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Excesss Karaoke Master by Artist
XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not -
Hacking Politics How Geeks, Progressives, the Tea Party, Gamers, Anarchists and Suits Teamed up to Defeat SOPA and Save the Internet
Hacking Politics How Geeks, Progressives, the Tea Party, Gamers, Anarchists and Suits Teamed Up to Defeat SOPA and Save the Internet EDITED BY DAVID MOON, PATRICK RUFFINI, AND DAVID SEGAL Hacking Politics THE ULTIMATE DOCUMENTATION OF THE ULTIMATE INTERNET KNOCK-DOWN BATTLE! Hacking Politics From Aaron to Zoe—they’re here, detailing what the SOPA/PIPA battle was like, sharing their insights, advice, and personal observations. Hacking How Geeks, Politics includes original contributions by Aaron Swartz, Rep. Zoe Lofgren, Lawrence Lessig, Rep. Ron Paul, Reddit’s Alexis Ohanian, Cory Doctorow, Kim Dotcom and many other technologists, activists, and artists. Progressives, Hacking Politics is the most comprehensive work to date about the SOPA protests and the glorious defeat of that legislation. Here are reflections on why and how the effort worked, but also a blow-by-blow the Tea Party, account of the battle against Washington, Hollywood, and the U.S. Chamber of Commerce that led to the demise of SOPA and PIPA. Gamers, Anarchists DAVID MOON, former COO of the election reform group FairVote, is an attorney and program director for the million-member progressive Internet organization Demand Progress. Moon, Moon, and Suits Teamed Up PATRICK RUFFINI is founder and president at Engage, a leading digital firm in Washington, D.C. During the SOPA fight, he founded “Don’t Censor the to Defeat SOPA and Net” to defeat governmental threats to Internet freedom. Prior to starting Engage, Ruffini led digital campaigns for the Republican Party. Ruffini, Save the Internet DAVID SEGAL, executive director of Demand Progress, is a former Rhode Island state representative. -
Šta Znače Oznake CAM, WP, TS, SCR, TC, R5, DVDRIP, HDTV?
Šta znače oznake CAM, WP, TS, SCR, TC, R5, DVDRIP, HDTV? Ako vas zanima šta tačno označavaju skraćenice za kvalitet filmskog snimka: CAM, WP, TS, SCR, TC, R5, DVDRIP, HDTV, itd., pročitajte ovaj članak. Slijedi tabela kvaliteta filmskih snimaka, koja govori sa kog fizickog medija (kino snimak kamerom, original vhs kaseta, original dvd, itd) je film kopiran, u smjeru od najlošijeg kvaliteta ka najboljem. Tip Oznaka Rasprostranjenost Dosta čest format, mada se sve ređe Cam "CAM" pojavljuje, zbog postojanja DVD rip formata koji je daleko kvalitetniji Snimak filma napravljen kamerom u kinu, a zvuk je dobijen pomoću mikrofona na kameri, tako da se često vide i čuju i gledaoci u bioskopu. Ovaj kvalitet snimka se obično pojavi odmah nakon prve premijere filma u kinima Kvalitet video i audio zapisa je najčešće veoma loš. "WP" Workprint Vrlo rijedak "WORKPRINT" Kopija napravljena od nedovršene verzije filma. Uglavnom fale mnogi efekti i film može da se skroz razlikuje od konačne verzije filma. "TS" Telesync Vrlo čest "TELESYNC" Nasuprot popularnom vjerovanju, kvalitet kod TS video snimka ne mora da bude bolji od kvaliteta CAM snimka. Naziv Telesync ne označava bolji kvalitet VIDEO zapisa, nego bolji kvalitet AUDIO zapisa. Uglavnom je video snimak isti kao i CAM, a audio snimak bolji. Zbog toga se CAM veoma često brka sa TS. R5 "R5" Vrlo čest R5 Line je DVD verzija za region 5. Region 5 čine Istočna Evropa, (bivši SSSR), Indija, Afrika, Severna Koreja i Mongolija. Kvalitet R5 snimka se razlikuje od kvaliteta normalnog DVD-a po tome što je video snimak odličnog kvaliteta (kopiran sa DVD-a), a audio snimak je lošeg kvaliteta (kopiran sa Telecyne snimka, da bi se dobio zvuk originala, pošto je R5 DVD verzija obično prilagođena/sinhronizovana na jezik nekog od tih 5 regiona). -
Songs by Title
Songs by Title Title Artist Title Artist #1 Goldfrapp (Medley) Can't Help Falling Elvis Presley John Legend In Love Nelly (Medley) It's Now Or Never Elvis Presley Pharrell Ft Kanye West (Medley) One Night Elvis Presley Skye Sweetnam (Medley) Rock & Roll Mike Denver Skye Sweetnam Christmas Tinchy Stryder Ft N Dubz (Medley) Such A Night Elvis Presley #1 Crush Garbage (Medley) Surrender Elvis Presley #1 Enemy Chipmunks Ft Daisy Dares (Medley) Suspicion Elvis Presley You (Medley) Teddy Bear Elvis Presley Daisy Dares You & (Olivia) Lost And Turned Whispers Chipmunk Out #1 Spot (TH) Ludacris (You Gotta) Fight For Your Richard Cheese #9 Dream John Lennon Right (To Party) & All That Jazz Catherine Zeta Jones +1 (Workout Mix) Martin