Bridging the Gap
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Our Union Fabriks: Studies in the Working Class Series Editors: Ingo Schmidt and Jeff Taylor
Our Union Fabriks: Studies in the Working Class Series editors: Ingo Schmidt and Jeff Taylor Capital is dead labor. Karl Marx Fabriks: Studies in the Working Class provides a broad-based forum for labour studies research. Of particular interest are works that challenge familiar national and institutional narratives, focusing instead on gender-based, occupational, racial, and regional divisions among workers and on strategies for fostering working-class solidarity. The series also seeks to resurrect both social class analysis and the view of labour movements as a potentially liberating social force. It invites contributions not only from labour historians but from indus- trial relations scholars, political scientists, economists, sociologists and social movement theorists, and anyone else whose concerns lie with the history and organization of labour, its philosophical underpinnings, and the struggle for economic and social justice. The Political Economy of Workplace Injury in Canada bob barnetson Our Union: UAW/CAW Local 27 from 1950 to 1990 Jason Russell OURUNION UAW/CAW Local 27 from 1950 to 1990 Jason Russell Copyright © 2011 Jason Russell Published by AU Press, Athabasca University 1200, 10011 – 109 Street, Edmonton, AB T5J 3S6 ISBN 978-1-926836-43-0 (print) 978-1-926836-44-7 (PDF) 978-1-926836-45-4 (epub) A volume in Fabriks: Studies in the Working Class: ISSN 1925-6477 (print) 1925-6485 (digital) Cover and interior design by Natalie Olsen, Kisscut Design. Printed and bound in Canada by Marquis Book Printers. library and archives canada cataloguing in publication Russell, Jason, 1968– Our union : UAW/CAW Local 27 from 1950–1990 / Jason Russell. -
Operational Details Finalized As Debate Nears by Kate Gibson Ing All That Is Necessary to Host the Debate During the Daytime on Oct
arts & entertainment perspectives sports Harpist Yolanda Learning to fly: Bielek, Bergman Kondonssis and flutist A novice skydiver bring national Eugenia Zuckerman kick takes flight for the titles to Wake off Secrest Series first time Page B1 Page B5 Page A9 Press Box: 40ers Owens a picture of arrogance Old Gold and Black Page B1 thursday, september 28, 2000 “covers the campus like the magnolias” volume 84, no. 5 Operational details finalized as debate nears By Kate Gibson ing all that is necessary to host the debate during the daytime on Oct. 11, and the The Deacon Shop will be selling Presi- Old Gold and Black Reporter at Wake Forest,” said Sandra Boyette, “Our goal has been to reduce northern half will close at mid-day on the dential debate merchandise from 8:30 the vice president for university advance- inconvenience to the university same date to reopen only after the debate a.m. until after the debate, and the Sundry Last spring, the university began prepa- ment. has finished and the candidates have left Shop will continue its usual business rations for the Presidential Debate. Their From 10 p.m. Oct. 8 until noon on community as much as possible, the campus. hours. plans are now nearly Oct. 12, students and faculty must pres- while providing all that is necessary To begin its renovation into a debate The debate will also affect buildings sur- complete. ent their university identification card to to host the debate at Wake Forest.” hall, Wait Chapel will close at 5 p.m. rounding Wait Chapel. -
Concessions and How to Beat Them
a Labor Notes Book 0 ESSID 4, ad owto beat them by Jane Slaughter With a Foreword by William W. Winpisinger President, International Association of Machinists ONCE SIONS and how to beat them_____ by Jane Slaughter Labor Education & Research Project Publishers of Labor Notes Detroit Copyright © 1983 by the Labor Education & Research Project Any short, attributed quotation may be used without permission. First printing July 1983 Second printing June 1985 Library of Congress Catalog Card Number: 83-81803 ISBN: 0-914093-03-7 Published by the Labor Education & Research Project Designed by David McCullough 138 This book is dedicated to the members of the United Mine Workers of America, who struck against concessions in 1978, before concessions had a name. CONTENTS Acknowledgments ..........