Still on the Road Session Pages: 1978 US October Tour
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Still on the Road Session Pages: 1978 World Tour US November
STILL ON THE ROAD 1978 WORLD TOUR – US: NOVEMBER 1 Madison, Wisconsin Dane County Memorial Coliseum 3 Kansas City, Missouri Kemper Arena 4 Omaha, Nebraska Civic Auditorium 6 Denver, Colorado McNicholls Arena 9 Portland, Oregon Memorial Coliseum 10 Seattle, Washington Hec Edmondson Pavilion, University Of Washington 11 Vancouver, British Columbia, Canada Pacific National Exhibition Hall 13 Oakland, California Alameda County Coliseum 14 Oakland, California Alameda County Coliseum 15 Los Angeles, California The Forum, Inglewood 17 San Diego, California Sports Arena 18 Tempe, Arizona A.S.U. Activities Center 19 Tucson, Arizona McKale Memorial Center, University Of Arizona 21 El Paso, Texas Special Events Arena 23 Norman, Oklahoma LLoyd Noble Center 24 Fort Worth, Texas Tarrant County Convention Center Arena 25 Austin, Texas Special Events Center, University Of Texas At Austin 26 Houston, Texas The Summit 28 Jackson, Mississippi The Coliseum 29 Baton Rouge, Louisiana L.S.U. Assembly Center Still On The Road: 1978 World Tour: US November 4670 Dane County Memorial Coliseum Madison, Wisconsin 1 November 1978 1. My Back Pages 2. She’s Love Crazy (Tampa Red) 3. Mr. Tambourine Man 4. Shelter From The Storm 5. It's All Over Now, Baby Blue 6. Tangled Up In Blue 7. Ballad Of A Thin Man 8. Maggie's Farm 9. I Don’t Believe You (She Acts Like We Never Have Met) 10. Like A Rolling Stone 11. I Shall Be Released 12. Señor (Tales Of Yankee Power) 13. The Times They Are A-Changin' 14. It Ain't Me, Babe 15. Am I Your Stepchild? 16. One More Cup Of Coffee (Valley Below) 17. -
December 1992
VOLUME 16, NUMBER 12 MASTERS OF THE FEATURES FREE UNIVERSE NICKO Avant-garde drummers Ed Blackwell, Rashied Ali, Andrew JEFF PORCARO: McBRAIN Cyrille, and Milford Graves have secured a place in music history A SPECIAL TRIBUTE Iron Maiden's Nicko McBrain may by stretching the accepted role of When so respected and admired be cited as an early influence by drums and rhythm. Yet amongst a player as Jeff Porcaro passes metal drummers all over, but that the chaos, there's always been away prematurely, the doesn't mean he isn't as vital a play- great discipline and thought. music—and our lives—are never er as ever. In this exclusive interview, Learn how these free the same. In this tribute, friends find out how Nicko's drumming masters and admirers share their fond gears move, and what's tore down the walls. memories of Jeff, and up with Maiden's power- • by Bill Milkowski 32 remind us of his deep ful new album and tour. 28 contributions to our • by Teri Saccone art. 22 • by Robyn Flans THE PERCUSSIVE ARTS SOCIETY For thirty years the Percussive Arts Society has fostered credibility, exposure, and the exchange of ideas for percus- sionists of every stripe. In this special report, learn where the PAS has been, where it is, and where it's going. • by Rick Mattingly 36 MD TRIVIA CONTEST Win a Sonor Force 1000 drumkit—plus other great Sonor prizes! 68 COVER PHOTO BY MICHAEL BLOOM Education 58 ROCK 'N' JAZZ CLINIC Back To The Dregs BY ROD MORGENSTEIN Equipment Departments 66 BASICS 42 PRODUCT The Teacher Fallacy News BY FRANK MAY CLOSE-UP 4 EDITOR'S New Sabian Products OVERVIEW BY RICK VAN HORN, 8 UPDATE 68 CONCEPTS ADAM BUDOFSKY, AND RICK MATTINGLY Tommy Campbell, Footwork: 6 READERS' Joel Maitoza of 24-7 Spyz, A Balancing Act 45 Yamaha Snare Drums Gary Husband, and the BY ANDREW BY RICK MATTINGLY PLATFORM Moody Blues' Gordon KOLLMORGEN Marshall, plus News 47 Cappella 12 ASK A PRO 90 TEACHERS' Celebrity Sticks BY ADAM BUDOFSKY 146 INDUSTRY FORUM AND WILLIAM F. -
With Honors at Ceremony Mrs
