Lisa Mcgaughey Tuttle 1088 Amsterdam Avenue, NE Atlanta, Georgia 30306-3543 Phone: 404-881-1088 Email: [email protected]

Total Page:16

File Type:pdf, Size:1020Kb

Lisa Mcgaughey Tuttle 1088 Amsterdam Avenue, NE Atlanta, Georgia 30306-3543 Phone: 404-881-1088 Email: Lisatuttle@Comcast.Net Lisa McGaughey Tuttle 1088 Amsterdam Avenue, NE Atlanta, Georgia 30306-3543 phone: 404-881-1088 email: [email protected] Gallery Representation: Sandler Hudson Gallery, 1009-A Marietta St. NW, Atlanta, 30318 (404) 817-3300 Studio: The Arts Exchange, 750 Kalb Street, Atlanta, Georgia 30312, Room #204 (by appointment) SOLO EXHIHIBITIONS and PROJECTS 2008 Belgian Diary, Sandler Hudson Gallery, Atlanta 2007 The NPU-V Seedling Project, Dunbar Neighborhood Center, community-based public art commission, City of Atlanta Office of Cultural Affairs 2006-7 Fence, a temporary exterior public art project to commemorate the 1906 Atlanta Race Riot, Agnes Scott College, Decatur, Georgia 2005 Landscape Poems, temporary public art project, Art in Freedom Park, Atlanta (catalogue) 2003 West End Stories, Shedspace, Atlanta 2001 inheritance, Sandler Hudson Gallery, Atlanta 1996 her place within the order of things, Sandler Hudson Gallery, Atlanta 1995 Odalisque, or Olympia, Oshun and Oriente (in the) house! (OoOOOh!), Nexus Contemporary Art Center, Atlanta 1994 Recent Work, Sandler Hudson Gallery, Atlanta 1993 A False Sense of Security: A Meditation on Women and AIDS Awareness, solo installation using selected prints and paintings from the Permanent Collection, video interviews of women affected by HIV/AIDS, Georgia Museum of Art, Athens, Georgia 1989 The Vindication of Lilith, East Gallery, Albany Museum of Art, Albany, Georgia, catalogue/brochure, text by Peter Doroschenko 1988 It May Be a Wonderful Life, But Angels Seldomly Appear, slide/video installation, IMAGE Film/Video Center, Atlanta 1988 Running Diana, Seven Stages Theatre/Dancer’s Collective, Atlanta INSTALLATIONS and COLLABORATIVE PROJECTS 2009 The NPU-V Photovoice Project: Taking It to the Streets and The Audacity of Hoops, artist/creative director for Dirty Truth campaign and three street installations and events, funded by OSI/Soros Foundation Documentary Photography project 2008 Advocacy: The NPU-V Tells the Dirty Truth, artist advisor and collaborator, Urban Interventions: The Beltline, Ernest Welch Gallery, Georgia State University 2007 Breathe, image/ poetry performance, make/shift poetry collective, Solomon Projects, Atlanta 2002 Retreat: Palimpsest of a Georgia Sea Island Plantation, Tuttle/Pavich-Lindsay joined by Lynn Marshall-Linnemeier and Sistagraphy, Atlanta Contemporary Arts Center,produced artist book “Look Back” at Nexus Press 2001 Retreat: Palimpsest of a Georgia Sea Island Plantation, Tuttle/Pavich-Lindsay joined by Lynn Marshall-Linnemeier, Clark Atlanta University Art Galleries, Atlanta, with accompanying Discussion Circle programming 2000 Retreat: Palimpsest of a Georgia Sea Island Plantation, ongoing collaboration with historian Melanie Pavich-Lindsay, Xchange Gallery, Arts Exchange, Atlanta, 2000 Our Dream Trip to Seattle, project with children at the Arts Exchange, 6’ baseball, Official Team Ball for Seattle Mariners, 2000 Allstar Game, Turner Field, Atlanta, sponsored by Pepsi-Cola Company and the Bureau of Cultural Affairs, City of Atlanta 1999 haunted, City Gallery at Chastain, Atlanta, 2 person exhibition and a collaborative work with artist Jennifer Ray 1998 Retreat: Palimpsest of a Georgia Sea Island Plantation, interdisciplinary installation with historian Melanie Pavich Lindsay, When Tears Come Down Like Falling Rain: Southern Art and the Consideration of the Peculiar, curated by Jason Forrest, City Gallery East, Atlanta 1994 Screening of video interviews, A False Sense of Security, Day without Art, Nexus Contemporary