Annual Parish Meeting & Pot Luck Supper
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
It's Garfield's World, We Just Live in It
Bard College Bard Digital Commons Senior Projects Fall 2019 Bard Undergraduate Senior Projects Fall 2019 It’s Garfield’s World, We Just Live in It: An Exploration of Garfield the Cat as Icon, Money Maker, and Beast Iris B. Engel Bard College, [email protected] Follow this and additional works at: https://digitalcommons.bard.edu/senproj_f2019 Part of the American Art and Architecture Commons, Animal Studies Commons, Arts Management Commons, Business Intelligence Commons, Commercial Law Commons, Contemporary Art Commons, Economics Commons, Finance and Financial Management Commons, Folklore Commons, Historic Preservation and Conservation Commons, Modern Art and Architecture Commons, Operations and Supply Chain Management Commons, Social Influence and oliticalP Communication Commons, Social Media Commons, Strategic Management Policy Commons, and the Theory and Criticism Commons This work is licensed under a Creative Commons Attribution-Share Alike 4.0 License. Recommended Citation Engel, Iris B., "It’s Garfield’s World, We Just Live in It: An Exploration of Garfield the Cat as Icon, Money Maker, and Beast" (2019). Senior Projects Fall 2019. 3. https://digitalcommons.bard.edu/senproj_f2019/3 This Open Access work is protected by copyright and/or related rights. It has been provided to you by Bard College's Stevenson Library with permission from the rights-holder(s). You are free to use this work in any way that is permitted by the copyright and related rights. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. For more information, please contact [email protected]. -
Free-Digital-Preview.Pdf
THE BUSINESS, TECHNOLOGY & ART OF ANIMATION AND VFX January 2013 ™ $7.95 U.S. 01> 0 74470 82258 5 www.animationmagazine.net THE BUSINESS, TECHNOLOGY & ART OF ANIMATION AND VFX January 2013 ™ The Return of The Snowman and The Littlest Pet Shop + From Up on The Visual Wonders Poppy Hill: of Life of Pi Goro Miyazaki’s $7.95 U.S. 01> Valentine to a Gone-by Era 0 74470 82258 5 www.animationmagazine.net 4 www.animationmagazine.net january 13 Volume 27, Issue 1, Number 226, January 2013 Content 12 22 44 Frame-by-Frame Oscars ‘13 Games 8 January Planner...Books We Love 26 10 Things We Loved About 2012! 46 Oswald and Mickey Together Again! 27 The Winning Scores Game designer Warren Spector spills the beans on the new The composers of some of the best animated soundtracks Epic Mickey 2 release and tells us how much he loved Features of the year discuss their craft and inspirations. [by Ramin playing with older Disney characters and long-forgotten 12 A Valentine to a Vanished Era Zahed] park attractions. Goro Miyazaki’s delicate, coming-of-age movie From Up on Poppy Hill offers a welcome respite from the loud, CG world of most American movies. [by Charles Solomon] Television Visual FX 48 Building a Beguiling Bengal Tiger 30 The Next Little Big Thing? VFX supervisor Bill Westenhofer discusses some of the The Hub launches its latest franchise revamp with fashion- mind-blowing visual effects of Ang Lee’s Life of Pi. [by Events forward The Littlest Pet Shop. -
A Garfield Fan Reviews the Garfield Movie for As Long As I Can
A Garfield fan reviews The Garfield Movie For as long as I can remember, I have been a very huge fan of Garfield. My parents owned a couple of the reprint books when I was a kid, and I loved to read and re-read them over and over again. I watched the Garfield and Friends TV show whenever I could, and I also got a lot of the Garfield books put out alongside the comics, like the Pet Force series. I probably got on the nerves of my parents and a lot of my friends just talking about Garfield constantly. And I loved his cartoons so much that he was one of my biggest inspirations to become a cartoon artist myself. If it weren’t for Garfield, I probably would have never set foot into art school, and you probably would have never seen me here on Deviant Art (or Furaffinity, or whichever website you‘re reading