Solveig & Sam White & Get Away Esquires 007 (Shanty Town) Desmond Dekker & I Ciara 03 Bonnie & Clyde Jay Z Ft Beyonce & I Am Telling You Im Not Jennifer Hudson Going 1 3 Dog Night & I Love Her Beatles Backstreet Boys & I Love You So Elvis Presley Chorus Line Hirley Bassey Creed Perry Como Faith Hill & If I Had Teddy Pendergrass HearSay & It Stoned Me Van Morrison Mary J Blige Ft U2 & Our Feelings Babyface Metallica & She Said Lucas Prata Tammy Wynette Ft George Jones & She Was Talking Heads Tyrese & So It Goes Billy Joel U2 & Still Reba McEntire U2 Ft Mary J Blige & The Angels Sing Barry Manilow 1 & 1 Robert Miles & The Beat Goes On Whispers 1 000 Times A Day Patty Loveless & The Cradle Will Rock Van Halen 1 2 I Love You Clay Walker & The Crowd Goes Wild Mark Wills 1 2 Step Ciara Ft Missy Elliott & The Grass Wont Pay -
A Dissertation Submitted to the Faculty of The
A Framework for Application Specific Knowledge Engines Item Type text; Electronic Dissertation Authors Lai, Guanpi Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 25/09/2021 03:58:57 Link to Item http://hdl.handle.net/10150/204290 A FRAMEWORK FOR APPLICATION SPECIFIC KNOWLEDGE ENGINES by Guanpi Lai _____________________ A Dissertation Submitted to the Faculty of the DEPARTMENT OF SYSTEMS AND INDUSTRIAL ENGINEERING In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY In the Graduate College THE UNIVERSITY OF ARIZONA 2010 2 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Dissertation Committee, we certify that we have read the dissertation prepared by Guanpi Lai entitled A Framework for Application Specific Knowledge Engines and recommend that it be accepted as fulfilling the dissertation requirement for the Degree of Doctor of Philosophy _______________________________________________________________________ Date: 4/28/2010 Fei-Yue Wang _______________________________________________________________________ Date: 4/28/2010 Ferenc Szidarovszky _______________________________________________________________________ Date: 4/28/2010 Jian Liu Final approval and acceptance of this dissertation is contingent -
Marketing Violent Entertainment to Children Report
MARKETING VIOLENT ENTERTAINMENT TO CHILDREN: A REVIEW OF SELF-REGULATION AND INDUSTRY PRACTICES IN THE MOTION PICTURE, MUSIC RECORDING & ELECTRONIC GAME INDUSTRIES REPORT OF THE FEDERAL TRADE COMMISSION SEPTEMBER 2000 Federal Trade Commission Robert Pitofsky, Chairman Sheila F. Anthony Commissioner Mozelle W. Thompson Commissioner Orson Swindle Commissioner Thomas B. Leary Commissioner TABLE OF CONTENTS EXECUTIVE SUMMARY ..................................................... i I. INTRODUCTION ......................................................1 A. President’s June 1, 1999 Request for a Study and the FTC’s Response ........................................................1 B. Public Concerns About Entertainment Media Violence ...................1 C. Overview of the Commission’s Study ..................................2 Focus on Self-Regulation ...........................................2 Structure of the Report .............................................3 Sources .........................................................4 II. THE MOTION PICTURE INDUSTRY SELF-REGULATORY SYSTEM .......4 A. Scope of Commission’s Review ......................................5 B. Operation of the Motion Picture Self-Regulatory System .................6 1. The rating process ..........................................6 2. Review of advertising for content and rating information .........8 C. Issues Not Addressed by the Motion Picture Self-Regulatory System .......10 1. Accessibility of reasons for ratings ............................10 2. Advertising placement -
Piracy Landscape Study
Piracy Landscape Study: Analysis of Existing and Emerging Research Relevant to Intellectual Property Rights (IPR) Enforcement of Commercial-Scale Piracy Prepared for the U.S. Patent and Trademark Office Solicitation Number: 1333BJ19Q00142004 Brett Danaher Michael D. Smith Rahul Telang Chapman University Carnegie Mellon University Carnegie Mellon University This Version: March 20, 2020 Table of Contents Executive Summary ...................................................................................................................... 3 1. The Piracy Ecosystem........................................................................................................... 4 1.1 Piracy of Physical Goods................................................................................................ 