![The Mirrorless Pedigree [Full HD] 1,920 × 1,080, 30Fps (Sensor Output Is 30P) Still Image: Max](http://data.docslib.org/img/b677c85945324458225b6acd83e514f1-1.webp)
Specifi cations
Type Digital Single Lens Mirrorless camera Clear Portrait / Silky Skin / Backlit Softness / Clear in Backlight / Relaxing Tone / Sweet SD Memory Card, SDHC Memory Card, SDXC Memory Card (Compatible with UHS-I standard Child's Face / Distinct Scenery / Bright Blue Sky / Romantic Sunset Glow / Vivid Sunset Glow Recording Media SDHC / SDXC Memory Cards) Still Image / Glistening Water / Clear Nightscape / Cool Night Sky / Warm Glowing Nightscape / Artistic TYPE Nightscape / Glittering Illuminations / Clear Night Portrait / Soft Image of a Flower / Appetizing Image Sensor Size 17.3 x 13.0 mm (in 4:3 aspect ratio) SCENE GUIDE Food / Cute Dessert / Freeze Animal Motion / Clear Sports Shot / Monochrome Lens Mount Micro Four Thirds mount Clear Portrait / Silky Skin / Backlit Softness / Clear in Backlight / Relaxing Tone / Sweet Child's Face / Distinct Scenery / Bright Blue Sky / Romantic Sunset Glow / Vivid Sunset Glow / Clear Nightscape Type Live MOS Sensor Motion Image / Cool Night Sky / Warm Glowing Nightscape / Artistic Nightscape / Clear Night Portrait / Appetizing Total Pixels 18.31 Megapixels Food / Cute Dessert / Freeze Animal Motion / Clear Sports Shot / Monochrome IMAGE Camera Effective Pixels 16.05 Megapixels SH: 20 frames/sec (4M), H: 6.0 frames/sec (with AFS), M: 3.7 frames/sec (with Live View), SENSOR Burst Speed Color Filter Primary color fi lter L: 2.0 frames/sec (with Live View) BURST Dust Reduction System Supersonic wave fi lter SHOOTING 9 images (when there are RAW fi les with the particular speed) Number of Recordable Images Unlimited consecutive shooting (when there are no RAW fi les) Still Image: JPEG (DCF, Exif 2.3), RAW (depending on memory card size, battery power, picture size, and compression) Recording File Format MPO (When attaching 3D lens in Micro Four Thirds System standard) Motion Image: AVCHD (Audio format: Dolby Digital 2ch) / MP4 (Audio format AAC 2ch) Type TTL Built-in-Flash, GN10.5 equivalent (ISO 160 · m), Built-in Pop-up Aspect Ratio 4:3, 3:2, 16:9, 1:1 Auto, Auto / Red-eye Reduction, Forced On, Forced On / Red-eye Reduction, Flash Mode BUILT-IN- Slow Sync., Slow Sync. / Red-eye Reduction, Forced Off RAW, RAW+Fine, RAW+Standard, Fine, Standard Image Quality FLASH MPO+Fine, MPO+Standard (When attaching 3D lens in Micro Four Thirds System standard) Synchronization Speed Less than 1/160 second Color Space sRGB, Adobe RGB Flash Synchronization 1st. Curtain Sync, 2nd Curtain Sync. [4:3] 4,608 x 3,456 (L), 3,264 x 2,448 (M), 2,336 x 1,752 (S), Type TFT LCD with Touch panel 1,824 x 1,368 (When attaching 3D lens in Micro Four Thirds System standard) Monitor Size Free-angle 3.0inch (7.5cm)/ 3:2 Aspect / Wide-viewing angle [3:2] 4,608 x 3,072 (L), 3,264 x 2,176 (M), 2,336 x 1,560 (S), 1,824 x 1,216 (When attaching 3D lens in Micro Four Thirds System standard) LCD MONITOR Pixels 920K dots Still Image [16:9] 4,608 x 2,592 (L), 3,264 x 1,840 (M), 1,920 x 1,080 (S), Field of View Approx. 100% 1,824 x 1,024 (When attaching 3D lens in Micro Four Thirds System standard) Monitor Adjustment Brightness (7 levels), Contrast and Saturation (7 levels), Red tint (7 levels), Blue tint (7 levels) [1:1] 3,456 x 3,456 (L), 2,448 x 2,448 (M), 1,744 x 1,744 (S), 1,712 x 1,712 (When attaching 3D lens in Micro Four Thirds System standard) Digital Zoom 2x, 4x The Mirrorless Pedigree [Full HD] 1,920 × 1,080, 30fps (sensor output is 30p) Still Image: Max. 2x (Aspect ratio sets at 4:3. Not effective with L size recording. Magnifi cation NTSC [HD] 1,280 x 720, 30fps (sensor output is 30p) ratio depends on the recording pixels and aspect ratio.) RECORDING Extra Tele Conversion File [VGA] 640 x 480, 30fps (sensor output is 30p) Motion Image: 2.4x (PSH, FSH in AVCHD and FHD in MP4), 3.6x (SH in AVCHD and HD in MP4), SYSTEM 1 LIVE VIEW Size MP4* 4.8x (VGA in MP4) [Full HD] 1,920 × 1,080, 25fps (sensor output is 25p) (Pixels) PAL [HD] 1,280 x 720, 25fps (sensor output is 25p) Guide Lines (3 patterns) Other Functions [VGA] 640 x 480, 25fps (sensor output is 25p) Real-time Histogram Motion 2 [Full HD] 1,920 x 1,080, 60p (sensor output is 60p) (PSH: 28Mbps)* LEVEL GAUGE Yes (Built-in 3 shaft accelerometer sensor) Image [Full HD] 1,920 x 1,080, 60i (sensor output is 60p) (FSH: 17 Mbps) NTSC [Full HD] 1,920 x 1,080, 30p (sensor output is 60p) (FPH: 17 Mbps) DIRECTION DETECTION FUNCTION Yes [HD] 1,280 x 720, 60p (sensor output is 60p) (SH: 17 Mbps) One Push AE / Preview / Level Gauge / Focus Area Set / Photo Style / Aspect Ratio / Picture Size / Quality AVCHD*1 2 FUNCTION / Focus