Art Center 1992 Martha Stewart, Marie Antoinette and Me,video installation, Selections: SAF/NEA Awards in Sculpture, Atlanta College of Art Gallery, catalogue, text by Jerry Cullum and Thomasine Bradford 1991 The Annunciation, or The Medical Maja, 2 channel, 3 monitor video installation with objects from the museum’s Decorative Arts Collection, Southern Expressions: Tales Untold, High Museum of Art, Atlanta, catalogue, text by Carrie Przybilla The Kissing Room, or Modern Bovary, 2 channel, 5 monitor video installation, Hearthstones I: Conforming and Confounding, Space One-Eleven, Birmingham, Alabama, catalogue 1990 The Kissing Room, or Modern Bovary, 2 channel, 5 monitor video installation, Metro/Metro: New Art from Los Angeles and Atlanta, curated by Madelyn Grysztejn, Arts Festival of Atlanta, catalogue, text by Grysztejn Confess-O-Booth, interactive video installation, Re-thinking the Sacred Image, Georgia State University, Atlanta 1989 The World at War, a single channel video installation with decorative arts elements, various configurations at each location, New South Group • 112 Greene Street, New York, catalogue, text by Jerry Cullum • Memphis Contemporary Art Center, Memphis, Tennessee • New Visions Gallery, Atlanta (1988) 1987 The Little Impotentate, video/painting installation • The Upstairs, Tryon, North Carolina • Experiments, Diversions and Lies, curated by the Mattress Factory Group, Arts Festival of Atlanta (1986), catalogue SELECTED GROUP EXHIBITIONS 2009 Bookmarks, Terminus Art Walk, Atlanta 2008 The Exchange Show, Arts Exchange, Atlanta 2005 Café Medusa, 7 Stages, Atlanta 2004 Accelerated Sequences, MOCA GA, Museum of Contemporary Art of Georgia (MOCA GA) 2003 Journey, an exhibition of prints and artists’ books from Caversham Centre for Artists and Writers, Art on Paper, Melville, Johannesburg, South Africa and Georgia State University, Atlanta 2003 Greetings from The Arts Exchange, Atlanta, studio artists exhibition 2002 Color, Culture, Complexity, curated by Ed Spriggs and Dan Talley, Museum of Contemporary Art – Georgia, Atlanta, catalogue 2002 Strange Fruit:Artists Respond to Lynching and Mob Violence, curated by Peggy Dobbins and Kevin Sipp, Eyedrum, Atlanta 2002 Georgia Triennial, curated by Louise Shaw, City Gallery East, Atlanta; Macon Museum of Arts and Sciences; Telfair Museum of Art, Savannah; and Albany Museum of Art, Albany, Georgia 2001 Lipstick, City Gallery East, curated by Karen Comer 2000 Journal of Influences, Organized by artist M.M./Pinky Bass, Fairhope and Birmingham, Alabama 1999 Portraits: Self and Otherwise, Sandler Hudson Gallery, Atlanta A Woman’s Place, artist-initiated exhibition, Black Bear, Atlanta, Georgia 1998 Born Again!: Found Objects in Contemporary Southern Art, ArtWalk at Lenox Square, Atlanta 1997 The Joy of the Journey: Ten Georgia Women Artists, Spelman College Museum of Art, Atlanta, Georgia, catalogue/brochure 1996 Tragic Wake: The Legacy of Slavery and the African Diaspora in Contemporary American Art, curated by Alan Prokop, Spirit Square, Charlotte, North Carolina, catalogue/brochure TABOO’s Gone With The Wind: The Fabrication and Denial of Southern Identity, City Gallery at Chastain, Atlanta Defying Stereotypes: Seven Southern Contemporary Artists, Sandler Hudson Gallery, Atlanta 1995 As Scene: New Installation Art, Agnes Scott College, Decatur, Georgia SAF Fellowship/Photography exhibition, Mississippi Museum of Art, Jackson, Mississippi 1993 Constructions, Two-person exhibition with Lynn Marshall-Linnemeier, Spelman College Fine Arts Department, Atlanta, catalogue/brochure 2 1992 Artists on the Discovery of the New World, Agnes Scott College, Decatur, Georgia 1991 A Tiny Christmas Memory, organized by TABOO, Municipal Gallery, Arts Exchange, Atlanta 1989 Armstrong/Gumnit/Holcomb/Tuttle, Hillman Holland Gallery, Atlanta