~....... vi Foreword 1 ~ntroduction 5 IFromMoretoLess 10 2 The Economics Behind Concessions. .43 3 Why Concessions Don’t Work 52 4 Resisting Concessions 66 5 An Offensive Strategy for the Labor Movement 108 GResources 125 Appendix A Union Education on Concessions . 143 Appendix B ModelLanguage on Investment. 145 Notes 147 There is a list of union abbreviations on pages 14-15 _______Acknowledgments I would like to acknowledge the many people who contributed information for this book or who commented on various drafts: James Bialke, Geoff Bickerton, Dave Blitzstein, Jon Brandow, Rick Braswell, Kate Bronfenbrenner, Nick Builder, Mike Cannon, Bill Carey, Dorsey Cheuvront, Elissa Clarke, Carole Coplea, Alice Dale, Gerry Deneau, Wayne Draznin, Enid Eckstein, Larry -
Martin Luther King Jr., Cesar Chavez, and the Images of Their Movements
MIXED UP IN THE MAKING: MARTIN LUTHER KING JR., CESAR CHAVEZ, AND THE IMAGES OF THEIR MOVEMENTS A Dissertation presented to the Faculty of the Graduate School University of Missouri-Columbia In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy by ANDREA SHAN JOHNSON Dr. Robert Weems, Jr., Dissertation Supervisor MAY 2006 © Copyright by Andrea Shan Johnson 2006 All Rights Reserved The undersigned, appointed by the Dean of the Graduate School, have examined the dissertation entitled MIXED UP IN THE MAKING: MARTIN LUTHER KING JR., CESAR CHAVEZ AND THE IMAGES OF THEIR MOVEMENTS Presented by Andrea Shan Johnson A candidate for the degree of Doctor of Philosophy of History And hereby certify that in their opinion it is worthy of acceptance. __________________________________________________________ Professor Robert Weems, Jr. __________________________________________________________ Professor Catherine Rymph __________________________________________________________ Professor Jeffery Pasley __________________________________________________________ Professor Abdullahi Ibrahim ___________________________________________________________ Professor Peggy Placier ACKNOWLEDGEMENTS I owe thanks to many people for helping me in the completion of this dissertation. Thanks go first to my advisor, Dr. Robert Weems, Jr. of the History Department of the University of Missouri- Columbia, for his advice and guidance. I also owe thanks to the rest of my committee, Dr. Catherine Rymph, Dr. Jeff Pasley, Dr. Abdullahi Ibrahim, and Dr. Peggy Placier. Similarly, I am grateful for my Master’s thesis committee at Indiana University-Purdue University at Indianapolis, Dr. Annie Gilbert Coleman, Dr. Nancy Robertson, and Dr. Michael Snodgrass, who suggested that I might undertake this project. I would also like to thank the staff at several institutions where I completed research. -
25 Indian Road, 4F | New York, NY 10034 (212) 942-2743 Cell (917) 689-4139
25 Indian Road, 4F | New York, NY 10034 (212) 942-2743 Cell (917) 689-4139 SIMON SUROWICZ [email protected] TEACHING Adjunct Professor, Columbia University, The Graduate School of Journalism 2010 Adjunct, New York University, School of Continuing & Professional Studies 2008 ● Digital Broadcast Journalism ● Investigative Journalism MULTIMEDIA Senior Multimedia Producer, ABC News.com 2006 - 2009 ● Created and launched “The Blotter,” ABC News’ award-winning Investigative Team's Web site. ● Managing editor responsible for overall day-to-day editorial oversight. ● Liaison with the Web development team on functional specifications and layout implementations. ● Developed distribution channels to deliver original “Blotter” content across all ABC News platforms. ● Managed a small team of graphic artists, video editors, IT specialists and content management engineers. ● Broke several major news stories, including the Congressman Mark Foley sex scandal which changed the political landscape in Congress (12 million impressions for a single story, the highest ever at ABCNews.com). ● Oversaw substantial growth – routinely reached and surpassed monthly metrics goals. ● The Blotter’s innovative concept and unique design was widely emulated at ABCNews.com. Senior Producer, Brian Ross Investigates Webcasts 2006 – 2009 www.simonsurowicz.com ● Produced weekly Webcasts, featuring top experts examining