Gallery List Basel | February | 2 | 2016
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Michael Landy Born in London, 1963 Lives and Works in London, UK
Michael Landy Born in London, 1963 Lives and works in London, UK Goldsmith's College, London, UK, 1988 Solo Exhibitions 2017 Michael Landy: Breaking News-Athens, Diplarios School presented by NEON, Athens, Greece 2016 Out Of Order, Tinguely Museum, Basel, Switzerland (Cat.) 2015 Breaking News, Michael Landy Studio, London, UK Breaking News, Galerie Sabine Knust, Munich, Germany 2014 Saints Alive, Antiguo Colegio de San Ildefonso, Mexico City, Mexico 2013 20 Years of Pressing Hard, Thomas Dane Gallery, London, UK Saints Alive, National Gallery, London, UK (Cat.) Michael Landy: Four Walls, Whitworth Art Gallery, Manchester, UK 2011 Acts of Kindness, Kaldor Public Art Projects, Sydney, Australia Acts of Kindness, Art on the Underground, London, UK Art World Portraits, National Portrait Gallery, London, UK 2010 Art Bin, South London Gallery, London, UK 2009 Theatre of Junk, Galerie Nathalie Obadia, Paris, France 2008 Thomas Dane Gallery, London, UK In your face, Galerie Paul Andriesse, Amsterdam, The Netherlands Three-piece, Galerie Sabine Knust, Munich, Germany 2007 Man in Oxford is Auto-destructive, Sherman Galleries, Sydney, Australia (Cat.) H.2.N.Y, Alexander and Bonin, New York, USA (Cat.) 2004 Welcome To My World-built with you in mind, Thomas Dane Gallery, London, UK Semi-detached, Tate Britain, London, UK (Cat.) 2003 Nourishment, Sabine Knust/Maximilianverlag, Munich, Germany 2002 Nourishment, Maureen Paley/Interim Art, London, UK 2001 Break Down, C&A Store, Marble Arch, Artangel Commission, London, UK (Cat.) 2000 Handjobs (with Gillian -
Fundraiser Catalogue As a Pdf Click Here
RE- Auction Catalogue Published by the Contemporary Art Society Tuesday 11 March 2014 Tobacco Dock, 50 Porters Walk Pennington Street E1W 2SF Previewed on 5 March 2014 at the Institute of Contemporary Arts, London The Contemporary Art Society is a national charity that encourages an appreciation and understanding of contemporary art in the UK. With the help of our members and supporters we raise funds to purchase works by new artists Contents which we give to museums and public galleries where they are enjoyed by a national audience; we broker significant and rare works of art by Committee List important artists of the twentieth century for Welcome public collections through our networks of Director’s Introduction patrons and private collectors; we establish relationships to commission artworks and promote contemporary art in public spaces; and we devise programmes of displays, artist Live Auction Lots Silent Auction Lots talks and educational events. Since 1910 we have donated over 8,000 works to museums and public Caroline Achaintre Laure Prouvost – Special Edition galleries – from Bacon, Freud, Hepworth and Alice Channer David Austen Moore in their day through to the influential Roger Hiorns Charles Avery artists of our own times – championing new talent, supporting curators, and encouraging Michael Landy Becky Beasley philanthropy and collecting in the UK. Daniel Silver Marcus Coates Caragh Thuring Claudia Comte All funds raised will benefit the charitable Catherine Yass Angela de la Cruz mission of the Contemporary Art Society to -
David Thorpe : a Rare Beast Maureen Paley
David Thorpe : A Rare Beast Maureen Paley 8 June - 22 July 2012 Review by Henry Little Libidinous, bulbous plants, groaning patterned monoliths, crafted vertebrae and a fleshy length of oak: David Thorpe’s exhibition marries Victorian artisanal creed with the science-fiction, fantasy landscapes of previous years. Earlier works from the middle of the last decade depicted precarious architecture and emblematic civilisations in the wilderness, alone, but romantic and picturesque. Here, we see this peculiar world up close. A monument on eight wooden legs, just tall enough to make you feel small, occasionally asserts itself with a low groan. This seems strange, emanating from a rustic, ornate wall facsimile, devotedly inlaid with looping foliage patterns and