M'lark College hP VOL. XXXVH NO. 5 ANTHER®CLARK COLLEGE FEBRUARY 1974 Henderson 'Roasted' With Honors At Ceremony Mrs. Vivian Henderson, individual,” Brantley said. gretted it and sometimes the president’s wife, was “He is a man deeply and I’ve been thankful.” present for the ceremony profoundly interested in the There was a surprise vi also. individual, ’ ’ Brantley said. sit by Henderson’s eldest Dr. Albert Manley, presi brother, J. J. Henderson, “1 thought the program dent of Spelman College, was who reminisced over some was nice and very well also on hand for the cere of their past experiences. done,” Mrs. Henderson said. monies. There was also a letter of “He looks like the big tough “Dr. Henderson has al congratulations from Mayor guy, but he’s really a sof ways excelled in what he Maynard Jackson presented ty,” she said speaking on tried to do,” Manly said. by the mayor’s press secre Henderson’s tears at theend Manly was Dean of Aca tary, Pearl Lomax. of the p^ogr0*’* demic Affairs at North Caro After the “roast,” Hen “I tnink for the first time lina College when Hender derson was presented with the student body is aware son was a student there. a gift and two plaques. of the many qualities of the “Vivian was not the ea Henderson was overcome president and there was a siest student to get along by tears as he stood be sincere exchange of appre with at North Carolina Col fore the audience to give him ciation between the student lege,” Manly said. -
The Heart of Rock and Soul by Dave Marsh
The Heart of Rock and Soul by Dave Marsh 20 BE MY BABY, The Ronettes Produced by Phil Spector; written by Phil Spector, Ellie Greenwich, and Jeff Barry Philles 116 1963 Billboard: #2 DA DOO RON RON, The Crystals Produced by Phil Spector; written by Phil Spector, Ellie Greenwich, and Jeff Barry Philles 112 1963 Billboard: #3 CHRISTMAS (BABY PLEASE COME HOME), Darlene Love Produced by Phil Spector; written by Phil Spector, Ellie Greenwich, and Jeff Barry Philles 119 1963 Did not make pop charts To hear folks talk, Phil Spector made music out of a solitary vision. But the evidence of his greatest hits insists that he was heavily dependent on a variety of assistance. Which makes sense: Record making is fundamentally collaborative. Spector associates like engineer Larry Levine, arranger Jack Nitzsche, and husband-wife songwriters Jeff Barry and Ellie Greenwich were simply indispensable to his teen-art concoctions. Besides them, every Spector track featured a dozen or more musicians. The constant standouts were' drummer Hal Blaine, one of the most inventive and prolific in rock history, and saxophonist Steve Douglas. Finally, there were vast differences among Spector's complement of singers. An important part of Spector's genius stemmed from his ability to recruit, organize, and provide leadership within such a musical community. Darlene Love (who also recorded for Spector with the Crystals and Bob B. Soxx and the Blue Jeans) ranks just beneath Aretha Franklin among female rock singers, and "Christmas" is her greatest record, though it was never a hit. (The track probably achieved its greatest notice in the mid-eighties, when it was used over the opening credits of Joe Dante's film, Gremlins.) Spector's Wall of Sound, with its continuously thundering horns and strings, never seemed more massive than it does here. -
Still on the Road Session Pages: 1978 US Tour September
