’s Award 2016 Two Tribes, Murray Guy, New York, NY (US) Summer Exhibition 2020, , London (UK) Migrations, , London (UK) On This Island, curated by by Allyson Face Time, On Stellar Rays, New York, NY (US) Unzicker, UAG I Room Gallery, University of 2019 Away in the Hill, GRIMM, New York, NY (US) RESIDENCIES California, Irvine, CA (US) Cinéma du Réel festival, Centre Pompidou 2011 Erre - variations labyrinthiques, Centre Pompidou, Metz (FR) 2020 National Gallery, London (UK) 2015 Electrical Gaza, , and Forum des Images, Paris (FR) 2009 Accented Residency, British Council, London (UK) 2018 Annunciations, M. LeBlanc, Chicago, IL (US) Time Again, Sculpture Center, New York, NY Townhouse Gallery, Cairo (EG) (US) 2013 Carlo’s Vision, Murray Guy, New York, NY (US) Inky Protest, Peacock Visual Arts & Nuart Sharjah Biennial 10: Plot for a Biennial, 2007 IASPIS, Sweden (SE) The Painter and the Deliveryman, Objectif, Gallery, Aberdeen (UK) Sharjah Art Museum, Sharjah (AE) OCA, Oslo (NO) Antwerp (BE) 2017 Turner Prize, Tate Britain, London (UK) Case Histories, Alex Zachary, New York, NY (US) 2006 Kamp Kippy, ASAP, Mount Desert Island, ME 2011 Carlo’s Vision, Body Habits, Nomas Being Infrastructural, Mother’s Tank Station, (US) Foundation, Rome (IT) Dublin (IE) 2010 Repetition Island, Centre Pompidou, Paris (FR) Glenfiddich Whiskey Distillery and Fine Carlo’s Vision, Sacred and Profane, Peep- Progeny!, EFA Project Space, New York, NY (US) Lux/ICO Artist’s Cinema Commissions, Funds UK Artist in Residence (UK) Hole, Milan (IT) released in cinemas across the UK Blue Danube, Overduin & Co., Los Angeles, 2005 Scottish Arts Council, New York, NY (US) 2010 Woman Behind a Cushion, Tulips and Roses, CA (US) Into the Belly of a Dove, Tamayo Collection, Brussels (BE) Tamayo Museum, Mexico City (MX) 2002 Al-Ma’mal Foundation and The British Documenta 14, Athens (GR) and Kassel (DE) Council, East Jerusalem (IL) 2009 Rosalind Nashashibi, Kunsthall, Bergen (NO) The Happy Interval, Croy Nielsen, Berlin (DE) 2015 The Biography of Things, ACCA, Melbourne (AU) 2001 Bemis Centre of contemporary Arts, Omaha, Rosalind Nashashibi, ICA, London (UK) The Future Demands Your Participation, Sudoku, Kunstverein, Munich (DE) Minsheng Art Museum, Shanghai (CN) NE (US) Rosalind Nashashibi, Projects in Art and Theory, Cologne (DE) Corps Simples, Show Me Your Moves, Centre 2009 Running Time: Artist Films in Scotland 1960 Pompidou, Malaga (ES) to now, Dean Gallery, Edinburgh (UK) SELECTED SOLO EXHIBITIONS Rosalind Nashashibi, Kunstlerhaus, Stuttgart (DE) Trial/Error/Art, Holden Art Gallery, Sculpture of the Space Age, David Roberts 2021 Musée Art Contemporain Carré d’Art - Jean Manchester (UK) Art Foundation, London (UK) Bousquet, Nîmes (FR) [forthcoming] 2008 Rosalind Nashashibi, curated by Reid Shier, Presentation House, Vancouver (CA) A Million Lines, Baltic Triennial, Bunker Horizontale Durchlässigkeiten, Gebert Stiftung CAC, Vilnius (LT) [forthcoming] Sztuki, Krakow (PL) für Kultur, Alte Fabrik, Rapperswil (CH) Bachelor Machines, Professional Gallery, National Gallery, London (UK) [forthcoming] OCAD, Toronto (CA) 2014 Lovely Young People, (Beautiful Supple John Kobal New Work Award, Whitechapel, Bodies), Murray Guy, New York, NY (US) London (UK) 2020 Rosalind Nashashibi, GRIMM, Amsterdam (NL) 2007 Berkeley Art Museum, Berkeley, CA (US) Love Streams, Galería Pm8, Spain (ES) Ten Thousand Wiles and a Hundred Thousand Flicker, British Council, Damascus (SY) Bachelor Machines, Chisenhale Gallery, Tricks, Contemporary Image Collective, Cairo Green Hearts, CAAC, Seville (ES) London (UK) (EG)