Mode / Metering Mode / HDR / Flash / Flash Adjust. / I. Resolution / I. Dynamic / EX. Tele Conv. / [Full HD] 1,920 × 1,080, 50p (sensor output is 50p) (PSH : 28Mbps)* Fn1, Fn2, Fn3, Fn4, Fn5 [Full HD] 1,920 x 1,080, 50i (sensor output is 50p) (FSH: 17 Mbps) BUTTON Digital Zoom / Electronic Shutter / Stabilizer / Motion Pic. Set / Picture Mode / Histogram / Guide Line / PAL Step Zoom / Zoom Speed / Rec Area / Sensitivity / White Balance / AF Mode / Drive Mode / Playback [Full HD] 1,920 x 1,080, 25p (sensor output is 50p) (FPH: 17 Mbps) [HD] 1,280 x 720, 50p (sensor output is 50p) (SH: 17 Mbps) FUNCTION LEVER Yes (AUTO/Zoom/EXP.) Continuous recordable time AVCHD with picture quality set to [FSH]: Approx. 140 min with H-FS014042 / Expressive / Retro / High Key / Low Key / Sepia / Dynamic Monochrome / Impressive Art / High 3 Still Image (Motion images)* Approx. 150 min with H-PS14042 or H-FS45150 CREATIVE Dynamic / Cross Process / Toy Effect / Miniature Effect / Soft Focus / Star Filter / One Point Color Actual recordable time AVCHD with picture quality set to [FSH]: Approx. 70 min with H-FS014042 / CONTROL Expressive / Retro / High Key / Low Key / Sepia / Dynamic Monochrome / Impressive Art / High Motion Image (Motion images) Approx. 75 min with H-PS14042 or H-FS45150 Dynamic / Cross Process / Toy Effect / Miniature Effect / One Point Color Flicker reduction [1/50] / [1/60] / [1/100] / [1/120] / OFF PHOTO STYLE Still image and Video Standard / Vivid / Natural / Monochrome / Scenery / Portrait / Custom Type Live View Finder (1,440,000 dots equivalent) Normal playback, 30-thumbnail display, 12-thumbnail display, Calendar display, Zoomed playback (Max. 16x), Slideshow (duration & effect is selectable), Playback Mode (Normal / Field of View Approx. 100% PLAYBACK Playback Mode Picture / Video / 3D Play / Category / Favorite), Title Edit, Text Stamp, Video Divide, Resize, Magnifi cation Approx. 1.4x / 0.7x (35mm camera equivalent) with 50mm lens at infi nity; -1.0 m -1 Cropping, Rotate, Favorite, DPOF Print Set, Protect, Face Recognition Edit VIEWFINDER Eye Point Approx.17.5mm from eyepiece lens IMAGE Protection Single / Multi, Cancel Diopter Adjustment -4.0 ~ +4.0 (dpt) PROTECTION / Erase Single / Multi / All / Except Favorite Eye Sensor Yes ERASE PRINT Direct Print PictBridge compatible (Print size, Layout, Date setting are selectable) Eye Sensor Adjustment High / Low USB USB 2.0 High Speed Type Contrast AF system miniHDMI TypeC Focus Mode AFS (Single) / AFF (Flexible) / AFC (Continuous) / MF HDMI Video: Auto / 1080p / 1080i / 480p AF Mode Face detection / AF Tracking / 23-area-focusing / 1-area-focusing / Pinpoint Audio: Stereo AF Detective Range EV 0 - 18 (ISO100 equivalent) INTERFACE Monaural Type, NTSC/PAL, NTSC only for North America *Check the website of the Panasonic sales FOCUS Audio Video Output AF Assist Lamp Yes company in your country or region for details on the products that are available in your market. Stereo, Wind-cut: Off / Auto AF Lock Set the Fn button in custom menu to AF lock Microphone Microphone level adjustable: Lv1 / Lv2 / Lv3 / Lv4 Quick AF, Continuous AF (during motion image recording), AF+MF, Eye Sensor AF, Others Touch AF, Touch Pad AF, Touch shutter, Touch MF Assist Speaker Monaural Light Metering System 144-zone multi-pattern sensing system English, German, French, Italian, Spanish, Polish, Czech, Hungarian, Russian, Chinese (Traditional), Chinese (Simplifi ed), Dutch, Thai, Korean, Turkish, Portuguese, Arabic, Persian, Japanese, Swedish, Danish, Finnish, Light Metering Mode Intelligent Multiple / Center Weighted / Spot LANGUAGE OSD Language Greek, Vietnamese * Check the website of Panasonic sales company in your country / region or ask Metering Range EV 0 - 18 (F2.0 lens, ISO100 equivalent) customer support for details of the OSD language available on the products sold in your country / region. Exposure Mode Program AE / Aperture Priority AE / Shutter Priority AE / Manual Battery Li-ion Battery Pack (7.2V, 1200mAh) (Included) Battery Charger EXPOSURE ISO Sensitivity Auto / Intelligent ISO / 160 / 200 / 400 / 800 / 1600 / 3200 / 6400 / 12800 POWER Approx. 310 images with H-FS014042 CONTROL Battery life (CIPA standard) (Standard Output Sensitivity) (Changeable to 1/3 EV step) Approx. 320 images with H-PS14042 or H-FS45150 Exposure Compensation 1/3 EV Step, ±5 EV Dimensions (W x H x D) 119.9 x 83.2 x 70.8 mm / 4.72 x 3.28 x 2.79 inch (excluding protrusions) AE Lock Set the Fn button in custom menu to AE lock Approx. 396g / 0.87 lb (SD card, Battery, Body) DIMENSIONS / Approx. 346g / 0.76 lb (Body only) AE Bracket 3, 5, 7 frame, in 1/3 or 2/3 or 1 EV Step, ±3 EV WEIGHT Weight Approx. 