STILL ON THE ROAD 1978 WORLD TOUR – US SEPTEMBER 15 Augusta, Maine Civic Center 16 Portland, Maine Cumberland Civic Center 17 New Haven, Connecticut Veterans Memorial Coliseum 19 Montreal, Quebec, Canada Forum de Montreal 20 Boston, Massachusetts Boston Gardens 22 Syracuse, New York Onondaga County War Memorial Auditorium 23 Rochester, New York War Memorial Auditorium 24 Binghamton, New York Broome County Veterans Memorial Arena 26 Springfield, Massachusetts Civic Center 27 Uniondale, New York Nassau County Coliseum 29 New York City, New York Madison Square Garden 30 New York City, New York Madison Square Garden Still On The Road: 1978 World Tour: US September 4290 Senator Motel Augusta, Maine 15 September 1978 Interview by Matt Damsker Notes • Broadcast by an unidentified American radio station October 1978. • Parts published in Circus Weekly 19 December 1978. Reference. The Fiddler Now Upspoke, Volume 2, Desolation Row Promotions, page 459-471. Mono radio broadcast, 31 minutes. Session info updated 31 March 2003. Still On The Road: 1978 World Tour: US September 4300 Civic Center Augusta, Maine 15 September 1978 1. My Back Pages 2. I'm Ready (Willie Dixon) 3. Is Your Love In Vain? 4. Shelter From The Storm 5. Love Minus Zero/No Limit 6. Tangled Up In Blue 7. Ballad Of A Thin Man 8. Maggie's Farm 9. I Don't Believe You 10. Like A Rolling Stone 11. I Shall Be Released 12. Going, Going, Gone 13. Rainy Day Women # 12 & 35 14. True Love Tends To Forget 15. It Ain't Me, Babe 16. Am I Your Stepchild? 17. -
Robert GADEN: Slim GAILLARD
This discography is automatically generated by The JazzOmat Database System written by Thomas Wagner For private use only! ------------------------------------------ Robert GADEN: Robert Gaden -v,ldr; H.O. McFarlane, Karl Emmerling, Karl Nierenz -tp; Eduard Krause, Paul Hartmann -tb; Kurt Arlt, Joe Alex, Wolf Gradies -ts,as,bs; Hans Becker, Alex Beregowsky, Adalbert Luczkowski -v; Horst Kudritzki -p; Harold M. Kirchstein -g; Karl Grassnick -tu,b; Waldi Luczkowski - d; recorded September 1933 in Berlin 65485 ORIENT EXPRESS 2.47 EOD1717-2 Elec EG2859 Robert Gaden und sein Orchester; recorded September 16, 1933 in Berlin 108044 ORIENTEXPRESS 2.45 OD1717-2 --- Robert Gaden mit seinem Orchester; recorded December 1936 in Berlin 105298 MEIN ENTZÜCKENDES FRÄULEIN 2.21 ORA 1653-1 HMV EG3821 Robert Gaden mit seinem Orchester; recorded October 1938 in Berlin 106900 ICH HAB DAS GLÜCK GESEHEN 2.12 ORA3296-2 Elec EG6519 Robert Gaden mit seinem Orchester; recorded November 1938 in Berlin 106902 SIGNORINA 2.40 ORA3571-2 Elec EG6567 106962 SPANISCHER ZIGEUNERTANZ 2.45 ORA 3370-1 --- Robert Gaden mit seinem Orchester; Refraingesang: Rudi Schuricke; recorded September 1939 in Berlin 106907 TAUSEND SCHÖNE MÄRCHEN 2.56 ORA4169-1 Elec EG7098 ------------------------------------------ Slim GAILLARD: "Swing Street" Slim Gaillard -g,vib,vo; Slam Stewart -b; Sam Allen -p; Pompey 'Guts' Dobson -d; recorded February 17, 1938 in New York 9079 FLAT FOOT FLOOGIE 2.51 22318-4 Voc 4021 Some sources say that Lionel Hampton plays vibraphone. 98874 CHINATOWN MY CHINATOWN -
Bob Dylan Performs “It's Alright, Ma (I'm Only Bleeding),” 1964–2009
Volume 19, Number 4, December 2013 Copyright © 2013 Society for Music Theory A Foreign Sound to Your Ear: Bob Dylan Performs “It’s Alright, Ma (I’m Only Bleeding),” 1964–2009 * Steven Rings NOTE: The examples for the (text-only) PDF version of this item are available online at: http://www.mtosmt.org/issues/mto.13.19.4/mto.13.19.4.rings.php KEYWORDS: Bob Dylan, performance, analysis, genre, improvisation, voice, schema, code ABSTRACT: This article presents a “longitudinal” study of Bob Dylan’s performances of the song “It’s Alright, Ma (I’m Only Bleeding)” over a 45-year period, from 1964 until 2009. The song makes for a vivid case study in Dylanesque reinvention: over nearly 800 performances, Dylan has played it solo and with a band (acoustic and electric); in five different keys; in diverse meters and tempos; and in arrangements that index a dizzying array of genres (folk, blues, country, rockabilly, soul, arena rock, etc.). This is to say nothing of the countless performative inflections