MUShare Department of History and Social Sciences Faculty Publications and Research 6-18-2019 The American Catholic Church Censors the Movies William Doherty Ph.D. Marian University - Indianapolis,
[email protected] Follow this and additional works at: https://mushare.marian.edu/fp_hss Part of the Catholic Studies Commons, Film and Media Studies Commons, and the United States History Commons Recommended Citation Doherty, William Ph.D., "The American Catholic Church Censors the Movies" (2019). Department of History and Social Sciences. 19. https://mushare.marian.edu/fp_hss/19 This Manuscript is brought to you for free and open access by the Faculty Publications and Research at MUShare. It has been accepted for inclusion in Department of History and Social Sciences by an authorized administrator of MUShare. For more information, please contact
[email protected]. The American Catholic Church Censors the Movies Traces the rise of the movie industry from its raffish nickelodeon roots in the late nineteenth century to enormous popularity in the first half of the twentieth century. Self-censorship by the movie industry to satisfy its moralist critics having failed, Hollywood found it in its interests to use Catholics to censor those motion pictures the Church judged dangerous to souls. That effort was a double-barreled one: Faced with having to comply with expensive and diverse demands from city and state censorship boards to delete scenes, in 1930 the movie industry accepted an elaborate prescriptive film code, written by a Jesuit monsignor, describing what could and could not be shown and said. For the first four years enforcement was lacking, but by 1934, the Production Code Administration (PCA), led by an energetic Catholic layman and his staff, was empowered to scrutinize a film’s theme, script, language, costuming, etc., at every step of the process.