the major investigative stories of the week. (*partial list) Interrogation Techniques: Waterboarding A Sting Gone Bad: To Catch a Predator Inside a Taliban ‘Commencement’ To Heimlich or not to Heimlich? Covert ‘Black’ Operation in Iran TELEVISION Producer, ABC News 1995 – 2006 ● Produced broadcast segments for all ABC News platforms, including: "20/20", "Primetime Live", "World News Tonight", "Nightline" and "Good Morning America". (*The following is a partial list) ● “The Great Diamond Heist” Produced a one-hour exclusive ABC News PrimeTime Special on the largest diamond heist in history, now being turned into a movie by Paramount. -
Nailing an Exclusive Interview in Prime Time
The Business of Getting “The Get”: Nailing an Exclusive Interview in Prime Time by Connie Chung The Joan Shorenstein Center I PRESS POLITICS Discussion Paper D-28 April 1998 IIPUBLIC POLICY Harvard University John F. Kennedy School of Government The Business of Getting “The Get” Nailing an Exclusive Interview in Prime Time by Connie Chung Discussion Paper D-28 April 1998 INTRODUCTION In “The Business of Getting ‘The Get’,” TV to recover a sense of lost balance and integrity news veteran Connie Chung has given us a dra- that appears to trouble as many news profes- matic—and powerfully informative—insider’s sionals as it does, and, to judge by polls, the account of a driving, indeed sometimes defining, American news audience. force in modern television news: the celebrity One may agree or disagree with all or part interview. of her conclusion; what is not disputable is that The celebrity may be well established or Chung has provided us in this paper with a an overnight sensation; the distinction barely nuanced and provocatively insightful view into matters in the relentless hunger of a Nielsen- the world of journalism at the end of the 20th driven industry that many charge has too often century, and one of the main pressures which in recent years crossed over the line between drive it as a commercial medium, whether print “news” and “entertainment.” or broadcast. One may lament the world it Chung focuses her study on how, in early reveals; one may appreciate the frankness with 1997, retired Army Sergeant Major Brenda which it is portrayed; one may embrace or reject Hoster came to accuse the Army’s top enlisted the conclusions and recommendations Chung man, Sergeant Major Gene McKinney—and the has given us. -
The Unknown Origins of the March on Washington: Civil Rights Politics and the Black Working Class
The Unknown Origins of the March on Washington: Civil Rights Politics and the Black Working Class William P. Jones The very decade which has witnessed the decline of legal Jim Crow has also seen the rise of de facto segregation in our most fundamental socioeconomic institutions,” vet- eran civil rights activist Bayard Rustin wrote in 1965, pointing out that black work- ers were more likely to be unemployed, earn low wages, work in “jobs vulnerable to automation,” and live in impoverished ghettos than when the U.S. Supreme Court banned legal segregation in 1954. Historians have attributed that divergence to a nar- rowing of African American political objectives during the 1950s and early 1960s, away from demands for employment and economic reform that had dominated the agendas of civil rights organizations in the 1940s and later regained urgency in the late 1960s. Jacquelyn Dowd Hall and other scholars emphasize the negative effects of the Cold War, arguing that the National Association for the Advancement of Colored People (NAACP) and other civil rights organizations responded to domestic anticom- munism by distancing themselves from organized labor and the Left and by focusing on racial rather than economic forms of inequality. Manfred Berg and Adam Fair- clough offer the more positive assessment that focusing on racial equality allowed civil rights activists to appropriate the democratic rhetoric of anticommunism and solidify alliances with white liberals during the Cold War, although they agree that “anti- communist hysteria retarded the struggle for racial justice and narrowed the political Research for this article was supported by a National Endowment for the Humanities/Newhouse Fellowship at the New York Public Library’s Schomburg Center for Research in Black Culture and the Graduate School at the University of Wisconsin, Madison. -
