The March That Never Happened: Desegregating the Las Vegas Strip
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FY14 Tappin' Study Guide
Student Matinee Series Maurice Hines is Tappin’ Thru Life Study Guide Created by Miller Grove High School Drama Class of Joyce Scott As part of the Alliance Theatre Institute for Educators and Teaching Artists’ Dramaturgy by Students Under the guidance of Teaching Artist Barry Stewart Mann Maurice Hines is Tappin’ Thru Life was produced at the Arena Theatre in Washington, DC, from Nov. 15 to Dec. 29, 2013 The Alliance Theatre Production runs from April 2 to May 4, 2014 The production will travel to Beverly Hills, California from May 9-24, 2014, and to the Cleveland Playhouse from May 30 to June 29, 2014. Reviews Keith Loria, on theatermania.com, called the show “a tender glimpse into the Hineses’ rise to fame and a touching tribute to a brother.” Benjamin Tomchik wrote in Broadway World, that the show “seems determined not only to love the audience, but to entertain them, and it succeeds at doing just that! While Tappin' Thru Life does have some flaws, it's hard to find anyone who isn't won over by Hines showmanship, humor, timing and above all else, talent.” In The Washington Post, Nelson Pressley wrote, “’Tappin’ is basically a breezy, personable concert. The show doesn’t flinch from hard-core nostalgia; the heart-on-his-sleeve Hines is too sentimental for that. It’s frankly schmaltzy, and it’s barely written — it zips through selected moments of Hines’s life, creating a mood more than telling a story. it’s a pleasure to be in the company of a shameless, ebullient vaudeville heart.” Maurice Hines Is . -
Station Casinos Is the Premier Provider of Gaming and Entertainment for Residents of the Las Vegas Valley
Annual 20 00 Report opportunity...the road to Outlets Acreage Location Main Facility Sq. Footage Casino Sq. Footage Slots Tables Rooms Restaurants Fast-Food Movie Screens Bowling Lanes Child Care Covered Parking Opening/ Acquisition Date PALACE STATION Las Vegas, NV 39 287,000 84,000 2,084 51 1,014 5 5 — — — 1,900 7/76 BOULDER STATION Las Vegas, NV 46 337,000 89,000 2,988 44 300 5 7 11 — Yes 1,900 8/94 TEXAS STATION North Las Vegas, NV 47 568,350 102,300 2,999 40 200 5 8 18 60 Yes 3,500 7/95 SUNSET STATION Henderson, NV 105 428,000 110,000 3,059 55 467 7 8 13 — Yes 2,900 6/97 SANTA FE STATION Las Vegas, NV 38 366,000 85,000 1,840 27 200 3 — — 60 — — 10/00 GREEN VALLEY RANCH Henderson, NV 40 435,000 55,000 2,531 42 200 6 6 10 — — 2,000 12/01 FIESTA CASINO HOTEL North Las Vegas, NV 25 170,000 70,000 1,850 24 100 5 3 — — — 1,000 1/01 THE RESERVE Henderson, NV 46 190,000 42,000 1,450 26 224 6 3 — — — — 1/01 WILD WILD WEST Las Vegas, NV 19 16,000 12,500 248 7 260 1 — — — — — 7/98 BARLEY’S CASINO & Henderson, NV — 26,000 10,000 199 9 — 1 — — — — — 1/96 BREWERY SOUTHWEST GAMING Las Vegas Metro Area — N/A N/A 790 N/A N/A N/A N/A N/A N/A N/A N/A 12/90 ROUTE TOTALS 405 2,823,350 659,800 20,038 325 2,965 44 40 52 120 — 13,200 familiar ...leads us to territory STATION CASINOS IS THE PREMIER PROVIDER OF GAMING AND ENTERTAINMENT FOR RESIDENTS OF THE LAS VEGAS VALLEY. -
World War II Era Residential Housing in Las Vegas, Clark County, Nevada (1940–1945)
World War II Era Residential Housing in Las Vegas, Clark County, Nevada (1940–1945) HPF Tracking No.: P14AS00012(3) Prepared for: The city of Las Vegas Development Services Center and Historic Preservation Commission Prepared by: Greta J. Rayle, M.A., RPA and Helana Ruter, M.A. Logan Simpson 3753 Howard Hughes Parkway, Suite 235 Las Vegas, NV 89169 June 2015 LSD Technical Report No. 145648 The archival research and windshield survey of historic properties that is the subject of this historic context on World War II era residential housing in the city of Las Vegas, Clark County, Nevada has been financed in whole or part with federal funds from the National Park Service, U.S. Department of the Interior, and administered by the State Historic Preservation Office. The contents and opinions, however, do not necessarily