Doctor Who Magazines
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Gender and the Quest in British Science Fiction Television CRITICAL EXPLORATIONS in SCIENCE FICTION and FANTASY (A Series Edited by Donald E
Gender and the Quest in British Science Fiction Television CRITICAL EXPLORATIONS IN SCIENCE FICTION AND FANTASY (a series edited by Donald E. Palumbo and C.W. Sullivan III) 1 Worlds Apart? Dualism and Transgression in Contemporary Female Dystopias (Dunja M. Mohr, 2005) 2 Tolkien and Shakespeare: Essays on Shared Themes and Language (ed. Janet Brennan Croft, 2007) 3 Culture, Identities and Technology in the Star Wars Films: Essays on the Two Trilogies (ed. Carl Silvio, Tony M. Vinci, 2007) 4 The Influence of Star Trek on Television, Film and Culture (ed. Lincoln Geraghty, 2008) 5 Hugo Gernsback and the Century of Science Fiction (Gary Westfahl, 2007) 6 One Earth, One People: The Mythopoeic Fantasy Series of Ursula K. Le Guin, Lloyd Alexander, Madeleine L’Engle and Orson Scott Card (Marek Oziewicz, 2008) 7 The Evolution of Tolkien’s Mythology: A Study of the History of Middle-earth (Elizabeth A. Whittingham, 2008) 8 H. Beam Piper: A Biography (John F. Carr, 2008) 9 Dreams and Nightmares: Science and Technology in Myth and Fiction (Mordecai Roshwald, 2008) 10 Lilith in a New Light: Essays on the George MacDonald Fantasy Novel (ed. Lucas H. Harriman, 2008) 11 Feminist Narrative and the Supernatural: The Function of Fantastic Devices in Seven Recent Novels (Katherine J. Weese, 2008) 12 The Science of Fiction and the Fiction of Science: Collected Essays on SF Storytelling and the Gnostic Imagination (Frank McConnell, ed. Gary Westfahl, 2009) 13 Kim Stanley Robinson Maps the Unimaginable: Critical Essays (ed. William J. Burling, 2009) 14 The Inter-Galactic Playground: A Critical Study of Children’s and Teens’ Science Fiction (Farah Mendlesohn, 2009) 15 Science Fiction from Québec: A Postcolonial Study (Amy J. -
Mccrimmon Mccrimmon
ISSUE #14 APRIL 2010 FREE! NOT FOR RESALE MARC PLATT chats about Point of Entry RICHARD EARL on his roles in Doctor Who and Sherlock Holmes MAGGIE staBLES is back in the studio as Evelyn Smythe! RETURN OF THE McCRIMMON FRazER HINEs Is baCk IN THE TaRdIs! PLUS: Sneak Previews • Exclusive Photos • Interviews and more! EDITORIAL Well, as you read this, Holmes and the Ripper will I do adore it. But it is all-consuming. And it reminded finally be out. As I write this, I have not long finished me of how hard the work is and how dedicated all our doing the sound design, which made me realize one sound designers are. There’s quite an army of them thing in particular: that being executive producer of now. When I became exec producer we only had a Big Finish really does mean that I don’t have time to do handful, but over the last couple of years I have been the sound design for a whole double-CD production. on a recruitment drive, and now we have some great That makes me a bit sad. But what really lifts my spirits new people with us, including Daniel Brett, Howard is listening to the music, which is, at this very moment, Carter, Jamie Robertson and Kelly and Steve at Fool being added by Jamie Robertson. Only ten more Circle Productions, all joining the great guys we’ve been minutes of music to go… although I’m just about to working with for years. Sound design is a very special, download the bulk of Part Two in a about half an hour’s crazy world in which you find yourself listening to every time. -
Doctor Who Magazines
