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Ubuntu Kung Fu
Prepared exclusively for Alison Tyler Download at Boykma.Com What readers are saying about Ubuntu Kung Fu Ubuntu Kung Fu is excellent. The tips are fun and the hope of discov- ering hidden gems makes it a worthwhile task. John Southern Former editor of Linux Magazine I enjoyed Ubuntu Kung Fu and learned some new things. I would rec- ommend this book—nice tips and a lot of fun to be had. Carthik Sharma Creator of the Ubuntu Blog (http://ubuntu.wordpress.com) Wow! There are some great tips here! I have used Ubuntu since April 2005, starting with version 5.04. I found much in this book to inspire me and to teach me, and it answered lingering questions I didn’t know I had. The book is a good resource that I will gladly recommend to both newcomers and veteran users. Matthew Helmke Administrator, Ubuntu Forums Ubuntu Kung Fu is a fantastic compendium of useful, uncommon Ubuntu knowledge. Eric Hewitt Consultant, LiveLogic, LLC Prepared exclusively for Alison Tyler Download at Boykma.Com Ubuntu Kung Fu Tips, Tricks, Hints, and Hacks Keir Thomas The Pragmatic Bookshelf Raleigh, North Carolina Dallas, Texas Prepared exclusively for Alison Tyler Download at Boykma.Com Many of the designations used by manufacturers and sellers to distinguish their prod- ucts are claimed as trademarks. Where those designations appear in this book, and The Pragmatic Programmers, LLC was aware of a trademark claim, the designations have been printed in initial capital letters or in all capitals. The Pragmatic Starter Kit, The Pragmatic Programmer, Pragmatic Programming, Pragmatic Bookshelf and the linking g device are trademarks of The Pragmatic Programmers, LLC. -
Donald Knuth Fletcher Jones Professor of Computer Science, Emeritus Curriculum Vitae Available Online
Donald Knuth Fletcher Jones Professor of Computer Science, Emeritus Curriculum Vitae available Online Bio BIO Donald Ervin Knuth is an American computer scientist, mathematician, and Professor Emeritus at Stanford University. He is the author of the multi-volume work The Art of Computer Programming and has been called the "father" of the analysis of algorithms. He contributed to the development of the rigorous analysis of the computational complexity of algorithms and systematized formal mathematical techniques for it. In the process he also popularized the asymptotic notation. In addition to fundamental contributions in several branches of theoretical computer science, Knuth is the creator of the TeX computer typesetting system, the related METAFONT font definition language and rendering system, and the Computer Modern family of typefaces. As a writer and scholar,[4] Knuth created the WEB and CWEB computer programming systems designed to encourage and facilitate literate programming, and designed the MIX/MMIX instruction set architectures. As a member of the academic and scientific community, Knuth is strongly opposed to the policy of granting software patents. He has expressed his disagreement directly to the patent offices of the United States and Europe. (via Wikipedia) ACADEMIC APPOINTMENTS • Professor Emeritus, Computer Science HONORS AND AWARDS • Grace Murray Hopper Award, ACM (1971) • Member, American Academy of Arts and Sciences (1973) • Turing Award, ACM (1974) • Lester R Ford Award, Mathematical Association of America (1975) • Member, National Academy of Sciences (1975) 5 OF 44 PROFESSIONAL EDUCATION • PhD, California Institute of Technology , Mathematics (1963) PATENTS • Donald Knuth, Stephen N Schiller. "United States Patent 5,305,118 Methods of controlling dot size in digital half toning with multi-cell threshold arrays", Adobe Systems, Apr 19, 1994 • Donald Knuth, LeRoy R Guck, Lawrence G Hanson. -
CSS Font Stacks by Classification
CSS font stacks by classification Written by Frode Helland When Johann Gutenberg printed his famous Bible more than 600 years ago, the only typeface available was his own. Since the invention of moveable lead type, throughout most of the 20th century graphic designers and printers have been limited to one – or perhaps only a handful of typefaces – due to costs and availability. Since the birth of desktop publishing and the introduction of the worlds firstWYSIWYG layout program, MacPublisher (1985), the number of typefaces available – literary at our fingertips – has grown exponen- tially. Still, well into the 21st century, web designers find them selves limited to only a handful. Web browsers depend on the users own font files to display text, and since most people don’t have any reason to purchase a typeface, we’re stuck with a selected few. This issue force web designers to rethink their approach: letting go of control, letting the end user resize, restyle, and as the dynamic web evolves, rewrite and perhaps also one day rearrange text and data. As a graphic designer usually working with static printed items, CSS font stacks is very unfamiliar: A list of typefaces were one take over were the previous failed, in- stead of that single specified Stempel Garamond 9/12 pt. that reads so well on matte stock. Am I fighting the evolution? I don’t think so. Some design principles are universal, independent of me- dium. I believe good typography is one of them. The technology that will let us use typefaces online the same way we use them in print is on it’s way, although moving at slow speed. -
