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A RESOLUTION to Honor the Memory of George Hamilton IV of Nashville
SENATE JOINT RESOLUTION NO. 4 By Johnson A RESOLUTION to honor the memory of George Hamilton IV of Nashville. WHEREAS, the members of this General Assembly were greatly saddened to learn of the passing of George Hamilton IV; and WHEREAS, known as country music's international ambassador, Mr. Hamilton was a country music singer whose artistry spanned more than five decades; and WHEREAS, a Winston-Salem, North Carolina native, George Hamilton had a love for country music that was rooted in his childhood pastime of listening to Grand Ole Opry stars, including Hank Williams, Hank Snow, Little Jimmy Dickens, and Eddy Arnold; and WHEREAS, in 1956, Mr. Hamilton's music career launched with his million-selling pop single, "A Rose and a Baby Ruth," which reached number six on the Billboard Top 100 and was followed by two successive Top 40 hits; and WHEREAS, an industry pioneer, George Hamilton is considered the first pop artist to move from the genre of popular music to country music; and WHEREAS, in 1960, Mr. Hamilton joined the famed Grand Ole Opry and signed a contract, facilitated by Chet Atkins, with RCA Victor records; that same year, he earned his first Top 10 country hit, "Before This Day Ends"; and WHEREAS, in 1963, George Hamilton released his most successful song, "Abilene," which spent four weeks occupying the number one spot on the charts; and WHEREAS, Mr. Hamilton's 1965 album, Steel Rail Blues, written by folk-leaning songwriters Gordon Lightfoot, Phil Ochs, and John Hartford, experienced tremendous success in Canada and made him one of the most popular country music stars in Canada at the time; and WHEREAS, in 1969, Mr. -
Bio Rhonda Vincent 2019 Jun 20 Single Bio LIKE I COULD
Rhonda Vincent’s new single, “LIKE I COULD” is the RESULT OF A CHAIN REACTION Rhonda Vincent is no stranger to most anyone in the field of music. Why even Elton John and Bernie Taupin enlisted Rhonda and her iconic friend Dolly Parton, to create a “Queen of Bluegrass” version of their song “Please” for their 50th Anniversary Tribute CD in 2018. The Grammys honored Rhonda Vincent & The Rage with the 2017 Grammy for Best Bluegrass Album “All The Rage – Volume One” a live project that displays the World Class Talent of Rhonda and her incredible band. She’s one of the hardest working entertainers, in any genre of music, touring an incredible eleven months out of the year. It’s been far too long since the “Queen of Bluegrass” settled down in the studio to create new music, and finally the wait is over. There wasn’t a song search, or a target recording date. Frankly, the entire process was a continuous chain reaction. The songs presented themselves in the most unlikely of places. The first single, “LIKE I COULD” was discovered while riding in a limousine with Grand Ole Opry Star, Jeannie Seely. Jeannie was sharing her fear of co-writing by appointment, and how she finally faced her fear, at the encouragement of fellow Opry member Bill Anderson by writing “LIKE I COULD” with Erin Enderlin and Bobby Tomberlin. She sang her new song as the limo rolled along. Rhonda instantly loved it and told Jeannie she wanted to record it. Jeannie, in total amazement, later texted Rhonda to ask if she really wanted to record it or was it merely an impulse reaction. -
JAMES RAE “JIM” DENNY (1911-1963) Music Publisher