491g / 1.08 lb (SD card, Battery, H-PS14042 lens included White Balance Auto / Daylight / Cloudy / Shade / Incandescent / Flash / White Set 1, 2 / Color temperature setting Approx. 561g / 1.24 lb (SD card, Battery, H-FS014042 lens included) Approx. 596g / 1.31 lb (SD card, Battery, H-FS45150 lenses included) WHITE White Balance Adjustment Blue/amber bias, Magenta/green bias BALANCE Color Temperature Setting 2500 - 10000K in 100K OPERATING Operating Temperature 0°C to 40°C (32°F to 104°F) ENVIRONMENT White Balance Bracket 3 exposures in blue/amber axis or in magenta/green axiss Operating Humidity 10%RH to 80%RH Software PHOTOfunSTUDIO 8.2 PE, SILKYPIX® Developer Studio 3.1SE, LoiLoScope (trial version), USB Driver Type Focal-plane shutter STANDARD Still Images: Bulb (Max. 120 seconds), 1/4,000 - 60 ACCESSORIES Battery pack, Battery Charger, Body Cap, USB Connection Cable, Shoulder Strap, CD-ROM SHUTTER Shutter Speed Standard Accessories Motion Images: 1/16,000 - 1/30 (NTSC), 1/16,000 - 1/25 (PAL) * Lens hood of H-PS14042 lens is not included for DMC-G5X kit Self Timer 10 sec, 3 images / 2 sec / 10 sec *1 Use a card with SD Speed Class with "Class4" or higher. *2 Continuous recording exceeding 4GB or 29 min 59 sec is not possible when recording AVCHD in PSH. *3 Videos can be recorded continuously for up to 29 min 59 sec in European PAL areas. Continuous recording exceeding 4GB or 29 min 59 sec is not possible when recording MP4. For Full HD in MP4, the recordable time will drop below 29 min 59 sec. Partial restrictions on using Panasonic digital video cameras to play AVCHD motion images recorded with the DMC-G5. • AVCHD videos recorded onto an SD Memory Card or a DVD disc cannot be played on a device that does not support the AVCHD standard. • AVCHD motion images recorded with the image quality set to SH mode (1,280 × 720) cannot be played on AVCHD-compatible digital video cameras. • AVCHD motion images recorded with AVCHD-compatible digital video cameras cannot be played on the DMC-G5. • More detailed information is available on our support site: http://panasonic.jp/support/global/cs/dsc/
About the performance of Face Recognition function Recognition performance varies greatly depending on shooting conditions, i.e., according to factors such as angles, facial expression and lighting, so operation under all conditions cannot be guaranteed. Because the camera searches for faces that are similar to registered faces, there are cases where the faces are not correctly recognized when the registered image and the shooting image varies much. When facial characteristics are similar, particularly between parents and their children or brothers and sisters, the camera may not distinguish the faces.
Lens Specifi cations
LUMIX G X VARIO PZ 14-42mm / F3.5-5.6 ASPH. / POWER O.I.S. (H-PS14042) LUMIX G VARIO 14-42mm / F3.5-5.6 ASPH. / MEGA O.I.S. (H-FS014042) LUMIX G VARIO 45-150mm / F4.0-5.6 ASPH. / MEGA O.I.S. (H-FS45150) Lens Construction 9 elements in 8 groups (4 Aspherical lenses, 2 ED lenses) 12 elements in 9 groups (1 Aspherical lens) 12 elements in 9 groups (2 aspherical lenses , 1 UHR lens) Nano Surface Coating Yes - - Mount Micro Four Thirds mount Micro Four Thirds mount Micro Four Thirds mount Optical Image Stabilizer Yes (POWER O.I.S.) Yes (MEGA O.I.S.) Yes (MEGA O.I.S.) Focal Length f = 14mm to 42mm (35mm camera equivalent 28mm to 84mm) f = 14mm to 42mm (35mm camera equivalent 28mm to 84mm) f=45-150mm (35mm camera equivalent 90-300mm) Aperture Type 7 diaphragm blades / Circular aperture diaphragm 7 diaphragm blades / Circular aperture diaphragm 7 diaphragm blades / Circular aperture diaphragm Aperture Range F3.5 (Wide) - F5.6 (Tele) F3.5 (Wide) - F5.6 (Tele) F4.0 (Wide) - F5.6 (Tele) Minimum Aperture F22 F22 F22 Closest Focusing Distance 0.2 m / 0.66 feet (14-20mm), 0.3 m / 0.98 feet (21-42mm) 0.3 m / 1 feet 0.9 m / 3.0 feet Maximum Magnifi cation Approx. 0.17x / 0.34x (35mm camera equivalent) Approx. 0.16x / 0.32x (35mm camera equivalent) Approx. 0.17x / 0.35x (35mm camera equivalent) Diagonal Angle of View 75° (W) - 29° (T) 75° (W) - 29° (T) 27° (W) - 8.2° (T) Filter Size ø 37 mm / 1.5 inch ø 52 mm / 2.05 inch ø 52mm / 2.05 inch Maximum Diameter ø 61 mm / 2.4 inch ø 60.6 mm / 2.39 inch ø 62 mm / 2.44 inch Overall Length Approx. 26.8 mm / 1.1 inch* Approx. 63.6 mm / 2.50 inch (from the tip of the lens to the base side of the lens mount) Approx. 73mm / 2.9inch (from the tip of the lens to the base side of the lens mount) Weight Approx. 95 g / 3.4 oz (excluding lens cap and lens rear cap) Approx. 165 g / 5.82 oz (excluding lens cap and lens rear cap) Approx. 200g / 7.1oz (excluding lens cap and lens rear cap) Others Electric zoom lever, Manual focus lever - -
* When the lens is retracted.