Surviving the TEX Font Encoding Mess Understanding The
Surviving the TEX font encoding mess Understanding the world of TEX fonts and mastering the basics of fontinst Ulrik Vieth Taco Hoekwater · EuroT X ’99 Heidelberg E · FAMOUS QUOTE: English is useful because it is a mess. Since English is a mess, it maps well onto the problem space, which is also a mess, which we call reality. Similary, Perl was designed to be a mess, though in the nicests of all possible ways. | LARRY WALL COROLLARY: TEX fonts are mess, as they are a product of reality. Similary, fontinst is a mess, not necessarily by design, but because it has to cope with the mess we call reality. Contents I Overview of TEX font technology II Installation TEX fonts with fontinst III Overview of math fonts EuroT X ’99 Heidelberg 24. September 1999 3 E · · I Overview of TEX font technology What is a font? What is a virtual font? • Font file formats and conversion utilities • Font attributes and classifications • Font selection schemes • Font naming schemes • Font encodings • What’s in a standard font? What’s in an expert font? • Font installation considerations • Why the need for reencoding? • Which raw font encoding to use? • What’s needed to set up fonts for use with T X? • E EuroT X ’99 Heidelberg 24. September 1999 4 E · · What is a font? in technical terms: • – fonts have many different representations depending on the point of view – TEX typesetter: fonts metrics (TFM) and nothing else – DVI driver: virtual fonts (VF), bitmaps fonts(PK), outline fonts (PFA/PFB or TTF) – PostScript: Type 1 (outlines), Type 3 (anything), Type 42 fonts (embedded TTF) in general terms: • – fonts are collections of glyphs (characters, symbols) of a particular design – fonts are organized into families, series and individual shapes – glyphs may be accessed either by character code or by symbolic names – encoding of glyphs may be fixed or controllable by encoding vectors font information consists of: • – metric information (glyph metrics and global parameters) – some representation of glyph shapes (bitmaps or outlines) EuroT X ’99 Heidelberg 24. -
CM-Super: Automatic Creation of Efficient Type 1 Fonts from Metafont
CM-Super: Automatic creation of efficient Type 1 fonts from METAFONT fonts Vladimir Volovich Voronezh State University Moskovsky prosp. 109/1, kv. 75, Voronezh 304077 Russia [email protected] Abstract In this article I describe making the CM-Super fonts: Type 1 fonts converted from METAFONT sources of various Computer Modern font families. The fonts contain a large number of glyphs covering writing in dozens of languages (Latin-based, Cyrillic-based, etc.) and provide outline replacements for the original METAFONT fonts. The CM-Super fonts were produced by tracing the high resolution bitmaps generated by METAFONT with the help of TEXtrace, optimizing and hinting the fonts with FontLab, and applying cleanups and optimizations with Perl scripts. 1 The idea behind the CM-Super fonts There exist free Type 1 versions of the original CM The Computer Modern (CM) fonts are the default fonts, provided by Blue Sky Research, Elsevier Sci- ence, IBM Corporation, the Society for Industrial and most commonly used text fonts with TEX. Orig- inally, CM fonts contained only basic Latin letters, and Applied Mathematics (SIAM), Springer-Verlag, and thus covered only the English language. There Y&Y and the American Mathematical Society, but are however a number of Computer Modern look- until not long ago there were no free Type 1 versions alike METAFONT fonts developed which cover other of other “CM look-alike” fonts available, which lim- languages and scripts. Just to name a few: ited their usage in PDF and PostScript target docu- ment formats. The CM-Super fonts were developed • EC and TC fonts, developed by J¨orgKnappen, to cover this gap. -
Michael Sharpe
294 TUGboat, Volume 38 (2017), No. 3 Interview: Michael Sharpe complex machinery, though I did spend a couple of years working as an assistant to a projectionist in David Walden the local movie theater during my high school years. DW : When you say \misspent on sport", what are you thinking of? MS: Because we moved regularly, I was motivated to focus on making new friends as quickly as possible, and sport was a good way to do it in that environ- ment. I played cricket, Australian Rules football and tennis. It was fortunate for my later career that I was not really good at any of them. DW : Were you already doing electronics things as a hobby and enjoying high school math and science before university? MS: I was not into electronics as a hobby, finding Michael Sharpe has been using TEX since the mid- the analog radio of those days not very interesting. 1980s. In more recent years he has been active in I did do well in sciences and math in high school. If the TEX fonts world. there had been computers available in those days, it may have been a different story. Dave Walden, interviewer: Please tell me a bit DW : What took you away from Australia and to about yourself. Yale for your Ph.D. work? Michael Sharpe, interviewee: I was born in Syd- MS: Just previous to my generation of college grad- ney, Australia in 1941. After 1945, my father joined uates in Australia, most students wanting to pursue the Commonwealth Public Service, which corresponds an advanced degree in sciences and engineering went in the US to the federal civil service, and moved fre- to Great Britain if they could manage it. -
