The Sun Shone for Moondyne Joe
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Fremantle Prison Australian History Curriculum Links
AUSTRALIAN HISTORY CURRICULUM @ FREMANTLE PRISON LINKS FOR YEAR 9 FREMANTLE PRISON AUSTRALIAN HISTORY CURRICULUM LINKS FOR YEAR 9 THE MAKING OF THE MODERN WORLD – MOVEMENT OF PEOPLES 1 AUSTRALIAN HISTORY CURRICULUM @ FREMANTLE PRISON LINKS FOR YEAR 9 CONTENTS Fremantle Prison 3 Curriculum Links 4 Historical Inquiry 6 Planning a School Excursion 8 Suggested Pre‐Visit Activity 11 Suggested Post‐Visit Activity 13 Historical Overview – Convict and Colonial Era 14 2 AUSTRALIAN HISTORY CURRICULUM @ FREMANTLE PRISON LINKS FOR YEAR 9 FREMANTLE PRISON In 2010 Fremantle Prison, along with 10 other historic convict sites around Australia, was placed on the World Heritage Register for places of universal significance. Collectively known as the Australian Convict Sites these places tell the story of the colonisation of Australia and the building of a nation. Fremantle Prison is Western Australia’s most important historical site. As a World Heritage Site, Fremantle Prison is recognised as having the same level of cultural significance as other iconic sites such as the Pyramids of Egypt, the Great Wall of China, or the Historic Centre of Rome. For 136 years between 1855 and 1991 Fremantle Prison was continuously occupied by prisoners. Convicts built the Prison between 1851 and 1859. Initially called the Convict Establishment, Fremantle Prison held male prisoners of the British Government transported to Western Australia. After 1886 Fremantle Prison became the colony’s main place of incarceration for men, women and juveniles. Fremantle Prison itself was finally decommissioned in November 1991 when its male prisoners were transferred to the new maximum security prison at Casuarina. Fremantle Prison was a brutal place of violent punishments such as floggings and hangings. -
Women in Colonial Commerce 1817-1820: the Window of Understanding Provided by the Bank of New South Wales Ledger and Minute Books
WOMEN IN COLONIAL COMMERCE 1817-1820: THE WINDOW OF UNDERSTANDING PROVIDED BY THE BANK OF NEW SOUTH WALES LEDGER AND MINUTE BOOKS Leanne Johns A thesis presented for the degree of Master of Philosophy at the Australian National University, Canberra August 2001 DECLARATION I certify that this thesis is my own work. To the best of my knowledge and belief it does not contain any material previously published or written by another person where due reference is not made in the text. ACKNOWLEDGEMENTS I acknowledge a huge debt of gratitude to my principal supervisor, Professor Russell Craig, for his inspiration and encouragement throughout the writing of this thesis. He gave insightful and expert advice, reassurance when I needed it most, and above all, never lost faith in me. Few supervisors can have been so generous with their time and so unfailing in their support. I also thank sincerely Professor Simon Ville and Dr. Sarah Jenkins for their measured and sage advice. It always came at the right point in the thesis and often helped me through a difficult patch. Westpac Historical Services archivists were extremely positive and supportive of my task. I am grateful to them for the assistance they so generously gave and for allowing me to peruse and handle their priceless treasures. This thesis would not have been possible without their cooperation. To my family, who were ever enthusiastic about my project and who always encouraged and championed me, I offer my thanks and my love. Finally, this thesis is dedicated to the thousands of colonial women who endured privations, sufferings and loneliness with indomitable courage. -
'I'll Tell My Mother': Dorothy Hewett And