mmm * fim THE * No.48 ARCHITECTS JANUARY A MARVEL MONTHLY 30p ^ OF FEAR! x > VICTORIAN SIAIfc ENGLAND trembles v , BENEATH A PHOTO FEATURE SPECIAL FEATURES ARCHITECTS OF FEAR 16 IS DOCTOR WHO TOO FRIGHTENING FOR AN EARL Y EVENING TV AUDIENCE? DOCTOR WHO MONTHLY DOESN'T THINK SO. WE INVESTIAGE THE FEARSOME ASPECTS OF THE SERIES. MONSTER GALLERY 20 ASA COMPANION PIECE TO OUR ARCHITECTS OF FEAR FEATURE WE PRESENT A SPECIAL PICTORIAL FEATURE ON THE MONSTERS OF DOCTOR WHO. STATE OF DECAY 22 DOCTOR WHO MONTHLY LOOKS AT THE DOCTOR'S MOST RECENT ADVENTURE. [■i»if i»: i’.’i:>y *i:m-Ty ti1 •f T|.»> y\ OUR VERY OWN MYSTERY IN THE WAX MUSEUM. DOCTOR WHO MONTHLY WAS PRESENT THE DAY THREE TOM BAKERS CAME FA CE- TO-FA CE THE TALONS OF WENG CHIANG 32 Editor: Paul Neary A SPECIAL PHOTO FEATURE ON THE 1977 DOCTOR WHO STORY. Features Editor: Alan McKenzie SPECIAL CONVENTION PICTORIAL 36 Layout: Steve O'Leary MANY OF THE FOLK IN VOL VED IN THE PRODUCTION OF THE Art Assistance: Rahid Khan DOCTOR WHO TV SERIES DROPPED INTO THE MARVEL Consultant: Jeremy Bentham CONVENTION LAST OCTOBER. WE PRESENT A PHOTOGRAPHIC REPORT ON JUST SOME OF THE EVENTS. Gothscan 2006 COMIC STRIPS fVT’AV ■ ' s OF DEATH 7 THE CONCLUSION OF THIS EXCITING TALE PLUS THE SAD DEPAR¬ ftp « iBggBg isgBasaL.3 TURE OF SHARON. his month we have a bumper crop of special features for your delight and delectation. We have a double helping on the subject of fear which includes a study of the horror content - or should that be lack TOUCHDOWN thereof? Plus we will be taking a look at some of the fearsome monster foes that I ON DENAB-7 have met on my travels through time and space. -
Back from the Fourth Dimension Paddy Kingsland
Back From The Fourth Dimension Paddy Kingsland Posted: April 22, 2014 robinthefog.com/2014/04/22/back-from-the-fourth-dimension-paddy-kingsland/ As promised, following last week’s report for BBC World Service, here is the first of four interviews with the veterans of the Radiophonic Workshop, the ‘Godfathers of British Electronic Music’, now reformed and touring their collection of vintage analogue equipment and classic radiophonic works to rapturous reception. They’ll be featured in the order I interviewed them two weeks ago at the University of Chichester, so we’re starting with synthesiser legend Paddy Kingsland; the man who definitely put the ‘funk’ into radiophonics. Best known for The Fourth Dimension LP (essentially a Kingsland solo album), he has a string of classic BBC themes to his name, as well as providing incidental music for such classics as Hitchhiker’s Guide to the Galaxy, Dr. Who and many more. Paddy has also recorded solo albums, made library music and jingles for KPM and worked alongside composers such as Michael Nyman. His signature sound is melodic synthesiser workouts with a strong rhythmic back-bone and the track ‘Vespucci’ is a highlight of their revived set-list. This interview, slightly truncated here, took place in the artist’s green room at Chichester University; with moderate interruptions from the air conditioning... ! PK: I worked at the Radiophonic Workshop for the BBC between 1970 and 1981, which is quite a long time ago now. Of course I’ve done quite a lot of other things since then, but more recently I was approached by some other friends who worked at the BBC Radiophonic Workshop and was asked if I‘d be interested in doing some gigs with them – some live events. -
The Focus Group and Belbury Poly by Mark Fisher
Nostalgia for Modernism: The Focus Group and Belbury Poly ‘Myself and my friend Jim Jupp had been making music, independently and together for a while, and also obsessing over the same things – the cosmic horror of Machen, Lovecraft, the Radiophonic Workshop, weird folk and the occult. We realised that we wanted to put our music out, but also create our own world where we could play with all these reference points. Starting our own label was the only way to do it.’ Julian House is describing how he and his school-friend Jim Jupp came to found the Ghost Box label. Off-kilter bucolic, drenched in an over-exposed post-psyche-delic sun, Ghost Box recordings are uneasy listening to the letter. If nostalgia famously means ‘homesickness’, then Ghost Box sound is about unhomesickness, about the uncanny spectres entering the domestic environment through the cathode ray tube. At one level, the Ghost Box is television itself; or a television that has disappeared, itself become a ghost, a conduit to the Other Side, now only remembered by those of a certain age. No doubt there comes a point when every generation starts pining for the artefacts of its childhood – but was there something special about the TV of the 1970s which Ghost Box releases obsessively reference? ‘I think there definitely was something powerful about the children’s TV from that period,’ House maintains. ‘I think it was just after the 60s, these musicians and animators, film makers had come through the psychedelic thing and acid folk, they had these strange dark obsessions that they put into their TV programmes. -
