Geddy Lee Autograph Request
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Rush Three of Them Decided to - Geddy Recieved a Phone Reform Rush but Without Call from Alex
history portraits J , • • • discography •M!.. ..45 I geddylee J bliss,s nth.slzers. vDcals neil pearl: percussion • alex liFesDn guitars. synt.hesizers plcs: Relay Photos Ltd (8); Mark Weiss (2); Tom Farrington (1): Georg Chin (1) called Gary Lee, generally the rhythm 'n' blues known as 'Geddy' be combo Ogilvie, who cause of his Polish/Jewish shortly afterwards also roots, and a bassist rarely changed their me to seen playing anything JUdd, splitting up in Sep other than a Yardbirds bass tember of the sa'l1le year. line. John and Alex, w. 0 were In September of the same in Hadrian, contacted year The Projection had Geddy again, and the renamed themselves Rush three of them decided to - Geddy recieved a phone reform Rush but without call from Alex. who was in Lindy Young, who had deep trouble. Jeff Jones started his niversity was nowhere to be found, course by then. In Autumn although a gig was 1969 the first Led Zeppelin planned for that evening. LP was released, and it hit Because the band badly Alex, Geddy an(i John like needed the money, Geddy a hammer. Rush shut them helped them out, not just selves away in their rehe providing his amp, but also arsal rooms, tUfned up the jumping in at short notice amp and discovered the to play bass and sing. He fascination of heavy was familiar with the Rush metaL. set alreadY, as they only The following months played well-known cover were going toJprove tough versions, and with his high for the three fYoung musi voice reminiscent of Ro cians who were either still bert Plant, he comple at school or at work. -
Geddy Lee DI-2112 Signature
POWER REQUIREMENTS •Utilizes two (2) standard 9V alkaline batteries (not included). NOTE: Input jack activates batteries. To conserve energy, unplug when not in use. Power Consumption: approx. 55mA. Geddy Lee Signature •USE DC POWER SUPPLY ONLY! Failure to do so may damage the unit and void warranty. DC Power Supply Specifications: SansAmp DI-2112 -18V DC regulated or unregulated, 100mA minimum; -2.1mm female plug, center negative (-). •Refer to “Power Considerations” in Noteworthy Notes on page 8. WARNINGS: • Attempting to repair unit is not recommended and may void warranty. • Missing or altered serial numbers automatically void warranty. For your own protection: be sure serial number labels on the unit’s back plate and exterior box are intact, and return your warranty registration card. ONE YEAR LIMITED WARRANTY. PROOF OF PURCHASE REQUIRED. Manufacturer warrants unit to be free from defects in materials and workmanship for one (1) year from date of purchase to the original pur - chaser and is not transferable. This warranty does not include damage resulting from accident, misuse, abuse, alteration, or incorrect current or voltage. If unit becomes defective within warranty period, Tech 21 will repair or replace it free of charge. After expiration, Tech 21 will repair defective unit for a fee. ALL REPAIRS for residents of U.S. and Canada: Call Tech 21 for Return Authorization Number . Manufacturer will not accept packages without prior authorization, pre-paid freight (UPS preferred) and proper insurance. FOR PERSONAL ASSISTANCE & SERVICE: Contact Tech 21 weekdays from 9:00 AM to 5:00 PM, EST. Hand-built in the U.S.A. -
U.S. Department of Transportation Federal Motor Carrier Safety Administration REGISTER