in each evening’s rendering, especially in Dylan’s singing, which varies widely as regards phrasing, rhythm, pitch, articulation, and timbre. How can music theorists engage analytically with such a moving target, and what insights into Dylan’s music and its meanings might such a study reveal? The present article proposes one set of answers to these questions. First, by deploying a range of analytical techniques—from spectrographic analysis to schema theory—it demonstrates that the analytical challenges raised by Dylan’s performances are not as insurmountable as they might at first appear, especially when approached with a strategic and flexible methodological pluralism. -
Convention on the Rights of the Child
Convention on the Rights of the Child Adopted and opened for signature, ratification and accession by General Assembly resolution 44/25 of 20 November 1989 entry into force 2 September 1990, in accordance with article 49 Preamble The States Parties to the present Convention, Considering that, in accordance with the principles proclaimed in the Charter of the United Nations, recognition of the inherent dignity and of the equal and inalienable rights of all members of the human family is the foundation of freedom, justice and peace in the world, Bearing in mind that the peoples of the United Nations have, in the Charter, reaffirmed their faith in fundamental human rights and in the dignity and worth of the human person, and have determined to promote social progress and better standards of life in larger freedom, Recognizing that the United Nations has, in the Universal Declaration of Human Rights and in the International Covenants on Human Rights, proclaimed and agreed that everyone is entitled to all the rights and freedoms set forth therein, without distinction of any kind, such as race, colour, sex, language, religion, political or other opinion, national or social origin, property, birth or other status, Recalling that, in the Universal Declaration of Human Rights, the United Nations has proclaimed that childhood is entitled to special care and assistance, Convinced that the family, as the fundamental group of society and the natural environment for the growth and well-being of all its members and particularly children, should be afforded -
Downbeat.Com December 2014 U.K. £3.50
£3.50 £3.50 . U.K DECEMBER 2014 DOWNBEAT.COM D O W N B E AT 79TH ANNUAL READERS POLL WINNERS | MIGUEL ZENÓN | CHICK COREA | PAT METHENY | DIANA KRALL DECEMBER 2014 DECEMBER 2014 VOLUME 81 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editor Ed Enright Art Director LoriAnne Nelson Contributing Designer Žaneta Čuntová Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Associate Kevin R. Maher Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, -
Dvds DVDS 277
DVDs DVDS 277 CONCERTS & MUSIC Eric Clapton & Steve Winwood B.B. King Live from Madison Square Garden B.B. King Live AC/DC 2 DVDs ..................................................$27.99 17-WEA517585____ DVD ......................................................$14.99 40-7130HJDVD____ Blu-Ray Disc .........................................$17.99 40-7131HJBD____ Plug Me In Neil Diamond 2 DVDs ..................................................$29.99 40-10417____ Diana Krall Hot August Night/NYC Adele Live from Madison Square Garden Live in Rio DVD ......................................................$13.99 40-62711____ DVD ......................................................$14.99 40-EV302739____ Live at the Royal Albert Hall DVD & CD .............................................$18.99 40-90446____ Eagles Led Zeppelin The Band Farewell I Tour — Live from Melbourne Celebration Day 2 DVDs ..................................................$29.99 17-WEA970423____ DVD & 2 CDs .........................................$29.95 17-WEA532625____ The Last Waltz Hell Freezes Over Blu-Ray Disc & 2 CDs ...........................$34.95 17-WEA532628____ DVD ......................................................$14.99 40-M102021____ DVD ......................................................$24.99 40-B000437709____ Led Zeppelin History of The Eagles DVD 2-Pack ..........................................$29.99 17-WEA970198____ The Beatles The Story of an American Band Mothership ✸ 3 DVDs ............................................$34.99 40-347919____ The -