JAMES RAE “JIM” DENNY (1911•1963) Music publisher, booking agent, long•time manager of the Grand Ole Opry, and promoter of Nashville’s music industry, was born in Buffalo Valley, Putnam County, TN. As a young man, Denny found work as a mail clerk with the National Life and Accident Insurance Company, parent organization to WSM and the Grand Ole Opry. With growing interest in country music, Denny was running the WSM Artists Service Bureau by 1946, booking Opry talent and other WSM acts. Denny eventually managed the Grand Ole Opry itself. Denny, along with his predecessor, Jack Stapp, is responsible for updating the face of the Opry. As promoters and developers of talent, they helped to transform the Opry from a popular barn dance to a showcase of country superstars, ensuring its growth and long•term success. During their tenure, the cast grew enormously, most major stars became Opry members, and an Opry appearance became a must goal for many performers. In 1954 Denny and Opry star Webb Pierce formed Cedarwood Publishing Company, for a time the most important publishing house in Nashville. Driftwood Music, a companion firm, was a partnership between Denny and Carl Smith, another Opry star. These business interests led to conflict of interest allegations by WSM and eventually Denny’s dismissal. With his knowledge of WSM operations, Denny achieved immediate success as a booking agent. The Jim Denny Bureau served most of the artists Denny had signed while at the Opry. Billboard magazine estimated that, by 1961, the bureau was handling over 3,300 personal appearances worldwide. -
July 23, 2021 the Musicrow Weekly Friday, July 23, 2021
July 23, 2021 The MusicRow Weekly Friday, July 23, 2021 Taylor Swift’s Fearless (Taylor’s Version) SIGN UP HERE (FREE!) Will Not Be Submitted For Grammy, CMA Award Consideration If you were forwarded this newsletter and would like to receive it, sign up here. THIS WEEK’S HEADLINES Fearless (Taylor’s Version) Will Not Be Submitted For Grammy, CMA Awards NSAI Sets Nashville Songwriter Awards For September Big Loud Records Ups 5, Adds 2 To Promotion Team Dylan Schneider Signs With BBR Music Group Taylor Swift will not be submitting Fearless (Taylor’s Version), the re- recorded version of her 2008 studio album that released earlier this year, Dan + Shay Have Good for Grammy or CMA Awards consideration. Things In Store For August “After careful consideration, Taylor Swift will not be submitting Fearless (Taylor’s Version) in any category at this year’s upcoming Grammy and Scotty McCreery Shares CMA Awards,” says a statement provided to MusicRow from a Republic Details Of New Album Records spokesperson. “Fearless has already won four Grammys including album of the year, as well as the CMA Award for album of the Chris DeStefano Renews year in 2009/2010 and remains the most awarded country album of all With Sony Music Publishing time.” Natalie Hemby Announces The statement goes on to share that Swift’s ninth studio album, Evermore, New Album released in December of 2020, will be submitted to the Grammys for consideration in all eligible categories. Niko Moon’s Good Time Slated For August Release Evermore arrived only five months after the surprise release of Folklore, Swift’s groundbreaking eighth studio album. -
HOUSE JOINT RESOLUTION 1221 by Maggart a RESOLUTION To
HOUSE JOINT RESOLUTION 1221 By Maggart A RESOLUTION to honor and commend Harold Ray Bradley upon being inducted into the Country Music Hall of Fame. WHEREAS, the members of this General Assembly are proud to formally recognize those talented musicians whose influence on and participation in a genre of music is of great import and whose talent has set them apart as the finest of American artists; and WHEREAS, veteran guitarist Harold Ray Bradley is one such musician who is widely renowned for his prolific recordings, studio achievements, and industry leadership; and WHEREAS, in recognition of the impact he has had on the genre of country music, Harold Bradley was formally inducted into the prestigious Country Music Hall of Fame by the Country Music Association in 2006; and WHEREAS, born on January 2, 1926, in Nashville, Harold Bradley first took an interest in the banjo, but his brother, the late Owen Bradley, steered him toward guitar; by 