• AVCHD and AVCHD logos are trademarks of Panasonic Corporation and Sony Corporation. AVCHD is a high-defi nition (HD) digital video recording / playback format jointly established by Panasonic Corporation and Sony Corporation. For more details, please refer to the “AVCHD Information Website”. http://www.avchd-info.org/ • The release date may differ depending on the country. Check the website of the Panasonic sales company in your country or region for details on the optional accessories that are available in your market. • The DMW-BLC12 comes with a function to check whether the battery and unit can be safely used together. • Batteries made by other companies which have been certifi ed by Panasonic may be used with these units, but we offer no guarantee as to the quality, performance or safety of such batteries. • Exercise care when purchasing batteries. Many fake or imitation batteries have been found among those sold at unusually low prices and those which customers cannot check for themselves before purchasing. • Please confi rm the latest information about batteries on the following website. http://panasonic.jp/support/global/cs/info/battery.html (English) • When a lens that does not support the contrast AF function is mounted, operation will automatically switch to manual focus. Confi rm the operation information of compatible lenses at Customer support. http://panasonic.jp/support/global/cs/dsc (English) • Dolby and the double-D symbol are trademarks of Dolby Laboratories. • HDMI, the HDMI logo and High-Defi nition Multimedia Interface are trademarks or registered trademarks of HDMI Licensing LLC. • Microsoft® and Windows® are either registered trademarks or trademarks of Microsoft Corporation in the United States and/or other countries. • Apple® and Mac OS® are either registered trademarks or trademarks of Apple Inc. in the United States and/or other countries. • Four Thirds™ and Micro Four Thirds™, and Four Thirds and Micro Four Thirds Logo marks are trademarks or registered trademarks of Olympus Imaging Corporation, in Japan, the United States, the European Union and other countries. • Other names of systems and products mentioned in this brochure are generally the registered trademarks or trademarks of the manufacturers who developed the system or product concerned. • Some accessories are not available in some countries. • Weight and dimensions shown are approximate. • Design, functions, and specifi cations are subject to change without notice. • Overall length of lens is from the tip of the lens to the base side of the lens mount. • Some functions may not work when lenses other than the included lens are used. Please refer to Panasonic's website, etc., for the latest information. • Availability of colors and OSD languages may vary depending on the sales area. • Some sample images are simulated. • The use of recorded or printed materials that are protected by copyright for any purpose other than personal enjoyment is prohibited, as it would infringe upon the rights of the copyright holder. • Dolby and the double-D symbol are trademarks of Dolby Laboratories. Endless Evolution
LUMIX revolutionized the SLR camera in 2008 by eliminating the mirror — marking the world's fi rst Digital Single Lens Mirrorless (DSLM) camera. In addition to making the body and lens smaller and lighter, the new camera achieved better handling and higher-quality images and performance. In 2012, the DMC-G5 took the next major step. Inheriting all previous innovations, it added new image rendering capabilities and nimble mobility, while also optimizing video performance. Once again, mirrorless technology is driving system camera evolution.
LUMIX G X VARIO 12-35mm / F2.8 ASPH. / POWER O.I.S., 13 sec, F6.3, ISO 160
02 03 Advanced Technology Lets You Harness Your Own Creativity.
16.05-megapixel High-Speed, High-Performance Digital Live MOS Sensor Venus Engine
Panasonic has added its original pixel mix technology and the The Venus Engine applies advanced signal inherent high speed of the CMOS sensor to the 16.05-megapixel processing to both photos and video, and attains Digital Live MOS Sensor. Processing is further designed to minimize exceptional noise-reduction performance with the noise generation in the new sensor. Finer wiring around the combination of 3D Noise Reduction (3DNR) and photodiode achieves a higher aperture ratio, which results in higher Multi-process Noise Reduction (MNR) systems. A total of four resolution and an excellent S/N ratio while a new high-performance CPUs work in tandem to quickly process the digital signals for transistor speeds up signal processing. Taking full advantage of the these advanced noise reduction systems, and the signals for Digital Live MOS Sensor and Venus Engine, images can be shot in 1,920 x 1,080 Full-HD progressive video recording and high- low lighting at the high ISO sensitivity setting of 12800. speed burst shooting.
Top-Class Aspherical Lens Production Noise Reduction System
Lumix G lenses are all developed in-house. Their quality is The DMC-G5 features two types of noise reduction: Multi- inspected by the UA3P Ultra-High Accuracy 3D Profi lometer, an process Noise Reduction, which optimizes the noise reduction in instrument that was originally developed by Panasonic and is the bright parts of the image for both single* and burst shooting, now used by optical manufacturers and 3D Noise Reduction, which applies optimal noise reduction all over the world. Panasonic’s by differentiating the edges and the smooth parts of the image collaboration with Leica Camera AG in single shots. This system effectively suppresses the kind of also resulted in stringent quality noise that is typically found in high-sensitivity image recording.* standards for these advanced lenses * Not applicable to video recording. and a system in which each and every lens is inspected. Dust Reduction System
Rich Gradation and a Wide Contrast Range If dust or other foreign matter were to enter the camera while HDR (High Dynamic Range) changing lenses, it could cling to the image sensor and show up as a spot in your photos. The Dust Reduction System in the The HDR function overlays several still images that are DMC-G5 helps eliminate this possibility by placing a Supersonic- consecutively shot at different exposure levels to produce Wave Filter in front of the Digital Live MOS Sensor, between a single composite image without blown highlights (over- the low-pass fi lter and the shutter. Vibrating vertically around exposure) or blocked shadows (under-exposure). 80,000 times per second, the fi lter effectively repels dust and other particles.
Over-exposure Under-exposure Flow of the Dust Reduction System LEICA DG SUMMILUX 25mm / F1.4 ASPH., 0.8 sec, F1.6, ISO 160
04 05 High-Precision AF Makes Sure You'll Always Get Your Shot.
Contrast AF Accuracy Eye Sensor AF Full-area Focusing
The DMC-G5 uses the Contrast AF system, The high-resolution Live View Finder Full-area focusing in the DMC-G5 lets which boasts high accuracy even when features the Eye Sensor AF function, you focus on any point in the field of shooting at a small F value. Unlike Phase which automatically starts focusing view. You can freely and intuitively Difference AF, which is susceptible to a when you look into the LVF to capture compose your shots with touch-screen mechanical margin of error, focusing in the spur-of-the-moment. It’s almost operation. Full-area Focusing, the DMC-G5’s Contrast AF is controlled as though the camera understands a convenience made possible by by a system in which the image sensor your shooting intent and speeds up the Contrast AF. doubles as the AF sensor to achieve focusing process to help you get the precise focusing — and no mechanical sharpest, most accurate shot possible. margin of error.
