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What Is the True Value of Tax Deferral?
RECORD, Volume 29, No. 1* Washington, D.C., Spring Meeting May 29–30, 2003 Session 35L What Is the True Value of Tax Deferral? Track: Education & Research Moderator: KRZYSZTOF M. OSTASZEWSKI Panelists: JAMES M. CARSON† KRZYSZTOF M. OSTASZEWSKI Summary: It is a truism that tax deferral is a great benefit enjoyed by qualified plans, individual retirement accounts and deferred annuity products. The actual quantification of this benefit, however, is less obvious. Furthermore, tax deferral does not come free—access to funds in tax-deferred accounts is restricted. In this session, the panelists show how long it takes for tax-deferral benefits to overcome typical penalties levied on early distributions. They also discuss the effect of tax deferral on the risk profile of investments. Attendees gain a better understanding of the value of tax deferral in various accumulation products and its role in product development. DR. KRZYSZTOF M. OSTASZEWSKI: I am the actuarial program director at Illinois State University. I am the moderator and one of the two speakers in this session. The other speaker is Dr. James Carson, who is a professor and Midyette Eminent Scholar in risk management and insurance at Florida State University. We are presenting research done jointly with Dr. Yu-Luen Ma, who is assistant professor in the department of finance, insurance and law at Illinois State University. During this session, we will discuss the issue of the value of tax deferral. This is _________________________________ *Copyright © 2003, Society of Actuaries †Mr. James M. Carson, not a member of the sponsoring organizations, is a professor and Midyette Eminent Scholar in risk management and insurance at Florida State University. -
Clarion University Wrestling and Basketball
Early on a recent autumn morning Clarion President Joseph Grunenwald welcomed a capacity crowd to a community breakfast where he outlined yesterday, today, and tomorrow for Clarion University. He left little doubt that quality would be a part of the future, just as it has been in the past. The following article presents excerpts from his presentation. teachers and later saw an influx of males after A University In Change World War 11 and the tremendous growth of the We are a university in change. Wc arc a university thai '60s as wc broadened our majors. has a proud tradition. A proud set of values. A proud back In the lasl lew years, we have witnessed yet ground. Bui wc arc a university lor the future. And we're another change in the nature of our enrollment. making the changes necessary al our university thai will approaches are in any way weaker. Indeed, they are There are now more off-campus programs, there are more stronger. If you can maintain your market share in a falling take us into the next decade and beyond. people taking advantage of programs over the Web and Our values have not changed. Our basic core values arc segment, as many in business have done, you become there arc more people involved in lifetime learning oppor more and more aggressive and more and more efficient in fundamentally Ihe same as they have been for more than tunities with the university than at anytime in our history. 100 years and they wrap around our belief in Ihe ability of a tougher recruitment market and that is what we have We still remain traditionally constructed in terms of our done. -
2016 ANNUAL REPORT CLICK HERE on ALL PAGES 2 to RETURN to CONTENTS from the Chair
CFRE International Certifying fundraising executives Setting standards in philanthropy Annual Report 2016 Contents CLICK ON TEXT TO JUMP TO PAGE From the Chair . 3 Credibility 2016 CFRE International Board of Directors . 5 2016 CFRE International Committees & Advisory Groups . 6 2016 Advisory Council . 7 2016 CFRE International Participating Organisations . 9 Accreditation . 14 Validity Validity Tables . 15 Explanation of Terms . 17 Sustainability . 19 CFRE International Consolidated Financial Report . 20 2016 Continuing Education Providers . 21 2016 Certificant Demographics . 27 Current CFREs through 2016 Australia . 28 Bermuda . 28 Canada . 28 France . 33 Germany . 33 Hong Kong . 