1943, Harold Bradley was playing amplified jazz guitar and acquired his first job playing lead guitar with Ernest Tubb’s Texas Troubadours; and WHEREAS, from 1944 to 1946, he proudly served his country as a member of the United States Navy during World War II; he then headed home to Nashville to study music; and WHEREAS, Mr. Bradley’s first country recording session came in 1946, when he recorded with Pee Wee King’s Golden West Cowboys in Chicago; his acoustic rhythm guitar opened Red Foley’s 1950 smash hit “Chattanoogie Shoe Shine Boy,” which jumped to number one on both the country and pop charts; and WHEREAS, though a capable lead guitarist, Harold Bradley’s studio specialty has been rhythm work; on many sessions he lent his musical talents to a studio-triumvirate with lead specialists Hank Garland and Grady Martin; and HJR1221 01147350 -1- WHEREAS, Mr. -
Felice Bryant and Country Music Songwriting in the 1950S
Bridgewater Review Volume 39 Issue 1 Article 4 4-2020 Felice Bryant and Country Music Songwriting in the 1950s Paula Bishop Bridgewater State University Follow this and additional works at: https://vc.bridgew.edu/br_rev Part of the Composition Commons Recommended Citation Bishop, Paula (2020). Felice Bryant and Country Music Songwriting in the 1950s. Bridgewater Review, 39(1), 4-7. Available at: https://vc.bridgew.edu/br_rev/vol39/iss1/4 This item is available as part of Virtual Commons, the open-access institutional repository of Bridgewater State University, Bridgewater, Massachusetts. Felice Bryant and Country Music Songwriting in the 1950s Paula Bishop f you were a country music artist working in Nashville in the 1950s, you might have found Iyourself at the home of Nashville songwriters, Felice and Boudleaux Bryant, enjoying one of Felice’s home-cooked meals. Boudleaux would present songs that he and Felice had written while Felice offered suggestions and corrections from the kitchen. On the surface this domestic scene suggests conventional gender roles in which the husband handles business Nashville image (Photo Credit: NiKreative / while the wife entertains the guests, but in fact, the Alamy Stock Photo) Bryants had learned to capitalize on Felice’s culinary the country music industry of the 1950s skills and outgoing personality in order to build their and build a successful career, becom- professional songwriting career. As she once quipped, ing what Mary Bufwack and Robert Oermann called the “woman who if they fed the artists a “belly full of spaghetti and ears ignited the explosion of women writers full of songs,” they were more likely to choose a song on music Row.” written by the Bryants. -
Bcd16759 D.Pdf
LIEFERBAR: AB 22. MAI 2006 VERÖFFENTLICHUNG: 19. JUNI 2006 KÜNSTLER RED FOLEY ¡ ¢ £ Old Shep The Red Foley Recordings 1933 – 1950 LABEL Bear Family Records KATALOG # BCD 16759 PREIS-CODE FL EAN-CODE 4000127 167590 ISBN-CODE 3-89916-179-3 FORMAT 6-CD-Box (LP-Format) mit 96-seitigem gebundenem Buch GENRE Country ANZAHL TITEL 164 SPIELDAUER 469:50 • Das Set enthält die kompletten Country-Aufnahmen von 1933 bis 1950. • Darunter sind 18 bislang unveröffentlichte Einspielungen. • Das gebundene Buch zeigt viele seltene und nie zuvor gezeigte Bilder. • In der Box sind ARC- und Decca-Aufnahmen sowie seine World Transcriptions, die nie in den Handel gelangten. INFORMATIONEN Während seiner über drei Jahrzehnte umspannenden Karriere hat Red Foley mehr Spuren hinterlassen als die meisten seiner Kollegen. Er war der erste Crossover-Country-Star und der erste Sänger dieses Genres, der im Hörfunk und Fernsehen auftrat. Foley war enorm populär, was immer er auch machte. Dies begann mit den Jahren als 'Rambling Red' beim 'National Barn Dance' (WLS Chicago) und setzte sich mit dem 'Renfro Valley Barn Dance' fort. Höhepunkte waren seine geniale Gastgeberrolle bei der legendären 'Grand Ole Opry' und die