Between Myth and Reality: New Southern Photography, Burden Gallery, Aperture Foundation, New York, catalogue, text by Glenn Harper Farewell to Forrest Avenue, Nexus Contemporary Art Center, Atlanta 1988 Artists in Georgia, curated by Dan Talley, Nexus Contemporary Art Center, catalogue Jeune Peinture, Grand Palais, Paris, catalogue, text by Sheila Reid 19 American Artists, Mall Galleries, London 1987 Mattress Factory Exhibition, Fulton Bag Mill, Cabbagetown, Atlanta The 1987 Atlanta Biennale, curated by Alan Sondheim, Nexus Contemporary Art Center Critic’s Choice, Decatur Arts Festival, Decatur, Georgia 1986 For Fun and For Profit, Mattress Factory Group, Performance Gallery, Atlanta Artists’ Political Statements, Southeastern Center for Contemporary Art, Winston-Salem, N.C. Nexus Studio Artists’ Show, Nexus Contemporary Art Center, Atlanta Painfully Recent Work, with Karen Chance and Virginia Wright, Blue Rat Gallery, Atlanta Four Atlanta Artists, with Chick Lockerman, Alison Ritch, and A.C. Brier, Art on the Tracks, Pensacola, Florida 1985 The All New Mattress Factory Show, Scripto Building, Atlanta 1984 Power and Gender, independently organized artists’ exhibition, Castleberry Hill, Atlanta The Political Show, Nexus Contemporary Art Center AWARDS and FELLOWSHIPS 2009 Soros Foundation/Open Society Institute Documentary Photography Distribution Grant 2003 King Baudouin Foundation Travel Fellowship (Belgium) 2002 Caversham Press Artist-in-Residence Award, South Africa, Fulton County Arts Council 2000 Nexus Press Artist Initiated-Project Award 1999 Mayor’s Fellowship in the Arts Award in Visual Arts, City of Atlanta 1998, 95 & 88 Bureau of Cultural Affairs-City of Atlanta Individual Artist’s Grants 1995 Southern Arts Federation/National Endowment for the Arts Fellowship, Photography 1994 Art Matters, Inc. Grant, NYC 1992 Georgia Council for the Arts Individual Artist’s Grant 1991 & 1992 Resident/Fellow, Hambidge Arts Center, Rabun Gap, Georgia 1991 Fulton County Arts Council Grant - Artists’ Projects (as part of New South Group) 1991 Southern Arts Federation/National Endowment for the Arts Fellowship, Sculpture COLLECTIONS Museum of Contemporary
Recommended publications
  • Robbie Barber
    ROBBIE BARBER 617 Cardinal Drive Department of Art, One Bear Place Woodway, Texas 76712 #97263, Baylor University Home Phone: (254)710-6402 Waco, Texas 76798-7263 Office Phone: (254)710-6402 Born: July 23, 1964 Fax: (254)710-1566 Williamston, North Carolina E-Mail: [email protected] EDUCATION 1988-91 Master of Fine Arts: Sculpture, University of Arizona, Tucson, Arizona 1982-87 Bachelor of Fine Arts: Sculpture, East Carolina University, Greenville, North Carolina 1986 University of Georgia Studies Abroad Program, Summer Classes, Cortona, Italy EMPLOYMENT 2000- Baylor University, Waco, Texas: Associate Professor (tenured, fall 2004): Sculpture, 3-D Design 1994-00 Midwestern State University, Wichita Falls, Texas: Assistant Professor of Art (tenure approved, spring 2000): Sculpture, Metalsmithing, Design II, Art Appreciation, Senior Exhibition 1993-94 East Carolina University, Greenville, North Carolina: Visiting Lecturer: Sculpture, Design I, Design II, Beginning Drawing SELECTED GRANTS/ FELLOWSHIPS/ SABBATICALS 2006 Allbritton Grant For Faculty Scholarship, Baylor University, Waco, Texas, in relation to the Keen Invitational Iron Casting Symposium in Houston, Texas “SUMMER SABBATICAL”, Baylor University, Waco, Texas 1996-97 “FOUND TEXTURES: RESIN-BONDED SAND CASTING”, Research Grant, Midwestern State University, Wichita Falls, Texas 1993-94 Southern Arts Federation/NEA Regional Visual Arts Fellowship in Sculpture 1993 North Carolina Arts Council Visual Artists Fellowship GALLERY AFFILIATIONS 1994-04 Somerhill Gallery, Chapel Hill,
    [Show full text]