this from). So you could imagine when around 2002 or 2003 how excited I was when the Garfield website announced a movie adaptation. Around this time the comic was turning 25 years old, and the movie seemed like it would be a landmark commemoration. I remember checking the site constantly to get updates on who was being cast, which characters from the comic were appearing, and new characters created specifically for the movie. I didn’t like that the movie was going to be live action with a CGI Garfield rather than completely animated, but that wouldn’t mean the movie would be bad, would it? When I started seeing the first trailers for the movie, I didn‘t know what to think of them. -
Happily Ever Ancient
HAPPILY EVER ANCIENT Visions of Antiquity for children in visual media HAPPILY EVER ANCIENT This work is subject to an International Creative Commons License Attribution- NonCommercial-ShareAlike 4.0, for a copy visit: http://creativecommons.org/licenses/by-nc-sa/4.0/ Visions of Antiquity for children in visual media First Edition, December 2020 ...still facing COVID-19. Editor: Asociación para la Investigación y la Difusión de la Arqueología Pública, JAS Arqueología Plaza de Mondariz, 6 28029 - Madrid www.jasarqueologia.es Attribution: In each chapter Cover: Jaime Almansa Sánchez, from nuptial lebetes at the National Archaeological Museum of Athens, Greece. ISBN: 978-84-16725-32-8 Depósito Legal: M-29023-2020 Printer: Service Pointwww.servicepoint.es Impreso y hecho en España - Printed and made in Spain CONTENTS INTRODUCTION: A CONTEMPORARY ANTIQUITY FOR CHILDREN AND YOUNG AUDIENCES IN FILMS AND CARTOONS Julián PELEGRÍN CAMPO 1 FAMILY LOVE AND HAPPILY MARRIAGES: REINVENTING MYTHICAL SOCIETY IN DISNEY’S HERCULES (1997) Elena DUCE PASTOR 19 OVER 5,000,000.001: ANALYZING HADES AND HIS PEOPLE IN DISNEY’S HERCULES Chiara CAPPANERA 41 FROM PLATO’S ATLANTIS TO INTERESTELLAR GATES: THE DISTORTED MYTH Irene CISNEROS ABELLÁN 61 MOANA AND MALINOWSKI: AN ANTHROPOLOGICAL APPROACH TO MODERN ANIMATION Emma PERAZZONE RIVERO 79 ANIMATING ANTIQUITY ON CHILDREN’S TELEVISION: THE VISUAL WORLDS OF ULYSSES 31 AND SAMURAI JACK Sarah MILES 95 SALPICADURAS DE MOTIVOS CLÁSICOS EN LA SERIE ONE PIECE Noelia GÓMEZ SAN JUAN 113 “WHAT A NOSE!” VISIONS OF CLEOPATRA AT THE CINEMA & TV FOR CHILDREN AND TEENAGERS Nerea TARANCÓN HUARTE 135 ONCE UPON A TIME IN MACEDON. -
ASUI Board Chair Spends Unauthorized Funds Mike Mcnulty the Student Elections
lVews. ~ Sports ~ DIVERSIONS - UI graduate student German tandem defines :. receives outstanding running success for the 4'+r, ro. 'o '; student award. VIIndah. 9p c~ O~ See page 4. See page 11. r+ ~r ,t(;f)(l!ls .r<'r tltIjj THE UNIVERSITY DF IDAHQ Frida, Se tember 8, 1995 ASUI —Moscow, Idaho Volume 971V0. S Stop the smoke ASUI Board Chair spends unauthorized funds Mike McNulty the student elections. The money for comment. Staff comes primarily from student fees ASUI Senator Clint Cook, who which supports ASUI's near $1 mil- resigned from office last week, said t was a flagrant misuse of lion annual budget. he was at the dinner which was a the students'noney," ASUI ASUI Senator Christs Manis said "reward" for board members who put President Wilson said Sean "it's a shame" the student legislature in over 20 hours of unpaid work dur- about a chairperson's decision to is often slowed down by minor ing the spring election. He said spend an unauthorized amount of details. Shaltry was just appointed to her cash on an dinner last expensive "We'e just tired of knit-picking," position and was unfamiliar with cer- semester. said Manis. "It's hard to keep things tain procedures. Angie Shaltry, chairperson for the moving when we have to deal with "No one told her the rules," said Student Issues Board, was authorized this.'" things like Cook. "Angie thought the money was to buy dinner for board members after President Wilson said he found out available to be spent." the spring election with a UI depart- stu- about the dinner party after most Cook said everything was "straight- mental purchase order issued by vacation dents had left for summer ened out" and the situation has been ASUI Business Adviser Sandra Gray. -