constructed in antiquated wattle and daub. Its near neighbour, an upright screen with domestic dark brown tiles with a white foliage pattern, is comparably emphatic in its love of Victorian design. Like the highly influential nineteenth-century writer and critic John Ruskin (1819 - 1900), Thorpe’s current body of work foregrounds a fascination with the relationship between art and nature. And, more specifically, the tension and difference between imitating and recording nature. Ruskin was a keen advocate of botanical illustration, in fact championing these humble craftsmen as artists, not merely ‘illustrators’, and was an avid water-colourist himself. In Thorpe’s botanical watercolours, we see this same impetus to record accurately, but instead of known plants we are presented with fantastical specimens derived, as we may suppose, from the artist’s own universe. These works, if you are so inclined, are truly exceptional. ‘Ecstatic Hangings’ (2012) bears the erotic fruit of the work’s title. -
C#13 Modern & Contemporary Art Magazine 2013
2013 C#13 Modern & Contemporary Art Magazine C#13 O $PWFSJNBHF"MGSFEP+BBS 7FOF[JB 7FOF[JB EFUBJM Acknowledgements Contributors Project Managers Misha Michael Regina Lazarenko Editors Amy Bower Natasha Cheung Shmoyel Siddiqui Valerie Genty Yvonne Kook Weskott Designers Carrie Engerrand Kali McMillan Shahrzad Ghorban Zoie Yung Illustrator Zoie Yung C# 13 Advisory Board Alexandra Schoolman Cassie Edlefsen Lasch Diane Vivona Emily Labarge John Slyce Michele Robecchi Rachel Farquharson Christie's Education Staff Advisory Board John Slyce Kiri Cragin Thea Philips Freelance C#13 App Developer Pietro Romanelli JJ INDEX I Editor’s Note i British Art 29 Acknowledgements ii Kali McMillan Index iii Index iv Venice C#13 Emerging Artists 58 Robert Mapplethorpe's Au Debut (works form 1970 to 1979) Artist feature on Stephanie Roland at Xavier Hufkens Gallery Artist feature on De Monseignat The Fondation Beyeler Review Artist feature on Ron Muek LITE Art Fair Basel Review Beirut Art Center Review HK Art Basel review Interview with Vito Acconci More than Ink and Brush Interview with Pak Sheun Chuen Selling Out to Big Oil? Steve McQueen's Retrospective at Schaulager, Basel The Frozen Beginnings of Art Contemporary Arts as Alternative Culture Interview with Lee Kit (in traditional Chinese) A Failure to Communicate Are You Alright? Exhibition Review A Failure to Communicate Notes on Oreet Ashrey Keith Haring at Musee D’Art -
MAUREEN PALEY. ANNE HARDY Born 1970, United Kingdom. Lives
MAUREEN PALEY. ANNE HARDY Born 1970, United Kingdom. Lives and works in London, United Kingdom. EDUCATION 2000 Royal College of Art, London, MA Photography. AWARDS 2018 Elephant Trust grant 2014 Arts Council production funding for new work 2005/6 Visiting Fellow in the Centre for photographic Research at the University of Newport 2005 Shortlisted for the Max Mara Art Prize 2004 ArtSway Residency British Council Travel Award 2003 British Council Travel Award SOLO EXHIBITIONS (C) denotes that a catalogue was published in conjunction with the exhibition. 2021 Rising Heat, Studio M, Maureen Paley, London, UK. 2019 The Depth of Darkness, the Return of the Light, Tate Britain Winter Commission, Tate Britain, London, UK. The Weather Garden, Anne Hardy curates the Arts Council Collection, Towner Gallery, Eastbourne, UK. 2018 Maureen Paley, London, UK. Sensory Spaces #13, Museum Boijmans Van Beuningen, Rotterdam, The Netherlands. Falling and Walking (phhhhhhhhhhh phosshhhhhcrrhhhhhzzz mn huaooogh), Leeds Art Gallery, Leeds, UK. 2017 Falling and Walking (phhhhhhhhhhh phosshhhhhcrrhhhhhzzz mn huaooogh), Art Night 2017, co-commissioned by Art Night and The Contemporary Art Society, Nichols and Clarke Showrooms, London, UK (C). 2015 FIELD, Modern Art Oxford, Oxford, UK. rrmmmph, huooghg, op, mmmuuoow, ip, fig-2, ICA, London, UK. TWIN FIELDS, The Common Guild, Glasgow, UK. 2014 Fieldworks, Kunstverein Freiburg, Freiburg, Germany. MAUREEN PALEY London / Hove, UK. tel: +44 (0)20 7729 4112 www.maureenpaley.com 2013 Maureen Paley, London, UK. 2012 Secession, Vienna, Austria (C). 2011 Artist in residence, Camden Arts Centre, London, UK. Rehearsal, Interval, Tonight, Federica Schiavo Gallery, Rome, Italy. 2010 Longside Gallery, Yorkshire Sculpture Park, Wakefield, Yorkshire, UK. -