  • UNITED STATES BANKRUPTCY COURT DISTRICT of MINNESOTA in Re: Polaroid Corporation, Et Al., Debtors. (Includes: Polaroid Holding
    Case 08-46617 Doc 651 Filed 08/07/09 Entered 08/07/09 14:57:10 Desc Main Document Page 1 of 114 UNITED STATES BANKRUPTCY COURT DISTRICT OF MINNESOTA Jointly Administered under In re: Case No. 08-46617 Polaroid Corporation, et al., Court Files No.’s: Debtors. 08-46617 (GFK) (includes: Polaroid Holding Company; 08-46621 (GFK) Polaroid Consumer Electronics, LLC; 08-46620 (GFK) Polaroid Capital, LLC; 08-46623 (GFK) Polaroid Latin America I Corporation; 08-46624 (GFK) Polaroid Asia Pacific LLC; 08-46625 (GFK) Polaroid International Holding LLC; 08-46626 (GFK) Polaroid New Bedford Real Estate, LLC; 08-46627 (GFK) Polaroid Norwood Real Estate, LLC; 08-46628 (GFK) Polaroid Waltham Real Estate, LLC) 08-46629 (GFK) Chapter 11 Cases Judge Gregory F. Kishel NOTICE OF MOTION AND MOTION OF THE DEBTOR TO (I) SELL FINE ART PHOTOGRAPHY COLLECTION FREE AND CLEAR OF LIENS, CLAIMS, ENCUMBRANCES AND INTERESTS AND OUTSIDE THE ORDINARY COURSE OF BUSINESS PURSUANT TO 11 U.S.C. § 363; (II) APPROVE TERMS AND CONDITIONS OF CONSIGNMENT AGREEMENT WITH SOTHEBY’S, INC.; (III) GRANT SUPER-PRIORITY LIENS IN CERTAIN SALE PROCEEDS TO SECURE REIMBURSEMENT OF CERTAIN SUMS EXPENDED; AND (IV) GRANT RELATED RELIEF ______________________________________________________________________________ TO: The entities specified in Local Rule 9013-3 1. PBE Corporation, formerly known as Polaroid Corporation (the “Debtor”)1 through its undersigned attorneys, respectfully moves the Court for the relief requested herein and give notice of hearing. 1 On June 19, 2009, the above-captioned Debtors filed documents with the appropriate offices of the Secretary of State for the purpose of changing their corporate names to omit the reference to the word “Polaroid.” The Debtor Doc# 2997416\4 Case 08-46617 Doc 651 Filed 08/07/09 Entered 08/07/09 14:57:10 Desc Main Document Page 2 of 114 2.
    [Show full text]
  • AUTHENTIC ATLANTA ITINERARY Atlanta’S Peachtree Corridor Is Packed with Can’T-Miss Classics
    AUTHENTIC ATLANTA ITINERARY Atlanta’s Peachtree Corridor is packed with can’t-miss classics. Whether you’ve got a few hours or a few days, use these tips and treks to create an authentic Atlanta experience! Centennial Olympic Park DAY 1 — DOWNTOWN grab a complimentary glass bottle of clas- sic formula Coca-Cola. Inside CNN Studio Tour Just across the street, Imagine It! The Children’s Museum of Atlanta MorninG features hands-on exhibits and activities where kids ages 8 and younger can learn Start your morning off with a splash! and explore. Whether it’s building a Georgia Aquarium – the world’s largest sandcastle, painting on the walls or aquarium – is an underwater wonderland, exploring the latest special exhibit, home to more than 100,000 creatures children will discover why it’s a smart from 500 species. Swimming, diving and place to play. Courtesy of Target Free lurking among the 10 million gallons of Second Tuesdays, all visitors can enjoy water, you’ll find dolphins, penguins, free admission from 1 p.m. until closing Hard Rock Cafe Atlanta beluga whales, sea otters, piranhas and on the second Tuesday of each month. so much more. Other wow-worthy the world’s largest Fountain of Rings. Enjoy year-round, family-friendly activities include AT&T Dolphin Tales, The Park also offers seasonal activities entertainment in Centennial Olympic Deepo’s Undersea 3D Wondershow, and such as Fourth Saturday Family Fun Days, Park. Right in the heart of downtown, the behind-the-scenes tours and lectures. free concerts April-September during home of the 1996 Olympic Games offers Next door, learn all about the world’s Wednesday WindDown and Music at concerts, festivals, seasonal activities and most beloved beverage at World of Noon every Tuesday and Thursday.
