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Chu-Fang Huang Chinese pianist Chu-Fang Huang was First Domenico Prize winner of the 2005 Cleveland International Piano Competition and Finalist in the Van Cliburn International Piano SCARLATTI Competition. One year later, she won First Prize in the 2006 Young Concert Artists International Auditions. Highlights of her Complete Keyboard Sonatas Vol. 13 worldwide appearances have included recitals at the Morgan Library and Zankel Hall in New York, the Mustafa Kemal Centre in Istanbul, the Concertgebouw in Chu-Fang Huang, Piano Amsterdam, and the Louvre Museum in Paris, and concerto performances at Lincoln Center and with the Detroit, Missouri, South Carolina, Texas, Colorado, and California symphonies in the United States, the Victoria Symphony in Canada, the Sydney Symphony in Australia, and the Chenzhen and Liaoning Philharmonics in China. She has performed chamber music at the Young Concert Artists Festival in Tokyo and with Charles Wadsworth and Friends in the United States. Chu-Fang Huang studied at the Shenyang Conservatory and made her American début in the La Jolla Music Society’s Prodigy Series. A graduate of the Curtis Institute of Music under Claude Frank, she received her Master of Music degree and Artist Diploma from the Juilliard School, under Robert McDonald.

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Domenico Scarlatti (1685–1757) 5 The primary source for the Sonata in D major, ! The Sonata in F major, K.205/L.S.23/P.171, marked Complete Sonatas Vol. 13 K.416/L.149/P.454, is the ninth of the Venice volumes, Vivo and Alla breve, is in 12/8, its primary source found in dating from 1754. It is marked Presto and in the style of a the fourth of the fifteen volumes preserved in Parma, Domenico Scarlatti was born in Naples in 1685, sixth of the already available from the earlier publication. In more toccata, based on rapid descending scales with a contrasting containing 463 sonatas, and largely copied in the same hand ten children of the composer Alessandro Scarlatti, Sicilian recent times the sonatas were edited by Alessandro Longo, central section varied in key and figuration. as the Venice volumes. The fourth Parma volume is dated by birth and chiefly responsible for the early development who provided the numerical listing under L, and in 1953 the 6 The Sonata in G major, K.71/L.81/P.17, is found in 1752. of Neapolitan opera. The Scarlatti family had extensive American harpsichordist Ralph Kirkpatrick offered a new the fourteenth Venice volume of 1742. It is marked Allegro @ From the thirteenth Venice volume, dated 1757, comes involvement in music both in Rome and in Naples, where listing, distinguished by the letter K. Stylistic grounds have and is thought by Giorgio Pestelli to have been written the Sonata in B flat major, K.529/L.327/P.533, marked Alessandro Scarlatti became maestro di cappella to the suggested a further changed listing by Giorgio Pestelli, early in Scarlatti’s career, either in Venice or Rome. In the Allegro. The piece includes an amount of hand-crossing, Spanish viceroy in 1684. Domenico Scarlatti started his under the letter P., and proposing a new chronology, while style of a toccata it opens with imitative writing, with the makes a sudden shift of key for the opening of the second public career in 1701 under his father’s aegis as organist Emilia Fadini, in a complete edition for Ricordi, offers a left hand echoing the right. section and uses a relatively wide range of the keyboard. and composer in the vice-regal chapel. The following year further re-ordering, based in part on the Venice volumes. 7 The Sonata in D major, K.164/L.59/P.274, appears in # The Sonata in D major, K.491/L.164/P.484, is found father and son took leave of absence to explore the Kirkpatrick’s listing of the sonatas, based on the the first Venice volume, dated 1752. With the direction in the twelfth Venice volume of thirty sonatas, dated 1756. possibilities of employment in Florence, and Alessandro chronological order of the available sources, starts with the Andante moderato, the sonata is relatively simple, making It starts with three ornamented notes in the right hand was later to exercise paternal authority by sending his son thirty Essercizi per gravicembalo offered for sale in early no great demands on a performer, with the