6 1.1.1 Manufacturing......................................................................................................... 7 1.1.2 Discovery ................................................................................................................ 7 1.1.3 Distribution ............................................................................................................. 8 1.1.4 Communication, Payment Processing and Fulfillment ......................................... 11 1.2 Piracy of Digital Goods ................................................................................................ 11 1.2.1 Sources.................................................................................................................. 12 1.2.2 -
Karaoke Book
10 YEARS 3 DOORS DOWN 3OH!3 Beautiful Be Like That Follow Me Down (Duet w. Neon Hitch) Wasteland Behind Those Eyes My First Kiss (Solo w. Ke$ha) 10,000 MANIACS Better Life StarStrukk (Solo & Duet w. Katy Perry) Because The Night Citizen Soldier 3RD STRIKE Candy Everybody Wants Dangerous Game No Light These Are Days Duck & Run Redemption Trouble Me Every Time You Go 3RD TYME OUT 100 PROOF AGED IN SOUL Going Down In Flames Raining In LA Somebody's Been Sleeping Here By Me 3T 10CC Here Without You Anything Donna It's Not My Time Tease Me Dreadlock Holiday Kryptonite Why (w. Michael Jackson) I'm Mandy Fly Me Landing In London (w. Bob Seger) 4 NON BLONDES I'm Not In Love Let Me Be Myself What's Up Rubber Bullets Let Me Go What's Up (Acoustative) Things We Do For Love Life Of My Own 4 PM Wall Street Shuffle Live For Today Sukiyaki 110 DEGREES IN THE SHADE Loser 4 RUNNER Is It Really Me Road I'm On Cain's Blood 112 Smack Ripples Come See Me So I Need You That Was Him Cupid Ticket To Heaven 42ND STREET Dance With Me Train 42nd Street 4HIM It's Over Now When I'm Gone Basics Of Life Only You (w. Puff Daddy, Ma$e, Notorious When You're Young B.I.G.) 3 OF HEARTS For Future Generations Peaches & Cream Arizona Rain Measure Of A Man U Already Know Love Is Enough Sacred Hideaway 12 GAUGE 30 SECONDS TO MARS Where There Is Faith Dunkie Butt Closer To The Edge Who You Are 12 STONES Kill 5 SECONDS OF SUMMER Crash Rescue Me Amnesia Far Away 311 Don't Stop Way I Feel All Mixed Up Easier 1910 FRUITGUM CO. -
1 Digital Movie Piracy
Digital Movie Piracy; A Perspective on Downloading Behaviour through Social Cognitive Theory Ruud S. Jacobs Abstract The current article attempts to refine and specify a model based on other researchers' applications of the Social Cognitive Theory originally posited by Bandura to allow the behaviour and attitudes downloaders exhibit to be analysed and compared to the amount of movies they consume (measured as an monthly average estimate). The new model is then tested against data obtained from college students as well as from a technological lifestyle forum. After the revisions these analyses suggested were applied, the model explained nearly 23% of the variance in the number of movies downloaded. The most important factors in this model were, among others: the drives to see many different and new movies, the social environment and its perceived attitude toward the behaviour, and the degree to which downloading has embedded itself in the daily routine. Because the Dutch government and lobbyists are superficially unclear about the current legislature, the unique opportunity existed to study the impact of knowing about legislature on the behaviour. Other results indicate an unexpected openness to an alternative film-distribution method where both the producers and the consumers get an honest deal, presenting options to release the current political and social tension without prosecuting an increasing portion of the population. Introduction When groundbreaking new technologies find their way into the commercial markets and end users' hands, unforeseen psychological and sociological consequences have often surprised both legislators and analysts alike. The World Wide Web is a prime example of a technological breakthrough that upset social status quo. -
Censorship of Popular Music: an Analysis of Lyrical Content. PUB DATE Jul 95 NOTE 38P.; Masters Research Paper, Kent State University