DSLR Camera
Previous model 100% field of view / Limited AF area Main Mirror Image Sensor Sub Mirror LCD
AF Sensor
LUMIX G Live View Finder DMC-G5 100% field of view / Full AF area Image Sensor Compared with Phase Difference AF, which lets you LCD focus only on the areas covered by an AF sensor, the * Simulated image DMC-G5 lets you focus on any point in the frame.
High-Speed Performance Pinpoint AF and a Variety of AF Modes Match the Focus Mode to the Scene Seizes the Moment. Contrast AF* gives the DMC-G5 a variety of AF modes. There’s one that’s just right for •AFS Fixes the focus while the shutter any shooting situation. Choose the mode you want with the AF mode button. button is half-pressed. * Lenses that are not compatible with the Contrast AF function can be manually focused. •AFF The camera automatically switches to AFS or AFC in response to Light Speed AF — High-Resolution Burst Shooting Pinpoint AF Allows more precise focus setting by further enlarging the focusing area. the subject’s movement. The World’s Fastest 6-fps Burst Shooting with AF Tracking 1-area AF Lets you freely set the AF area and the size of the focusing frame. Multi-area AF The camera automatically selects the area from among a maximum of 23 focus points. •AFC Constantly maintains the focus The incredible speed of the The DMC-G5 can fire off up to Burst shooting with AF tracking AF Tracking Automatically maintains the focus and exposure of a moving subject. on a moving subject while the shutter DMC-G5 precisely captures about 6 frames per second in full automatically maintains the focus while button is half-pressed. Face Detection Detects any of up to 15 faces and adjusts the exposure and focus on that face. moving subjects. It features 16.05-megapixel resolution with its tracking moving subjects. This lets the world’s fastest level of auto mechanical shutter. Even higher-speed you capture high-quality images in full •MF Lets you adjust the focus manually. focusing, called Light Speed AF, which burst shooting is possible when the 16.05-megapixel resolution at 3.7 fps. Normal view Enlarged view is achieved by reducing the detection electronic shutter is used, like 20 fps for time for focusing by doubling the capturing race cars and other subjects drive speed from 60 to 120 frames that are even difficult to see with the per second.* The DMC-G5’s advanced naked eye. Contrast AF system makes sure you always get the shot you want. * When using the H-PS14042 lens. Touch the point for auto focus. Enlarge the image to finely adjust the focus point. Focus and shoot with the touch shutter.
06 07 Superior Operating Ease Supporting a New Dimension of Shooting Comfort.
Featuring the Eye Sensor. The Live View Finder (LVF), with its 100% coverage, lets you confi rm even the fi nest details with The power zoom lens can be operated with the Function lever. the high resolution of 1,440K-dots. This also stabilizes zooming when shooting videos.
1920 x 1080 60p(NTSC) / 50p(PAL).
The 3.0-inch, 920K-dot touch panel and free-angle LCD The slip-resistant elastomer grip allows the camera to be Exactly the Kind of Full-HD Videos You Want. monitor enables shooting from a variety of angles. fi rmly held.
Smooth Motion and Outstanding Expression in AVCHD Progressive Format Video Recording with Touch AF
Choose from two methods for recording spur-of-the-moment scenes — Video recording with Touch AF lets you high-quality photos or videos. Select the one that will save your memories most enjoy professional-like rack focusing. Touch Screen Operation GUI (Graphical User Interface) beautifully. The DMC-G5 records high-resolution Full-HD 1,920 x 1,080 60p Simply point at your subject. The focus (NTSC)/50p (PAL) videos with 28 Mbps videos in AVCHD Progressive (MPEG-4/H.264) automatically shifts to it, making it stand The 3.0-inch, 920K-dot, A new graphic engine makes the GUI format. Upgrading the full-HD recording capability from interlaced to progressive, out to draw the viewer’s attention. The high-resolution LCD monitor clearer and easier to see, which also makes subjects with fast motion or fi ne details are reproduced even more clearly. DMC-G5 opens a whole new dimension makes it easy to operate a operation simpler and more intuitive. in video shooting without requiring Progressive 30p variety of functions, such advanced skills. You can also switch the Twice the Infomation of Interlace Recording as pressing the shutter, subject of the focus by simply touching a Level Gauge 1080/60p / 1080/50p (progressive) conveys about focusing, and displaying different subject on the screen. twice the information of 1080i (interlace) recording. Progressive 60p the Scene Guide, by simply The Level Gauge uses an internal level and acceleration sensors to It creates intricate detail and silky smooth motion. touching the monitor. Even when subjects move quickly, afterimages are detect the horizontal/vertical minimized to create more natural images. angle of view. Photos shot in The High-Quality Sound of a portrait confi guration are Dolby® Digital Stereo Creator Touch Pad AF Easy Video Recording automatically displayed vertically regardless of which lens is used. with Full-Time Auto Focus AF Tracking A stereo zoom You can set or change microphone gives the focus position by Electronic Shutter The DMC-G5’s high-speed, high-precision Just touch the screen, and the DMC-G5 videos the realistic, high-quality stereo touching the LCD panel AF functions operate even while shooting locks on and automatically “tracks” the sound of Dolby® Digital Stereo Creator. while watching the videos. Live View video shooting couldn’t subject as it moves, constantly adjusting • Dolby and the double-D symbol are trademarks viewfi nder, for highly The Electronic Shutter mode eliminates shutter sound, making it ideal for be much easier. the focus for the best results. of Dolby Laboratories. intuitive focusing. shooting in quiet situations such as recitals, school plays or in museums.
08 09 Artistic Expression Makes Your Photos More Creative.
