Lisa Mcgaughey Tuttle 1088 Amsterdam Avenue, NE Atlanta, Georgia 30306-3543 Phone: 404-881-1088 Email: [email protected]
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Lisa McGaughey Tuttle 1088 Amsterdam Avenue, NE Atlanta, Georgia 30306-3543 phone: 404-881-1088 email: [email protected] Gallery Representation: Sandler Hudson Gallery, 1009-A Marietta St. NW, Atlanta, 30318 (404) 817-3300 Studio: The Arts Exchange, 750 Kalb Street, Atlanta, Georgia 30312, Room #204 (by appointment) SOLO EXHIHIBITIONS and PROJECTS 2008 Belgian Diary, Sandler Hudson Gallery, Atlanta 2007 The NPU-V Seedling Project, Dunbar Neighborhood Center, community-based public art commission, City of Atlanta Office of Cultural Affairs 2006-7 Fence, a temporary exterior public art project to commemorate the 1906 Atlanta Race Riot, Agnes Scott College, Decatur, Georgia 2005 Landscape Poems, temporary public art project, Art in Freedom Park, Atlanta (catalogue) 2003 West End Stories, Shedspace, Atlanta 2001 inheritance, Sandler Hudson Gallery, Atlanta 1996 her place within the order of things, Sandler Hudson Gallery, Atlanta 1995 Odalisque, or Olympia, Oshun and Oriente (in the) house! (OoOOOh!), Nexus Contemporary Art Center, Atlanta 1994 Recent Work, Sandler Hudson Gallery, Atlanta 1993 A False Sense of Security: A Meditation on Women and AIDS Awareness, solo installation using selected prints and paintings from the Permanent Collection, video interviews of women affected by HIV/AIDS, Georgia Museum of Art, Athens, Georgia 1989 The Vindication of Lilith, East Gallery, Albany Museum of Art, Albany, Georgia, catalogue/brochure, text by Peter Doroschenko 1988 It May Be a Wonderful Life, But Angels Seldomly Appear, slide/video installation, IMAGE Film/Video Center, Atlanta 1988 Running Diana, Seven Stages Theatre/Dancer’s Collective, Atlanta INSTALLATIONS and COLLABORATIVE PROJECTS 2009 The NPU-V Photovoice Project: Taking It to the Streets and The Audacity of Hoops, artist/creative director for Dirty Truth campaign and three street installations and events, funded by OSI/Soros Foundation Documentary Photography project 2008 Advocacy: The NPU-V Tells the Dirty Truth, artist advisor and collaborator, Urban Interventions: The Beltline, Ernest Welch Gallery, Georgia State University 2007 Breathe, image/ poetry performance, make/shift poetry collective, Solomon Projects, Atlanta 2002 Retreat: Palimpsest of a Georgia Sea Island Plantation, Tuttle/Pavich-Lindsay joined by Lynn Marshall-Linnemeier and Sistagraphy, Atlanta Contemporary Arts Center,produced artist book “Look Back” at Nexus Press 2001 Retreat: Palimpsest of a Georgia Sea Island Plantation, Tuttle/Pavich-Lindsay joined by Lynn Marshall-Linnemeier, Clark Atlanta University Art Galleries, Atlanta, with accompanying Discussion Circle programming 2000 Retreat: Palimpsest of a Georgia Sea Island Plantation, ongoing collaboration with historian Melanie Pavich-Lindsay, Xchange Gallery, Arts Exchange, Atlanta, 2000 Our Dream Trip to Seattle, project with children at the Arts Exchange, 6’ baseball, Official Team Ball for Seattle Mariners, 2000 Allstar Game, Turner Field, Atlanta, sponsored by Pepsi-Cola Company and the Bureau of Cultural Affairs, City of Atlanta 1999 haunted, City Gallery at Chastain, Atlanta, 2 person exhibition and a collaborative work with artist Jennifer Ray 1998 Retreat: Palimpsest of a Georgia Sea Island Plantation, interdisciplinary installation with historian Melanie Pavich Lindsay, When Tears Come Down Like Falling Rain: Southern Art and the Consideration of the Peculiar, curated by Jason Forrest, City Gallery East, Atlanta 1994 Screening of video interviews, A False Sense of Security, Day without Art, Nexus Contemporary Art Center 1992 Martha Stewart, Marie Antoinette and Me,video installation, Selections: SAF/NEA Awards in Sculpture, Atlanta College of Art Gallery, catalogue, text by Jerry Cullum and Thomasine Bradford 1991 The Annunciation, or The Medical Maja, 2 channel, 3 monitor video installation with objects from the museum’s Decorative Arts Collection, Southern Expressions: Tales Untold, High Museum of Art, Atlanta, catalogue, text by Carrie Przybilla The Kissing Room, or Modern Bovary, 2 channel, 5 monitor video installation, Hearthstones I: Conforming and Confounding, Space One-Eleven, Birmingham, Alabama, catalogue 1990 The Kissing Room, or Modern Bovary, 2 channel, 5 monitor video installation, Metro/Metro: New Art from Los Angeles and Atlanta, curated by Madelyn Grysztejn, Arts Festival of Atlanta, catalogue, text by Grysztejn Confess-O-Booth, interactive video installation, Re-thinking the Sacred Image, Georgia State University, Atlanta 1989 The World at War, a single channel video installation with decorative arts elements, various configurations at each location, New South Group • 112 Greene Street, New York, catalogue, text by Jerry