The Dunera Boys from Internment
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SA-SIG Newsletter P Ostal S Ubscription F
-SU A-SIG U The journal of the Southern African Jewish Genealogy Special Interest Group http://www.jewishgen.org/SAfrica/ Editor: Colin Plen [email protected] Vol. 14, Issue 1 December 2013 InU this Issue President’s Message – Saul Issroff 2 Editorial – Colin Plen 3 Meir (Matey) Silber 4 South African Jews Get Their Master Storyteller – Adam Kirsch 5 A New Diaspora in London – Andrew Caplan 8 Inauguration of Garden Route Jewish Association as SAJBD affiliate 11 From Lithuania to Mzansi: A Jewish Life – Walter and Gordon Stuart 12 Preserving our Genealogy Work for Posterity – Barbara Algaze 13 The Dunera Boys 15 2013 Research Grant Recipients for IIJG 16 New Items of Interest on the Internet – Roy Ogus 17 Editor’s Musings 20 Update on the Memories of Muizenberg Exhibition – Roy Ogus 22 New Book – From the Baltic to the Cape – The Journey of 3 Families 23 Book Review – A Dictionary of Surnames – Colin Plen 24 Letters to the Editor 25 © 2013 SA-SIG. All articles are copyright and are not to be copied or reprinted without the permission of the author. The contents of the articles contain the opinions of the authors and do not reflect those of the Editor, or of the members of the SA-SIG Board. The Editor has the right to accept or reject any material submitted, or edit as appropriate. PRESIDENT’S MESSAGE The Southern Africa Jewish Genealogy In August I attended the annual IAJGS conference in Boston. I think about 1200 people were there and Special Interest Group (SA-SIG) I was told that several hundred watched the sessions The purpose and goal of the Southern Africa Special live using a new on-line streaming system. -
Bankks Butterley Mealee Werder
BANKS BUTTERLEY MEALE WERDER Like so many string quartets, the maestoso’, but the music is hard and changes texture in a more flexible manner. pieces recorded here engage with the concrete. These blocks of sound vary The moments when the quartet comes relationship of the ensemble’s four in length – the rhythmic notation is together in rhythmically regular music are players. Some of the works continue flexible – and the performers decide the striking and climactic. the tradition of cohesive playing, and length of each block in the moment of The second seating configuration, ‘far others question that aspect of the genre’s performance. The effect is that both the away’, begins with, is sustained by, and history. start and end of notes are highly charged. ends with clouds of harmonics. If the first In live performances of Meale’s String In some cases Meale further heightens section retains some hint of progression Quartet No. 1 his direct challenge to this idea, and the fourth chord, marked in its procession of variations, this section the performers is plain to see, for the dolce, ends with a left-hand pizzicato as is totally still. Through the harmonics piece is in two sections: in the first the the bow leaves the string. The abruptness Meale traces lines of pitches that lead us performers sit in the usual configuration, of the gesture is not at all what one might across the stage, but nowhere else. These and for the second section the performers think of as dolce, but this is a piece that three sequences are labelled ‘Tropes’. -
European Influences in the Fine Arts: Melbourne 1940-1960
INTERSECTING CULTURES European Influences in the Fine Arts: Melbourne 1940-1960 Sheridan Palmer Bull Submitted in total fulfilment of the requirements of the degree ofDoctor ofPhilosophy December 2004 School of Art History, Cinema, Classics and Archaeology and The Australian Centre The University ofMelbourne Produced on acid-free paper. Abstract The development of modern European scholarship and art, more marked.in Austria and Germany, had produced by the early part of the twentieth century challenging innovations in art and the principles of art historical scholarship. Art history, in its quest to explicate the connections between art and mind, time and place, became a discipline that combined or connected various fields of enquiry to other historical moments. Hitler's accession to power in 1933 resulted in a major diaspora of