melody in the followed by an imitative entry in the left, and proceeds to to Venice, where he remained for some four years. In 1709 1739 by Adamo Scola, ‘Musick Master in Vine Street, near right hand and accompaniment in the left throughout. It is a seguidilla folk-dance rhythm. There is a sudden pause Domenico entered the service of the exiled Queen of Swallow Street, Piccadilly’. The publication included a based on a repeated rhythmic figure, a triplet followed by before a shift of key, a procedure repeated in the second half Poland, Maria Casimira, in Rome, there meeting and dedication in Italian to the King of Portugal and a prefatory two crotchets. of a sonata of particular brilliance. playing against Handel in a keyboard contest, in which the note for the purchaser, denying serious intention and 8 The Sonata in G minor, K.35/L.386/P.20, marked $ The primary source of the Sonata in B minor, latter was declared the better organist and Scarlatti the better modestly suggesting rather ‘lo scherzo ingegnoso Allegro, is among the presumably earlier sonatas published K.197/L.147/P.124 is included in the second Venice harpsichordist. It has been suggested that he spent a period dell’Arte’. The listing continues primarily with the Venice by Roseingrave in London in 1739. It is in the style of a volume of 1752. Marked Andante, it calls for wide leaps from 1719 in Palermo, but his earlier connection with the volumes, in chronological order of compilation. toccata. and modulates into remoter keys. Portuguese embassy in Rome led him before long to 1 The Sonata in A major, K.65/L.195/P.142, is marked 9 The Sonata in D major, K.534/L.11/P.538, is marked % The Sonata in E major, K.28/L.373/P.84, marked Lisbon, where he became music-master to the children of Allegro, and opens with the descending tonic arpeggio, Alla breve and Cantabbile (sic). Its primary source is the Presto and in 3/8, is included in the Essercizi per gravi- the royal family. This employment took him in 1728 to with a second half starting with the dominant arpeggio thirteenth Venice volume, dated 1757. The sonata is in the cembalo published in London. A piece of some brilliance, Madrid, when his pupil the Infanta Maria Barbara married ascending. The sonata includes hand-crossing and is style of an aria but with an imitative rhythmic interplay it also calls for hand-crossing. the heir to the Spanish throne. Scarlatti apparently remained included in the fourteenth Venice volume, dated 1742. between left and right hand and considerable ornament- ^ The Sonata in C minor, K.363/L.160/P.104, is found in there for the rest of his life, his most considerable 2 The Sonata in D major, K.160/L.15/P.131, marked ation. the eighth Venice volume, dated 1754, and is marked achievement the composition of some hundreds of single- Allegro, is one of those sonatas in which Scarlatti interrupts 0 The Sonata in C minor, K.22/L.360/P.78, marked Presto. In almost perpetual motion the sonata includes movement sonatas or exercises, designed largely for the the piece with pauses, introducing here minor key passages Allegro, is found in the collection published, seemingly, in syncopations characteristic of Spanish dance and sudden use of the Infanta, who became Queen of Spain in 1746. in contrast with the surrounding material. London in 1738. The sonata is characterized by hand- modulations. The keyboard sonatas of Domenico Scarlatti survive in 3 The asymmetric two-voice Sonata in G major, crossing and wide leaps. Keith Anderson part in a number of eighteenth century manuscripts, some K.125/L.487/P.152, marked Vivo, has patterns of repeated clearly from the collection of Queen Maria Barbara, notes and includes excursions into minor keys at the possibly bequeathed to the great Italian castrato Farinelli, beginning of the second half of the work. It appears in the who was employed at the Spanish court, and now in fifteenth Venice volume of 1749. Venice. Various sets of sonatas were published during the 4 The Sonata in E minor, K.232/L.62/P.317, is included composer’s lifetime, including a set of thirty issued, in the third Venice collection, dated 1753 and containing seemingly, in London in 1738, and 42 published in London thirty sonatas. Marked Andante, it includes typical by Thomas Roseingrave in 1739, including the thirty unprepared modulations and elements of syncopation.