4C24fb34-Ubuntu-Server-Guide.Pdf
Introduction Welcome to the Ubuntu Server Guide! Download the Ubuntu server guide as a PDF. This is the preliminary and in development for the next Ubuntu LTS, Focal Fossa. Contents may have errors and omissions. Changes, Errors, and Bugs If you find any errors or have suggestions for improvements to pages, please use the link at thebottomof each topic titled: “Help improve this document in the forum.” This link will take you to the Server Discourse forum for the specific page you are viewing. There you can share your comments or let us know aboutbugs with each page. Support There are a couple of different ways that Ubuntu Server Edition is supported: commercial support and community support. The main commercial support (and development funding) is available from Canonical, Ltd. They supply reasonably- priced support contracts on a per desktop or per server basis. For more information see the Ubuntu Advantage page. Community support is also provided by dedicated individuals and companies that wish to make Ubuntu the best distribution possible. Support is provided through multiple mailing lists, IRC channels, forums, blogs, wikis, etc. The large amount of information available can be overwhelming, but a good search engine query can usually provide an answer to your questions. See the Ubuntu Support page for more information. Installation This chapter provides a quick overview of installing Ubuntu 20.04 Server Edition. For more detailed instruc- tions, please refer to the Ubuntu Installation Guide. Preparing to Install This section explains various aspects to consider before starting the installation. System Requirements Ubuntu 20.04 Server Edition provides a common, minimalist base for a variety of server applications, such as file/print services, web hosting, email hosting, etc. -
About Basictex-2021
About BasicTeX-2021 Richard Koch January 2, 2021 1 Introduction Most TeX distributions for Mac OS X are based on TeX Live, the reference edition of TeX produced by TeX User Groups across the world. Among these is MacTeX, which installs the full TeX Live as well as front ends, Ghostscript, and other utilities | everything needed to use TeX on the Mac. To obtain it, go to http://tug.org/mactex. 2 Basic TeX BasicTeX (92 MB) is an installation package for Mac OS X based on TeX Live 2021. Unlike MacTeX, this package is deliberately small. Yet it contains all of the standard tools needed to write TeX documents, including TeX, LaTeX, pdfTeX, MetaFont, dvips, MetaPost, and XeTeX. It would be dangerous to construct a new distribution by going directly to CTAN or the Web and collecting useful style files, fonts and so forth. Such a distribution would run into support issues as the creators move on to other projects. Luckily, the TeX Live install script has its own notion of \installation packages" and collections of such packages to make \installation schemes." BasicTeX is constructed by running the TeX Live install script and choosing the \small" scheme. Thus it is a subset of the full TeX Live with exactly the TeX Live directory structure and configuration scripts. Moreover, BasicTeX contains tlmgr, the TeX Live Manager software introduced in TeX Live 2008, which can install additional packages over the network. So it will be easy for users to add missing packages if needed. Since it is important that the install package come directly from the standard TeX Live distribution, I'm going to explain exactly how I installed TeX to produce the install package. -
Software Decode SDK for Android Developer Guide (En)
SOFTWARE DECODE SDK FOR ANDROID DEVELOPER GUIDE SOFTWARE DECODE SDK FOR ANDROID DEVELOPER GUIDE 72E-162670-06 Revision A November 2016 ii Software Decode SDK for Android Developer Guide No part of this publication may be reproduced or used in any form, or by any electrical or mechanical means, without permission in writing from Zebra. This includes electronic or mechanical means, such as photocopying, recording, or information storage and retrieval systems. The material in this manual is subject to change without notice. The software is provided strictly on an “as is” basis. All software, including firmware, furnished to the user is on a licensed basis. Zebra grants to the user a non-transferable and non-exclusive license to use each software or firmware program delivered hereunder (licensed program). Except as noted below, such license may not be assigned, sublicensed, or otherwise transferred by the user without prior written consent of Zebra. No right to copy a licensed program in whole or in part is granted, except as permitted under copyright law. The user shall not modify, merge, or incorporate any form or portion of a licensed program with other program material, create a derivative work from a licensed program, or use a licensed program in a network without written permission from Zebra. The user agrees to maintain Zebra’s copyright notice on the licensed programs delivered hereunder, and to include the same on any authorized copies it makes, in whole or in part. The user agrees not to decompile, disassemble, decode, or reverse engineer any licensed program delivered to the user or any portion thereof. -