33 Ireland . 33 Kenya . 33 Lebanon . 33 Malaysia . 33 Mexico . 33 New Zealand . 33 Panama . 33 Saudi Arabia . 33 Singapore . 33 Slovenia . 33 South Korea . 33 Suriname . 34 Thailand . 34 United Arab Emirates . 34 United Kingdom . 34 United States . 34 CFRE International Former Chairpersons . 60 CFRE INTERNATIONAL ■ 2016 ANNUAL REPORT CLICK HERE ON ALL PAGES 2 TO RETURN TO CONTENTS From the Chair Service on the CFRE International Board of Directors, especially in the role of Chair, brings an understanding and involvement at the deepest levels of the CFRE certification programme . No aspect of that work is more important or central to our mission than assuring that the CFRE credentialing process provides a valid and reliable standard for knowledge of best practices in ethical fundraising at the five-year level of professional experience . In January 2016 CFRE International assured the continued reliability of the CFRE credentialing programme with the successful launch of updated eligibility and application Marnie Hill, CFRE requirements for CFRE certification . These changes reflect the CFRE Chair, 2016 maturation of our fundraising profession and the profession’s global nature . -
Keyboard Courage”, the Debut Single from Her Upcoming “Duality” Album
FOR IMMEDIATE RELEASE: Contact: Len Evans, Project Publicity: 212-445-0066 [email protected] RUPAUL’S DRAG RACE STAR RELEASES NEW ANTI-CYBERBULLYING ANTHEM Kelly Mantle Releases “Keyboard Courage”, The Debut Single From Her Upcoming “Duality” Album New York, NY: First, Prince William and wife Kate Middleton announced plans to tackle cyber-bullying; now, a queen is joining the fight. RuPaul’s Drag Race’s Kelly Mantle’s new pop track, “Keyboard Courage”, is intended to be an anthem for anyone who has been harassed or stalked online. “I’ve been called every name in the book,” she reveals. “One person tweeted ‘Kelly Mantle is so ugly. She looks like a burn victim going through chemo.’ Luckily, Kelly’s strong sense of humor allows her to brush off many of the personal attacks, but she wrote the song after meeting young fans being victimized online by kids in their schools. “Not everyone can laugh it off. It’s a scary thought that someone’s heartless, mindless words could drive another person to take their life.” Kelly Mantle’s “Keyboard Courage” is available on iTunes now. “My hope is that Keyboard Courage can be that song kids listen to and be reminded to not get discouraged by online bullies,” continues Kelly Mantle from her Hollywood home. Produced by Steven Phillips, who also produced Mantle’s last album Satellite Baby, “Keyboard Courage” is a high energy, 80’s inspired pop track. It’s fun but with a powerful message. The lyrics include actual negative comments that Kelly Mantle has received. - over - PROJECT PUBLICITY, INC. -
Annual Report 2019-2020 Mission Statement
ANNUAL REPORT 2019-2020 Mission Statement NAPWHA is the national peak organisation representing people living with HIV in Australia. Through leadership in advocacy, policy, education and prevention, NAPWHA strives to minimise the adverse personal and social effects of HIV. By championing the participation of HIV-positive people at all levels of the national response we aim to build a positive future for all people living with HIV. Acknowledgement NAPWHA pays respect to the traditional custodians of this land and acknowledges Aboriginal and Torres Strait Islander elders, past and present, and those who have partnered with us in the response to HIV in Australia. WARNING: Aboriginal and Torres Strait Islander readers are advised that this document contains images and names of deceased persons. NAPWHA National Association of People With HIV Australia ABN 79 052 437 899 | TELEPHONE +61 2 8568 0300 | EMAIL [email protected] PO Box 917 Newtown NSW 2042 Australia | WEBSITE napwha.org.au COORDINATOR Charlie Tredway | EDITOR Adrian Ogier | DESIGN Erin Costigan Annual Report | 2019 - 2020 3 Contents PRESIDENT – Fit For The Future 4 EXECUTIVE DIRECTOR – Unprecedented Challenges Met With Creative Responses 6 Including SECRETARIAT REPORT NETWORKS 17 • FEMFATALES 17 • PATSIN 18 STATE OF THE POSITIVE NATION 20 • MEMBERS • Living Positive Victoria 21 • Northern Territory 23 • Positive Life NSW 25 • Positive Life SA 27 • Positive Living ACT 29 • Positive Organisation WA 31 • Queensland Positive People 33 • Tasmania 35 ASSOCIATE MEMBERS 37 • Bobby Goldsmith Foundation 37 • Body Positive NZ 38 • Estrela Plus 40 • IGAT Hope 41 • Positive Women Victoria 42 • POZHET 43 FINANCIAL REPORT 44 REPRESENTATIVES & SECRETARIAT 63 ACKNOWLEDGMENTS 65 PIDRES ENT – Scott Harlum Fit for the future 2020 has been a testing time for our national Association, In support of people living with HIV, NAPWHA has also: as it has been for every aspect of society and the economy. -