VAN BAERLESTRAAT 80 KEIZERSGRACHT 241 +31 (0) 20 675 24 65 202 BOWERY +1 (646) 484-5223 [email protected] 1071BB AMSTERDAM 1016EA AMSTERDAM THE NETHERLANDS NEW YORK NY 10012 UNITED STATES WWW.GRIMMGALLERY.COM Don’t Expect Anything, Francesca Minini, Museum, Los Angeles, CA (US) Suzy Halajian, LACE, Los Angeles, CA (US) BOOKS AND MONOGRAPHS Milan (IT) Hidden in a Daylight, Foksal Gallery, Warsaw (PL) Strange Days, FRAC Île-de-France, Le 2019 Rosalind Nashashibi and Elena Narbutaite: All 2008 Manifesta 7, Trento (IT) Plateau, Paris (FR) Things Are Done By Money. Vienna: Zenomap, 50th Venice Biennial, Venice (IT) Secession; Berlin: Revolver Publishing, 2019. Éclats de frontières, nouvelles acquisitions, 2012 Spies in the House of Art: Photography, Film, Beck’s Futures, ICA, London (UK); CCA, FRAC Paca, Marseille (FR) and Video, The Metropolitan Museum of Art, 2012 Rosalind Nashashibi. Drawing Room Glasgow (UK); Southampton City Art Gallery, New York, NY (US) Confessions Issue #6. London: Drawing She Doesn’t Think So but She’s Dressed for Southampton (UK) Room Confessions; Milan: Mousse Publishing, the H-bomb, , London (UK) Reflexion und Einfühlung, KAI 10 | Raum für 2002 Palestine International Video Festival, 2012 Kunst, Arthena Foundation, Düsseldorf (DE) Seven Types of Ambiguity, STORE, London (UK) various venues, West Bank and East 2009 Rosalind Nashashibi. London: Institute of Jerusalem (IL) Contemporary Archaeologies, Musée du 2007 Winter Palace, De Ateliers, Amsterdam (NL) Contemporary Art; Bergen: Bergen Kunsthall, château des ducs de Wurtemberg, 2001 Getting Closer, La Centrale, Montreal (CA) 2009. Texts by Martin Herbert, Dieter MACBA In Frankfurt, Kunstverein, Frankfurt Montbéliard (FR) am Main (DE) Persistence of Vision, 55th International Film Roelstraete, and Rosalind Nashashibi. 2010 Prendre La Porte et Faire le Mur, FRAC Festival, Edinburgh (UK) Interview with Rosalind Nashashibi by Mark Scotland & Venice, 52nd Venice Biennale, Provence-Alpes-Cote D’Azur, Marseille (FR) Sladen and Solveig Øvstebø Venice (IT) Forum 65: Jones, Koester, Nashashibi/Skaer: 2007 Proximity Machine: Rosalind Nashashibi. Ed. Contour, 3rd Biennial for Video Art, Mechelen COLLABORATIONS - NASHASHIBI / SKAER Reanimation, Carnegie Museum of Art, Nav Haq. Scottish Arts Council, Arts Council (BE) Selected Solo Exhibitions Pittsburgh, PA (US) England, Bookworks, London, 2007. Text by Pensée sauvage – On freedom, Kunstverein; 2019 Future Sun, S.M.A.K., Ghent (BE) 2009 For the blind man in the dark room looking Will Bradley. Ursula Blickle Foundation, Frankfurt am Main 2018 Nashashibi / Skaer: Thinking through other for the black cat that isn’t there, Contemporary 2004 Rosalind Nashashibi: Over In. Basel: (DE) artists, Tate, St Ives (UK) Art Museum, St Louis, MO (US); ICA, London Kunsthalle Basel, 2004. Text by Adam Alabama, Office Baroque, Antwerp (BE) (UK); de Appel, Amsterdam (NL) Szymczyk 2013 Nashashibi / Skaer, Musée Matisse, Le La femme de nulle part, doggerfisher, Cateau-Cambrésis (FR) Heaven, 2nd Athens Biennale, Athens (GR) 2003 Rosalind Nashashibi. Edinburgh: Fruitmarket Edinburgh (UK) The Garden of Forking Paths, Gallery, 2003. Essays by Francis McKee, 2012 Contemporary Archeologies, Musée de Lucy Skaer, and Sarah Tripp May the Twelfth, STORE, London (UK) Château des ducs de