View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by ZENODO CREATe Working Paper 2017/07 (March 2017) Digitalisation and intermediaries in the music industry Authors Morten Hviid Sabine Jacques Sofia Izquierdo Sanchez Centre for Competition Policy, Centre for Competition Policy, Department of Accountancy, University of East Anglia University of East Anglia Finance, and Economics,
[email protected] [email protected] University of Huddersfield
[email protected] CREATe Working Paper Series DOI:10.5281/zenodo.439344 This release was supported by the RCUK funded Centre for Copyright and New Business Models in the Creative Economy (CREATe), AHRC Grant Number AH/K000179/1. Table of Contents 1. Introduction ..................................................................................................................................... 1 2. How the advancement of technologies shapes the music industry ................................................. 2 2.1 Pre-digitalisation production of recorded music ..................................................................... 2 2.2 The role of digitalisation on recorded music ........................................................................... 4 2.2.1 The compact disc ............................................................................................................ 4 2.2.2 MP3 ................................................................................................................................. 5 2.2.3 Peer-to-peer