‘I’ll Tell My Mother’: Dorothy Hewett and Literary Feminism after #Metoo Dorothy Green Lecture, July 2020 NICOLE MOORE UNIVERSITY OF NEW SOUTH WALES I start by acknowledging and offering my thanks to the Ngunnawal people, on whose land I live and work. Their generosity seeks to keep those of us who live in the ‘Canberra bubble’ safe and educated about the land we occupy. I pay tribute to Elders past, present and emerging, and also to any First Nations people present for the initial online video delivery of this essay, in July 2020, including members of the Association for the Study of Australian Literature. When my colleague Paul Eggert retired from the University of New South Wales in Canberra, he passed on a portrait of the writer and critic Dorothy Auchterlonie Green that now hangs on my office wall. Paul was briefly a colleague of hers in the English discipline here and she is now a ghostly colleague of mine. In formulating this lecture in her name, I thought of her while we fight the same fights she fought—about the worth of literature and the humanities in contemporary education, now under multiform threat; about the uses of Australian literature, identified as such, in thinking and as thinking about the world. I thought about her involvement in the Vietnam moratorium marches and anti-nuclear protest, including protests at the Australian War Memorial against Australian involvement in what was argued to be Cold War aggression in South East Asia and even an imperial war. Anti-war protests, as well as protests calling for the inclusion of the Frontier Wars in AWM and ANZAC memorialisation, are now no longer allowed on any sites close to that institution. -
Australian Broadcasting Tribunal Annual Report 1981-82 Annual Report Australian Broadcasting Tribunal 1981-82
AUSTRALIAN BROADCASTING TRIBUNAL ANNUAL REPORT 1981-82 ANNUAL REPORT AUSTRALIAN BROADCASTING TRIBUNAL 1981-82 Australian Government Publishing Service Canberra 1982 © Commonwealth of Australia 1982 ISSN 0728-606X Printed by Canberra Publishing & Printing Co .. Fyshwick. A.C.T. 2609 The Honourable the Minister for Communications In conformity with the provisions of section 28 of the Broadcasting and Television Act 1942, as amended, I have pleasure in presenting the Annual Report of the Australian Broadcasting Tribunal for the period l July 1981 to 30 June 1982. David Jones Chairman iii CONTENTS PART/ INTRODUCTION Page Legislation 1 Functions of the Tribunal 1 Membership of the Tribunal 1 Meetings of the Tribunal 2 Addresses given by Tribunal Members and Staff 2 Organisation and Staff of the Tribunal 4 Location of the Tribunal's Offices 4 Overseas Visits 5 Financial Accounts of the Tribunal 5 PART II GENERAL Broadcasting and Television Services in operation since 1953 6 Financial results - commercial broadcasting and television stations 7 Fees for licences for commercial broadcasting and television stations 10 Broadcasting and Televising of political matter 13 Political advertising 15 Administration of Section 116(4) of the Act 16 Complaints about programs and advertising 18 Appeals or reviews of Tribunal Decisions and actions by Commonwealth 20 Ombudsman, AdministrativeReview Council and Administrative Appeals Tribunal Reference of questions of law to the Federal Court of Australia pursuant 21 to Section 22B of the Act PART III PUBLIC INQUIRIES -
Australian Cinema Umbrella Australian Cinema
20152017 UMBRELLAUMBRELLA CATALOGUECATALOGUE AUSTRALIAN CINEMA UMBRELLA AUSTRALIAN CINEMA DVD DVD DCP DVD BD THE ADVENTURES OF BARRY MCKENZIE ANGEL BABY AUTOLUMINESCENT Reviled by the critics! This year marks the 20th Anniversary of this Containing a selection of rare footage and moving interviews Adored by fair-dinkum Aussies! landmark Australian Drama. with Rowland S. Howard, Nick Cave, Wim Wenders, Mick Harvey, Lydia Lunch, Henry Rollins, Thurston Moore, In this fan-bloody-tastic classic, directed by Bruce Beresford Winner of 7 AFI Awards, including Best Film, Best Director, Best Actor and Best Actress. Bobby Gillespie, and Adalita, AUTOLUMINESCENT traces (his first feature) Australia’s favourite wild colonial boy, the life of Roland S. Howard, as words and images etch Barry McKenzie (Barry Crocker), journeys to the old country Written and directed by Michael Rymer (Hannibal) and light into what has always been ‘the mysterious dark’. accompanied by his Aunt Edna Everage (Barry Humphries) starring Jacqueline McKenzie (Romper Stomper), John to take a Captain Cook and further his cultural and intellectual Lynch (In the Name of the Father) and Colin Friels (Malcolm), “ IF YOU MAKE SOMETHING THAT IS SO MAGICAL, SO UNIQUE education. this multi-award winning drama tells a tragic tale of love YOU WILL PAY THE PRICE... IT’S THE DEVIL’S BARGAIN.” between two people with schizophrenia as they struggle with LYDIA LUNCH life without medication. “ HEARTBREAKINGLY GOOD AND FILLED WITH A DESPERATE INTENSITY.” JANET MASLIN, THE NEW YORK TIMES FOR ALL ENQUIRIES REGARDING UMBRELLA’S THEATRICAL CATALOGUE umbrellaent.films @Umbrella_Films PLEASE CONTACT ACHALA DATAR – [email protected] | 03 9020 5134 AUSTRALIAN CINEMA BP SUPER SHOW DVD LOUIS ARMSTRONG One of the greatest musical talents of all time, Louis ‘Satchmo’ Armstrong raised his trumpet and delivered a sensational concert for the BP Supershow, recorded at Australia’s Television City (GTV 9 Studios) in 1964. -