Europeans, mostly German Jews, and one of the most critical dispersions of intellectuals ever recorded. Their relocation to many western countries, including Australia, resulted in major intellectual and cultural developments within those societies. By investigating selected case studies, this research illuminates the important contributions made by these individuals to the academic and cultural studies in Melbourne. Dr Ursula Hoff, a German art scholar, exiled from Hamburg, arrived in Melbourne via London in December 1939. After a brief period as a secretary at the Women's College at the University of Melbourne, she became the first qualified art historian to work within an Australian state gallery as well as one of the foundation lecturers at the School of Fine Arts at the University of Melbourne. While her legacy at the National Gallery of Victoria rests mostly on an internationally recognised Department of Prints and Drawings, her concern and dedication extended to the Gallery as a whole. -
The Hidden History Retold in Hay's Museums
The Hidden History retold in Hay's Museums Hay Public School Creative Catchment Kids Creative Catchment Kids is an initiative of Wirraminna Environmental Education Centre. It aims to improve engagement between our funding partners and school students by providing opportunities for positive, cooperative activities that encourage students to learn about and respond to, natural resource management and the importance of agricultural production. wirraminna.org.au/petaurus/creative-catchment-kids/ Petaurus Education Group Petaurus Education Group identifies, develops and delivers a range of learning and curriculum experiences, resources and initiatives for schools and community groups to connect with land, water, productive farming, sustainability and cultural issues at the local level. The group was established by Wirraminna Environmental Education Centre in late-2014 to support its operations and education activities. petaurus.org.au Enviro-Stories Enviro-Stories is an innovative literacy education program that inspires learning about natural resource and catchment management issues. Developed by PeeKdesigns, this program provides students with an opportunity to publish their own stories that have been written for other kids to support learning about their local area. envirostories.com.au The Hidden History retold in Hay's Museums Authors: Wendy Atkins, Tyson Blayden, Meagan Foggo, Miranda Griffiths, Keira Harris, Andrew Johnston, Clare Lauer, Savannah Mohr, Zoe Ndhlovu and Daniel Wilson. School: Hay Public School Teacher support: Fleur Cullenward I N N A M A R R I E R W T N E E C N V N IR O O TI NM CA ENTAL EDU BURRUMBUTTOCK © 2020 Wirraminna Environmental Education Centre, wirraminna.org.au Design by PeeKdesigns, peekdesigns.com.au Welcome to Hay Our little town of Hay in south-west NSW has all you need, from fantastic shops to riverside trails. -
With Fond Regards
With Fond Regards PRIVATE LIVES THROUGH LETTERS Edited and Introduced by ELIZABETH RIDDELL ith Fond Regards W holds many- secrets. Some are exposed, others remain inviolate. The letters which comprise this intimate book allow us passage into a private world, a world of love letters in locked drawers and postmarks from afar. Edited by noted writer Elizabeth Riddell, and drawn exclusively from the National Library's Manuscript collection, With Fond Regards includes letters from famous, as well as ordinary, Australians. Some letters are sad, others inspiring, many are humorous—but all provide a unique and intimate insight into Australia's past. WITH FOND REGARDS PRIVATE LIVES THROUGH LETTERS Edited and Introduced by Elizabeth Riddell Compiled by Yvonne Cramer National Library of Australia Canberra 1995 Published by the National Library of Australia Canberra ACT 2600 © National Library of Australia 1995 Every reasonable endeavour has been made to contact relevant copyright holders. Where this has not proved possible, the copyright holders are invited to contact the publishers. National Library of Australia Cataloguing-in-Publication entry With fond regards: private lives through letters. ISBN 0 642 10656 8. 1. Australian letters. 2. Australia—Social conditions—1788-1900. 3. Australia—Social conditions—20th century. 4. Australia—Social life and customs—1788-1900. 5. Australia—Social life and customs— 20th century. I. Riddell, Elizabeth. II. Cramer, Yvonne. III. National Library of Australia. A826.008 Designer: Andrew Rankine Editor: Susan -
