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Henry Fielding: Early Editions in the University of Arizona Libraries with an Appendix: Early Editions of Sarah Fielding

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Henry Fielding: Early Editions in the University of Arizona Libraries with an Appendix: Early Editions of Sarah Fielding Henry Fielding: Early editions in the University of Arizona Libraries with an appendix: Early Editions of Sarah Fielding Item Type Text Authors Happe, Marguerite, 1991- Publisher Tucson, Arizona : Department of Special Collections University of Arizona Libraries Download date 30/09/2021 07:02:47 Link to Item http://hdl.handle.net/10150/625480 Henry Fielding: Early Editions in the University of Arizona Libraries Marguerite Happe Henry Fielding: Early Editions in the University of Arizona Libraries With an Appendix: Early Editions of Sarah Fielding Marguerite Happe Department of Special Collections University of Arizona Libraries Tucson 2017 Copyright © 2017 Arizona Board of Regents For the University of Arizona Libraries EARLY EDITIONS 3 Preface AMONG the notable holdings in the University of Arizona Libraries is a particularly strong collection of early printed editions of Restoration and Eighteenth-Century English drama and related literary material. Much of this collection is part of the legacy of Thomas Edward Hanley (1893-1969), a wealthy Pennsylvania industrialist, a sage collector of books and art, and a mildly eccentric but singularly generous donor. From 1936 through 1962 Hanley donated to the UA Libraries more than 38,000 books, most of them in the humanities and fine arts. Soon afterwards the collection was further developed as the UA Libraries as a whole rapidly advanced, under the vigorously supportive administration of President John P. Schaefer (1971-1982), from indifferent national rankings to seventeenth among all academic lib- raries in America. One of the authors best represented in the collection is the playwright, novelist, and judicial magistrate Henry Fielding (1707-1754). I have selected for inclusion in this small catalog those editions of his writings printed before 1801, all of them located in the Department of Special Collections. Virtually all the copies are complete and in ex- cellent physical condition; most are in their original bindings or wrappers; and several of them bear early association features of interest. I have also included in an appendix early editions of the works of Fielding’s sister Sarah (1710-1768), some of whose works Henry lived long enough to contribute to in small ways. Not all of the UA Libraries’ holdings have been recorded yet in the online English Short Title Cata- logue, and several of the editions recorded herein are held by relatively few other libraries. 4 H HENRY FIELDING G In compiling this catalog I have made use of several pub- lished Fielding catalogs and bibliographies. Among them are especially Wilbur L. Cross’s “Bibliography” in The History of Henry Fielding, 3 vols. (New Haven: Yale University Press; London: Humphrey Milford and Oxford University Press, 1918), 3:287-366; Nathaniel Mayer Victor Roth- schild, Baron Rothschild, The Rothschild Library: A Cata- logue of the Collection of Eighteenth-Century Books and Manuscripts formed by Lord Rothschild (Cambridge: privately printed at the University Press, 1954), 1:202-208; L. J. Morrissey, Henry Fielding: A Reference Guide (Bos- ton: G. K. Hall, 1980); and O M Brack, Jr., and Curt A. Zimansky, “The Charles B. Woods Fielding Collection,” Books at Iowa 15 (November 1971): 26-32. I am pleased to acknowledge the kind assistance of UA Rare Books Librarian and Archivist J. Roger Myers in the preparation and publication of this catalog. I wish also to thank the staff at the issue desk in Special Collections for their continual attention to detail throughout this project. I also express my gratitude to Professors Frederick Kiefer and Jennifer Jenkins for their constant advice and encourage- ment. Finally, I remain deeply grateful to Professor Emeritus Carl T. Berkhout. Without his unparalleled expertise and extraordinary generosity, this catalog would not exist. April 2017 EARLY EDITIONS 5 Henry Fielding: Early Editions A. Drama A1 Love in several masques. A comedy, as it is acted at the Theatre-Royal, by His Majesty’s Servants. Written by Mr. Fielding. [Two lines from Juvenal, Satires.] London: Printed for John Watts, at the printing office in Wild-Court, near Lincoln’s-Inn-Fields. 1728. [Price 1s. 6d.] 8vo: A4 B-F8 G2. [11], 4-82 [2] pp. 197×117 mm. Twentieth-century half brown russia over marbled sides and gold-stamped spine. Early initials “C. P.” on title page. Gift of T. E. Hanley in April 1962; his donor’s bookplate on front pastedown. Accession number 199827 stamped on A2r and F8r. ESTC T89773. 