London Gallery Map Summer 2018 Galleriesnow.Net for Latest Info Visit Galleriesnow.Net
GalleriesNow.net for latest info visit GalleriesNow.net London Gallery Map Summer 2018 21 Jun Impressionist & A Blain|Southern 5E Modern Works on Paper Flowers Gallery, Luxembourg & Dayan 6F Partners & Mucciaccia 6G Repetto Gallery 5F S Simon Lee 5G Sotheby’s S|2 Gallery 5E Victoria Miro Mayfair 5E Kingsland Road 3A Achille Salvagni 28 Jun Handpicked: 50 Sadie Coles HQ ITION Atelier 5F Works Selected by the S Davies Street 5F SUPERIMPO Saatchi Gallery SITION SUPERIMPO 28 Jun Post-War to Present Land of Lads, Land of Lashes 30 Jun–12 Jul Classic Week Upstairs: Charlotte ‘Snapshot’ Aftermath: Art in the Wake of 25 Jun–11 Aug 3 Jul Old Master & British Johannesson 29 Jun–1 Jul World War One Edward Kienholz: America Drawings & Watercolours Ely House, 37 Dover St, 25 May–30 Jun René Magritte (Or: The Rule Superimposition | Paul Michele Zaza Viewing Room: Joel Mesler: Signals 5 Jun–23 Sep Surface Work 28 Cork St, W1S 3NG Morrison, Barry Reigate, My Hometown Lorenzo Vitturi: Money Must W1S 4NJ of Metaphor) 18 May–15 Jun The Alphabet of Creation 27 Apr–13 Jul 11 Apr–16 Jun 4 Jul Treasured Portraits 1-2 Warner Yard, EC1R 5EY 10am-6pm mon-fri, 11am- Michael Stubbs, Mark (for now) Millbank, SW1P 4RG 18 May–14 Jul from the Collection of Ernst Be Made 10am-6pm tue-sat 27 Feb–26 May Apollo 11am-6pm wed-fri, 4pm sat Titchner Nudes 20 Apr–26 May 31 St George St, W1S 2FJ 10am-6pm daily Erkka Nissinen Holzscheiter 11 May–30 Jun 2 Savile Row, W1S 3PA 15 Mar–7 Sep noon-5pm sat 15 Jun–31 Aug 11 Apr–26 May 10am-5pm mon-fri 23 May–14 Jul 5 Jul Old Masters Evening -
Hannah Starkey
HANNAH STARKEY Born in 1971, Belfast, Ireland Lives and works in London, UK SOLO EXHIBITIONS 2013 Tanya Bonakdar Gallery, New York 2011 Hannah Starkey: Twenty-Nine Pictures, Mead Gallery, Warwick Arts Centre, Coventry Ormeau Baths Gallery, Belfast 2010 Maureen Paley, London Hannah Starkey: Church of Light Altarpiece, St Catherine's Church, Frankfurt 2009 Tanya Bonakdar Gallery, New York 2007 Maureen Paley, London 2006 Tanya Bonakdar Gallery, New York 2005 Lisboa Photo 2005, Lisbon, (C) 2004 Maureen Paley Interim Art, London 2002 Monica de Cardenas, Milan Maureen Paley Interim Art, London 2000 Irish Museum of Modern Art, Dublin, (C) Maureen Paley Interim Art, London Progetto, Castello di Rivoli, Turin, (C) Cornerhouse, Manchester Galleria Raucci/Santamaria, Naples 1998 Maureen Paley Interim Art, London WWW.SAATCHIGALLERY.COM HANNAH STARKEY GROUP EXHIBITIONS 2015 History Is Now: 7 Artists Take on Britain, Hayward Gallery, London, UK Adventures of the Black Square: Abstract Art and Society 1915 – 2015, Whitechapel Gallery, London, UK 2014 Magnum: One Archive, Three Views | BPB14, Part of Brighton Photo Biennale 2014, De La Warr Pavilion, Bexhill on Sea, UK Stanze/Rooms Works From The Sandretto Re Rebaudengo Collection, Me Collectors Room Berlin / Olbricht Foundation, Berlin, Germany The Faraway Nearby, F.E McWilliam Gallery, County Down 2013 Northern Ireland: 30 Years of Photography, Belfast Exposed and The MAC, Belfast, Ireland 2012 Borrowed Memories: a selection of works from the collection of the Irish Museum of Modern Art, Luan Gallery, Athlone, Ireland Out Of Focus: Photography, Saatchi Gallery, London 2011 Seoul Photo Festival, Seoul, South Korea Photography I, Snapshots of a Generation, Wentrup Gallery, Berlin Nothing in the World but Youth, Turner Contemporary, Margate 2009 With You I Want to Live: Francie Bishop Good & David Horvitz Collection, Museum of Art, Fort Lauderdale QUAD & FORMAT International Photography Festival, Derby, UK. -
Trash to Treasure the Alchemy of Assemblage Assemblage