{PDF EPUB} Doctor Who and the Doomsday Weapon by Malcolm Hulke Doctor Who and the Dinosaur Invasion
Read Ebook {PDF EPUB} Doctor Who and the Doomsday Weapon by Malcolm Hulke Doctor Who and the Dinosaur Invasion. The Doctor and Sarah arrive in London to find it deserted. The city has been evacuated as prehistoric monsters appear in the streets. While the Doctor works to discover who or what is bringing the dinosaurs to London, Sarah finds herself trapped on a spaceship that left Earth months ago travelling to a new world… Against the odds, the Doctor manages to trace the source of the dinosaurs. But will he and the Brigadier be in time to unmask the villains before Operation Golden Age changes the history of planet Earth and wipes out the whole of human civilisation? This novel is based on a Doctor Who story which was originally broadcast from 12 January–16 February 1974. Featuring the Third Doctor as played by Jon Pertwee with his companion Sarah Jane Smith and UNIT. Doctor Who: Invasion Earth! (Classic Novels Box Set) Terrance Dicks. Malcolm Hulke. Doctor Who And The Sea-Devils. Malcolm Hulke. Doctor Who and the Cave Monsters. Malcolm Hulke. Doctor Who And The War Games. Malcolm Hulke. Doctor Who And The Green Death. Malcolm Hulke. Doctor Who And The Silurians (TV Soundtrack) Malcolm Hulke. Doctor Who And The Dinosaur Invasion. Malcolm Hulke. Doctor Who And The Doomsday Weapon. Malcolm Hulke. Doctor Who: The Faceless Ones (TV Soundtrack) David Ellis. Malcolm Hulke. DOCTOR WHO. 101 Books. Malcolm Hulke was a prolific and respected television writer from the 1950s until the 1970s. His writing credits included the early science fiction Pathfinders series, as well as The Avengers. -
Terrance DICKS a Tribute
Terrance DICKS A tribute FEATURING: Chris achilleos John levene John peel Gary russell And many more Terrance DICKS A tribute CANDY JAR BOOKS . CARDIFF 2019 Contributors: Adrian Salmon, Gary Russell, John Peel, John Levene, Nick Walters, Terry Cooper, Adrian Sherlock, Rick Cross, Chris Achilleos, George Ivanoff, James Middleditch, Jonathan Macho, David A McIntee, Tim Gambrell, Wink Taylor. The right of contributing authors/artists to be identified as the Author/Owner of the Work has been asserted by them in accordance with the Copyright, Designs and Patents Act 1988. Editor: Shaun Russell Editorial: Will Rees Cover by Paul Cowan Published by Candy Jar Books Mackintosh House 136 Newport Road, Cardiff, CF24 1DJ www.candyjarbooks.co.uk All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted at any time or by any means, electronic, mechanical, photocopying, recording or otherwise without the prior permission of the copyright holder. This book is sold subject to the condition that it shall not by way of trade or otherwise be circulated without the publisher’s prior consent in any form of binding or cover other than that in which it is published. In Memory of Terrance Dicks 14th April 1935 – 29th August 2019 Adrian Salmon Gary Russell He was the first person I ever interviewed on stage at a convention. He was the first “famous” home phone number I was ever given. He was the first person to write to me when I became DWM editor to say congratulations. He was a friend, a fellow grumpy old git, we argued deliciously on a tour of Australian conventions on every panel about the Master/Missy thing. -
{PDF EPUB} Doctor Who and the Green Death by Malcolm Hulke Target Practice #3: Doctor Who and the Green Death by Malcolm Hulke