First Twenty Years of Australia
This is a digital copy of a book that was preserved for generations on library shelves before it was carefully scanned by Google as part of a project to make the world's books discoverable online. It has survived long enough for the copyright to expire and the book to enter the public domain. A public domain book is one that was never subject to copyright or whose legal copyright term has expired. Whether a book is in the public domain may vary country to country. Public domain books are our gateways to the past, representing a wealth of history, culture and knowledge that's often difficult to discover. Marks, notations and other marginalia present in the original volume will appear in this file - a reminder of this book's long journey from the publisher to a library and finally to you. Usage guidelines Google is proud to partner with libraries to digitize public domain materials and make them widely accessible. Public domain books belong to the public and we are merely their custodians. Nevertheless, this work is expensive, so in order to keep providing this resource, we have taken steps to prevent abuse by commercial parties, including placing technical restrictions on automated querying. We also ask that you: + Make non-commercial use of the files We designed Google Book Search for use by individuals, and we request that you use these files for personal, non-commercial purposes. + Refrain from automated querying Do not send automated queries of any sort to Google's system: If you are conducting research on machine translation, optical character recognition or other areas where access to a large amount of text is helpful, please contact us. -
The Representation of the Colonial Past in French and Australian Cinema, from 1970 to 2000
The Representation of the Colonial Past in French and Australian Cinema, from 1970 to 2000 John James Emerson Thesis presented for the degree of Doctor of Philosophy Department of French Studies Centre for European Studies and General Linguistics University of Adelaide South Australia July 2002 ii This work contains no material which has been accepted for the award of any other degree or diploma in any university or other tertiary institution and, to the best of my knowledge and belief, contains no material previously published or written by another person, except where due reference is made in the text. I give consent for a copy of my thesis to be deposited in the University Library and to be made available for loan and photocopying. ohnJ amesJ Emerson. iii Acknowledgments: This thesis could not have been completed without the postgraduate scholarships awarded by the Commonwealth Government of Australia, and the various scholarships awarded by Adelaide University and its French Department, now part of the Centre for European Studies and General Linguistics. I wish to thank especially Dr Jean Fornasiero for support well beyond the call of normal duty. I wish to thank also my supervisor Dr Blandine Stefanson and Professor Peter Mühlhäusler, my associate supervisor for fifteen months. For their readings and comments, I thank Dr Philip Butterss and Catharine Abell. I wish to extend my gratitude to Hans Albers and Gilly Albers for being able to take my thesis up to Anlaby Station away from the urban distractions. In France I wish to thank Jean-Paul Delamotte, Monique Delamotte, Elaine Lewis, Abdelkader Benali, Floréal Jiminez, Francis Ramirez (Université de la Sorbonne Nouvelle - Paris III), Bertrand Tavernier, Muriel Carpentier (Forum des Images - formerly the Vidéothèque de Paris), and the staff of the Maison des Sciences de l’Homme, all of whom provided indispensable support and guidance. -
Australian Journey Resource Guide