Let a Diverse Palette of Functions Add Artistic Touches For System Camera Novices Creative Control Scene Guide
Fourteen fi lters serve to relay your shooting intention and make images even For people who are new to system cameras, Scene Guide more impressive. You can also apply the fi lters to video recording. for the DMC-G5 offers 23 sample pictures shot by * The Star Filter and Soft Focus cannot be used for video recording. professional photographers. Choose the one that is ** Sound is not recorded with the Miniature Effect in Creative Control 1. Expressive 2. Retro closest to your shooting situation and the parameters will mode, and approximately 1/10 of the time period is recorded. (If you record be automatically optimized. 4. Clear in Backlight for 10 minutes, the resulting video recording will be approximately 1 minute * Video recording cannot be used in length.) One Point Advice in some scenes.
Effect Parameter More Guidance In addition to One Point- 7. Impressive Art Advice, Advanced Advice 3. High Key 4. Low Key and the Recommended Lens can be shown to
help beginners learn One Point Advice lets you take full photography. advantage of image effects. 9. Romantic Sunset Glow
Saturation
5. Sepia 6. Dynamic Monochrome The effect parameter makes it easy to adjust settings. Adjustable settings differ depending on the selected effect. The refocusing area and exposure composition are also adjustable. 1. Clear Portrait 2. Silky Skin 3. Backlit Softness 5. Relaxing Tone 6. Sweet Child’s Face 7. Distinct Scenery 8. Bright Blue Sky
7. Impressive Art 8. High Dynamic 9. Cross Process
10. Vivid Sunset Glow 11. Glistening Water* 12. Clear Nightscape 13. Cool Night Sky 14. Warm Glowing Nightscape15. Artistic Nightscape 16. Glittering Illuminations*
12. Soft Focus* 13. Star Filter* 10. Toy Effect 11. Miniature Effect** 14. One Point Color 17. Clear Night Portrait 18. Soft Image of a Flower*19. Appetizing Food 20. Cute Dessert 21. Freeze Animal Motion 22. Clear Sports Shot 23. Monochrome
Even Greater Control of Image Settings Photo Style iA (Intelligent Auto) Plus Recommended Filters While even experienced photographers appreciate The recommended fi lters are suggested depending on the scene You can manually choose from 6 color types and adjust detailed iA mode, it is easy enough for beginners to use detected by the camera in iA or iA Plus mode. image settings to capture images just the way you want them. comfortably in both photo and video recording. Parameters for each mode can be customized in 5 steps and favorite In iA Plus mode, the defocusing area, exposure and white settings can be stored in memory. In Custom mode, balance can be adjusted for fi nely customized settings can be stored for easy recall and use. scenes where a slight manual adjustment may bring a better result. Touch the icon.
Select a fi lter. Standard Vivid NaturalMonochrome Scenery Portrait
10 11 Great Lenses Make Great Cameras Changing the Lens Can Transform the World.
The Lens for the LUMIX G Standard Zoom Lenses Macro Lens
The World’s First* Digital Interchangeable A Versatile, High-Quality Standard Zoom Lens An Ultra Compact, Lightweight Zoom Lens A Superior Macro Lens that Brings Tiny Worlds into View. Power Zoom Lens with Retractable Optics from Wide-angle to Medium Telephoto. with Excellent Mobility. for Superb Mobility.
LEICA DG MACRO-ELMARIT 45mm LUMIX G VARIO 14-42mm LUMIX G VARIO 45-150mm F2.8 ASPH. / MEGA O.I.S. F3.5-5.6 ASPH. / MEGA O.I.S. F4.0-5.6 ASPH. / MEGA O.I.S. (H-ES045) (H-FS014042) (H-FS45150) 90mm (35mm camera equiv.) LUMIX G X VARIO PZ 14-42mm 28-84mm (35mm camera equiv.) 90-300mm (35mm camera equiv.) F3.5-5.6 ASPH. / POWER O.I.S. (H-PS14042) 28-84mm (35mm camera equiv.) A Standard Zoom Lens for Landscapes, 3D Lens *For a digital interchangeable lens as of August 26, 2011. Snapshots, Portraits, and More. Single Focal Length Lenses The World's First**** Interchangeable 3D Lens. The World’s First** Digital Interchangeable Once Again, LUMIX G Dramatically Changes Power Zoom Lens. Unchanged in Length, A Fisheye Lens for Unique Images Digital SLR Shooting Styles. this Lens Provides Highly Comfortable Zooming. with Deformation Effects.
LUMIX G VARIO 14-45mm F3.5-5.6 ASPH. / MEGA O.I.S. (H-FS014045) 28-90mm (35mm camera equiv.) LUMIX G 12.5mm F12 Perfect for HD Videos: A 10x Optical Zoom LUMIX G FISHEYE 8mm (H-FT012) that Takes You from Wide-Angle to Telephoto. F3.5 68mm***** (35mm camera equiv.) (H-F008) ****For a digital interchangeable lens as of September 21, 2011. 16mm (35mm camera equiv.) *****When setting the aspect ratio at 16:9 with the DMC-G5. LUMIX G X VARIO PZ 45-175mm F4.0-5.6 ASPH. / POWER O.I.S. A Single-Focal-Length Lens (H-PS45175) for Wide-Angle Shooting. 90-350mm (35mm camera equiv.) Conversion Lenses **For a digital interchangeable lens as of August 26, 2011. LUMIX G VARIO HD 14-140mm Simply Mount to the Lens for Wide-Angle, F4.0-5.8 ASPH. / MEGA O.I.S. (H-VS014140) Zooming, Macro or Fisheye Shooting. A Compact, Lightweight Standard Lens 28-280mm (35mm camera equiv.) with F2.8 Brightness Across the Entire Zoom Range. LUMIX G 14mm Wide Conversion Lens F2.5 ASPH. DMW-GWC1 (H-H014) Telephoto Zoom Lenses 28mm (35mm camera equiv.)