822.59 F45l A2 The Temple beau. A comedy. As it is acted at the theatre in Goodman’s-Fields. Written by Mr. Fielding. [Two lines from Virgil, Georgics, and two from Horace, Ars poetica. Ornament.] London: Printed for J. Watts, at the printing- office in Wild-Court near Lincolns-Inn Fields. MDCCXXX. [Price 1s. 6d.] 8vo: A2 B-F8 G2. [5], 2-80 [4] pp. 199×122 mm. Twentieth-century marbled boards with gold-stamped black leather spine label. Gift of T. E. Hanley in April 1962; his donor’s bookplate on front pastedown. Accession number 199828 stamped on A2r and F8r. 6 H HENRY FIELDING G ESTC T49927. 822.59 F45t 1730 A3 Tom Thumb. A tragedy. As it is acted at the theatre in the Hay-Market. [Ornament.] London, printed: and sold by J. Roberts in Warwick-Lane. 1730. 8vo: A-C4. [9], 2-16 pp. 197×116 mm. Early twentieth-century blind- and gold- stamped paneled calfskin over boards. Rebacked by Dulau & Co., London. Lacks half-title. No. 103 in Dulau’s Cata- logue 238 (1935). Acquired by April 1986. ESTC T125610. PR 3454 T6 1730 A4 Tom Thumb. A tragedy. As it is acted at the theatre in the Hay-Market. Written by Scriblerus Secundus. [One line from Horace, Ars poetica.] The second edition. London, printed: and sold by J. Roberts in Warwick-Lane. 1730. [Price six pence.] 8vo: A-C4. [9], 2-16 pp. Fielding’s Scriblerus Secundus pen name ambivalently identified him with Alexander Pope, Jonathan Swift, and other Augustan Age satirists known as the Scriblerus Club. 190×110 mm. Twentieth-century imitation half leather over boards with marbled sides and gold-stamped spine. Gift EARLY EDITIONS 7 of T. E. Hanley in April 1962; his donor’s bookplate on front pastedown. Accession number 170073 stamped on A2r and C1r. Former call number 822.59 F45to 1730b. ESTC T3258. PR 3454 T6 1730b. A5 The tragedy of tragedies; or The life and death of Tom Thumb the great. As it is acted at the theatre in the Hay- Market. With annotations of H. Scriblerus Secundus. Lon- don, printed; and sold by J. Roberts in Warwick-Lane. M DCC XXXI. Price one shilling. 8vo: A4 B-D8 E4 F1. [9], 2-58 pp. Frontispiece designed by William Hogarth and engraved by Gerard Van der Gucht. It simulates a scene in All for Love by John Dryden, whom Fielding’s play satirizes. The reading in second line of Preface is “concerning” (not “concernining”). Act III has ten scenes. 190×117 mm. Twentieth-century imitation half leather over boards with marbled paper sides and gold-stamped spine. On title page, “Catherine Peirse / her Book.” Gift of T. E. Hanley in April 1962; his donor’s bookplate on front pastedown. Accession number 170074 stamped on A2r and E1r. Former call number 822.59 F45to 1731. ESTC T51553. PR 3454 T6 1731 8 H HENRY FIELDING G A4 Tragedy of Tragedies: Hogarth’s frontispiece EARLY EDITIONS 9 A6 The lottery. A farce. As it is acted at the Theatre-Royal in Drury-Lane, by His Majesty’s Servants. With a table of the tunes to each song. London: Printed for J. Wats [sic] at the printing-office near Lincoln’s-Inn Fields. MDCCXXXII. 8vo: A2 B-D4. [4], 1-23 [1] pp. Pirate edition, possibly printed in Edinburgh. 194×120 mm. Disbound. Gift of T. E. Hanley in April 1962; his donor’s bookplate on protective manila envelope. Accession number 174741 stamped on A2r and D4r. ESTC 18980. 822.59 F45lo A7 The modern husband. A comedy. As it is acted at the Theatre-Royal in Drury-Lane. By His Majesty’s Servants. Written by Henry Fielding, Esq; [Five lines from Juvenal, Satires. Ornament.] London: Printed for J. Watts at the printing-office in Wild-Court near Lincoln’s-Inn Fields. MDCCXXXII. [Price 1s. 6d.] 8vo: A4 B-F8 G4. [9], 2-81 [7] pp. 192×117 mm. Disbound. Remnant of ca. nineteenth- century gold-stamped calfskin spine. In twentieth-century portfolio. ESTC T89778. PR 3454 M7 1732 10 H HENRY FIELDING G A6 The lottery: a pirate edition EARLY EDITIONS 11 A8 The mock doctor: or The dumb lady cur’d. A comedy. Done from Moliere. As it is acted at the Theatre-Royal in Drury-Lane, by His Majesty’s Servants. With the musick prefix’d to each song. The second edition, with additional songs and alterations. [Ornament.] London: Printed for J. Watts at the printing-office in Wild-Court near Lincoln’s- Inn Fields. M DCC XXXII. [Price one shilling.] 8vo: A-E4 F2. [9], 2-34 [2] pp. Adapted from Molière’s “Le médecin malgré lui.” 200×112 mm. Contemporary gray wrappers. Extensively marked up as a prompt book for a December 1793 pro- duction of the play in London. On upper cover: profile sketch (of Fielding?) in ink and printscript title “The mock doctor. 1793. Theatre Royal Hay market. P. B.” Gift of T. E. Hanley in April 1962; his donor’s bookplate on protective envelope. Accession number 174742 stamped on A2r and E3r. ESTC N4810. 842.42 M48 tF4 A9 The miser. A comedy. Taken from Plautus and Moliere. As it is acted at the Theatre-Royal in Drury-Lane, by His Majesty’s Servants.
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