reflect the views or policies of the U.S. Department of the Interior or the State Historic Preservation Office. This program receives federal financial assistance for identification and protection of historic properties. Under Title VI of the Civil Rights Act of 1964, Section 504 of Rehabilitation Act of 1973, and Age Discrimination Act of 1975, as amended, the U.S. Department of the Interior prohibits discrimination on the basis of race, color, national origin, disability or age in its federally assisted programs. If you believe you have been discriminated against in any program, activity, or facility as described above, or if you desire further information, please write to: Chief, Office of Equal Opportunity Programs, U.S. Department of the Interior, National Park Service, 1201 Eye Street, NW (2740), Washington, D.C. -
DOWNTOWN NORTH LAND USE PLAN the City of Las Vegas Downtown North Land Use Plan
Received by Planning Commission April 24, 2003 Adopted by City Council May 21, 2003, GPA-2249 Updated GPA-5015 on October 21, 2004 GPA-5016 on October 21, 2004 GPA-29866 on November 19, 2008 GPA-36056 on December 2, 2009 DOWNTOWN NORTH LAND USE PLAN The City of Las Vegas Downtown North Land Use Plan was approved by Planning Commission on April 24, 2003 and was adopted by City Council through GPA-2249 on May 21, 2003 updated: GPA-5015 on October 21, 2004 GPA-5016 on October 21, 2004 GPA-29886 on November 19, 2008 GPA-36056 on December 2, 2009 CITY OF LAS VEGAS • PLANNING & DEVELOPMENT • DOWNTOWN NORTH LAND USE PLAN • 12/02/09 DOWNTOWN NORTH i LAND USE PLAN Table of Contents Executive Summary Tasks .................1 Land Use Goals, Objectives, And Policies ..................................... 28 Master Plan 2020 Goals, Objectives, and Policies .... 28 Introduction ....................................... 2 Redevelopment Plan Objectives ................................32 Description of the area ................................................2 Downtown Neighborhood 2000 Name ........................................................................... 2 Plan Recommendations ............................................32 Downtown North Compared to Downtown ............... 2 History .........................................................................2 Land Use Plan And Strategy .............36 Planning Process .........................................................6 Downtown Redevelopment Plan .............................. 36 Downtown -
The Sam Eskin Collection, 1939-1969, AFC 1999/004
The Sam Eskin Collection, 1939 – 1969 AFC 1999/004 Prepared by Sondra Smolek, Patricia K. Baughman, T. Chris Aplin, Judy Ng, and Mari Isaacs August 2004 Library of Congress American Folklife Center Washington, D. C. Table of Contents Collection Summary Collection Concordance by Format Administrative Information Provenance Processing History Location of Materials Access Restrictions Related Collections Preferred Citation The Collector Key Subjects Subjects Corporate Subjects Music Genres Media Formats Recording Locations Field Recording Performers Correspondents Collectors Scope and Content Note Collection Inventory and Description SERIES I: MANUSCRIPT MATERIAL SERIES II: SOUND RECORDINGS SERIES III: GRAPHIC IMAGES SERIES IV: ELECTRONIC MEDIA Appendices Appendix A: Complete listing of recording locations Appendix B: Complete listing of performers Appendix C: Concordance listing original field recordings, corresponding AFS reference copies, and identification numbers Appendix D: Complete listing of commercial recordings transferred to the Motion Picture, Broadcast, and Recorded Sound Division, Library of Congress 1 Collection Summary Call Number: AFC 1999/004 Creator: Eskin, Sam, 1898-1974 Title: The Sam Eskin Collection, 1938-1969 Contents: 469 containers; 56.5 linear feet; 16,568 items (15,795 manuscripts, 715 sound recordings, and 57 graphic materials) Repository: Archive of Folk Culture, American Folklife Center, Library of Congress, Washington, D.C. Summary: This collection consists of materials gathered and arranged by Sam Eskin, an ethnomusicologist who recorded and transcribed folk music he encountered on his travels across the United States and abroad. From 1938 to 1952, the majority of Eskin’s manuscripts and field recordings document his growing interest in the American folk music revival. From 1953 to 1969, the scope of his audio collection expands to include musical and cultural traditions from Latin America, the British Isles, the Middle East, the Caribbean, and East Asia. -