NATAS Supplement.Qxd
A SPECIAL SUPPLEMENT TO BROADCASTING & CABLE AND MULTICHANNEL NEWS The National Academy of Television Arts & Sciences at 50 years,0 A golden past with A platinum future marriott marquis | new york october 20-21, 2005 5 THE NATIONAL ACADEMY OF TELEVISION ARTS & SCIENCES Greetings From The President Executive Committee Dennis Swanson Peter O. Price Malachy Wienges Chairman of the Board President & CEO Treasurer Dear Colleagues, Janice Selinger Herb Granath Darryl Cohen As we look backwards to our founding and forward to our future, it is remarkable Secretary 1st Vice Chairman 2nd Vice Chairman how the legacy of our founders survives the decades. As we pause to read who Harold Crump Linda Giannecchini Ibra Morales composed Ed Sullivan’s “Committee of 100” which established the Academy in 1955, Chairman’s Chairman’s Chairman’s the names resonate with not just television personalities but prominent professionals Representative Representative Representative from theatre, film, radio, magazines and newspapers. Perhaps convergence was then Stanley S. Hubbard simply known as collaboration. Past Chairman of the Board The television art form was and is a work in progress, as words and pictures morph into new images, re-shaped by new technologies. The new, new thing in 1955 was television. But television in those times was something of an appliance—a box Board of Trustees in the living room. Families circled the wagons in front of that electronic fireplace Bill Becker Robert Gardner Paul Noble where Americans gathered nightly to hear pundits deliver the news or celebrities, fresh from vaudeville and Betsy Behrens Linda Giannecchini David Ratzlaff Mary Brenneman Alison Gibson Jerry Romano radio, entertain the family. -
2006 Promax/Bda Conference Celebrates
2006 PROMAX/BDA CONFERENCE ENRICHES LINEUP WITH FOUR NEW INFLUENTIAL SPEAKERS “Hardball” Host Chris Matthews, “60 Minutes” and CBS News Correspondent Mike Wallace, “Ice Age: The Meltdown” Director Carlos Saldanha and Multi-Dimensional Creative Artist Peter Max Los Angeles, CA – May 9, 2006 – Promax/BDA has announced the addition of four new fascinating industry icons as speakers for its annual New York conference (June 20-22, 2006). Joining the 2006 roster will be host of MSNBC’s “Hardball with Chris Matthews,” Chris Matthews; “60 Minutes” and CBS News correspondent Mike Wallace; director of the current box-office hit “Ice Age: The Meltdown,” Carlos Saldanha, and famed multi- dimensional artist Peter Max. Each of these exceptional individuals will play a special role in furthering the associations’ charge to motivate, inspire and invigorate the creative juices of members. The four newly added speakers join the Promax/BDA’s previously announced keynotes, including author and social activist Dr. Maya Angelou; AOL Broadband's Executive Vice President and Chief Operating Officer Kevin Conroy; Fox Television Stations' President of Station Operations Dennis Swanson; and CNN anchor Anderson Cooper. For a complete list of participants, as well as the 2006 Promax/BDA Conference agenda, visit www.promaxbda.tv. “At every Promax/BDA Conference, we look to secure speakers who are uniquely qualified to enlighten our members with their valuable insights," said Jim Chabin, Promax/BDA President and Chief Executive Officer, in making the announcement. “These four individuals—with their diverse, yet powerful credentials—will undoubtedly shed some invaluable wisdom at the podium.” This year’s Promax/BDA Conference will be held June 20-22 at the New York Marriott Marquis in Times Square and will include a profusion of stimulating seminars, workshops and hands-on demonstrations all designed to enlighten, empower and elevate the professional standings of its members. -
Teaching the March on Washington