Cullum • Memphis Contemporary Art Center, Memphis, Tennessee • New Visions Gallery, Atlanta (1988) 1987 The Little Impotentate, video/painting installation • The Upstairs, Tryon, North Carolina • Experiments, Diversions and Lies, curated by the Mattress Factory Group, Arts Festival of Atlanta (1986), catalogue SELECTED GROUP EXHIBITIONS 2009 Bookmarks, Terminus Art Walk, Atlanta 2008 The Exchange Show, Arts Exchange, Atlanta 2005 Café Medusa, 7 Stages, Atlanta 2004 Accelerated Sequences, MOCA GA, Museum of Contemporary Art of Georgia (MOCA GA) 2003 Journey, an exhibition of prints and artists’ books from Caversham Centre for Artists and Writers, Art on Paper, Melville, Johannesburg, South Africa and Georgia State University, Atlanta 2003 Greetings from The Arts Exchange, Atlanta, studio artists exhibition 2002 Color, Culture, Complexity, curated by Ed Spriggs and Dan Talley, Museum of Contemporary Art – Georgia, Atlanta, catalogue 2002 Strange Fruit:Artists Respond to Lynching and Mob Violence, curated by Peggy Dobbins and Kevin Sipp, Eyedrum, Atlanta 2002 Georgia Triennial, curated by Louise Shaw, City Gallery East, Atlanta; Macon Museum of Arts and Sciences; Telfair Museum of Art, Savannah; and Albany Museum of Art, Albany, Georgia 2001 Lipstick, City Gallery East, curated by Karen Comer 2000 Journal of Influences, Organized by artist M.M./Pinky Bass, Fairhope and Birmingham, Alabama 1999 Portraits: Self and Otherwise, Sandler Hudson Gallery, Atlanta A Woman’s Place, artist-initiated exhibition, Black Bear, Atlanta, Georgia 1998 Born Again!: Found Objects in Contemporary Southern Art, ArtWalk at Lenox Square, Atlanta 1997 The Joy of the Journey: Ten Georgia Women Artists, Spelman College Museum of Art, Atlanta, Georgia, catalogue/brochure 1996 Tragic Wake: The Legacy of Slavery and the African Diaspora in Contemporary American Art, curated by Alan Prokop, Spirit Square, Charlotte, North Carolina, catalogue/brochure TABOO’s Gone With The Wind: The Fabrication and Denial of Southern Identity, City Gallery at Chastain, Atlanta Defying Stereotypes: Seven Southern Contemporary Artists, Sandler Hudson Gallery, Atlanta 1995 As Scene: New Installation Art, Agnes Scott College, Decatur, Georgia SAF Fellowship/Photography exhibition, Mississippi Museum of Art, Jackson, Mississippi 1993 Constructions, Two-person exhibition with Lynn Marshall-Linnemeier, Spelman College Fine Arts Department, Atlanta, catalogue/brochure 2 1992 Artists on the Discovery of the New World, Agnes Scott College, Decatur, Georgia 1991 A Tiny Christmas Memory, organized by TABOO, Municipal Gallery, Arts Exchange, Atlanta 1989 Armstrong/Gumnit/Holcomb/Tuttle, Hillman Holland Gallery, Atlanta Between Myth and Reality: New Southern Photography, Burden Gallery, Aperture Foundation, New York, catalogue, text by Glenn Harper Farewell to Forrest Avenue, Nexus Contemporary Art Center, Atlanta 1988 Artists in Georgia, curated by Dan Talley, Nexus Contemporary Art Center, catalogue Jeune Peinture, Grand Palais, Paris, catalogue, text by Sheila Reid 19 American Artists, Mall Galleries, London 1987 Mattress Factory Exhibition, Fulton Bag Mill, Cabbagetown, Atlanta The 1987 Atlanta Biennale, curated by Alan Sondheim, Nexus Contemporary Art Center Critic’s Choice, Decatur Arts Festival, Decatur, Georgia 1986 For Fun and For Profit, Mattress Factory Group, Performance Gallery, Atlanta Artists’ Political Statements, Southeastern Center for Contemporary Art, Winston-Salem, N.C. Nexus Studio Artists’ Show, Nexus Contemporary Art Center, Atlanta Painfully Recent Work, with Karen Chance and Virginia Wright, Blue Rat Gallery, Atlanta Four Atlanta Artists, with Chick Lockerman, Alison Ritch, and A.C. Brier, Art on the Tracks, Pensacola, Florida 1985 The All New Mattress Factory Show, Scripto Building, Atlanta 1984 Power and Gender, independently organized artists’ exhibition, Castleberry Hill, Atlanta The Political Show, Nexus Contemporary Art Center AWARDS and FELLOWSHIPS 2009 Soros Foundation/Open Society Institute Documentary Photography Distribution Grant 2003 King Baudouin Foundation Travel Fellowship (Belgium) 2002 Caversham Press Artist-in-Residence Award, South Africa, Fulton County Arts Council 2000 Nexus Press Artist Initiated-Project Award 1999 Mayor’s Fellowship in the Arts Award in Visual Arts, City of Atlanta 1998, 95 & 88 Bureau of Cultural Affairs-City of Atlanta Individual Artist’s Grants 1995 Southern Arts Federation/National Endowment for the Arts Fellowship, Photography 1994 Art Matters, Inc. Grant, NYC 1992 Georgia Council for the Arts Individual Artist’s Grant 1991 & 1992 Resident/Fellow, Hambidge Arts Center, Rabun Gap, Georgia 1991 Fulton County Arts Council Grant - Artists’ Projects (as part of New South Group) 1991 Southern Arts Federation/National Endowment for the Arts Fellowship, Sculpture COLLECTIONS Museum of Contemporary