Advance Reporting Open Source Licenses 6-67513-02 Rev a August 2012
Advanced Reporting Open-Source Licenses The following table lists the open-source software components used in Quantum Advanced Reporting, as well as the associated licenses. For information on obtaining the Open Source code, contact Quantum Support. (Refer to Getting More Information on page 26 for contact information.) Note: Open source licenses for StorNext® and DXi® products are listed in separate documents, so those licenses are not included in this document. Component Open-Source License AS3 Commons Lang Apache License Version 2.0, January 2004 AS3 Commons Reflect Apache License Version 2.0, January 2004 Cairngorm BSD-style license (BSD Exhibit #2) DejaVu Fonts Bitstream Vera and Arev Font Licenses Image Cropper BSD-style license (BSD Exhibit #3) Libpng BSD 3-Clause, with acknowledgements (BSD Exhibit #1) Perl Licensed under either the Artistic License 2.0 or GNU General Public License version 1 or later. Prototype JS The MIT License rrdtool GNU General Public License, version 2 Scriptaculous The MIT License Spring ActionScript Apache License Version 2.0, January 2004 6-67513-02 Rev A, August 2012 Advance Reporting Open Source Licenses 6-67513-02 Rev A August 2012 Apache License Version 2.0, January 2004 TERMS AND CONDITIONS FOR USE, REPRODUCTION, AND DISTRIBUTION 1. Definitions. “License” shall mean the terms and conditions for use, reproduction, and distribution as defined by Sections 1 through 9 of this document. “Licensor” shall mean the copyright owner or entity authorized by the copyright owner that is granting the License. “Legal Entity” shall mean the union of the acting entity and all other entities that control, are controlled by, or are under common control with that entity. -
P Font-Change Q UV 3
p font•change q UV Version 2015.2 Macros to Change Text & Math fonts in TEX 45 Beautiful Variants 3 Amit Raj Dhawan [email protected] September 2, 2015 This work had been released under Creative Commons Attribution-Share Alike 3.0 Unported License on July 19, 2010. You are free to Share (to copy, distribute and transmit the work) and to Remix (to adapt the work) provided you follow the Attribution and Share Alike guidelines of the licence. For the full licence text, please visit: http://creativecommons.org/licenses/by-sa/3.0/legalcode. 4 When I reach the destination, more than I realize that I have realized the goal, I am occupied with the reminiscences of the journey. It strikes to me again and again, ‘‘Isn’t the journey to the goal the real attainment of the goal?’’ In this way even if I miss goal, I still have attained goal. Contents Introduction .................................................................................. 1 Usage .................................................................................. 1 Example ............................................................................... 3 AMS Symbols .......................................................................... 3 Available Weights ...................................................................... 5 Warning ............................................................................... 5 Charter ....................................................................................... 6 Utopia ....................................................................................... -
The TEX Font Panel
The TEX Font Panel Nelson H. F. Beebe (chair) Center for Scientific Computing University of Utah Department of Mathematics, 322 INSCC 155 S 1400 E RM 233 Salt Lake City, UT 84112-0090 USA Email: [email protected], [email protected], [email protected], [email protected] (Internet) WWW URL: http://www.math.utah.edu/~beebe Telephone: +1 801 581 5254 FAX: +1 801 585 1640, +1 801 581 4148 Internet: [email protected] Introduction Since most programming languages, operating systems, file systems, and even computer I/O and The TUG’2001 Font Panel convened on Thursday, CPU chips, have character knowledge designed into August 16, 2001, with members William Adams, them, changing the character set has huge ramifica- Nelson H. F. Beebe (chair), Barbara Beeton, Hans tions for the computing industry and for worldwide Hagen, Alan Hoenig, and Ross Moore, with active business data processing, data exchange, and record participation by several attendees in the audience. keeping. The list of topics that was projected on the screen Fortunately, a particular encoding scheme makes up the sectional headings in what follows, and called UTF-8 makes it possible for files encoded in the topics are largely independent. pure ASCII to also be Unicode in UTF-8 encoding, Any errors or omissions in this article are solely easing the transition to the new character set. the fault of the panel chair. Up to version 2.0 in 1996, the Unicode character repertoire could be fit into a table of 216 = 65 536 en- Unicode tries. Version 3.0 in 2000 increased the count to over The work of the Unicode Consortium, begun in a million, although just under 50 000 are assigned 1988, and first reported on for the TEX community and tabulated in the book.