Children's DVD Titles (Including Parent Collection)
Children’s DVD Titles (including Parent Collection) - as of July 2017 NRA ABC monsters, volume 1: Meet the ABC monsters NRA Abraham Lincoln PG Ace Ventura Jr. pet detective (SDH) PG A.C.O.R.N.S: Operation crack down (CC) NRA Action words, volume 1 NRA Action words, volume 2 NRA Action words, volume 3 NRA Activity TV: Magic, vol. 1 PG Adventure planet (CC) TV-PG Adventure time: The complete first season (2v) (SDH) TV-PG Adventure time: Fionna and Cake (SDH) TV-G Adventures in babysitting (SDH) G Adventures in Zambezia (SDH) NRA Adventures of Bailey: Christmas hero (SDH) NRA Adventures of Bailey: The lost puppy NRA Adventures of Bailey: A night in Cowtown (SDH) G The adventures of Brer Rabbit (SDH) NRA The adventures of Carlos Caterpillar: Litterbug TV-Y The adventures of Chuck & friends: Bumpers up! TV-Y The adventures of Chuck & friends: Friends to the finish TV-Y The adventures of Chuck & friends: Top gear trucks TV-Y The adventures of Chuck & friends: Trucks versus wild TV-Y The adventures of Chuck & friends: When trucks fly G The adventures of Ichabod and Mr. Toad (CC) G The adventures of Ichabod and Mr. Toad (2014) (SDH) G The adventures of Milo and Otis (CC) PG The adventures of Panda Warrior (CC) G Adventures of Pinocchio (CC) PG The adventures of Renny the fox (CC) NRA The adventures of Scooter the penguin (SDH) PG The adventures of Sharkboy and Lavagirl in 3-D (SDH) NRA The adventures of Teddy P. Brains: Journey into the rain forest NRA Adventures of the Gummi Bears (3v) (SDH) PG The adventures of TinTin (CC) NRA Adventures with -
How the Summer of the Spinoff Came to Be: the Branding of Characters in American Mass Media
Loyola of Los Angeles Entertainment Law Review Volume 23 Number 2 Article 3 1-1-2003 How the Summer of the Spinoff Came to Be: The Branding of Characters in American Mass Media Benjamin A. Goldberger Follow this and additional works at: https://digitalcommons.lmu.edu/elr Part of the Law Commons Recommended Citation Benjamin A. Goldberger, How the Summer of the Spinoff Came to Be: The Branding of Characters in American Mass Media, 23 Loy. L.A. Ent. L. Rev. 301 (2003). Available at: https://digitalcommons.lmu.edu/elr/vol23/iss2/3 This Article is brought to you for free and open access by the Law Reviews at Digital Commons @ Loyola Marymount University and Loyola Law School. It has been accepted for inclusion in Loyola of Los Angeles Entertainment Law Review by an authorized administrator of Digital Commons@Loyola Marymount University and Loyola Law School. For more information, please contact [email protected]. HOW THE "SUMMER OF THE SPINOFF" CAME TO BE: THE BRANDING OF CHARACTERS IN AMERICAN MASS MEDIA Benjamin A. Goldberger* I. INTRODUCTION "If in past summers Hollywood seemed to surrender its creative soul to the making of sequels, prequels, spinoffs, remakes and franchise films based on comic books, television series or video games, take a deep breath and prepare for the summer of 2002."1 With these words, the New York Times' Rick Lyman dubbed this past summer "the summer of the spinoff."2 Although it is most apparent in the movie theater, mass media art of all types in the United States is becoming increasingly derivative. -
Bcsfazine #520
The Newsletter of the British Columbia Science Fiction Association #520 $3.00/Issue September 2016 In This Issue: This and Next Month in BCSFA..........................................0 About BCSFA.......................................................................0 Letters of Comment............................................................1 Calendar.............................................................................11 News-Like Matter..............................................................14 Excess Resolutions for 2016, #4.5 (Kathleen Moore).....23 Seven Science Fiction Haiku (Denny E. Marshall)..........24 Art Credits..........................................................................25 BCSFAzine © September 2016, Volume 44, #9, Issue #520 is the monthly club newsletter published by the British Columbia Science Fiction Association, a social organization. ISSN 1490-6406. Please send comments, suggestions, and/or submissions to Felicity Walker (the editor), at felicity4711@ gmail .com or Apartment 601, Manhattan Tower, 6611 Coo- ney Road, Richmond, BC, Canada, V6Y 4C5 (new address). BCSFAzine is distributed monthly at White Dwarf Books, 3715 West 10th Aven- ue, Vancouver, BC, V6R 2G5; telephone 604-228-8223; e-mail whitedwarf@ deadwrite.com. Single copies C$3.00/US$2.00 each. Cheques should be made pay- able to “West Coast Science Fiction Association (WCSFA).” This and Next Month in BCSFA Sunday 18 September at 7 PM: September BCSFA meeting—at Ray Seredin’s, 707 Hamilton Street (recreation room), New Westminster. -
Milestones in Garfield History
MILESTONES IN GARFIELD HISTORY 1978 The Garfield comic strip, penned by cartoonist Jim Davis, debuts in 41 U.S. newspapers 1979 Popularity of Garfield strip spreads; now in 100 newspapers 1980 Garfield at Large, his first book, hits #1 on The New York Times bestsellers list! 1981 Three Garfield books appear simultaneously on The New York Times bestsellers list; Garfield’s world headquarters, Paws, Inc., opens near Muncie, Indiana. 1982 Garfield now appears in 1000 newspapers, has seven Garfield books (simultaneously) on The New York Times bestsellers list, makes the cover of People magazine, and has his first TV special, Here Comes Garfield! 1983 Comic strip now appears in 1,400 newspapers in 22 countries and is translated into seven languages. 1984 Garfield and Jim Davis star in American Express “Do You Know Me?” TV commercial; Garfield gets big head as the giant Garfield helium balloon makes its first appearance in the Macy’s Annual Thanksgiving Day Parade. 1985 Garfield in the Rough wins an Emmy award for Outstanding Animated Program 1986 The comic strip now appears in 1800 newspapers and is called “the fastest growing comic strip in history.” Meanwhile, Garfield takes home another Emmy for Garfield’s Halloween Adventure. 1987 Garfield becomes only the third comic strip in history to appear in 2,000 newspapers worldwide; the now-classic Garfield’s Christmas special airs. 1988 Garfield and Friends, an animated TV show starring Garfield, debuts on CBS Saturday mornings. The orange Garfield Stuck-on-You Doll is red hot, showing up in cars all over the world. 1989 Garfield’s Babes & Bullets wins Emmy award for Outstanding Animated Program 1990 Garfield heads south to appear in his first Orange Bowl parade; Garfield’s Feline Fantasies appears on CBS primetime. -
Bcsfazine #531
The Newsletter of the British Columbia Science Fiction Association #531 $3.00/Issue August 2017 In This Issue: This and Next Month in BCSFA..........................................0 About BCSFA.......................................................................0 Letters of Comment............................................................1 Calendar...............................................................................7 News-Like Matter..............................................................11 Seven Science Fiction Haiku (Denny E. Marshall)..........24 LOL: ‘Spy and Pyro’ (Michael Bertrand)..........................25 Art Credits..........................................................................26 BCSFAzine © August 2017, Volume 45, #8, Issue #531 is the monthly club newslet- ter published by the British Columbia Science Fiction Association, a social organiza- tion. ISSN 1490-6406. Please send comments, suggestions, and/or submissions to Felicity Walker (the editor), at felicity4711@ gmail .com or Apartment 601, Manhattan Tower, 6611 Coo- ney Road, Richmond, BC, Canada, V6Y 4C5 (new address). BCSFAzine is distributed monthly at White Dwarf Books, 3715 West 10th Aven- ue, Vancouver, BC, V6R 2G5; telephone 604-228-8223; e-mail whitedwarf@ deadwrite.com. Single copies C$3.00/US$2.00 each. Cheques should be made pay- able to “West Coast Science Fiction Association (WCSFA).” This and Next Month in BCSFA Friday 18 August 2017: Submission deadline for September BCSFAzine (ideally). Sunday 20 August 2017 at 6 PM: August -