Jerzy Kozlowski Michael Kieran Harvey New Song Cycles
ASTRA 2010 6 pm, Saturday 19 June, 6 pm, Sunday 20 June ELEVENTH HOUR THEATRE Fitzroy, Melbourne Jerzy Kozlowski bass Michael Kieran Harvey piano new song cycles: Michael Bertram at 75, Lawrence Whiffin at 80 Michael Bertram UNDERGROUND SONGS (2008) first performance Everyone Sang (Siegfried Sassoon) Trail all your pikes ( Anne Finch) He wishes for the Cloths of Heaven ( W.B.Yeats) I saw a peacock with a fiery tail (Anon. 17thC) Lawrence Whiffin PIANO SONATA NO.1 (1961/2006) I. Allegro molto II. Andante – Theme and Variations I N T E R V A L Lawrence Whiffin TIME STEALS SOFTER (2009) poems by George Genovese first performance Time Steals Softer (I) Walking Patriots Two Lives A Poet's Office Medi-Whinge 2004 Time Steals Softer (II) UNDERGROUND SONGS / TIME STEALS SOFTER … Sets of songs provoke a special relation between music and poetry – the choice and the order of poems has a formative influence on the trajectory and characters of the music that enters into their space. In the two new song cycles of this concert another influence is at work as well: the voice of the singer himself. Jerzy Kozlowski’s singing has become a well-known part of Astra programs over a long time and a wide terrain, from mediaeval music and Monteverdi to Reger (Eichendorrf), Busoni (Faust), Elisabeth Lutyens (Auden) and Helen Gifford (Shakespeare). Specifically, his two previous Astra solo recitals performing the late song-cycles of Shostakovich (Michelangelo and Dostoyevsky) made a remarkable impression for the possibilities of the medium of bass voice and piano, and stimulated both Michael Bertram and Lawrence Whiffin to compose new sets of songs particularly for him. -
The Australian Symphony of the 1950S: a Preliminary Survey
The Australian Symphony of the 1950s: A Preliminary survey Introduction The period of the 1950s was arguably Australia’s ‘Symphonic decade’. In 1951 alone, 36 Australian symphonies were entries in the Commonwealth Jubilee Symphony Competition. This music is largely unknown today. Except for six of the Alfred Hill symphonies, arguably the least representative of Australian composition during the 1950s and a short Sinfonietta- like piece by Peggy Glanville-Hicks, the Sinfonia da Pacifica, no Australian symphony of the period is in any current recording catalogue, or published in score. No major study or thesis to date has explored the Australian symphony output of the 1950s. Is the neglect of this large repertory justified? Writing in 1972, James Murdoch made the following assessment of some of the major Australian composers of the 1950s. Generally speaking, the works of the older composers have been underestimated. Hughes, Hanson, Le Gallienne and Sutherland, were composing works at least equal to those of the minor English composers who established sizeable reputations in their own country.i This positive evaluation highlights the present state of neglect towards Australian music of the period. Whereas recent recordings and scores of many second-ranking British and American composers from the period 1930-1960 exist, almost none of the larger works of Australians Robert Hughes, Raymond Hanson, Dorian Le Gallienne and their contemporaries are heard today. This essay has three aims: firstly, to show how extensive symphonic composition was in Australia during the 1950s, secondly to highlight the achievement of the main figures in this movement and thirdly, to advocate the restoration and revival of this repertory. -
Dogs in Space Music Credits