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Domenico Scarlatti (1685–1757) 5 The primary source for the Sonata in D major, ! The Sonata in F major, K.205/L.S.23/P.171, marked Complete Sonatas Vol. 13 K.416/L.149/P.454, is the ninth of the Venice volumes, Vivo and Alla breve, is in 12/8, its primary source found in dating from 1754. It is marked Presto and in the style of a the fourth of the fifteen volumes preserved in Parma, Domenico Scarlatti was born in Naples in 1685, sixth of the already available from the earlier publication. In more toccata, based on rapid descending scales with a contrasting containing 463 sonatas, and largely copied in the same hand ten children of the composer Alessandro Scarlatti, Sicilian recent times the sonatas were edited by Alessandro Longo, central section varied in key and figuration. as the Venice volumes. The fourth Parma volume is dated by birth and chiefly responsible for the early development who provided the numerical listing under L, and in 1953 the 6 The Sonata in G major, K.71/L.81/P.17, is found in 1752. of Neapolitan opera. The Scarlatti family had extensive American harpsichordist Ralph Kirkpatrick offered a new the fourteenth Venice volume of 1742. It is marked Allegro @ From the thirteenth Venice volume, dated 1757, comes involvement in music both in Rome and in Naples, where listing, distinguished by the letter K. Stylistic grounds have and is thought by Giorgio Pestelli to have been written the Sonata in B flat major, K.529/L.327/P.533, marked Alessandro Scarlatti became maestro di cappella to the suggested a further changed listing by Giorgio Pestelli, early in Scarlatti’s career, either in Venice or Rome. In the Allegro. The piece includes an amount of hand-crossing, Spanish viceroy in 1684. Domenico Scarlatti started his under the letter P., and proposing a new chronology, while style of a toccata it opens with imitative writing, with the makes a sudden shift of key for the opening of the second public career in 1701 under his father’s aegis as organist Emilia Fadini, in a complete edition for Ricordi, offers a left hand echoing the right. section and uses a relatively wide range of the keyboard. and composer in the vice-regal chapel. The following year further re-ordering, based in part on the Venice volumes. 7 The Sonata in D major, K.164/L.59/P.274, appears in # The Sonata in D major, K.491/L.164/P.484, is found father and son took leave of absence to explore the Kirkpatrick’s listing of the sonatas, based on the the first Venice volume, dated 1752. With the direction in the twelfth Venice volume of thirty sonatas, dated 1756. possibilities of employment in Florence, and Alessandro chronological order of the available sources, starts with the Andante moderato, the sonata is relatively simple, making It starts with three ornamented notes in the right hand was later to exercise paternal authority by sending his son thirty Essercizi per gravicembalo offered for sale in early no great demands on a performer, with the melody in the followed by an imitative entry in the left, and proceeds to to Venice, where he remained for some four years. In 1709 1739 by Adamo Scola, ‘Musick Master in Vine Street, near right hand and accompaniment in the left throughout. It is a seguidilla folk-dance rhythm. There is a sudden pause Domenico entered the service of the exiled Queen of Swallow Street, Piccadilly’. The publication included a based on a repeated rhythmic figure, a triplet followed by before a shift of key, a procedure repeated in the second half Poland, Maria Casimira, in Rome, there meeting and dedication in Italian to the King of Portugal and a prefatory two crotchets. of a sonata of particular brilliance. playing against Handel in a keyboard contest, in which the note for the purchaser, denying serious intention and 8 The Sonata in G minor, K.35/L.386/P.20, marked $ The primary source of the Sonata in B minor, latter was declared the better organist and Scarlatti the better modestly suggesting rather ‘lo scherzo ingegnoso Allegro, is among the presumably earlier sonatas published K.197/L.147/P.124 is included in the second Venice harpsichordist. It has been suggested that he spent a period dell’Arte’. The listing continues primarily with the Venice by Roseingrave in London in 1739. It is in the style of a volume of 1752. Marked Andante, it calls for wide leaps from 1719 in Palermo, but his earlier connection with the volumes, in chronological order of compilation. toccata. and modulates into remoter keys. Portuguese embassy in Rome led him before long to 1 The Sonata in A major, K.65/L.195/P.142, is marked 9 The Sonata in D major, K.534/L.11/P.538, is marked % The Sonata in E major, K.28/L.373/P.84, marked Lisbon, where he became music-master to the children of Allegro, and opens with the descending tonic arpeggio, Alla breve and Cantabbile (sic). Its primary source is the Presto and in 3/8, is included in the Essercizi per gravi- the royal family. This employment took him in 1728 to with a second half starting with the dominant arpeggio thirteenth Venice volume, dated 1757. The sonata is in the cembalo published in London. A piece of some brilliance, Madrid, when his pupil the Infanta Maria Barbara married ascending. The sonata includes hand-crossing and is style of an aria but with an imitative rhythmic interplay it also calls for hand-crossing. the heir to the Spanish throne. Scarlatti apparently remained included in the fourteenth Venice volume, dated 1742. between left and right hand and considerable ornament- ^ The Sonata in C minor, K.363/L.160/P.104, is found in there for the rest of his life, his most considerable 2 The Sonata in D major, K.160/L.15/P.131, marked ation. the eighth Venice volume, dated 1754, and is marked achievement the composition of some hundreds of single- Allegro, is one of those sonatas in which Scarlatti interrupts 0 The Sonata in C minor, K.22/L.360/P.78, marked Presto. In almost perpetual motion the sonata includes movement sonatas or exercises, designed largely for the the piece with pauses, introducing here minor key passages Allegro, is found in the collection published, seemingly, in syncopations characteristic of Spanish dance and sudden use of the Infanta, who became Queen of Spain in 1746. in contrast with the surrounding material. London in 1738. The sonata is characterized by hand- modulations. The keyboard sonatas of Domenico Scarlatti survive in 3 The asymmetric two-voice Sonata in G major, crossing and wide leaps. Keith Anderson part in a number of eighteenth century manuscripts, some K.125/L.487/P.152, marked Vivo, has patterns of repeated clearly from the collection of Queen Maria Barbara, notes and includes excursions into minor keys at the possibly bequeathed to the great Italian castrato Farinelli, beginning of the second half of the work. It appears in the who was employed at the Spanish court, and now in fifteenth Venice volume of 1749. Venice. Various sets of sonatas were published during the 4 The Sonata in E minor, K.232/L.62/P.317, is included composer’s lifetime, including a set of thirty issued, in the third Venice collection, dated 1753 and containing seemingly, in London in 1738, and 42 published in London thirty sonatas. Marked Andante, it includes typical by Thomas Roseingrave in 1739, including the thirty unprepared modulations and elements of syncopation.