bahnbrechende TV-Show 'Ozark Jubilee'. Foleys Leben verlief tragisch. Seine persönlichen Probleme konnten nicht größer sein, dennoch halfen ihm Charisma und Talent auch durch schwerste Zeiten. Seine zahlreichen Aufnahmen, die er hinterlassen hat, unterstreichen dies. Die Geschichte nahezu jedes Nashville-Stars seines Kalibers ist inzwischen thematisiert worden – nur die von Red Foley nicht. Diese CD-Box und das dazugehörige Buch dokumentieren Foleys Karriere als Schallplattenkünstler. Enthalten sind alle Aufnahmen, die Foley bis 1950 eingespielt hat (Ausnahme: religiöse und Kinderlieder). -
Loretta Lynn: Writin' Life Article 1
Online Journal of Rural Research & Policy Volume 5 Issue 4 Loretta Lynn: Writin' Life Article 1 2010 Loretta Lynn: Writin’ Life Danny Shipka Louisiana State University Follow this and additional works at: https://newprairiepress.org/ojrrp This work is licensed under a Creative Commons Attribution 4.0 License. Recommended Citation Shipka, Danny (2010) "Loretta Lynn: Writin’ Life," Online Journal of Rural Research & Policy: Vol. 5: Iss. 4. https://doi.org/10.4148/ojrrp.v5i4.205 This Article is brought to you for free and open access by New Prairie Press. It has been accepted for inclusion in Online Journal of Rural Research & Policy by an authorized administrator of New Prairie Press. For more information, please contact [email protected]. The Online Journal of Rural Research and Policy Vol. 5, Issue 4 (2010) Loretta Lynn: Writin‟ Life DANNY SHIPKA Louisiana State University Recommended Citation Style: Shipka, Danny. “Loretta Lynn: Writin‟ Life.” The Online Journal of Rural Research and Policy 5.4 (2010): 1-15. Key words: Loretta Lynn, Van Leer Rose, Country Music, Content Analysis, Textual Analysis This is a peer- reviewed essay. Abstract The release of Loretta Lynn‟s 2004 album Van Leer Rose welcomed back after 33 years one of the premier feminist voices in recorded music. The songs that Loretta wrote in 60s and early 70s were some of the most controversial and politically charged to hit the airwaves. They encompassed a microcosm of issues that rural women were facing including the changing sexual roles of women, ideas on marriage, the ravages of war and substance abuse. -
Greater Nashville October 2019 Arts Entertainment Dining Maps Nightlife
Greater Nashville October 2019 Arts Entertainment Dining Maps Nightlife ® Shopping the nashville visitors guide Attractions Key_Ad_Cover.indd 1 9/10/19 2:33 PM Your Nashville Symphony Live at the Schermerhorn AHMAD JAMAL october 10 & 11 october 18 BRAHMS’ HALLOWEEN MOVIE NIGHT VIOLIN CONCERTO SILENT FILM WITH ORGAN performed by Peter Krasinski october 25 to 27 october 30 MUSIC & MEMORIES of the Gentle Giant october 31 to november 2 november 7 to 9 november 14 & 15 november 16 SERIES WITH PARTNERS SUPPORT FROM 615.687.6400 | NashvilleSymphony.org Ahmad Jamal and Metropolis presented without orchestra. nashville events this month’s feature backstage exhibit celebrating Dolly’s 50 years of Opry membership. For a limited time, see iconic TUESDAYS, WEDNESDAYS, FRIDAYS & wardrobe pieces worn by Dolly herself, as well as SATURDAYS the stories behind these classics. For more infor- Grand Ole Opry mation, visit opry.com or call (615) 871-OPRY. Grand Ole Opry shows are performed every Tuesday, Wednesday, Friday and Saturday. TUESDAYS THROUGH SUNDAYS Since 1925, country’s best have mesmerized TN State Museum Highlights Tours audiences at the Opry, the show that made TN State Museum, 1000 Rosa L. Parks Boulevard. country music famous. While performanc- Our free Museum Highlights tour is a great way es from both legendary entertainers and to see some never-before-seen artifacts and hear the latest country music acts are the norm, some of the great stories of Tennessee history. when you go to the Opry, you’ll also enjoy 2–2:45 pm (except for holidays). tnmuseum.org bluegrass bands, comedy, and more. -