U.S. Department of Transportation Federal Motor Carrier Safety Administration REGISTER A Daily Summary of Motor Carrier Applications and of Decisions and Notices Issued by the Federal Motor Carrier Safety Administration DECISIONS AND NOTICES RELEASED January 24, 2020 -- 10:30 AM NOTICE Please note the timeframe required to revoke a motor carrier's operating authority for failing to have sufficient levels of insurance on file is a 33 day process. The process will only allow a carrier to hold operating authority without insurance reflected on our Licensing and Insurance database for up to three (3) days. Revocation decisions will be tied to our enforcement program which will focus on the operations of uninsured carriers. This process will further ensure that the public is adequately protected in case of a motor carrier crash. Accordingly, we are adopting the following procedure for revocation of authority; 1) The first notice will go out three (3) days after FMCSA receives notification from the insurance company that the carrier's policy will be cancelled in 30 days. This notification informs the carrier that it must provide evidence that it is in full compliance with FMCSA's insurance regulations within 30 days. 2) If the carrier has not complied with FMCSA's insurance requirements after 30 days, a final decision revoking the operating authority will be issued. NAME CHANGES NUMBER TITLE DECIDED FF-857 PACIFIC REMOVAL SERVICES, INC. - N HOLLYWOOD, CA 01/21/2020 MC-101312 ARAV TRUCKING INC - MADERA, CA 01/21/2020 MC-1025938 ON THE SPECTRUM TRANSPORT LLC - CORPUS CHRISTI, TX 01/21/2020 MC-1028027 MARISH ON TIME TRANSPORT LLC - ROWLETT, TX 01/21/2020 MC-1047584 B-E-C TRUCKING, LIMITED LIABILITY COMPANY - CROSBY, TX 01/21/2020 MC-1047775 LEN JOHNSTONE TRANSPORT LLC - ASH FORK, AZ 01/21/2020 MC-1048978 CARTER TRANSPORTATION LLC - NEWNAN, GA 01/21/2020 MC-1058463 ATA AUTO TRANSPORT, LLC - ST AUGUSTINE, FL 01/21/2020 MC-1064977 TALBOTT'S TRANSPORT INC - DURHAM, NC 01/21/2020 MC-1064977 TALBOTT'S TRANSPORT, INC. -
Indianapolis Marathon - Half-Marathon - Results Onlineraceresults.Com
Indianapolis Marathon - Half-Marathon - results OnlineRaceResults.com PLACE NAME DIV DIV PL 5MI PACE TIME ----- ---------------------- ------- --------- ----------- ------- ----------- 1 Paul Howarth M 30-34 1/183 26:54 5:26 1:11:05 2 Bryan Phillips M 20-24 1/87 27:40 5:37 1:13:26 3 Jason Gantt M 30-34 2/183 27:31 5:38 1:13:40 4 Andrew Jacobi M 20-24 2/87 28:45 5:49 1:16:03 5 Jayson Meyer M 25-29 1/150 29:12 5:54 1:17:15 6 Parker Jones M 20-24 3/87 30:01 6:05 1:19:38 7 Jonathan Damiano M 20-24 4/87 30:36 6:06 1:19:54 8 Dan Schramm M 45-49 1/164 30:37 6:08 1:20:21 9 Brad Sugarman M 35-39 1/143 30:23 6:11 1:20:53 10 Kevin Monroe M 35-39 2/143 30:32 6:11 1:20:57 11 Jared Anderson M 35-39 3/143 30:54 6:12 1:21:12 12 Alex McPherson M 45-49 2/164 31:02 6:13 1:21:18 13 Donald Barnard M 30-34 3/183 31:08 6:15 1:21:50 14 Daniel Snyder M 20-24 5/87 30:43 6:17 1:22:15 15 Robert Isaacs M 45-49 3/164 31:51 6:17 1:22:16 16 Michael Lautzenheiser M 30-34 4/183 31:19 6:18 1:22:21 17 Isaac Willett M 30-34 5/183 31:41 6:20 1:22:50 18 Andy Ray M 30-34 6/183 31:11 6:20 1:22:52 19 Emily Cochard F 20-24 1/204 32:34 6:26 1:24:08 20 Jacob Englander M 25-29 2/150 31:57 6:27 1:24:21 21 Steven Fetz M 25-29 3/150 32:04 6:27 1:24:21 22 Anne Clinton F 25-29 1/284 31:56 6:28 1:24:36 23 Saad Haq M 35-39 4/143 31:56 6:28 1:24:42 24 Daniel Haynes M 25-29 4/150 32:27 6:29 1:24:44 25 Jay Hawkey M 20-24 6/87 32:55 6:31 1:25:14 26 Patrick Cassidy M 45-49 4/164 31:58 6:31 1:25:18 27 Robert Sommer M 20-24 7/87 31:53 6:32 1:25:27 28 Nikki Domico F 25-29 2/284 32:02 6:33 1:25:41 29 Maxwell Rehlander M 1-19 1/27 32:50 6:33 1:25:45 30 Tim Wiseman M 40-44 1/153 33:11 6:36 1:26:17 31 W. -
View Complete CV
LES HUNTER www.leslielarshunter.com * English Dept. Shaker Heights Baldwin Wallace University OH 44122 275 Eastland Road (917) 584-6392 Berea, OH 44107 [email protected] (440) 826-2021 New Play Exchange Account [email protected] *HTML Version CURRENT APPOINTMENTS Chair, Department of English and Creative Writing. Baldwin Wallace University 2020 – Associate Professor of English, (Tenured), emphasis in 20th Century theater, dramaturgy, and playwriting. Baldwin Wallace University. Berea, OH. 2019 – PREVIOUS RECENT APPOINTMENTS Regional Representative for Ohio, Dramatists Guild of America. 2018 – 2021. Assistant Professor of English, Baldwin Wallace University. 