Read Ebook {PDF EPUB} Doctor Who and the Green Death by Malcolm Hulke Target Practice #3: Doctor Who and the Green Death by Malcolm Hulke. Of the three books that helped make me into a fan, this one is probably my favorite. And why not? It’s a story that dares to talk about pollution and the effects of the coal industry long before climate change became the hot-button political issue it is today. Even with the inherent conservatism of the Pertwee era in mind, (as writers like Paul Cornell and Elizabeth Sandifer have suggested) to see Doctor Who take a firm step for environmentalism this early on is wonderful. And while I wish I could say the situation has improved since the story originally aired on TV in 1973, (and then published in 1975) the truth is, I can’t. Things have only gotten worse in the last 40-odd years, thanks to rising levels of pollution everywhere, and the general warming of the planet leading to significantly stronger hurricanes, melting polar ice caps, and other such disasters. In 2016, the nations of the world signed the Paris Climate Accords, with the goal of keeping the global average temperature from breaching 2 degrees Celsius, but then former president Donald Trump withdrew the United States from the accords, and spent his entire term in office destroying the environment, rather than preserving it. True, Joe Biden returned the US to the agreement after he took office in January, but whatever else he may have planned from a legislative standpoint will run up against a reduced Democratic majority in the House of Representatives, a nominally Democratic Senate, a far right judiciary, and various recalcitrant Republican-controlled states who don’t believe his presidency to be legitimate in the first place, all ready and willing to block even modest reforms, whether through legislation or executive actions. -
Dr Who Pdf.Pdf
DOCTOR WHO - it's a question and a statement... Compiled by James Deacon [2013] http://aetw.org/omega.html DOCTOR WHO - it's a Question, and a Statement ... Every now and then, I read comments from Whovians about how the programme is called: "Doctor Who" - and how you shouldn't write the title as: "Dr. Who". Also, how the central character is called: "The Doctor", and should not be referred to as: "Doctor Who" (or "Dr. Who" for that matter) But of course, the Truth never quite that simple As the Evidence below will show... * * * * * * * http://aetw.org/omega.html THE PROGRAMME Yes, the programme is titled: "Doctor Who", but from the very beginning – in fact from before the beginning, the title has also been written as: “DR WHO”. From the BBC Archive Original 'treatment' (Proposal notes) for the 1963 series: Source: http://www.bbc.co.uk/archive/doctorwho/6403.shtml?page=1 http://aetw.org/omega.html And as to the central character ... Just as with the programme itself - from before the beginning, the central character has also been referred to as: "DR. WHO". [From the same original proposal document:] http://aetw.org/omega.html In the BBC's own 'Radio Times' TV guide (issue dated 14 November 1963), both the programme and the central character are called: "Dr. Who" On page 7 of the BBC 'Radio Times' TV guide (issue dated 21 November 1963) there is a short feature on the new programme: Again, the programme is titled: "DR. WHO" "In this series of adventures in space and time the title-role [i.e. -
2012 Selected Radiophonic Works on Radio 4 Extra
Selected Radiophonic Works on Radio 4 Extra There was a treat for fans of the Radiophonic Workshop on Radio 4 extra last Saturday evening, with 3 hours of programming based around their output. It was presented by Richard Coles, a former keyboard player and singer with The Communards who made an interesting post-pop career move of taking up the cloth (he is a C of E vicar, the Rev.Richard Coles), and, as far as his ecclesiastical duties allow, is an irregular but always welcome commentator on and presenter of arts programmes. As a sort of prelude, Stuart Maconie played John Baker’s Codename as the opening track on his Radio 6 Friday night programme The Freakier Zone. It’s Baker’s theme for a 1969 BBC spy adventure serial, and can be found on the first of the two excellent volumes of The John Baker Tapes released on Trunk Records a couple of years ago. It’s typical of his style, its springy melody riding effortlessly on