CD Brochure $19.95 to $24.95 Per CD Download
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Porter Wagoners Tent
Nov. 15, 1992---- The Grand Ole Opry is the country's longest-running live music and variety radio program. It's fitting that one of country music's longest-running live wires will represent the Opry when it is inducted into the Radio Hall of Fame on Sunday at the Museum of Broadcast Communications in Chicago. Country singer Porter Wagoner will make a rare stop in Chicago to accept the honors from special guests the Oak Ridge Boys, along with new inductees Don Ameche, "Top 40 Countdown" poobah Casey Kasem, Detroit morning personality J.P. McCarthy and ABC broadcast legend Leonard Goldenson. The program will be broadcast live on WGN-AM and be beamed back to Nashville on WSM-AM, where the Grand Ole Opry was born on Nov. 28, 1925, as "The WSM Barn Dance." Wagoner is from a different era of country music. He first appeared at the Opry in 1957, when he sang his hit "Satisfied Mind" at the old Ryman Auditorium in downtown Nashville. Country music was characterized by a spunky self-reliance, found in the topical breadth of its songs as well as the colorful showmanship of its singers. Few were as colorful as Porter Wagoner: He was one of the first country artists to exploit the broadcast industry. As early as 1951, he appeared on radio with "The Ozark Jubilee," broadcast from KWTO-AM in Springfield, Mo. While at KWTO, Wagoner met Radio Hall of Famer Paul Harvey, who will host Sunday's ceremony. And from 1960 to 1980, Wagoner reached a television audience of up to 45 million with his syndicated "Porter Wagoner Show." One of Wagoner's key sponsors was the Chattanooga Medicine Co., a pharmaceutical outfit that sold Soltice heat rubs, hygenic supplies and Black Draught laxative, promoted as "the fastest-moving product in the South." The permanently pompadoured Wagoner introduced the rhinestone Nudie suit. -
$>Tate of \!Tennessee
$>tate of \!tennessee SENATE JOINT RESOLUTION NO. 561 By Senators Johnson, Kyle, Beavers, Bell, Bowling, Burks, Campfield, Crowe, Dickerson, Finney, Ford, Gardenhire, Green, Gresham, Haile, Harper, Henry, Hensley, Kelsey, Ketron, Massey, McNally, Niceley, Norris, Overbey, Southerland, Stevens, Summerville, Tate, Tracy, Watson, Yager, Mr. Speaker Ramsey and Representatives Matthew Hill, Ryan Williams A RESOLUTION to recognize Connie Smith on the fiftieth anniversary of her illustrious country music career and her forty-ninth anniversary as a member of the Grand Ole Opry. WHEREAS, it is fitting that this General Assembly should recognize those gifted artists who have experienced great success in the world of country music; and WHEREAS, Constance June Meador, better known to her legions of fans as Connie Smith, was born August 14, 1941 , to parents Hobart and Wilma Meador in Elkhart, Indiana; she grew up in Ohio where she fell in love with country music listening to the Louvin brothers, George Jones, and Loretta Lynn on Grand Ole Opry broadcasts from Nashville, Tennessee; and WHEREAS, her love of singing was discovered in 1963 by singer-songwriter Bill Anderson. Connie was a housewife and mother with a four-month-old son in Warner, Ohio, when she and her husband went to see a country music show at Frontier Ranch near Columbus, Ohio. She was talked into entering a talent contest, which she won, enabling her to meet Bill, who invited her to sing on the Ernest Tubb Midnight Jamboree in March 1964. A few months later Bill invited her back to Nashville to record some demo records; and WHEREAS, in June 1964 Connie was signed to a contract with RCA Victor Records by Chet Atkins, who called her "the greatest girl singer he'd ever heard." She soon cut her very first recording entitled, "Once a Day," which would be a phenomenon in country music history.