Australian Journey The Story of a Nation in 12 Objects Resources for the Journey Texts to Read | Websites to Visit Podcasts to listen to | Film and Literature Primary Sources |Defining Moments This booklet is produced by the Australian National University as a free educational resource. We gratefully acknowledge our collaboration with Monash University, the National Museum of Australia and all the cultural institutions featured in this project. Join us on an Australian Journey Australian Journey is designed for anyone, anywhere interested in Australia. Exploring the themes of Land, People, and Nation, it offers a road map to our country’s Past, Present, and Future. Australian Journey will take you the length and breadth of the continent, and across almost four billion years of history, in 12 short and engaging episodes. And every episode uses objects to reveal the stories of a nation. What do these pieces of the past tell us about their time, their purpose and their maker? Some of the objects we have chosen are famous, iconic or familiar; others obscure, even quirky. But all our objects tell a story and all find a place in the National Museum of Australia. Australian Journey is presented by Professor Bruce Scates and Dr Susan Carland. Resources for the Journey This booklet recommends a range of resources to complement each episode of Australian Journey. School teachers, international university students and the general public can use this guide to find texts, websites, podcasts, films, and literature to augment teaching and learning about the Australian nation. A collection of written, audio, internet and visual sources, this booklet will enable you to extend your knowledge of Australian history and engage further in the historical debates around the objects featured in Australian Journey. -
Australian Utopian Literature: an Annotated, Chronological
Published as “Australian Utopian Literature: An Annotated, Chronological Bibliography 1667-1999.” Utopian Studies 10.2 (1999): 138-73. Substantially revised here since publication, but the introductory material and the list of locations have not been revised. AUSTRALIAN UTOPIAN LITERATURE: AN ANNOTATED, CHRONOLOGICAL BIBLIOGRAPHY 1667-1999 Lyman Tower Sargent Introduction Scholarship on utopian literature relies on, among other things, the tools of definition and bibliography. There are now a number of good examinations of conceptual and definitional questions (see Funke; Hölscher; Levitas; Sargent 1994; and Suvin) and three well- known bibliographies of utopian literature (Lewis; Negley; and Sargent 1979 and 1988). But all these bibliographies have a weakness in common; they combine the utopias of all countries into one list. In order to begin to understand national differences in utopian literature, I have begun to take my bibliography apart and to explore three neglected utopian literatures, those of Australia, Canada (see the bibliography in this issue) and New Zealand (Sargent 1997). The following is an incomplete (there is no such thing as a complete bibliography), annotated, chronological bibliography of utopian literature supplementary to my most recent bibliography, although only a few of the items here appear in that bibliography. Most of the material was published in Australia or was by an identifiable Australian author, but I have included a few items that were either set in Australia or in some other way connected to Australia. -
SCREENING MOTHERS: Representations of Motherhood in Australian Films from 1900 to 1988
SCREENING MOTHERS: Representations of motherhood in Australian films from 1900 to 1988 CAROLINE M. PASCOE B.A. (Honours) M.A. UNIVERSITY OF SYDNEY A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy September 1998 ii The work presented in this thesis is, to the best of my knowledge and belief, original, except as acknowledged in the text. The material has not been submitted, either in whole or in part, for a degree at this or any other university. CAROLINE MYRA PASCOE iii ABSTRACT Although the position of mothers has changed considerably since the beginning of the twentieth century, an idealised notion of motherhood persists. The cinema provides a source of information about attitudes towards mothering in Australian society which is not diminished by the fact that mothers are often marginal to the narrative. While the study recognises that cinematic images are not unconditionally authoritative, it