2013 - 2019. President of the Board, Playwrights Local (Cleveland, OH). 2018 – 2020. Board Secretary, Playwrights Local. 2016 – 2018. EDUCATION Harvard University. Mellon School for Theater and Performance Research. 2014. Professor: Derek Miller. Stony Brook University. PhD, English, 2013. Dissertation: “Looking to its Laurels”: Representations of Cinema in American Theatre, 1915-1927. Advisor: Susan Scheckel. Committee: E. Ann Kaplan, David Savran, John Lutterbie. Boston University. MFA, Creative Writing in Playwriting. 2007. Advisor: Kate Snodgrass. Professor: Derek Walcott. Brooklyn College. MA, English Ed. 2004. Thesis: Melville as Absence in “Angels in America.” Advisor: Martin Elsky. Macalester College. BA, English (honors), Spanish. 2001. Advisors: Diane Glancy and Toni Dorca. Universidad de Sevilla. Course work. Subjects: Modernism, Cervantes. 2000. Lycée Claude Gay, -
The Bombing at Sterling Hall: a Three-Act Drama by David J
©2009 COPYRIGHT FOR THIS WORK IS HELD BY DAVID J. MARCOU AND MATTHEW A. MARCOU CREDIT MUST BE GIVEN TO DAVID J. MARCOU AS AUTHOR Bloody Math: A Drama in Three Acts, by David J. Marcou. Copyright 2004 for Original Draft, and Copyright 2009 for Revision, by David J. Marcou and Matthew A. Marcou. Author’s Note: This play is an historical drama in the sense that Shakespeare‟s chronicle plays were – they deal with some real, some imagined or slightly altered historical figures and events -- and very little of the historical dialogue was spoken in just the way it is re-presented here. The method is a combination of the descriptive and the telegraphic, and not all the stage directions and character descriptions are precisely detailed, because each production will need some latitude to achieve this drama‟s goals. But the key thing Bloody Math shares with the bard‟s chronicle plays is, it‟s hoped, the truthfulness of its ideas, language, characters, and action. Historical events can contain a great deal of drama in and around them – as the bombing at the University of Wisconsin‟s Sterling Hall did in August 1970. And yet, it takes a good writer to re-present relevant figures, events, dialogue, etc., so they will honestly enlighten future generations about the contexts, impacts, and relevancies to what went before them, and what came after. It is my fondest hope as the writer of this historical drama that viewers will learn from the mistakes of many people in 1970 Madison, including the large human mistakes of the New Year‟s Gang and the related mistakes of the authorities, and live better lives, as a result. -
GEDDY EASTON 'LEE Master of the ,Hook Bass + Power = Progressive Pop ERIC 'JOHNSON the Wat M Tone of a TEXAS TWISTER
- 802135 MAY 1986 $2.50 Inside This Issue: A SPECIAL Billy Idol's STEVE STEVENS (not -so-secret) CASSETTE Secret See Page 54 Weapon For Details THE CARS' RUSH'S ELLIOT GEDDY EASTON 'LEE Master Of The ,Hook Bass + Power = Progressive Pop ERIC 'JOHNSON The Wat m Tone Of A TEXAS TWISTER PLUS: Lonnie Mack Albert Collins Roy Buchanan , 'Tony MacAlpine o Curtis Mayfield MORE BASS, MORE SPACE IN THE MODERN WORLD Power Windows is the best Rush albutn in years because the band ----and the bass---- has returned to the roots of its sound ... tneticulously. BY JOHN SWENSON It has been a long, vertiginous and damn exciting roller coaster ride for Rush over the past decade-and-a-half. The group has gone from being unabashed Led Zeppelinites to kings of the concept album to the thinking man's heavy metal band to an uneasy combination of eighties record ing styles and seventies relentlessness. One thing Rush has never done is rest on its collective laurels-bassist Geddy Lee, guitarist Alex Lifeson and drummer Neil Peart have always been the first to point out the band's shortcomings when they feel legitimate deficiencies have surfaced. Accordingly, Lee was quick to admit his dissatisfaction with the band's last album, Grace Under Pressure , even though the record , which went platinum, has con solidated the band's position as one of Mercury/Polygram's most important acts. "We realized with Grace Under Pres sure ," said Lee on completion of the new album , Power Windows, "that we were not a techno-pop band. -