Wurtemberg, MAISTERRAVALBUENA, Madrid (ES) Montbéliard (FR) 2006 How to Improve the World - 60 Years of SLOW MOVEMENT OR: Half and Whole, British Art, , London (UK) Telling everything, not knowing how, CA2M Kunsthalle, Bern (CH) COLLECTIONS Centro de Arte Dos de Mayo, Madrid (ES) Momentum 2006, Nordic Biennial of 2008 Art Now: Pygmalion Event, Tate Britain, The Art Institute of Chicago, Chicago, IL (US) London (UK) Contemporary Art, Moss (NO) 2010 Nashashibi / Skaer, Murray Guy, New York, British Arts Council, London (UK) NY (US) Pygmalion Workshop, CAC Brétigny, Paris Around the World in Eighty Days, ICA, London Centre Pompidou - Musée National d’Art Moderne, (FR) (UK) 2009 Nashashibi / Skaer, Doggerfisher, Edinburgh Paris (FR) (UK) The Greenroom, The Hessel Museum and The British Art Show 6, curated by Alex THE EKARD COLLECTION Farquharson and Andrea Schlieker, BALTIC, 2008 Art Now: Pygmalion Event, Tate Britain, Center for Curatorial Studies at Bard Gateshead (UK); and touring to UK venues London (UK) College, Annandale–on-Hudson, NY (US) Fonds National d’Art Contemporain, Paris (FR) 2005 Acid Rain, Galerie Michel Rein and Glassbox, Pygmalion Workshop, CAC Brétigny, A life of their Own, Lismore Castle, Lismore FRAC Provence-Alpes-Côte d’Azur, Marseille (FR) (AU) Paris (FR) Brétigny-sur-Orge (FR) Imperial War Museums (UK) Nashashibi / Skaer Pygmalion Workshop, 5th A Certain Tendency in Representation, Cine 2007 Flash in the Metropolitan, Spike Island, Kunsthaus, Zurich (CH) Club, Thomas Dane Gallery, London (UK) Bristol (UK) Berlin Biennale, Neue Nationalgalerie, Berlin (DE) Leeds Art Gallery, Leeds (UK) Double Vision, Magazzino D’Arte Moderna, MACBA, Barcelona (ES) Rome (IT) 2007 YOU HAVE NOT BEEN HONEST, Museo COLLABORATIONS - NASHASHIBI / SKAER D’Arte Contemporanea Donnaregina, Naples Musée Art Contemporain Carré d’Art - Jean 2004 Pass the Time of Day, Gasworks, London (UK); Selected Group Exhibitions (IT) Bousquet, Nîmes (FR) and touring to UK venues 2020 Paul Gauguin. Why are you angry?, Ny Contour 2007, 3rd Biennial for Video Art, Southampton City Art Gallery, Southampton (UK) Expander, Royal Academy of Arts at Burlington Carlsberg Glyptotek, Copenhagen (DK) Mechelen (BE) Gardens, London (UK) The Metropolitan Museum of Art, New York, NY (US) 2019 La Rivière m’a dit, FRAC Île-de-France, Le Der Droste Effekt, Esther Schipper, Berlin Sodium and Asphalt, Museo Tamayo, Mexico Plateau, Paris (FR) (DE) The Museum of Modern Art, New York, NY (US) City (MX) 2018 Archaeology of the Screen, Kumu Art About the possibility of a Sculpture, Galerie The National Galleries Scotland (UK) Yugoslav Biennial of Young Artists, Belgrade Museum, Tallinn (EE) Reinhard Hauff, Stuttgart (DE) Tate, London (UK) and Vrsac (RS) A Place in the World, The Gallery at Norwich Alabama, Office Baroque, Antwerp (BE) Britannia Works, various venues, Athens (GR) University of the Arts, Norwich (UK) 2006 If I can’t Dance, I don’t want to be part of your Homelands, Spacex Gallery, Exeter and Available Fonts, KW Institute for revolution, De Appel, Amsterdam (NL) various venues (UK) Contemporary Art, Berlin (DE) 2005 In Between Times, Tramway, Glasgow (UK) 2003 Displaced, Hammer Projects, UCLA Hammer 2017 I can call this progress to halt, curated by

VAN BAERLESTRAAT 80 KEIZERSGRACHT 241 +31 (0) 20 675 24 65 202 BOWERY +1 (646) 484-5223 [email protected] 1071BB AMSTERDAM 1016EA AMSTERDAM THE NETHERLANDS NEW YORK NY 10012 UNITED STATES WWW.GRIMMGALLERY.COM