rests on the belief that films have some capacity to reflect and influence society. The films are placed in an historical context with regard to social change in Australian society, so that the images can be understood within the context of the time of the making and viewing of the films. The depictions of the mother are scrutinised with regard to her appearance, her attitude, her relationship with others and the expectations, whether explicit or implicit, of her role. Of particular significance is what happens to her during the film and whether she is punished or rewarded for her behaviour. The conclusions reached after analysis are used to challenge those ideas which assume that portrayals of motherhood are unchangeable and timeless. -
Adt-NU1999.0010Chapter7.Pdf (PDF, 104KB)
1 chapter 7 the place for mothers in films of the bush There's nothing here for a wife except submission. My only purpose is to produce heirs for all this. Sometimes I feel just like another of his brood mares.1 The bush has become the mainstay of our mythology and, according to Ross Gibson, has defined the nation and offered 'the most enduring aspect of Australian experience'.2 A common description of an Australian, for example, depicted a figure who was tough, strong and tanned, a man of the land, a battler, a bit of a larrikin and someone, as Russel Ward has noted, who 'above all, will stick to his mates'.3 At the foundation of this stereotype was a nation which was rural, physically challenging and unequivocally male.4 The bush was proposed as a place for men, where they could realise their masculine desires, pit themselves against a formidable opponent and find pleasure in their male companions. Unlike the palimpsest of England, the Australian landscape provided the pioneers something unwritten and new. Myths of the bush were used as a method of finding a new Australian identity away from the limitations of English society. Gibson observed that while an autochthonous society might be inclined to rely on gods to explain its origins, a colonial society tended to use more 'secular myths'. The white settlers used 'essentialist myths of the land' Gibson argued, to find a place for themselves which was separate from the Old World.5 The physical labour required in the harsh conditions meant that a 'machismo' environment flourished and mateship and brute strength came to be prized.6 The aura of masculinity was exaggerated because 1Mrs Dalgleish, the disgruntled wife of a large outback property owner in Donald Crombie's The Irishman (1978). -
Bibliography General References Adams, Alice
1 bibliography general references Adams, Alice. 'Maternal Bonds: Recent Literature on Mothering'. Signs: Journal of Women in Culture and Society, volume 20, number 2, Winter 1995, pp. 414-27. Adler, Dan L. 'Matriduxy in the Australian Family', in A.F. Davies & S. Encel, (eds). Australian Society: A Sociological Introduction. Pall Mall, London, 1965, pp. 149-55. Alexander, Sally. Becoming a Woman and Other Essays in 19th and 20th Century Feminist History. Virago, London, 1994. Allen, J. 'Octavius Beale re-considered: Infanticide, baby farming and abortion in NSW 1880-1939', in Sydney Labour History Group, What Rough Beast? The State and Social Order in Australian History. George Allen & Unwin, Sydney, 1982, pp. 111-29. Alysen, Barbara, 'Australian Women in Films', in A. Moran & T. O'Regan, (eds). An Australian Film Reader. Currency, Sydney, 1985, pp. 302-13. Ambert, Anne-Marie. The Effect of Children on Parents. Haworth Press, NY, 1992. Anderson, Robyn, & Sue Adler. 'Jim Sharman'. Cinema Papers 20, March/April 1979, pp. 268-71. Appignanesi, Lisa, & John Forrester. Freud's Women. Virago, London, 1993. Arcana, Judith. Our Mother's Daughters. The Women's Press, London, 1984, (1979). Aspin, L.J. The Family: An Australian Focus. Longman Cheshire, Melbourne, 1987, (1982). Attwood, Alan. 'Girls Just Wanna be Mums'. Sydney Morning Herald, 23 February 1998, p. 11. Auerbach, Nina. Woman and the Demon: The Life of a Victorian Myth. Harvard University Press, Cambridge, Massachusetts, 1982. Aveling, Marian, & Joy Damousi. Stepping Out of History: Documents of Women at Work in Australia. Allen & Unwin, Sydney, 1991. Backett, Kathryn C. Mother and Fathers: A Study of the Development and Negotiation of Parental Behaviour.