infectiously sprightly rhythms, the source sounds (usually of humble, everyday origin) edited together with immaculate precision. Baroque portal - the entrance to the Maida Vale studio, home of the Radiophonic Workshop The Radio 4 extra celebration presented several archive programmes featuring the Workshop’s music and sound design, beginning with a 1971 documentary, Electric Tunesmiths. This was made at a pivotal moment in the Workshop’s history, with fundamental changes in production methods occurring. Principally, this was due to the arrival of synthesisers, and in particular to the installation of the mammoth EMS Synthi 100 in April 1971, nicknamed the Delaware after the road in which the Maida Vale studios, where the Radiophonic Workshop was based, were situated. -
By Paddy Kingsland (1973) / "BBC Radiophonic Music" by Delia Derbyshire, John Baker and David Cain (1971)
R obin Carm ody, 2001 Thanks to Mark Cola, Darren Giddings and Martin Fenton. "The Fourth Dimension" by Paddy Kingsland (1973) / "BBC Radiophonic Music" by Delia Derbyshire, John Baker and David Cain (1971) I recently received copies of the above two LPs (the first albums of Radiophonic music released commercially by the BBC, though there had been single releases in the 60s) and have naturally added them to the expanding universe of Radiophonic history on Elidor (it's almost becoming a kind of microsite ...). Some of the sonics on The Fourth Dimensionare fairly conventionally of-the- time; the standard idea of the prog wonderboy amid a bank of analog synths, and certainly Kingsland's theme to the Radio 1 series "Scene and Heard" is fairly conventional trendiness circa 1970, and not great. "Just Love", written for BBC TV, could almost be Rick Wakeman and therefore is Not A Good Thing. "Vespucci", not a signature piece, sees Kingsland getting a little indulgent when left entirely to his own devices; it goes on at least a minute too long, but of course a track timed at 3'20" is mercifully short by the standards of certain bands very prominent in 1973, and it could pretty much fit into his extraordinary soundtrack for The Changes, and therefore has at least something going for it. But you feel it would be more resonant and moving if written to order; there's something emptily early 70s about it, as though it's waiting for a purpose to make it seem special, and that purpose cannot be found. -
Actor and Berkshire Parent Sydney Greenstreet's Letters from the Road
Fall 2011/ Winter 2012 BERKSHIRE BULLETIN Actor and Berkshire Parent Sydney Greenstreet’s Letters From the Road OPENING SHOT Big Buss for Brett MARLEE WALLINGFORD ’76 and BESS MALTZ ANDREWS ’81 welcomed BRETT PUTNAM ’81 to his thirtieth reunion last May. Brett is the son of the ever legendary Em Putnam, a former longtime administrator here. Berkshire Bulletin Fall 2011/Winter 2012 BERKSHIRE BULLETIN 2 Reaction 5 Under the Dome 24 College Essays 26 Alumni Events 28 Reunion Weekend 37 Alumni Authors 38 Our Man in Mexico During Reunion Weekend last spring, LUKE HARAN, president of “The Great Class of 1961,” presented Head of School Mike Maher with a plaque 44 As ever — Sydney formally naming the Great Room in Berkshire Hall, representing a fiftieth-reunion gift of $370,462. A great class, indeed: its members also established two scholar- 55 From Students to Heads ship funds: the Class of 1961 John F. Godman Fund in 1985 and the Class of 1961 Edward H. Hunt Scholarship Fund in 2006. 57 Class Notes 74 In Memoriam Cover: Sydney Greenstreet’s correspondence to Seaver Buck came from whichever city he happened to be appearing in at the time. 80 Of Rogers and Heart Rooted in an inspiring natural setting, Berkshire School instills the highest standards of character and citizenship and a commitment to academic, artistic, and athletic excellence. Our community fosters diversity, a dedication to environmental stewardship, and an enduring love for learning. STEPHEN P. NORMAN ’60, President, Board of Trustees DESIGN: Julie Hammill, Hammill Design Michael J. Maher, Head of School PRINTING: Quality Printing Company, Pittsfield, Mass.