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Chu-Fang Huang Chinese pianist Chu-Fang Huang was First Domenico Prize winner of the 2005 Cleveland International Piano Competition and Finalist in the Van Cliburn International Piano SCARLATTI Competition. One year later, she won First Prize in the 2006 Young Concert Artists International Auditions. Highlights of her Complete Keyboard Sonatas Vol. 13 worldwide appearances have included recitals at the Morgan Library and Zankel Hall in New York, the Mustafa Kemal Centre in Istanbul, the Concertgebouw in Chu-Fang Huang, Piano Amsterdam, and the Louvre Museum in Paris, and concerto performances at Lincoln Center and with the Detroit, Missouri, South Carolina, Texas, Colorado, and California symphonies in the United States, the Victoria Symphony in Canada, the Sydney Symphony in Australia, and the Chenzhen and Liaoning Philharmonics in China. She has performed chamber music at the Young Concert Artists Festival in Tokyo and with Charles Wadsworth and Friends in the United States. Chu-Fang Huang studied at the Shenyang Conservatory and made her American début in the La Jolla Music Society’s Prodigy Series. A graduate of the Curtis Institute of Music under Claude Frank, she received her Master of Music degree and Artist Diploma from the Juilliard School, under Robert McDonald.

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Photo by Ellen Appel M Y K 8.572107 4 NAXOS Domenico Scarlatti is renowned for his remarkable keyboard sonatas, some 555 of which are known. Written for performance on the various keyboard instruments of the Spanish court where he was employed for many years, they have long provided a valuable

8.572107 repertoire for pianists. On Volume 13 in Naxos’s highly praised and popular series, the young Chinese pianist Chu-Fang Huang, who in 2005 won First Prize in the Cleveland 8.572107 International Piano Competition and was a finalist in the Van Cliburn International D. SCARLATTI: Piano Competition, interprets sixteen of these influential 18th-century mini-masterpieces. DDD Domenico Playing Time SCARLATTI 67:04 (1685–1757) Complete Keyboard Sonatas Vol. 13

1 Sonata in A major, K.65/L.195/P.142 1:49 Keyboard Sonatas 13 Vol. 2 Sonata in D major, K.160/L.15/P.131 4:46 3 Sonata in G major, K.125/L.487/P.152 2:35 4 Sonata in E minor, K.232/L.62/P.317 8:56 5 Sonata in D major, K.416/L.149/P.454 3:18 6 Sonata in G major, K.71/L.81/P.17 2:01 www.naxos.com Printed & Assembled in USA Disc Made in Canada Booklet notes in English ൿ 7 Sonata in D major, K.164/L.59/P.274 4:24 Ltd. Naxos Rights International 2009 & Keyboard Sonatas Vol. 13 Sonatas Keyboard 8 Sonata in G minor, K.35/L.386/P.20 2:35 9 Sonata in D major, K.534/L.11/P.538 5:45 0 Sonata in C minor, K.22/L.360/P.78 2:40 Ꭿ !

Sonata in F major, K.205/L.S.23/P.171 3:42 2010 @ Sonata in B flat major, K.529/L.327/P.533 2:26 # Sonata in D major, K.491/L.164/P.484 7:09 $ Sonata in B minor, K.197/L.147/P.124 7:42 % Sonata in E major, K.28/L.373/P.84 3:20 ^ Sonata in C minor, K.363/L.160/P.104 2:45 C D. SCARLATTI: SCARLATTI: D. Chu-Fang Huang, Piano M 8.572107 Recorded at Glenn Gould Studio, CBC, Toronto, Canada, 21–22 May 2008 Y Producers: Bonnie Silver & Norbert Kraft • Engineer: Norbert Kraft • Editor: Bonnie Silver Booklet notes: Keith Anderson • Cover painting: The Costume Ball, possibly held by Philip V, King of Spain K

NAXOS (1683–1746); French School (Private collection / Giraudon / The Bridgeman Art Library)