12-96 Shelby County V. Holder (06/25/2013)
(Slip Opinion) OCTOBER TERM, 2012 1 Syllabus NOTE: Where it is feasible, a syllabus (headnote) will be released, as is being done in connection with this case, at the time the opinion is issued. The syllabus constitutes no part of the opinion of the Court but has been prepared by the Reporter of Decisions for the convenience of the reader. See United States v. Detroit Timber & Lumber Co., 200 U. S. 321, 337. SUPREME COURT OF THE UNITED STATES Syllabus SHELBY COUNTY, ALABAMA v. HOLDER, ATTORNEY GENERAL, ET AL. CERTIORARI TO THE UNITED STATES COURT OF APPEALS FOR THE DISTRICT OF COLUMBIA CIRCUIT No. 12–96. Argued February 27, 2013—Decided June 25, 2013 The Voting Rights Act of 1965 was enacted to address entrenched racial discrimination in voting, “an insidious and pervasive evil which had been perpetuated in certain parts of our country through unremitting and ingenious defiance of the Constitution.” South Carolina v. Kat- zenbach, 383 U. S. 301, 309. Section 2 of the Act, which bans any “standard, practice, or procedure” that “results in a denial or abridgement of the right of any citizen . to vote on account of race or color,” 42 U. S. C. §1973(a), applies nationwide, is permanent, and is not at issue in this case. Other sections apply only to some parts of the country. Section 4 of the Act provides the “coverage formula,” de- fining the “covered jurisdictions” as States or political subdivisions that maintained tests or devices as prerequisites to voting, and had low voter registration or turnout, in the 1960s and early 1970s. -
Everything's Nothing's
By Thomas Riehle Everything’s Different, Nothing’s Changed Consumers react to the war ©www.arttoday.com he immeasurable tragedy of this was a turning point that would that the government would foil all September 11, 2001, and ev- fundamentally change things forever. attempts made (25%). Most (55%) Terything that followed—the Only 21% believed that, once these did expect a few attempted terrorist attack on the World Trade Center and events had passed, life would return to attacks to succeed. the Pentagon, the crash of another normal. hijacked plane in Pennsylvania, the Almost half, 48%, expected either November 12 crash of a plane taking hat has not changed since an end to terrorism (12%) or a reduc- off from New York’s JFK airport, the September 11, particularly tion in the number of terrorist inci- anthrax letters, anthrax hoaxes and W in the realm of consumer dents (36%) over the next five years, alarms, and all the general FBI warn- issues, is more significant than what while 46% expected the number of ings of imminent terrorist attack— has, however. terrorist incidents to stay the same means that everything has changed. (29%) or increase (17%). Americans are scared, but not terror- Almost from the instant the second ized, by events. As of October, Ipsos- Thus, Americans can be described as plane crashed into the World Trade Reid Express polls were finding that all-but-unanimously spooked by events, towers, American consumers knew— but evenly divided between those who and 74% of them told Ipsos-Reid in- Almost everyone (92%) expected feel safe and those who feel vulnerable.