THE BANDS 'Dogs in Space' 'Whirlywirld' Edward Clayton-Jones Arnie Hanna Michael Hutchence David Hoy Chuck Meo Johnn Murphy Nique Needles Ollie Olsen Glenys Osborne 'Too Fat To Fit Through the Door' 'Thrush and the C...S' Marcus Bergner Denise Grant Marie Hoy Marie Hoy John Murphy Danila Stirpe James Rogers Jules Taylor Ollie Olsen 'Primitive Calculators' 'Marie Hoy & Friends' Terry Dooley Marie Hoy Denise Grant Loki Stuart Grant Tim Millikan David Light John Murphy Ollie Olsen Musical Director Ollie Olsen Strange Noises John Murphy Music Research Bruce Milne Music Recorded at Richmond Recorders by Tony Cohen Music mixed at A.A.V. by Ross Cockle "Rooms for the Memory" Remixed by Nick Launay 'Shivers Video Clip' directed by Paul Goldman and Evan English 3RRR I.D. Written & Produced by Martin Armiger Sung by Jane Clifton THE MUSIC 'Dog Food' Performed by Iggy Pop, James Osterman Music (BMI), Administered by Bug Music Group, (P) 1980, Arista Records Inc., Courtesy of Arista Records 'Frankie Teardrop' Courtesy of Stamphyl Revega 'Dogs in Space' Written by Sam Sejavka and Mike Lewis 'Win/Lose' Written by Ollie Olsen, Performed by Whirlywirld, Courtesy of Missing Link Records 'True Love' Performed by The Marching Girls, Courtesy of Missing Link Records 'Sky Saw' Written by Brian Eno, Courtesy of E.G. Records Ltd. and E.G. Music Ltd. 'Skullbrains' Written by Marcus Bergner and Marie Hoy 'Shivers' Written by Roland S. Howard, Performed by Boys Next Door Courtesy of Mushroom Records 'Diseases' Composed by Thrush and The C...s 'Pumping Ugly Muscle' Composed by The Primitive Calculators 'Window to the World' Written by Ollie Olsen, Performed by Whirlywirld 'Happy Birthday' and 'Mr. -
Douglas Lawrence
music for organ, brass, voices, didjeridu and electronics DOUGLAS LAWRENCE REVERBERATIONS ONE REVERBERATIONS TWO Douglas Lawrence, organ Douglas Lawrence, organ music for organ, brass, music for organ, didjeridu, and electronic tape voices, and electronics 1 Cathedral Music I * 1 Sanctus * Ian Bonighton 13’05” Ron Nagorcka 20’25” 2 Toccata 2 Hymn for the death of Felix Werder 10’35” Jesus James Penberthy 6’25” 3 Theme and Variations 3 Scherzo (‘Devils up there’) Ron Nagorcka 11’00” James Penberthy 4’15” 4 Paraphrase ‘In Five’ + 4 Holy Thursday Mass = Statico 2 Felix Werder 4’50” Keith Humble 10’50” * didjeridu / Ralph Nicholls * The Festival Brass electronics / Tim Robinson Ensemble voices / Ernie Althoff, Andrew trumpets / Boris Belousov, Bernard, Ann Blare, Mars John Grey, Robert Harry McMillan, Ron Nagorcka, trombones / Robert Clark, Susan Nagorcka, Jane Eric Klay O’Brien, Tim Tyler, Andrew Uren Cover design / Peter Green Registration assistance by Photography (front) / Ann Blore and Rod Junor. The Ivan Gaal production of Reverberations Engineering / two has been assisted by the Martin Wright Australia Council Production / Photograph of Douglas Nicholas Alexander Lawrence (back) / Paul Wright Artwork (inside back) / Peter Green P 1973/1979/2000 MOVE RECORDS move.com.au essence of the toccata mentality. Structured worked as an assistant. In 1960 he founded and Reverberations lines that burst out of the frame; shadowy free directed the Centre de Musique at the American movement and accoustical happenings that bear Artists Centre in Paris. Six years later he returned one witness to the influence of electronics and textures to the Faculty of Music in Melbourne University that are mirrored so that the work ends in exact becoming in charge of the then new Electronic IAN BONIGHTON (1942-1975) was rapidly gaining inverse of its opening.” Music Studio. -
When Director Richard Lowenstein Opened the First Page of the Novel
DOGS IN SPACE SYNOPSIS Set against the backdrop of Melbourne‟s late 70s punk rock scene, Dogs in Space chronicles life in a chaotic, squalid share house. Hippies, addicts, students and radicals fill their days and nights with sex, drugs, parties and television. A series of chaotic vignettes are balanced with the central romance between Sam (Michael Hutchence), the lead singer of the band, Dogs in Space and his lover Anna (Saskia Post) as the house spirals out of control. Hutchence is a brilliant symbol of reckless youth in this, his first dramatic screen role, giving Dogs in Space instant cult status upon its original release in 1986. Shortly following its release, Dogs in Space achieved cult status, and received Official Selection for the Berlin, Edinburgh, London, and New York Film Festivals. It has since been described by Geoff Andrew of Time Out as an "uplifting and deliciously different movie,” and was also singled out for praise by Harlan Kennedy of Film Comment magazine as one of a number of films from