Il Segreto Di Charlie
! !1 VALMYN presenta In collaborazione con WANTED IL SEGRETO DI CHARLIE un film di Rebekah Fortune con Harry Gilby - Scot Williams - Patricia Potter ! Uscita: 27 settembre distribuzione VALMYN in collaborazione con WANTED ufficio stampa PUNTOeVIRGOLA | +39 06 45763506 | [email protected] | puntoevirgolamediafarm.com !2 ♦ CAST ARTISTICO ♦ Charlie Harry Gilby Paul Scot Williams Susan Patricia Potter Eve Elinor Machen-Fortune Mick Peter Machen Claire Karen Bryson Tony Jeff Alexander Tommy Travis Blake-Hall Sophie Janine Hipkins Gareth Charlie Georgiou Zia Karen Maria O’Brien Jackie Caroline Nash Imogen Jess Collett Wayne Mark Carter Sig.ra Roe Andrea Green Sig. Treves John Draycott !3 ♦ CAST TECNICO ♦ Regia Rebekah Fortune Sceneggiatura Peter Machen Fotografia Karl Clarke Montaggio Erline O’Donovan Scenografia Emma Jesse Art Director Kerrie Ahern Costumi Robyn Morell Trucco e acconciature Evlynn Bakewell Suono Lois Jones e Graeme Willets Musiche Yann Mccullough e Darryl O’Donovan Disegno del suono James Hynes Casting Ben Cogan Prodotta da Karen Newman Produzione Seahorse Films LLP Granding Francois Kamffer Distribuzione italiana VALMYN in collaborazione con WANTED Ufficio stampa Studio PUNTOeVIRGOLA Ufficio Stampa Web & Digital Inter Nos Web Communication Pr durata 99’ !4 !5 ♦ SINOSSI ♦ Charlie è un adolescente della provincia inglese con un grande talento per il calcio. Una delle squadre più importanti, il Manchester City, gli offre un ingaggio da sogno, ma Charlie ha un segreto: è felice solo quando, di nascosto, può vestirsi da ragazza. Intrappolato nel corpo di un fanciullo, Charlie è combattuto tra il desiderio di compiacere le ambizioni che il padre ripone in lui e il bisogno di affermare la propria identità. -
JSNA , Item 5. PDF 716 KB
Halton Joint Strategic Needs Assessment 2014 Background, Methodology and Key Findings Children’s Joint Strategic Needs Assessment 2014 Reader Information JSNA Authors and Working group members Contributors Julie Karmy Julia Rosser John Bucknall Mark Grady Sharon McAteer Katherine Woodcock Sheila McHale Diane Lloyd Catherine Johnson Michelle Forder Other authors and contributors Pam Beaumont Clare Myring Simon Bell Jennifer Oultram Lisa Blanchard Craig Pool Marie Fairbrother Ian Rowlands Health Improvement Team Rhonda Saul Tracey Holyhead Alison Upham Gareth Jones James Watson Sam Murtugh Sharon Williams Number of pages 29 Date release April 2014 Description This document constitutes chapter 1 of the 2014 children’s Joint Strategic Needs Assessment (JSNA) for Halton. The document describes the JSNA policy context, methodology and framework for developing the JSNA as well as data limitations. It also details the main findings and priorities to emerge from each chapter. Contact [email protected] Related none documents Please quote the JSNA We would like to know when and how the JSNA is being used. One way, is to ask people who use the JSNA when developing strategies, service reviews and other work to quote the JSNA as their source of information. 2 | P a g e Background, Methodology and Key Findings 2014 List of Abbreviations A&E Accident and Emergency (also called ‘Casualty’ – hospital facility) CAF Common Assessment Framework CAMHS Child and Adolescent Mental Health Services CCG Clinical Commissioning Group CICOLAs Children In -
Rupaul's Drag Race from Screens To