    [Show full text]
  • Shawne Major CV 2021
    S H A W N E M A J O R SOLO & TWO PERSON EXHIBITIONS 2020 Shawne Major— Texas Gallery, Houston, TX, Jan - Feb Folie à Deux— Lawndale Arts Center, Houston, TX, Jan- Mar 2018 Shawne Major: Pareidolia—Callan Contemporary, New Orleans, LA, Aug-Sep. 2017 Side Eye: Recent Work by Shawne Major—Isaac Delgado Fine Art Gallery, New Orleans, LA, Aug-Sep 2016 Spotlight on Shawne Major—Hilliard Museum of Art, Lafayette, LA, Dec-May 2015 Surface Tension Marcia Wood Gallery Midtown, Atlanta, GA, Jun-Jul, solo Collective Memory — Callan Contemporary, New Orleans, LA, Jan, solo 2013 Monkey Mind — Moreau Art Gallery, St. Mary’s College, Notre Dame, IN, Oct, solo Ravens and Crows —Mary C. O’Keefe Cultural Center, Ocean Springs, MS, Aug-Sep, solo 2012 Rhyme and Reason: The Art of Shawne Major—Hilliard Museum of Art, Lafayette, LA, Sep- Dec, solo On a Darkling Plain — Chicago Cultural Center, Chicago, IL, Apr- Jun, solo Fetish — Marcia Wood Gallery, Atlanta, GA, Jan- Feb, solo 2010 Tickle: New Works by Shawne Major — Heriard-Cimino Gallery, New Orleans, LA, May, solo 2009 Love Calls Us to the Things of This World— Irvine Contemporary, Washington, DC, Apr solo 2008 The Sacred Space of Shawne Major — Opelousas Museum of Art, Opelousas, LA, Feb-Apr solo 2007 Recent Fiber Works by Shawne Major & Christine Tedesco — Ogden Museum of Southern Art, New Orleans, Jan-Mar 2006 Apogee — Heriard-Cimino Gallery, New Orleans, May-Jun solo Intrinsic Value: Works by Shawne Major— Alexandria Museum of Art, Alexandria, LA, Apr-May solo 2005 Coffee Milk — Fine Arts Gallery, University
    [Show full text]
  • Avery at Underground Apartments Atlanta, Fulton County, Georgia
    Market Feasibility Analysis Avery at Underground Apartments Atlanta, Fulton County, Georgia Prepared for: Prestwick Companies Effective Date: January 29, 2018 Site Inspection: January 27, 2018 Avery at Underground | Table of Contents TABLE OF CONTENTS 1. EXECUTIVE SUMMARY.................................................................................................... 1 2. INTRODUCTION .............................................................................................................. 8 A. Overview of Subject..............................................................................................................................................8 B. Purpose of Report.................................................................................................................................................8 C. Format of Report ..................................................................................................................................................8 D. Client, Intended User, and Intended Use .............................................................................................................8 E. Applicable Requirements......................................................................................................................................8 F. Scope of Work ......................................................................................................................................................8 G. Report Limitations ................................................................................................................................................9
    [Show full text]
  • DEBORAH LUSTER Born Bend, Oregon, 1951 Grants / Awards 2002
    Page 1 / Luster DEBORAH LUSTER Born Bend, Oregon, 1951 Grants / Awards 2002 John Guttman Award, San Francisco, CA Anonymous Was a Woman, New York, NY 2001 Bucksbaum Family Award for American Photography, Friends of Photography, San Francisco, CA Dorothea Lange - Paul Taylor Prize, Center for Documentary Studies, Duke University, Durham, NC 1994 Art Council of the Lower Cape Fear, Emerging Artist Grant 1993 North Carolina Arts Council, Visual Arts Project Grant North Carolina Arts Council, Folklife Project Grant, with Michael Luster for NCCFP 1992 “NC Photographers,” Meredith College 1991 Purchase Award, Mecklenburg Arts Council, The Light Factory Permanent Collections Akron Art Museum, Akron, OH Berg Collection, New York Public Library, NY Kemper Museum, Kansas City, MO Livingston College, Salisbury, NC Los Angeles County Museum of Art, Los Angeles, CA Masur Museum, Monroe, LA Mecklinburg Arts Council, Charlotte, NC Mint Museum, Charlotte, NC Museum of Fine Arts, Houston, TX National Archives, Washington, DC Nations Bank Collection, Charlotte, NC Julia J. Norrell Collection, Washington, DC San Francisco Museum of Modern Art, San Francisco, CA Santa Barbara Museum of Art, Santa Barbara, CA Whitney Museum of American Art, New York, NY One-Person Exhibitions 2005 “One Big Self: Prisoners of Louisiana,” The Halsey Gallery, College of Charleston, Charleston, SC The Winthrop College Galleries, Rock Hill, SC Page 2 / Luster 2004 “One Big Self: Prisoners of Louisiana,” Jack Shainman Gallery, New York, NY “One Big Self: Prisoners of Louisiana,”