Nearly a quarter-million people descended on the nation’s capital for the 1963 March on Washington. As the signs on the opposite page remind us, the march was not only for civil rights but also for jobs and freedom. Bottom left: Martin Luther King Jr., who delivered his famous “I Have a Dream” speech during the historic event, stands with marchers. Bottom right: A. Philip Randolph, the architect of the march, links arms with Walter Reuther, president of the United Auto Workers and the most prominent white labor leader to endorse the march. Teaching the March on Washington O n August 28, 1963, the March on Washington captivated the nation’s attention. Nearly a quarter-million people—African Americans and whites, Christians and Jews, along with those of other races and creeds— gathered in the nation’s capital. They came from across the country to demand equal rights and civil rights, social justice and economic justice, and an end to exploitation and discrimination. After all, the “March on Washington for Jobs and Freedom” was the march’s official name, though with the passage of time, “for Jobs and Freedom” has tended to fade. ; The march was the brainchild of longtime labor leader A. PhilipR andolph, and was organized by Bayard RINGER Rustin, a charismatic civil rights activist. Together, they orchestrated the largest nonviolent, mass protest T in American history. It was a day full of songs and speeches, the most famous of which Martin Luther King : AFP/S Jr. delivered in the shadow of the Lincoln Memorial. top 23, 23, GE Last month marked the 50th anniversary of the march. -
JN Ulav SISHELP Lf-4--Ns
JN ulaV SISHELP lf-4--Ns PNTE id CM ^Number 137/) January 1985 V | INTERVIEW I DOUGLAS FRASER O~~~~~~~~~ The are from an interview with V O following exerpts Workers, conducted during his recent visit to the Berkeley campus. L. | LCR: The first thing we would like to ask is what are your general impressions on the future of UAW and what kinds of efforts do you think the new leadership can make to combat the decline in IUn Imembership due to automation and other structural factors? DF: I think perhaps in terms of the workforce itself, the worst is over. As late as 1979, the member- ship in our union was 1.5 million, and now in the last year or so it's about 1.1 million. We'll never be Z back to 1978-79, not only because of the decline in the auto industry, but we also have a highly organi- zed agricultural implement industry that is probably in a state of permanent decline more severe than auto. In the auto industry you might have a bit more decline, but not as dramatic as a lot of people say it is going to be. On the other hand I think progress can be made by conducting organizing drives in non- traditional areas: among white-collar workers in industry, in universities where we've had some success and among other service employees. The UAW, along with any other institution, has to have the ability to change with times and events. I'm not as pessimistic about the future as other people are. -
In Duchamp's Shadow : Dadaist in the City of Machines
d IN DUCHAMP’S SHADOW: Dadaist in the City of Machines John Cohassey In Detroit’s Scarab Club, a charming brick 1920s arts and crafts structure is Marcel Duchamp’s signature—thirteen small cryptic letters on a wooden ceiling beam. This talismanic auto graph stirred my interest in finding out why and when Duchamp added his name to the collection of signatures in the club’s lounge. I was aware that Duchamp came to Detroit in November 1961 to speak at the Detroit Institute of Arts and re ceive an honorary degree from Wayne State University. This being the only information about Duchamp having visited De troit of which I knew, I set out to find a link between the Scarab Club signature and his coming to Detroit in 1961. We may never know why Duchamp—who never spoke fondly of history, especially its art movements and “isms” and rejected all facets of aesthetic commercialism—accepted an honorary degree from an urban university so far from the powerful centers of the art world. But for an artist fascinated by the machine and mechanical drawings, Detroit may have been a fitting place for such an honor. At the time of Duchamp’s visit, the seventyfouryearold artist had emerged from a relatively isolated life in New York City to appear on television and at museum and gallery events. After nearly a half century of bachelorhood (he was married briefly in 1927), Duchamp married again in 1955 and became an American citizen. Unlike many other influential artists, he 11 avoided a selfdestructive path.