An Easy-to-Use Zoom that Goes All the Way to 400mm. A Compact Lens with Large f1.7 Aperture — Perfect for Everyday Shooting. Without Conversion Lens With Conversion Lens (0.79x) Tele Conversion Lens LUMIX G X VARIO 12-35mm DMW-GTC1 F2.8 ASPH. / POWER O.I.S. (H-HS12035) 24-70mm (35mm camera equiv.)
LUMIX G VARIO 45-200mm LUMIX G 20mm F4.0-5.6 / MEGA O.I.S. F1.7 ASPH. Macro Conversion Lens Without Conversion Lens With Conversion Lens (2.0x) (H-FS045200) (H-H020) DMW-GMC1 Wide-Angle Zoom Lens 90-400mm (35mm camera equiv.) 40mm (35mm camera equiv.)
A Super-small, Lightweight Ultra Wide-Angle Zoom Lens. An Ultra-Zoom Lens that Fights Hand-Shake. An F1.4, 25mm Single-Focal-Length Lens with Stunning Soft Focus.
Fisheye Conversion Lens Without Conversion Lens With Conversion Lens DMW-GFC1
LUMIX G VARIO 7-14mm LUMIX G VARIO 100-300mm LEICA DG SUMMILUX 25mm F4.0 ASPH. F4.0-5.6 / MEGA O.I.S. F1.4 ASPH. (H-F007014) (H-FS100300) (H-X025) 14-28mm (35mm camera equiv.) 200-600mm (35mm camera equiv.) 50mm (35mm camera equiv.) Without Conversion Lens With Conversion Lens
• Micro Four Thirds™ and Micro Four Thirds Logo marks are trademarks or registered trademarks of Olympus Imaging Corporation, in Japan, the United States, the European Union and other countries. • LEICA is a registered trademark of Leica Microsystems IR GmbH. SUMMILUX and ELMARIT are registered trademarks of Leica Camera AG. The LEICA DG lens is manufactured using measurement instruments and quality assurance systems that have been certifi ed by Leica Camera AG based on the company’s quality standards. 12 13 Optional Accessories
External Flash Filter / Protector Zoom Lever
DMW-FL220 (GN22) DMW-FL360 (GN36) DMW-FL500 (GN50) PL Filter ND Filter MC Protector DMW-ZL1 DMW-LPL37 DMW-LND37 DMW-LMCH37 DMW-LPL46 DMW-LND46 DMW-LMC46 DMW-LPL52 DMW-LND52 DMW-LMC52 DMW-LPL58 DMW-LND58 DMW-LMCH58 In 2008, a small single lens camera made a huge impact. It was called mirrorless, and the brand was Lumix G. DMW-LPL62 DMW-LND62 DMW-LMCH62 Along with the mirror, it eliminated many of the previous disadvantages of the DSLR. DMW-LPL67 DMW-LMCH67 The mirrorless structure created an entirely new relationship between photographers and cameras. Mount Adaptor Battery PackHDMI mini Cable Remote Shutter Having released the world’s fi rst DSLM model,* Lumix G will continue to use advanced technologies to revolutionize cameras. DMW-MA1 DMW-MA2M DMW-MA3R DMW-BLC12RP-CDHM15 (1.5m) DMW-RSL1 *The DMC-G1, the world’s fi rst digital single lens mirrorless camera, was introduced on September 12, 2008. for the Four Thirds system for M mount lens of for R mount lens of RP-CDHM30 (3.0m) Leica Camera AG Leica Camera AG
Tripod Adaptor Bag Soft Case
DMW-TA1 DMW-BAG1 DMW-BAG2-A DMW-CZ18 DMW-BAL1 DMW-CG1 High Image Quality and Mobility from the Mirrorless Design DMW-BAG2-C DMW-CG2 DMW-BAG2-R The mirrorless structure of Lumix G made it possible to shorten the fl ange back distance to about half that of previous models, while also reducing the diameter
of the lens mount. This has downsized both the body and the lens. Using high- 35mm precision lenses that bring the light on a straight path to the image sensor Format Camera preserves the high inherent image quality, providing optimal photo System Shoulder Strap (Leather) Shoulder Strap (Stylish) Shoulder Strap (Woven) Shoulder Strap (Leather) Shoulder StrapSD / (Long) SDHC / SDXC Memory Card quality with more agile mobility. DMW-SSTL1 DMW-SSTG1-K (Black) DMW-SSTG2-W (White) DMW-SSTG3-T (Brown) DMW-SSTG6-K64GB: (Black) RP-SDU64G DMW-SSTG1-A (Navy Blue) DMW-SSTG5-K (Black) DMW-SSTG6-W32GB: (White) RP-SDU32G DMW-SSTG1-C (Beige) DMW-SSTG5-C (Beige) 16GB: RP-SDU16G DMW-SSTG1-R (Red) DMW-SSTG5-R (Red) 8GB: RP-SDU08G 4GB: RP-SDU04G LUMIX G *1GB = 1 billion bytes. Usable capacity will be less.