ATTENTION All Planets of the Solar Federationii'
i~~30 . .~,.~.* ~~~ Welcome to the latest issue of 'Spirit'. From this issue we are reverting to quarterly publication, hopefully next year we will go back to bi-monthly, once the band are active again. Please join me in welcoming Stewart Gilray aboard as assistant editor. Good luck to Neil Elliott with the Dream Theater fan zine he is currently producing, Neil's address can be found in the perman ant trades section if you are interested. Alex will be appearing at this years Kumbaya Festival in Toronto on the 2nd September, as .... with previous years this Aids benefit show will feature the cream of Canadian talent, Vol 8 No 1 giving their all for a good cause. Ray our North American corespondent will be attending Published quarterly by:- the show (lucky bastard) he will be fileing a full report (with pictures) for the next issue, won't you Ray? Mick Burnett, Alex should have his solo album (see interview 23, Garden Close, beginning page 3) in the shops by October. Chinbrook Road, If all goes well the album should be released Grove Park, in Europe at the same time as North America. London. Next issue of 'Spirit' should have an exclus S-E-12 9-T-G ive interview with Alex telling us all about England. the album. Editor: Mick Burnett The band should be getting back together to Asst Editor: Stewart Gilray begin work writing the new album in September. Typist: Janet Balmer Recording to commence Jan/Feb of next year Printers: C.J.L. with Peter Collins once more at the helm. -
ZOOM 505 Patches
ZOOM 505 Patches AC/DC-Angus Young distortion clean c9 bL 5 a9 41 of of 26 AC/DC-Angus Young early c9 bL 20 9 20 of h1 24 AC/DC-Angus Young general of od 18 a8 of of r4 24 AC/DC-Angus Young rhythm of od 29 9 of of h4 27 AC/DC-Angus Young "Thunderstruck" intro c4 mt 30 9 30 c2 h3 30 acoustics 12-strings haunting c4 ry 10 9 p1 p9 d1 30 acoustic bright of ac 20 9 of p7 of 30 acoustic bright/12-string simulator c4 ac 27 9 12 c2 d1 29 acoustic clean 1 -- ac 30 -- 48 -- -- -- acoustic clean 2 L1 ac -- a9 of of of of acoustic clean 3 of ac 28 of 29 d7 h2 20 acoustic "Eleven Tea" c9 ac 15 of p9 d9 of 27 acoustic groove c9 ac 30 9 45 c1 h9 -- acoustic jazz c2 ac 1 9 15 p7 h1 28 acoustic Kansas "Dust in the Wind" c8 ac -- 8 18 c6 h7 23 acoustic mellow of ac 10 6 45 of r1 ? acoustic rhythm of ac 30 of 46 c6 of 26 acoustic solo 1 c9 ac -- 8 22 c4 h7 26 acoustic solo 2 of ac 22 of 20 c1 h1 30 acoustic solo 3 c1 of -- 4 25 c2 -- 24 acoustic tweaked L5 ac 20 6 50 of of -- Aerosmith/Joe Perry distortion rhythm c1 dt 28 /29 9 24 ? h1 25 alternative L1 Ld 30 7 24 of of 20 ambience heavy a9 fu 30 a9 p4 54 d9 21 bass clean ambient L9 of -- a1 1 c1 of 30 bass simulator 1 c2 ac 30 9 1 p1 of 30 bass simulator 2 c8 ac 3 a6 3 p1 h2 23 bass simulator 3 c2 ac 1 9 15 p1 h1 28 BB King of od 13 of 40 of of 30 BB King acid of ry 23 of of f2 r1 20 Beatles circa 1963 c1 ry 12 1 15 of r2 27 Beatles "Day Tripper" bass fuzz c2 fu 7 a9 1 p1 h7 18 Biohazard distortion c1 bL 30 a9 48 of of 19 Black Sabbath "Dehumanizer" of dt 30 1 40 of of 30 Black Sabbath "Master of Reality" -
The Spirit of May '97
the spirit of May '97 Issue 38 . • • ..• ..• • ..• Editor/ill Hello and welcome to yet once again agreed to supply us now and it improves with every another action packed issue of with a selection of items, for use listen (check out how to order a The Spirit of Rush. We have in the raffle/auction part of the copy direct on the inside back tried to get this issue to you as event. Some ofthe confirmed cover)-any news of a UK! soon as we could after no.37 in items are as follow ... Roll the European release Chris? From case any of you were planning Bones - Award Plaque. the opening fusion sounding Editorial Address: a trip to North America to catch Complete sets of the re "Patterns" through the epic nd the band on the 2 leg of the mastered albums, Tour closing number 23 Garden Close, t4e tour. You should have Merchandise & some other "Checkerboards" Tiles cover all ChinbrookRoad, picked this issue up in mid-May surprises. As you can see the the bases, why this band are Grove Park,· from your doormat (if all went band and their management not signed to a major label is London, SE12 9TG. well between here and the have been very generous once beyond belief. Personal England printers). As you read this only again. Many, many thanks to favourites include "Anothers a couple of weeks of the 2nd leg them. Hand" and It's marvellous mid would have taken place and section extended instrumental North America with the tour running until the We have included a page or two passage. -
Rush's Lyrical Rhetoric of Oppression and Liberation
Relevant Rhetoric, Vol. 7 (2016): Rush’s Lyrical Rhetoric of Oppression and Liberation Rush’s Lyrical Rhetoric of Oppression and Liberation: Extending “Freedom Songs” into the Progressive Rock Genre Brett A. Barnett Associate Professor of Communication Slippery Rock University of Pennsylvania [email protected] Relevant Rhetoric, Vol. 7 (2016): Rush’s Lyrical Rhetoric of Oppression and Liberation 2 On April 18, 2013, members of the Canadian power trio Rush were among the artists inducted into the Rock and Roll Hall of Fame, a well-deserved honor that was long overdue. Formed in August 1968, Rush would join artists like Pink Floyd and Yes in shaping the music movement that would come to be categorized as “progressive” rock, or “prog rock,” a rock music sub-genre that Rush. Photo credit: By Enrico Frangi (Uploaded by User:Jonasz) [Public domain], via Wikimedia Commons also developed in the late 1960s.1 As reflected in the music of Rush, progressive rock involves more advanced musical forms, including an expanded instrumental palette and increased com- plexity in terms of instrumentation, as well as more sophisticated lyrical themes ranging from unconventional subject matter to increased social commentary. After years playing on the Toronto music scene, Rush formed their own label, Moon Records, and shortly thereafter released their first album, Rush, in 1974.2 Rush’s self-titled debut album did not garner much attention until Cleveland’s WMMS (100.7 FM), widely regarded as one of the most influential rock radio stations in North America, -
The Rush | Repertoire
THE RUSH | REPERTOIRE 1950s Kiss: Prince Great Balls Of Fire: Gerry Lee Lewis Let’s Dance: David Bowie Johnny Be Goode: Chuck Berry Never Too Much: Luther Vandross You Never Can Tell: Chuck Berry P.Y.T. (Pretty Young Thing): Michael Jackson Rappers Delight : Sugarhill Gang 1960s Summer of '69: Bryan Adams Brown Eyed Girl: Van Morrison Tainted Love: Mark Almond Can't take my eyes off you: Andy Williams Town Called Malice: The Jam Come Together: The Beatles Get Back: The Beatles 1990s Higher & Higher : Jackie Wilson Angel of Harlem: U2 Honky Tonk Woman: Rolling Stones Champagne Supernova: Oasis I Feel Fine: The Beatles Crazy Little Thing Called Love: Queen I Want You Back: Jackson 5 Day We Caught the Train: Ocean Colour Scene Mustang Sally: Wilson Pickett Don't Look Back in Anger: Oasis Tracks of my Tears: Smokey Robinson Hard to Handle: Counting Crows Try A Little Tenderness: Wilson Pickett Just Looking: Stereophonics Suspicious Minds: Elvis Presley Place Your Hands: Reef You Really Got Me: The Kinks Regulate/ Juicy: Warren G/ Notorious BIG Return of the Mack: Mark Morrison 1970s Smells Like Teen Spirit: Nirvana All Right Now: Free Show Me Love: Robin S/ Sam Feldt American Girl: Tom Petty Space Cowboy: Jamiroquai Dreadlock Holiday: 10CC The Way You Make Me Feel: Michael Jackson Living for The City: Stevie Wonder Two Princes: Spin Doctors Long Train Running: Doobie Brothers Wonderwall: Oasis Message in a Bottle: The Police You and Me Song: The Wannadies Play That Funky Music: Wild Cherry You Got the Love: Candi Staton feat The Source Signed