Trash to Treasure The Alchemy of Assemblage Assemblage Assemblage is art that is made by assembling disparate elements – often everyday objects – scavenged by the artist or bought specially. Assemblage and can be combined with collage and painting. It can be hung like a painting or be free-standing. https://www.youtube.com/watch?v=alCiumy8tjE https://www.youtube.com/watch?v=vGtWs3WU_ZU https://www.youtube.com/watch?v=HSwCP4xE5PI (6 artists) Robert Rauschenburg (1925-2008) Milton Ernest "Robert" Rauschenberg was an American painter and graphic artist whose early works anticipated the Pop art movement. Rauschenberg is well known for his Combines, a group of artworks which incorporated everyday objects as art materials and which blurred the distinctions between painting and sculpture. • https://www.sfmoma.org/watch/robert-rauschenberg- erasing-rules/ (him talking) • https://www.moma.org/artists/4823 (dada) • https://www.moma.org/collection/works/78712 (bed) Joseph Cornell (1903-1972) Joseph Cornell was an American artist and film maker, one of the pioneers and most celebrated exponents of assemblage. Influenced by the Surrealists, he was also an avant-garde experimental filmmaker. https://www.youtube.com/watch?v=1r_CXS7bXtw https://www.youtube.com/watch?v=hzpmoqSYW9A Louise Nevelson (1899-1988) Louise Nevelson was an American sculptor known for her monumental, monochromatic, wooden wall pieces and outdoor sculptures. Born in the Poltava Governorate of the Russian Empire, she emigrated with her family to the United States in the early 20th century. https://www.youtube.com/watch?v=IV4NM0GaVgo https://www.youtube.com/watch?v=SEb_X8dISuQ HANNELORE BARON (1926-1987) Hannelore Baron was an artist whose work has become known for the highly personal, book-sized, abstract collages and box constructions that she began exhibiting in the late 1960s. -
Gillian Wearing Biography
GILLIAN WEARING BIOGRAPHY Born in Birmingham, United Kingdom, 1963 Lives and works in London, United Kingdom. Education: Goldsmiths' College, University of London, B.A. (Hons.) Fine Art, 1990 Chelsea School of Art, B.TECH Art & Design, 1987 Solo Exhibitions: 2014 Gillian Wearing, Regen Projects, Los Angeles, CA, December 11, 2014 – January 24, 2015 Gillian Wearing, Maureen Paley, London, UK, October 13 – November 16, 2014 Rose Video 05 | Gillian Wearing, The Rose Art Museum, Brandeis University, Waltham, MA, November 11, 2014 – March 8, 2015 We Are Here, The New Art Gallery Walsall, Walsall, UK, 18 July – 12 October 2014 2013 Gillian Wearing, Museum Brandhorst, Munich, Germany, March 21 – July 7, 2013. PEOPLE: Selected Parkett Artists’ Editions from 1984-2013, Parkett Space, Zurich, Switzerland, February 9 – March 11, 2013. 2012 Gillian Wearing, Whitechapel Art Gallery, London, United Kingdom, March 28 – June 17, 2012; travels to K20 Kunstsammlung Nordrhein-Westfalen, Dusseldorf, Germany, September 8 – January 6, 2013; Pinakothek der Moderne, Munich, Germany, March – July 2013. 2011 Gillian Wearing: People, Tanya Bonakdar Gallery, New York, NY, May 5 – June 24, 2011 2009 Gillian Wearing: Confessions/ Portraits, Videos, Musée Rodin, Paris, France, April 10 – August 23, 2009 2008 Gillian Wearing: Pin-Ups and Family History, Regen Projects, Los Angeles, CA, July 12 – August 23, 2008 2007 Gillian Wearing: Family Monument, special project curated by Fabio Cavallucci and Cristina Natalicchio, Galleria Civica de Arte Contemporanea di Trento, -
Art August 2014
ART Ulrike Gossarth - Were I Made Of Matter, I Would Color Sternberg Press 2014 ISBN 9783956790683 Acqn 23988 Hb 19x25cm 352pp 91ills 77col £28 Edited by Sabine Folie, Ilse Lafer Texts by Mieke Bal, Rainer Borgemeister, Sabine Folie, Michael Glasmeier, Ulrike Grossarth, Dietrich Karner, Elliot R. Wolfson This book is published on occasion of Ulrike Grossarth’s eponymous retrospective at the Generali Foundation in Vienna. Both the book and the exhibition trace the evolution of Gossarth’s practice, with a particular emphasis on her training as a dancer in the 1970s, to draw connections between the early years with her sculptural settings and actions and her most recent work, which engages with history more generally. In her contributing essay, Ulrike Gossarth states that the title—Were I Made of Matter, I Would Color—is a counter-model to the fundamental Descartian formula “I think therefore I am,” a