Moulin Rouge | 15.18 Acres | Las Vegas Land Investment Opportunity
Moulin Rouge | 15.18 Acres | Las Vegas Land Investment Opportunity 95 15 Bonanza Rd. Northcap Commercial 1127 S. Rancho Drive Las Vegas, Nevada 89102 www.northcapmultifamily.com LAND INVESTMENT OPPORTUNITY | MOULIN ROUGE NORTHCAP COMMERCIAL WHO IS NORTHCAP COMMERCIAL Las Vegas’ premier real estate team consists of veterans John Tippins, Devin Lee, CCIM, Robin Willett, Jerad Roberts and Jason Dittenber to form the city’s largest and most seasoned team of land and multifamily specialists. The group, which has more than three billion dollars of transactions between them, comprise Northcap Commercial’s Division. As a dedicated investment sales team, creating a company that encompassed a trusted global service platform with local market expertise was crucial to delivering exceptional results to their clients. The five-man powerhouse brings mastery in all facets of the market including investment brokerage, site selection, land development, asset management, financing, property management, leasing and a robust presence in Downtown Las Vegas. The team prides themselves in their extensive history with record real estate and investment sales. Since Northcap Multifamily is not bound to a larger corporate entity, they’re able to conduct outreach with both various brokers and buyers bringing a local’s perspective to an industry overwhelmed with out-of-market competitors. Having one of the largest commercial teams in Las Vegas they are able to provide the best service to their buyers and sellers. Due to their ability to apply best practices, common sense, ownership, management experience as well as government relations, to each transaction, they can easily work with every client or broker that comes to them to make the best deal. -
The Naming of Gaming
The Naming of Gaming Pauliina Raento Academy of Finland and William A. Douglass University of Nevada, Reno The naming of casinos in Las Vegas, Nevada, is an essential ingredient in the design of the city's entertainment landscape. More than 300 names have been used in the naming of gaming in Las Vegas since 1955. They occur in seven dominant patterns: 1) luck and good fortune, 2) wealth and opulence, 3) action, adventure, excitement and fantasy, 4) geography, 5) a certain moment, era, or season, 6) intimacy and informal- ity, and 7) "power words" commonly used in the naming of businesses. The categories are described and analyzed from the perspective of the evolution of Las Vegas. Regional variations between the Las Vegas Strip, Downtown Las Vegas, and suburban Las Vegas are also discussed. The names provide a powerful means of evoking senses of place, images, and identities for the casinos. They underscore the interpretative subjectivity and plurality of the relationship between people and commercial urban environments. Introduction We name people, things, and places to distinguish them from one another and to give them character. Often the names are commemorative and draw upon features (usually positive) of individuals and places. Buildings, streets and towns are named after other familiar places, historical events, and distinguished persons who have played a notable role in the shared past. As an example of the latter, over one quarter of the roughly 3,000 counties in the United States are named patriotically, most often commemorating a political figure (Zelinsky 1983, 6). Names of streets and buildings in capital cities and other centers of importance have special prestige. -
The Mississippi of the West?