    [Show full text]
  • View Renaissance Hotel; the Economic Development Flagging of the Holiday Inn; and the Ground Breaking for the Hampton Inn
    A publication of Main Street Mobile, Inc. DV OWNTOWNOLUME 2 • NUMBER 1 •A DECEMBERLLIANCE 2007-JANUARYNEWS 2008 GLOBAL TRENDS AFFECTING DOWNTOWN MOBILE By Carol Hunter skills, American universities are graduating fewer students in science and engineering. Downtown Mobile should consider harnessing the power of local institutions of higher With today’s international trade, instant communications and intercontinental travel, learning by housing facilities to foster research and education in the city center. We are global trends affect all of us, even in Mobile. Whether those affects are positive or neg- particularly well poised to develop a relationship with the fine arts departments of our col- ative depends on how we prepare for them. Progressive Urban Management leges and universities. Associates, in consultation with the International Downtown Association, has developed a body of research that identifies major global trends affecting downtowns and recom- Traffic Congestion and mends tangible actions. The following is a summary of the research with recommenda- the Value of Time tions adapted for downtown Mobile. Traffic congestion cost Americans $63 billion and 47 hours of average Changing American annual delay in 2003, and experts sug- Demographics. gest that building more roads is doing Three generations are little to stem rising traffic congestion. shaping America and the Additionally, a commuter living an growth of downtowns, each As gas prices and congestion increase, more hour’s drive from work annually spends with distinctly different demo- smart cars may be seen downtown. the equivalent of 12 work weeks in the graphics and behaviors. The car. It is not uncommon to have an hour’s commute in Mobile and Baldwin Counties.
    [Show full text]
  • Envisioning a National System of Disaster Aid for Artists: Report on A
    ENVISIONING A NATIONAL SYSTEM OF DISASTER AID FOR ARTISTS Report on a Forum convened by Americans for the Arts and The Craft Emergency Relief Fund March 12, 2006 Washington, D.C. ENVISIONING A NATIONAL SYSTEM OF DISASTER AID FOR ARTISTS Forum Participants Dee Dee Acquisto, MusiCares Theodore Berger, New York Creates & Urban Artist Initiative/NYC Claudine Brown, Nathan Cummings Foundation Cornelia Carey, Craft Emergency Relief Fund Gerri Combs, Southern Arts Federation Barbara Davis, The Actors' Fund of America Ricardo Hernandez, Texas Commission on the Arts John Kreidler, Cultural Initiatives Silicon Valley Veronique LeMelle, Louisiana Division of the Arts Robert Lynch, Americans for the Arts Fidelma McGinn, Artist Trust Samuel Miller, Leveraging Investments in Creativity Wendy Oxenhorn, Jazz Foundation of America Patrice Walker Powell, National Endowment for the Arts Lawrence Reger, Heritage Preservation Carolyn Somers, Joan Mitchell Foundation Herb Tam, New York Foundation for the Arts MK Wegmann, National Performance Network Malcolm White, Mississippi Arts Commission Report Written By: Ruth Eugenia Hargraves Forum Advisors: Randy Cohen, Americans for the Arts Meg Ostrum, Consultant ENVISIONING A NATIONAL SYSTEM OF DISASTER AID FOR ARTISTS Report on a Forum Convened by Americans for the Arts & the Craft Emergency Relief Fund March 12, 2006 Washington, D.C. The forum was opened by hosts Robert Lynch, President and CEO of Americans for the Arts, and Cornelia Carey, Executive Director of the Craft Emergency Relief Fund, who welcomed participants to the three-hour discussion. Ricardo Hernandez, Executive Director of the Texas Commission on the Arts, served as program moderator. Mr. Lynch stated the purpose of the forum was to consider ways art organizations could work collectively and collaboratively to better serve artists during times of emergencies.