position which exists between consciousness and disembodiment, in a state of incompleteness. Rainer Borgemeister discusses the artist’s actions from 1978 to 1987, which were preceded by her critical engagement with modern dance. Further contributions from Mieke Bal, Michael Glasmeier, and Elliot R. Wolfson discuss Grossarth’s practice in relation to history, the body, and polymorphism. [email protected] www.artdata.co.uk ART William Kentridge - Secondhand Reading Fourthwall Books 2014 ISBN 9780992226312 Acqn 23645 Hb 21x29cm 800pp 800col ills £61 Secondhand Reading began life as a film constructed from a succession of drawings made by William Kentridge (born 1955) in 2013, on the pages of old books. Conceived as a kind of secondhand reading in which books are translated into a filming of books, it is both a narrative--it begins at the beginning and will eventually get to the end--and an acknowledgment of the necessity of repetition, inconsistency and the illogical. -
George Herms
GEORGE HERMS Born in Woodland, California 1935. Educated University of California, Berkeley 1955. Currently resides in Los Angeles. SELECTED SOLO EXHIBITIONS 2008 Lymphatic Vessels and Monoprints celebrating the life and art of Bruce Conner , Susan Inglett Gallery, New York. 2007 George Herms: Assemblages , Galerie Vallois, Paris. 2006 Select Works , Franklin Parrasch Gallery, New York. 2005 George Herms: Hot Set (Walter Hopps, curator), Santa Monica Museum of Art. Pandora’s Box: The Sculpture of George Herms, Crocker Art Museum, Sacramento. From George Herms with LOVE, Tobey C. Moss Gallery, Los Angeles. 2004 Sepia Jones Collages , Ace Gallery, Los Angeles 2003 Sepia Jones Collages , Ace Gallery, Los Angeles 2002 Then and Now , Seraphin Gallery, Philadelphia (catalogue) 2002 Teragrams and Roses, Mesa Nights: A Romance of the Old Southwest , Redbud Gallery, Houston, Texas 2001 Bed of Roses..., Assemblages , Catherine Clark Gallery, San Francisco 1999 Poet Heroes of My Youth, Assemblage/Sculpture , Fred Spratt Gallery in association with Larry Evans/James Willis Gallery, San Francisco, California (catalogue) 1998 Parade of Sculpture, First Street Bridge Project, Los Angeles, with laser installation by Hiro Yamagata Office of the Future, Robert Berman Gallery, Bergamot Station, Santa Monica, California 1996 George Herms: Works Saluting San Francisco, 1962-1996,” Catherine Clark Gallery, San Francisco The Beat Bar” Track 16 Gallery and Robert Berman Gallery, Bergamot Station, Santa Monica, California Crossings, Fred Spratt Gallery, San Jose, -
Edwards' First Name at This Sensi
Merlin Carpenter Matthew Collings Our paintings and graphics throw Edwards’ first name at this sensi- discourse of “medium specificity” might be seen as the parents of clear for them how to respond to desire to be a “Goldsmith’s artist” and embarrassment, rather than fact these later developments framework for analysing art’s pop- From my point of view, Carpenter’s It featured work by a handful of Matthew’s style produces any Carpenter and his cronies, plus the opened up within the media: eyes are the wrong colour). It is support group. In this review he Surely society was abolished by But when is this “present”? And referring to a story about Lucas forced to accept that bullshit is as His paintings are brutal abstracts more aesthetic. Some are more Our paintings are against this ap- a good one. But should writing be Media Guy Our PaintinG s down the glove to what’s going tive point. (Perhaps while polishing is an intellectual talking shop full the popularization process having the success of the big push. In on the most grand seriousness. A scene arrives had already terminated yBa, ularity is worth reading. ” (p 124) art practice is often funny. New figures discussed in the book, with serious results in terms of actual more commercially successful ones “a space where the avant-garde‘s certain that Buchloh’s language often seems to be communicating Thatcher? I am not defined by for what audience? This process involving an accident with a piano, natural as breathing and as vital that do little for a renewal of poetic.