THE MISSISSIPPI OF THE WEST? Michael S. Green* During the 1950s, African Americans in Las Vegas began referring to their city and state as the "Mississippi of the West." Magazine writers and civil rights advocates around the country picked up on the phrase. As the leading scholar of Las Vegas history, Eugene Moehring, wrote after cataloguing and condemning local racism: [T]his conclusion seems a bit overdrawn. While Las Vegas was certainly no bastion of equality, it was no worse a town for blacks than Phoenix, Salt Lake, and most medium-sized cities in California. Indeed, segregated housing, schools, and job dis- crimination were common throughout the mid-twentieth-century west. So too was the rippling effect of the national civil rights movement.' As NAACP attorney Franklin Williams said during a 1954 visit, Las Vegas was "a non-southern city with the pattern of the deep south ....Human rights in the western states are in a vacuum. "2' How this situation developed is both tragic and ironic. The tragedy of racism and segregation is obvious. The irony lies in the evolution of Nevada's political economy, the witting and unwitting role of the federal government, and the growth of Nevada's largest industries, gaming and tourism. Together, these factors managed to worsen de facto segregation while also sowing the seeds of its destruction.3 The inseparable issues of slavery and race affected Nevada's origins as a territory and a state. The Compromise of 1850 had created the Utah and New Mexico territories, which divided present-day Nevada: Utah included the Great Basin north while New Mexico included the bulk of what is now Clark County, Nevada, including Las Vegas. -
WALSH DRUG CO. Commander Who Trades His Gasoline for Danny Kaye’S 3853 E
Friday, May 2, 1958 THE ARIZONA POST Page Seven Hollywood Report: iiiiiiiiiiiuiiiiiiiiii:iiiiiiiiiiiiiiiiiiiii:iii:iiiiiii!iiiiiiiiiiiiiiiiiiiiniiii 13-Meet Slate Sports Club lis Formed Bas Mitzvah Not Set For Center IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIU Jewish Producer Is The busiest and most ambi- Evelyn Weiss, daughter of tious swimming schedule ever For Adults att Center Mr. and Mrs. Herman Weiss Permitted On Location attempted by the Tucson Jew- was Bas Mitzvah April 25 Adult sports enthusiasts wiill get together to swap stories Cong. HOLLYWOOD—In “Bitter Victory,” a Colum- ish Center has been an- at Anshei Israel. and make plans for the new Center Athletic Club Evelyn is a seventh grade nounced by Keith Meenan, r Men’s bia picture in its entirety photographed on location Sunday, May 4 9:30 student at Mansfeld Junior aquatic director. on at a.m. ait the Center. in North Africa, the philosophy is advanced Ed athletic High and is an honor student that the The Center swim team will Jones, Center c director, says the purpose A reception was held April men who died destroy the Nazi system died fu- of the group is to enable th(le sports-minded male of the to compete in 13 meets this sum- 2G at Con. Anshei Israel. tilely. The yarn deals with the campaign against mer, beginning with the Na- family “to get away from it tional Jewish Board sports Marshall Rommel in such a peculiar way that the Welfare all’’ and talk over a meet which is conducted by hot breakfast once a month. enemy comes off much better than our war-time airmail of Major films Mil comparing results sports figures, Allies, the British. -
Las Vegas As a Symbol: Goffman and Competing Narratives of Sin City
Las Vegas as a Symbol: Goffman and Competing Narratives of Sin City Michael Green Dmitri Shalin has demonstrated the importance of Erving Goffman to the field of sociology, and in this case to the sociology of Las Vegas as a gambling, resort, and urban center. But Goffman also was part of a trend, or more accurately what became a trend, and he played an important role in it. When Goffman came to Las Vegas in the late 1950s and early 1960s in connection with his field work as a downtown casino dealer, “the city of non-homes,” as he called it, was at a turning point in a variety of ways. When he published his findings in the late 1960s, including his essay “Where theAction Is,” Las Vegas was positioned for another turning point that he helped to coax onward: becoming an important field for