‘Tens, Tens, Tens Across the Board’: Representation, Remuneration, and Repercussion – RuPaul’s Drag Race from Screens to Streets Max Mehran A Thesis in The Mel Hoppenheim School of Cinema Presented in Partial Fulfillment of the Requirements for the Degree of Master of Arts (Film Studies) at Concordia University Montréal, Quebec, Canada January 2020 Ó Max Mehran, 2020 CONCORDIA UNIVERSITY School of Graduate Studies This is to certify that the thesis prepared By: Max Mehran Entitled: ‘Tens, Tens, Tens Across the Board’: Representation, Remuneration, and Repercussion – RuPaul’s Drag Race from Screens to Streets and submitted in partial fulfillment of the requirements for the degree of Master of Arts (Film Studies) complies with the regulations of the University and meets the accepted standards with respect to originality and quality. Signed by the final Examining Committee: ________________________________ Chair Luca Caminati ________________________________Examiner Haidee Wasson ________________________________Examiner Glyn Davis ________________________________Supervisor Kay Dickinson Approved by ________________________ Graduate Program Director Luca Caminati ________________________ Dean of Faculty Rebecca Duclos Date: January 20th, 2020 iii ABSTRACT ‘Tens, Tens, Tens Across the Board’: Representation, Remuneration, and Repercussion – RuPaul’s Drag Race from Screens to Streets Max Mehran Since its inception, RuPaul’s Drag Race (Drag Race) (2009-) has pitted drag queens against each other in a series of challenges testing acting, singing, and sewing skills. Drag Race continues to become more profitable and successful by the year and arguably shapes cultural ideas of queer performances in manifold ways. This project investigates the impacts of exploitative labour practices that emerge from the show, the commodification of drag when represented on screen, and how the show influences drag and queer performances off screen. -
UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title Reading RuPaul's Drag Race: Queer Memory, Camp Capitalism, and RuPaul's Drag Empire Permalink https://escholarship.org/uc/item/0245q9h9 Author Schottmiller, Carl Publication Date 2017 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Reading RuPaul’s Drag Race: Queer Memory, Camp Capitalism, and RuPaul’s Drag Empire A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Culture and Performance by Carl Douglas Schottmiller 2017 © Copyright by Carl Douglas Schottmiller 2017 ABSTRACT OF THE DISSERTATION Reading RuPaul’s Drag Race: Queer Memory, Camp Capitalism, and RuPaul’s Drag Empire by Carl Douglas Schottmiller Doctor of Philosophy in Culture and Performance University of California, Los Angeles, 2017 Professor David H Gere, Chair This dissertation undertakes an interdisciplinary study of the competitive reality television show RuPaul’s Drag Race, drawing upon approaches and perspectives from LGBT Studies, Media Studies, Gender Studies, Cultural Studies, and Performance Studies. Hosted by veteran drag performer RuPaul, Drag Race features drag queen entertainers vying for the title of “America’s Next Drag Superstar.” Since premiering in 2009, the show has become a queer cultural phenomenon that successfully commodifies and markets Camp and drag performance to television audiences at heretofore unprecedented levels. Over its nine seasons, the show has provided more than 100 drag queen artists with a platform to showcase their talents, and the Drag Race franchise has expanded to include multiple television series and interactive live events. The RuPaul’s Drag Race phenomenon provides researchers with invaluable opportunities not only to consider the function of drag in the 21st Century, but also to explore the cultural and economic ramifications of this reality television franchise. -
The Fiercest Queens in the History of "Rupaul's Drag Race" Return to Battle It out on Logo's New Series "Rupaul's All Stars Drag Race"