the late 1980s which brought “shifting perspectives, structural experiment, and highly discomforting stories and characters” into the fold of Australian cinema. Unscreened for over twenty years, this classic film has been painstakingly restored from the original negative and remixed in 5.1 digital sound. PRODUCTION COMPANIES GHOST PICTURES PTY. LTD. CENTRAL PARK FILMS PTY. LTD. ENTERTAINMENT MEDIA THE BURROWES FILM GROUP FILM VICTORIA AUSTRALIAN DISTRIBUTOR UMBRELLA ENTERTAINMENT COPYRIGHT: 2009 ORIGINAL RELEASE DATE: JANUARY 1, 1987. RATING: MA RUNNING TIME: 103 MINUTES ORIGINAL FILM STOCK: KODAK 5294, COLOUR. ORIGINAL FORMAT: 35MM DISTRIBUTION FORMAT: HDCAM LOCATION: MELBOURNE, VICTORIA, AUSTRALIA. -
Quintet for Eb Alto Saxophone and String Quartet
his recording contains work As Eric Gross had written written for me over the past works for me to play in 9 years. Each work was London during 1976 and T later in Europe, I suggested composed for a specific occasion, the idea of the likelihood of a all of them (except “Journeys” work for this particular type by Barry Conyngham) were of ensemble. In his usual written to be part of important enthusiastic manner, Eric overseas engagements. The music took up the challenge, and reflects a close collaboration with certainly succeeded. At first there were a number the composers in an attempt of unsuccessful attempts to produce more worthwhile to perform it in Australia, Australian clarinet and saxophone as few established quartets music. were willing to perform The only disappointing feature anything other than their of these attempts is the lack standard repertoire. So the first performance was of any facility in Australia to given in Germany in 1982 publish the music, such as an with a string quartet from organization like Donemus in Munich. These performances Holland. Because of the many were received with great requests for copies of the music – enthusiasm by the German particularly overseas – numerous audiences. Shortly afterwards the Petra Quartet agreed unsuccessful attempts were made to record it, and they to find publishers both within and approached it with their usual outside Australia. As the result, artistic enthusiasm. The work this recording is a means of certainly demonstrates the keeping the music alive, and the composer’s craftsmanship only published documentation of and it is hoped that more live Quintet for Eb Alto Saxophone performances can be given of a very worthwhile set of musical the work in the near future. -
No.98 Dunera News Oct 2016
A publication for former refugees from Nazi and Fascist persecution (mistakenly shipped to and interned Dunera in Australia at Hay and Tatura, many later serving with the Allied Forces), News their relatives and their friends. No. 98 October 2016 Dunera Hay anniversary 2016 Paul Haarburger (son of Werner Haarburger) with Hay locals, disembarking at Hay Railway station. Photo © Margie McClelland Foundation Editor: SEEKING INFORMATION From the President The late Henry Lippmann OAM Hay bank notes Editorial responsibility: Mick Vort-Ronald is preparing The Committee of the Dunera Association a second edition of the book Hay Dunera Association on facebook Internment Camp Notes and War – Friends of the Dunera Boys Savings Certificates for publication in November 2016, with additions Rebecca Silk Welcome to our spring edition of the Dunera News for 2016. Letters and articles for publication are welcome. including hidden features and President This issue contains some fascinating stories of wartime Email: [email protected] Dunera Association recent sales of Hay notes. experiences and later lives of Dunera internees Walter Tandler Anyone with information about and Klaus Friedeberger, and Singapore group internee Cover photo © Margie McClelland the Hay Camp Notes that you Ruth Simon. wish to contribute, please contact In this edition we also report on the Mick: [email protected] reunions held at Hay and Sydney this year. or PO Box 653, Willaston, In Hay we joined with friends old and new, South Australia 5118. although sadly no Dunera Boys. In Sydney it was a pleasure to reconnect with Dunera families and friends from Canberra and Sydney along with Dunera Boys Bern Brent and Henry James.