DOCUMENT RESUME ED 390 402 IR 055 749 AUTHOR Anthony, Kathleen S. TITLE Censorship of Popular Music: An Analysis of Lyrical Content. PUB DATE Jul 95 NOTE 38p.; Masters Research Paper, Kent State University. PUB TYPE Dissertations/Theses Undetermined (040) EDRS PRICE MF01/PCO2 Plus Postage. DELCRIPTORS Art; *Censorship; *Content Analysis; Moral Values; Obscenity; *Popular Music; Rock Music; Tables (Data) IDENTIFIERS *Lyrics; Rap Music ABSTRACT This study analyzes the lyrical content of popular music recordings, cited as censored from 1986 through 1995, in order to examine chavacteristics of the recordings that were found to be objectionable and the frequency with which the objections occurred. Out of 60 articles from the music trade magazines, "Billboard" and "Rolling Stone," 77 instances of censorship were recorded and analyzed. The categories for evaluation were the year of citation, music style, and reason for censorship. Nineteen ninety was the year with the highest number of journal articles (21) covering music censorship. Rap (487.) and rock (44.27.) music accounted for a large portion of the total censored recordings and the majority of recordings were censored because of lyrics seen as explicit, profane, obscene or vulgar. In addition, five rock recordings were censored because of objectionable artwork on or inside the covers. Recordings were also censored because of opposition to a view the artist expressed. Two tables depict the years of citation and the reasons for censorship, each according to music styles. Appendices contain a list of the music censorship articles and a coding form for the year of citation, music style, and reason for censorship. -
Index Images Download 2006 News Crack Serial Warez Full 12 Contact
index images download 2006 news crack serial warez full 12 contact about search spacer privacy 11 logo blog new 10 cgi-bin faq rss home img default 2005 products sitemap archives 1 09 links 01 08 06 2 07 login articles support 05 keygen article 04 03 help events archive 02 register en forum software downloads 3 security 13 category 4 content 14 main 15 press media templates services icons resources info profile 16 2004 18 docs contactus files features html 20 21 5 22 page 6 misc 19 partners 24 terms 2007 23 17 i 27 top 26 9 legal 30 banners xml 29 28 7 tools projects 25 0 user feed themes linux forums jobs business 8 video email books banner reviews view graphics research feedback pdf print ads modules 2003 company blank pub games copyright common site comments people aboutus product sports logos buttons english story image uploads 31 subscribe blogs atom gallery newsletter stats careers music pages publications technology calendar stories photos papers community data history arrow submit www s web library wiki header education go internet b in advertise spam a nav mail users Images members topics disclaimer store clear feeds c awards 2002 Default general pics dir signup solutions map News public doc de weblog index2 shop contacts fr homepage travel button pixel list viewtopic documents overview tips adclick contact_us movies wp-content catalog us p staff hardware wireless global screenshots apps online version directory mobile other advertising tech welcome admin t policy faqs link 2001 training releases space member static join health -
Movie Tags & Meaning of It
Movie Tags & meaning of it Original Sources CAM - A cam is a theater rip usually done with a digital video camera. A mini tripod is sometimes used, but a lot of the time this wont be possible, so the camera make shake. Also seating placement isn't always idle, and it might be filmed from an angle. If cropped properly, this is hard to tell unless there's text on the screen, but a lot of times these are left with triangular borders on the top and bottom of the screen. Sound is taken from the onboard microphone of the camera, and especially in comedies, laughter can often be heard during the film. Due to these factors picture and sound quality are usually quite poor, but sometimes we're lucky, and the theater will be fairly empty and a fairly clear signal will be heard. TELESYNC (TS) - A telesync is the same spec as a CAM except it uses an external audio source (most likely an audio jack in the chair for hard of hearing people). A direct audio source does not ensure a good quality audio source, as a lot of background noise can interfere. A lot of the times a telesync is filmed in an empty cinema or from the projection booth with a professional camera, giving a better picture quality. Quality ranges drastically, check the sample before downloading the full release. A high percentage of Telesyncs are CAMs that have been mislabeled. TELECINE (TC) - A telecine machine copies the film digitally from the reels. Sound and picture should be very good, but due to the equipment involved and cost telecines are fairly uncommon.