The Fiercest Queens in the History of "RuPaul's Drag Race" Return to Battle it Out on Logo's New Series "RuPaul's All Stars Drag Race" Pandora Boxx, Tammie Brown, Nina Flowers, Jujubee, Mimi Imfurst, Manila Luzon, Alexis Mateo, Chad Michaels, Raven, Latrice Royale, Shannel and Yara Sofia Vie to Secure a Spot in the "Drag Race Hall of Fame" and $100K Celebrity Guest Judges Include: Rosie Perez, Ross Matthews, Rachel Hunter, Vickie Lawrence, Busy Phillips, Rachel Dratch, Janice Dickinson, Wendy McClendon-Covey, Elvira, Beth Ditto and Cheri Oteri "RuPaul's All Stars Drag Race" Premieres Monday, October 22 at 9:00 PM ET/PT Followed by the Season Premiere of "Untucked: All Stars" at 10:00 PM ET/PT NEW YORK, Aug. 9, 2012 /PRNewswire/ -- They come armed with stilettos, feathers and sequins, prepared for a battle where one false move—or eyelash—could spell doom. They are the best-of-the-best, the top queens from "RuPaul's Drag Race" Seasons 1-4, and they're ready to lip-synch for their lives to determine which All-Star will walk away with $100K and a spot in the "Drag Race Hall of Fame." Join RuPaul as he welcomes back the most celebrated queens of the past for Logo's new series "RuPaul's All Stars Drag Race" -- the wildest, most jaw-dropping, and outrageous Drag Race yet. Comprised of six, one-hour episodes, "RuPaul's All Stars Drag Race" premieres Monday, October 22 at 9 PM ET/PT on Logo with a special "Rupersized" episode containing 10 bonus minutes. -
Annual Report 2014 Eastern Illinois University
Eastern Illinois University The Keep Lumpkin College Annual Reports Administration & Publications 2014 Annual Report 2014 Eastern Illinois University Follow this and additional works at: http://thekeep.eiu.edu/lumpkin_annualreports Part of the Technology and Innovation Commons Recommended Citation Eastern Illinois University, "Annual Report 2014" (2014). Lumpkin College Annual Reports. 29. http://thekeep.eiu.edu/lumpkin_annualreports/29 This Book is brought to you for free and open access by the Administration & Publications at The Keep. It has been accepted for inclusion in Lumpkin College Annual Reports by an authorized administrator of The Keep. For more information, please contact [email protected]. LUMPKIN COLLEGE OF BUSINESS AND APPLIED SCIENCES ANNUAL REPORT 2014 CONTENTS 04 08 14 DEAN’S MESSAGE SPECIAL COLLEGE OUTREACH RECOGNITIONS 20 22 26 WELCOME & THE SCHOOL OF THE SCHOOL OF FAREWELL BUSINESS FAMILY & CONSUMER SCIENCES 32 38 42 THE SCHOOL OF THE DEPARTMENT OF DONOR RECOGNITION TECHNOLOGY MILITARY SCIENCE www.eiu.edu/lumpkin Eastern Illinois University is an equal opportunity/ equal access/ affirmative action employer committed to achieving a diverse community. Information in the report covers July 1, 2013 through June 30, 2014. INVOLVING OUR STUDENTS IN HIGH-IMPACT, HANDS-ON LEARNING EXPERIENCES ASSISTS THEM IN THE DEVELOPMENT OF CRITICAL THINKING SKILLS THAT ARE SO IMPORTANT IN THEIR CHOSEN PROFESSION. MAHYAR IZADI DEAN OFFICE OF THE DEAN MAHYAR IZADI JEANNE LORD DEBORAH LISA DALLAS MARY HENNING JONATHAN DARLA COMBS Dean Associate -
“You Better Work:” the Commodification of HIV in Rupaul's
Hunter Hargraves “You Better Work:” The Commodification of HIV in RuPaul’s Drag Race In a 2010 episode of Comedy Central’s South Park (1994), set in San Francisco, these excesses quite in which the residents of South Park combat an literally manifest themselves in the controversy and army of New Jersey emigrants, a town hall meeting media coverage of the season’s principle character, prominently displays a map of the United States Pedro Zamora, who succumbed to HIV-related in which a majority of the nation east of Colorado progressive multifocal leukoencephalitis the day has become subsumed into New Jersey’s borders.1 after the season’s final episode aired. Zamora, Through its intertextual references to programs arguably the first reality TV celebrity, unabashedly such as MTV’s Jersey Shore and Bravo’s The Real used the medium as a platform for educating the Housewives of New Jersey, the South Park episode, in public about the experience of living with HIV. its typical parodic fashion, exaggerates stereotypical Bounded by these themes of excess, celebrity, and Italian-American culture – from gelled hair and stereotype, the unusual confluence between reality grotesquely tanned skin to constant swearing and television and discourses surrounding the HIV/ a short temperament – while constructing it as a AIDS epidemic continued into the competitive threat to the nation’s cultural purity. One cannot gamedoc sub-genre of reality programming in the escape, however, the episode’s underlying message: early 2000s. HIV-positive contestants have since the real contaminant is not New Jersey, but rather appeared on American and European television the excess of reality TV.