    [Show full text]
  • Marilyn Murphy
    Marilyn Murphy EDUCATION Master of Fine Arts, University of Oklahoma, Norman, Oklahoma Bachelor of Fine Arts, Oklahoma State University, Stillwater, Oklahoma SELECTED AWARDS AND GRANTS 2017 Research Grant, Vanderbilt University 2011 Research Grant, Vanderbilt University 2004 Chancellor’s Award for Research, Vanderbilt University Award for Outstanding Artwork, Tulane Review of Art and Literature, Tulane University, New Orleans, LA Research Scholar Grant, Toward Mid Career Survey, Vanderbilt University, Nashville TN ($4300) 2003 Research Scholar Grant, Toward Catalog Publication, Vanderbilt University ($25,000) Distinguished Faculty Award, Vanderbilt University, Nashville, TN 2001 Honorable Mention, Puna Art Contemporary Art Center, Pahoa, Hawaii 2000 University Research Council Grant, Vanderbilt University 1996 National Endowment for the Arts Visual Artists Fellowship Archive, National Museum of American Art, Smithsonian Institution, Washington, D. C. Tri Kappa Award, Evansville Museum of Art, Evansville, Indiana, Juror: Nancy Hoffman 1995 Merit Award Water Tower Annual, Louisville Visual Art Association, Louisville, Kentucky Top Purchase Award National Painting Competition, Cheekwood Museum of Art, Nashville, TN Jurors Robert Ryman, Painter/Inge-Lise Eckmann, San Francisco MoMA ($10,000) 2 Purchase Awards Parkside National Print Exhibition, University of WI, Kenosha, WI Juror: Terry Terry Allen, Artist Venture Fund Grant Vanderbilt University, Nashville, TN ($10,000) 1991 First Place in 2-Dimensional category, "Patchwork of Many Lives,"
    [Show full text]
  • Nasaa Board Meeting Brief
    U.S. REGIONAL ARTS ORGANIZATIONS REGIONAL ACTIVITY UPDATE SEPTEMBER 2008 www.usregionalarts.org U.S. REGIONAL ARTS ORGANIZATIONS Arts Midwest David J. Fraher, Executive Director Barbara Robinson, Chair – Cleveland, Ohio Mid-America Arts Alliance Mary Kennedy McCabe, Executive Director Jim Tolbert, Chair – Oklahoma City, Oklahoma Mid Atlantic Arts Foundation Alan W. Cooper, Executive Director Lisa Frigand, Chair – New York, New York New England Foundation for the Arts Rebecca Blunk, Executive Director Andrea Rogers, Chair – Burlington, Vermont Southern Arts Federation Gerri Combs, Executive Director Todd Lowe, Chair – Louisville, Kentucky Western States Arts Federation Anthony Radich, Executive Director Keith Colbo, Chair – Denver, Colorado For additional information about the U.S. Regional Arts Organizations, visit www.usregionalarts.org or contact National Coordinator, Mickey Smith at (917)520-0511. ARTS MIDWEST David J. Fraher, Executive Director Midwest Arts Conference In September, nearly 1,000 performing arts professionals will gather in Kansas City for the 21st annual Midwest Arts Conference, which will feature more than 30 wide-ranging professional development offerings; opportunities to see more than 70 performance showcases; ample business hours in the Marketplace; and Alan Brown of WolfBrown providing a keynote titled “Rising to the Challenge: The Future of Arts Marketing.” Performing Arts Fund In other performing arts activities, our Performing Arts Fund is providing more than $550,000 to support 200 performing arts engagements across our nine states in 2008-2009; and planning and preparation continues for fall tours to nine Midwest communities by Los Utrera from Mexico and Mauvais Sort from Canada through Arts Midwest World Fest. NEA Initiatives Our management of NEA national initiatives continues with 40 theater companies participating in Shakespeare in American Communities; working with 12 selected venues through NEA Jazz Masters Live; and continued expansion of The Big Read to 208 U.S.