Children's Television. Hearing on H.R. 1677 Before the Subcommittee on Telecommunications and Finance of the Committee on Energy and Commerce
DOCUMENT RESUME ED 315 048 IR 014 159 TITLE Children's Television. Hearing on H.R. 1677 before the Subcommittee on Telecommunications and Finance of the Committee on Energy and Commerce. House of Representatives, One Hundred First Congress, First Session. INSTITUTION Congress of the U.S., Washington, DC. House Committee on Energy and Commerce. PUB DATE 6 Apr 89 NOTE 213p.; Serial No. 101-32. AVAILABLE FROMSuperintendent of Documents, Congressional Sales Office, U.S. Government Printing Office, Washington, DC 20402. PUB TYPE Legal/Legislative/Regulatory Mat.. als (090) EDRS PRICE MF01/PC09 Plus Postage. DESCRIPTORS *Childrens Television; *Federal Legislation; Hearings; *Programing (Broadcast); *Television Commercials IDENTIFIERS Congress 101st ABSTRACT A statement by the chairman of the subcommittee, Representative Edward J. Markey opened this hearing on H.R. 1677, the Children's Television Act of 1989, a bill which would require the Federal Communications Commission to reinstate restrictions on advertising during children's television, to enforce the obligation of broadcasters to meet the eduCational and informational needs of the child audience, and for other purposes. The text of the bill is then presented, followed by related literature, surveys, and the testimony of nine witnesses: (1) Daniel R. Anderson, Psychology Department, University of Massachusetts; (2) Helen L. Boehm, vice president, Children's Advertising Review Unit, Council of Better Business Bureaus, Inc.;(3) Honorable Terry L. Bruce, Representative in Congress from the State of Illinois;(4) William P. Castleman, vice president, ACT III Broadcasting, on behalf of the Association of Independent Television Stations;(5) Peggy Charren, president, Action for Children's Television; (6) DeWitt F. -
The Broadcast Programming Marketplace After the Children's Television Act of 1990
DOCUMENT RESUME ED 375 445 CS 508 717 AUTHOR Aufderheide, Patricia TITLE The Broadcast Programming Marketplace after the Children's Television Act of 1990. PUB DATE Aug 94 NOTE 24p.; Paper presented at the Annual Meeting of the Association for Education in Journalism and Mass Communication (77th, Atlanta, GA, August 10-13, 1994). PUB TYPE Speeches/Conference Papers (150) Reports Research /Technical (143) EDRS PRICE MFOI/PC01 Plus Postage. DESCRIPTORS Audience Awareness; *Broadcast Industry; *Broadcast Television; Educational Television; *Federal Regulation; *Programming (Broadcast); Television Research IDENTIFIERS *Childrens Television Act 1990 ABSTRACT A study examined the effectiveness oT the Children's Television Act of 1990 in altering the marketplace for informational and educational children's programming on commercial broadcast television. Producers and distributors of nationally available series that commercial broadcasters were using in 1993 to meet the requirements of the Act were interviewed. Executives at all networks were also interviewed. The programs' budget, promotion, scheduling and success in the marketplace were considered. Results indicated that the law motivated broadcasters to use programming, but that broadcasters rarely made an effort to give the programs appropriate time slots or promotion. Many programs were low-budget; two that involved serious research received government funding for that research. Findings suggest that the legislation did result in marketplace changes, but that more explicit regulations and more government investment would be needed for quality educational and informational programming to be produced, scheduled appropriately, and promoted adequately to reach target audiences. (Contains 36 references and 2 notes.) (RS) *********************************************************************** Reproductions supplied by EDRS are the best that can be made from the original document.