Revolutionary Lenses from Industry-Leading Technologies System Chart High-performance Lumix G lenses are developed and manufactured by applying a variety of industry-leading Panasonic System Standard Accessories technologies, starting with aspherical lenses that prevent spherical aberration and other types of distortion, CD-ROM (PHOTOfunSTUDIO 8.2 PE/SILKYPIX® Developer and including a Nano Surface Coating that suppresses ghosts and flaring. Stringent quality controls and an PL Filter ND Filter MC Protector Studio 3.1SE/LoiLoScope Trial Version) Digital Photo Frame DVD Recorder Blu-ray DiscTM Player DMW-LPL37 DMW-LND37 DMW-LMCH37 MW-20 HDTV inspection system that carefully inspects every single product were established by collaboration with Leica DMW-LPL46 DMW-LND46 DMW-LMC46 For DMC-G5X DMW-LPL52 DMW-LND52 DMW-LMC52 LUMIX G X VARIO PZ 14-42mm/ DMW-LPL58 DMW-LND58 DMW-LMCH58 F3.5-5.6 ASPH./ POWER O.I.S. Camera AG to create an outstanding External Flash External Flash External Flash AV Cable Conventional Coating Nano Surface Coating DMW-FL500 DMW-FL360 DMW-FL220 DMW-LPL62 DMW-LND62 DMW-LMCH62 DMW-LPL67 DMW-LMCH67 level of image quality that has gained Refl ected Refl ected For DMC-G5K / W light light LUMIX G VARIO 14-42mm/F3.5-5.6 Lens Rear Cap ASPH.MEGA O.I.S. USB Connection worldwide recognition. SD Memory Card HDMI mini Cable DMW-LRC1 *1 Cable Personal Computer SDHC Memory Card RP-CDHM15 / RP-CDHM30 Lens Cap SDXC Memory Card Lens Lens DMW-LFC37 DMW-LFC58 For DMC-G5W Shoulder Strap Tripod Adaptor Shoulder Strap Remote Shutter DMW-LFC46 DMW-LFC62 LUMIX G VARIO DMW-SSTG1 DMW-TA1 DMW-SSTL1 DMW-RSL1 DMW-LFC52 DMW-LFC67 45-150mm/F4.0-5.6 ASPH./MEGA O.I.S. Lenses DMW-SSTG2 DMW-SSTG3 Body Cap Battery Pack LEICA M Mount DMW-SSTG5 DMW-BDC1 DMW-BLC12 M Mount Adaptor Lenses DMW-SSTG6 Zoom Lever DMW-MA2M Battery Charger DMW-ZL1* Mount LEICA R Mount High-Speed, High-Precision AF Opens a New Domain for the Single Lens Camera Adaptor R Mount Adaptor Lenses DMW-MA1 DMW-MA3R
Battery Pack An auto focus system with top-level speed has been achieved by increasing both the focusing and AC Adaptor DC Coupler *2 DMW-AC8 DMW-DCC8 Soft Bag Soft Bag Soft Bag Leather Bag Soft Case Soft Case Shoulder Strap lens drive speed. The Contrast AF system also enables Full Area Touch Focusing, a feature that DMW-BAG1 DMW-BAG2 DMW-CZ18 DMW-BAL1 DMW-CG1 DMW-CG2
wasn't possible with conventional single lens models because of the limited AF points. Lumix G lets *1 The fi rmware update is recommended for more comfortable HD video recording.http://panasonic.jp/support/global/cs/dsc/ (English) *2 The AC Adaptor DMW-AC8 requires the DC coupler DMW-DCC8 / DCC9 / DCC11. The DC coupler DMW-DCC8 / DCC9 / DCC11 require the AC Adaptor DMW- AC8. * The DMW-ZL1 is compatible with the following Micro Four Thirds lenses (As of April 2012). H-F007014 / H-FS014042 / H-FS014045 / H-VS014140 / H-FS045200 / H-FS100300. • Some functions of the DMC-G5 cannot be used when mounting the Four Thirds lenses with the Mount Adaptor you capture even the most fl eeting images in all their natural DMW-MA1, the LEICA M or R lenses with the Mount Adaptor DMW-MA2M or DMW-MA3R. • Leica is a registered trademark of Leica Microsystems IR GmbH. • When a lens that does not support the Contrast AF function is mounted, operation will automatically switch to manual focus. • Confi rm the DSLR Competitor Focus AreaLumix G Focus Area operation information of compatible lenses at Customer Support http://panasonic.jp/support/global/cs/dsc (English). • The DMW-BLC12 comes with a function to check whether the battery and unit can be safely used together. • Four Thirds™ and Micro Four Thirds™, and Four Thirds and Micro Four Thirds Logo marks are trademarks or registered trademarks of Olympus Imaging Corporation, in Japan, the United States, the European Union and other countries. • The release date may differ depending on the country. Check the website of the Panasonic sales company in your country or region beauty, while also providing free and easy framing with high for details on the optional accessories that are available in your market. • Some accessories are not available in some countries. • Batteries made by other companies which have been certifi ed by Panasonic may be used with these units, but we offer no guarantee as to the quality, performance or safety of such batteries. • Exercise care when purchasing batteries. Many fake or imitation batteries have been found among those sold at unusually low prices and those which customers cannot check for themselves before purchasing. • Please confi rm the latest information about batteries on the precision and virtually unlimited AF points. following website. http://panasonic.jp/support/global/cs/info/battery.html (English) • The SDXC/SDHC Memory Card can be used only if their logos are indicated on the equipment or in the operation manual. It cannot be used with equipment that supports only the SD Memory Card. • For detailed information about the lenses made by SIGMA, OLYMPUS, LEICA, COSINA and KENKO TOKINA, please see each company's website.
9-Point AF system Full-Area AF system Included Software Makes Your Photos and Videos More Expressive
PHOTOfunSTUDIO 8.2 PE SILKYPIX® Developer Studio 3.1 SE LoiLoScope (Trial Version)
This software makes it possible to The DMC-G5 records original You can easily edit, convert and High-Performance Video Made Possible by Panasonic, the Camcorder Developer and Manufacturer sort and organize photos and videos image data in RAW fi le format. manage videos that you took in not only of those newly taken but A number of highly advanced AVCHD format. And there are many The use of a special heat-dissipating design for video recording provides long-time shooting of high-quality also of those stored in your computer functions can be applied to effects to choose from. This helps images. By pursuing seamless operation of both still and video recording right from the design stage, engineers with quick start-up and fast read-in these RAW images by using to create the kind of videos you want of images. You can upload photos to this software, with its unique and greatly adds to the fun after were able to attain Full-HD quality throughout. As a result, the video industry has also given a warm welcome Facebook™ and videos to YouTube™ combination of high resolution shooting. and high acclaim to Lumix G. or Facebook™ via this software, too. and extraordinary color separation performance. • YouTube is a registered trademark or trademark of Google Inc. • Facebook is a registered trademark or trademark of Facebook, Inc.
• Micro Four Thirds™ and Micro Four Thirds Logo marks are trademarks or registered trademarks of Olympus Imaging Corporation, in Japan, the United States, the European Union and other countries. 14 15