    [Show full text]
  • January 2015
    ARTifacts The Newsletter of the Art Libraries Society of North America, Southeast Chapter January 2015 Highlights from the ARLIS/NA Thursday afternoon was spent at the Birmingham Southeast Conference Civil Rights Institute, where we were led by outreach coordinator Samuel Pugh through an in Birmingham, Alabama, interactive exhibit tracing the history of civil November 6–7, 2014 rights activism. The group then moved across the by Kasia Leousis, street to Kelly Ingram Park's Freedom Walk and Architecture and Art Librarian, sculpture garden for an inspiring and powerful Library of Architecture, Design and tour of the Civil Rights Movement's Ground Zero Construction, Auburn University, led by Barry McNealy. Auburn, Alabama, 2015 President, ARLIS/SE Our chapter's fall conference was held in Bir- mingham, Alabama. There were eighteen regis- tered attendees with sessions and tours taking place on Thursday and Friday, November 6–7, with an optional dinner on Wednesday. The Tutwiler Hotel, our conference headquarters and a National Historic Landmark, was an ideal location from which to explore Birmingham on foot. During our conference, the Tutwiler cele- brated its centennial with a gala on Friday night. The business meeting and presentations took place in the Birmingham Museum of Art's meet- ing room. Lindsey Reynolds, librarian, provided an informative tour of the museum's Clarence B. Hanson, Jr. Library. Members Jessica Evans Brady (Florida State University, now at the Harvard Fine Arts Library) and Rebecca Fitzsimmons (University of Florida) presented engaging and informative talks about creating new outreach programs at their institu- Barry McNealy. Photo by Kasia Leousis.
    [Show full text]
  • Shawne Major
    SHAWNE MAJOR EDUCATION MFA—Sculpture, 1995, Mason Gross School of the Arts, Rutgers University, New Brunswick, NJ BFA—Painting, 1991, University of Southwestern Louisiana, Lafayette, LA SOLO & TWO PERSON EXHIBITIONS 2013 Shawne Major: Monkey Mind—Moreau Art Gallery, St. Mary's College, Notre Dame, IN Shawne Major—Ravens and Crows—Mary C. O'Keefe Cultural Center, Ocean Springs, MS, Aug- Sep 2012 Rhyme and Reason: The Art of Shawne Major—Hilliard Museum of Art, Lafayette, LA, Shawne Major: On a Darkling Plain—Chicago Cultural Center, Chicago, IL Shawne Major: Fetish—Marcia Wood Gallery, Atlanta, GA 2010 Tickle: New Works by Shawne Major—Heriard-Cimino Gallery, New Orleans, LA 2009 Shawne Major: Love Calls Us to the Things of This World—Irvine Contemporary, Washington, DC 2008 The Sacred Space of Shawne Major—Opelousas Museum of Art, Opelousas, LA 2007 Recent Fiber Works by Shawne Major & Christine Tedesco—Ogden Museum of Southern Art, New Orleans 2006 Apogee—Heriard-Cimino Gallery, New Orleans Intrinsic Value: Works by Shawne Major—Alexandria Museum of Art, Alexandria, LA, 2005 Coffee Milk—Fine Arts Gallery, University of New Orleans Lakefront, New Orleans 2004 Portal to Portal—Architects & Artists Space, Lafayette, LA 2003 Hegemony Pajamas—Galerie Lafayette, Lafayette, LA Bricolage/Montage: Shawne Major/Linda Frese—NOCCA Riverfront, New Orleans SELECTED GROUP EXHIBITIONS 2013 Front & Center: Group Show—Mobile Museum of Art, Mobile, AL Sputnik 1—Boyd Satellite Gallery, New Orleans, LA One Thousand Words—Acadiana Center for the Arts, Lafayette,
    [Show full text]