scholarship. This essay attempts to explain the Las Vegas in which Goffman found himself, and the Las Vegas whose understanding he went on to enhance with the publication of his work.1 By the late 1950s, when Goffman began plotting his field work, LasVegas had given him a field to work in by managing to become part of the national consciousness.That road had been less likely than it seemed at the time or since. Since the town’s founding on May 15, 1905, as a repair stop on the Los Angeles to Salt Lake railroad, Las Vegans promoted an image of their area. At first they sought new industry, along with touting the town’s possibilities as a mining center, an agricultural community, and a health center.2 While early Las Vegans sought to promote an image of their community, the next generation and those that followed would prove more adept and successful in that quest. -
Hooray for Hollywood the Sequel
Hooray for Hollywood! The Sequel Music & Color; The Glamour Years Created for free use in the public domain American Philatelic Society ©2011 • www.stamps.org Financial support for the development of these album pages provided by Mystic Stamp Company America’s Leading Stamp Dealer and proud of its support of the American Philatelic Society www.MysticStamp.com, 800-433-7811 HoorayMusic & Color; for The GlamourHollywood! Years Movie Makers Walt Disney (1901–1966) Alfred Hitchcock (1899–1980) Scott 1355 Legends of Hollywood series • Scott 3226 The creator of Mickey Mouse and a host of other magical The master of the suspense film genre — which he is said cartoon characters began his professional career as an virtually to have invented — Hitchcock’s thrillers usually animator in the early 1920s with a friend, Ub Iwerks, and involved an ordinary person getting swept up in threatening with the financial backing of Walt’s brother Roy. With the events beyond his or her control and understanding. His first help of Walt and Roy’s wives, Lily and Edna, they produced U.S. film, Rebecca (1940) for David Selznick, won that year’s three cartoons featuring a mouse (who was almost named Oscar for Best Picture. He was voted Greatest Director of all Mortimer) in 1928, but it wasn’t until Disney added Time by Entertainment Weekly, whose list of 100 Greatest synchronized music to Steamboat Willie that their fortune was Films included four of his, more than any other director: made. Numerous popular short animated features followed, Psycho (1960, #11), Vertigo (1958, #19), North by Northwest including Flowers and Trees (1932), the first color cartoon (1959, #44), and Notorious (1946, #66). -
Context: Palm Springs Between the Wars (1919-1941)
48 Context: Palm Springs between the Wars (1919-1941) O’Donnell House, Ojo del Desierto, 447 W. Alejo Road, 1925. Listed in the National Register; HSPB- 19. Source: Steve Vaught, Paradise Leased. FINAL DRAFT – FOR CITY COUNCIL APPROVAL City of Palm Springs Citywide Historic Context Statement & Survey Findings HISTORIC RESOURCES GROUP 49 CONTEXT: PALM SPRINGS BETWEEN THE WARS (1919-1941) Overview This context explores the transformation of Palm Springs from a modest spa town into a luxury winter resort in the years between the First and Second World Wars. By 1918 Nellie Coffman and her sons, George Roberson and Earl Coffman, understood the town’s potential, not as a health spa for asthmatics and consumptives, but as an exclusive winter resort for the well-to-do, and set about transforming their sanatorium into the luxurious Desert Inn, one of the most renowned hostelries in the country. Their success inspired the development of two equally spectacular hotels in the 1920s and cemented the town’s growing reputation as one of the country’s premier luxury winter resorts. These were the Oasis Hotel (121 S. Palm Canyon Drive; HSPB-10), designed by Frank Lloyd Wright, Jr. (known as Lloyd Wright) and opened in 1925 by Pearl McCallum McManus;97 and the grand Hotel El Mirador (1150 N. Indian Canyon Drive), designed by Walker and Eisen in a sumptuous Spanish Colonial Revival style and opened in 1927.98 El Mirador Hotel, photographed c. 1933. Source: Security Pacific National Bank Collection, Los Angeles Public Library. 97 The Oasis Hotel opened on a provisional basis in 1924, but the official opening was in 1925.