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I Hate Hamlet
Otterbein University Digital Commons @ Otterbein 1993-1994 Season Productions 1991-2000 10-6-1993 I Hate Hamlet Otterbein University Theatre and Dance Follow this and additional works at: https://digitalcommons.otterbein.edu/production_1993-1994 Part of the Acting Commons, Dance Commons, and the Theatre History Commons Recommended Citation Otterbein University Theatre and Dance, "I Hate Hamlet" (1993). 1993-1994 Season. 5. https://digitalcommons.otterbein.edu/production_1993-1994/5 This Book is brought to you for free and open access by the Productions 1991-2000 at Digital Commons @ Otterbein. It has been accepted for inclusion in 1993-1994 Season by an authorized administrator of Digital Commons @ Otterbein. For more information, please contact [email protected]. 9 O BY PAUL RUDNICK October 6-16,1993 Originally produced by Jujamcyn Theatres James B. Freydburg, Robert G. Perkins, Margo Lion; original production directed by Michael Engler. Otterbein College Theatre Ottcrbein C'ollcge 30 S. Grove Street Westerville, Ohio 43081 Bank One Supports the Arts The Blue Goose of Otterbein & The Blue Goose at Corbin \s Saloon UPTOWN WESTERVILLE 17 N. State Street Phone: 248-2640 V Framed Prints V Pottery Westerville South 77 Huber Village Blvd. V Lizzie High dolls ¥ Gourmet Gifts Phone: 248-2650 V MufTy bears ¥ Yankee candles V Cals Meow ¥ Toiletries Monday-SaturdaylOam-Spm 29 West Main Street BANKSONE. Wednesday until 9pm Westerville 890-0081 Whate\'er it takes 1J,A\K ()\t. COLUMBI A. \,4 I DU. Serving this Community far 17years DR ROBERT]. REINKE CHIROPRACTOR 890-2740 642 Brooksedgc Blvd. Appointment Preferred Westerville, Ohio 43081 Courtesy Automobile provided for guest artist by: ROUS'BbNDA HONDA WESTERVILLE SHOPPING CENTER 74 West Schrock Road Telephone 614-882-1535 WESTERVILLE, OHIO 43081 2 Otterbein CollegeTheatre 1993-1994 Season DEPT. -
Patron Services Representatives Are the Official Face of the Theatre Development Fund on the TKTS Lines at Times Square, South Street Seaport and Downtown Brooklyn
REPRESENTATIVE JOB DESCRIPTION Patron Services Representatives are the official face of the Theatre Development Fund on the TKTS lines at Times Square, South Street Seaport and Downtown Brooklyn. They assist patrons at the booths with all of their questions and are primarily charged with discussing the current theatrical offerings with potential ticket buyers. The goal of a Patron Services Representative is not to “push” or “sell” certain shows or seats, but rather to help our patrons to make informed decisions for themselves and get all the information they need about any given show or shows. In a nutshell, Patron Services Representatives are well informed, kind, and passionate theatre professionals working for TDF/TKTS, in order to help our patrons’ understanding of the booths, and improve the overall TKTS experience. Like all TDF’s programming, they are trying to make theatre accessible to as many people as possible by improving the experience of the booths and simplify the sometimes overwhelming world of New York City Theatre. Representatives are expected to: -Work year round at the TKTS Booths, for the most part out-of doors. -Have an excellent working knowledge of New York City in order to best help patrons (especially of the Theatres and their areas) -Be able to discuss with patrons of TKTS the various shows we have on offer. -Offer help to anyone looking for informational assistance at our Booths. -Keep up to date with information on the current season of Broadway and Off-Broadway productions. This may include attending various shows which offer invitations to the team. -Assist in Patron’s understanding of the TKTS Booth’s operations, rules, and function. -
Andy Truschinski Jessie Mueller
Sara Bareilles, Pam MacKinnon, Toshiko Mori, Jessie Nelson, and Diane Paulus Honorary Co-Chairs and The Gala Committee and Jefrey R. Gural, Chairman & Susan Bernfield, President and the A.R.T./New York Board of Directors Welcome You to the honoring Jessie Mueller & Andy Truschinski Joe Solway & Arup Director / Choreographer Terry Berliner Associate Director / Choreographer T.J. Newton Lyricists Music Director & Pianist Timothy Huang & Sara Wordsworth Arri Lawton Simon Lighting Designer Production Stage Manager Kirk Fitzgerald Jeromy Hunt Drums Bass Jacob Colin Cohen Andrew Franklin O'Connor Award Presenters Pam MacKinnon / Elaine Molinar / Diane Paulus Host Julie Halston April 11, 2016 / Tribeca Rooftop (2 Desbrosses Street) 6:00 PM Cocktails 7:00 PM Dinner & Program Dear Friends: in Brooklyn and Manhattan. Earlier in the month, we held a cash flow loan closing ACT ONE On behalf of the Board of Directors, the at the ofce and gave testimony at a City Scene 1: Welcome Back Gala Committee, and our Honorary Co- Council hearing urging a $40 million Scene 2: Opening Remarks Chairs, Sara Bareilles, Pam MacKinnon, increase to the Department of Cultural Scene 3: Our Donors: A Love Song Toshiko Mori, Jessie Nelson, and Diane Afairs’ budget. Our honorees Jessie Scene 4: Ain’t Mishearin’: A Musical Paulus, I am thrilled to welcome you to the Mueller and Andy Truschinski have helped A.R.T./New York 2016 Spring Gala! We are us in our quest to advocate for increased Tribute to Joe Solway & Arup delighted to present gifted actors Jessie cultural funding, and their public service Scene 5: Presentation of The Kathy and Mueller and Andy Truschinski with The and dedication to ensuring that the next Howard J. -
THE NEW CENTURY by PAUL RUDNICK May 10-20, 2012 WEDNESDAYS–SATURDAYS 8 PM SUNDAYS 2 PM & 7:30 PM
THE NEW CENTURY BY PAUL RUDNICK May 10-20, 2012 WEDNESDAYS–SATURDAYS 8 PM SUNDAYS 2 PM & 7:30 PM TICKETS AVAILABLE AT www.maxandlouie.com AND COCA BOX OFFICE 314-725-6555 DIRECTOR’S NOTE Are these characters stereotypes? Sure, why not. Some argue stereotypes are a reflection of reality. So…what about the Helene Nadlers, Mr. Charle- ses, and Barbara Ellen Diggs in this world? I certainly have been blessed to know a few in my lifetime. Are we capacious enough to make room for the likes of these wonderfully eccentric and wise characters? Or is there a limit to our tolerance and acceptance? However you may choose to answer these questions, one thing is for certain. These characters—these people—will continue to forge ahead and create their own peculiar brand of beauty. A beauty characterized by transforming the pain inflicted by an onslaught of cruel and unforgiving circumstances into exuberant laughter and celebra- tion. It’s a new century. Will we make room for them at our tables? Time will tell. I am afraid if I don’t, it will be my loss. Personally, I like to laugh and learn, so I think I’ll give them a place of honor. Ultimately, this play is a romp! And that is probably a conservative description. Combine Rud- nick’s sharp, biting, wicked humor with the seemingly inexhaustible come- dic talents of a cast like this and perhaps I should have been paying Max & Louie instead of the other way around. It has been a blast! MISSION Statement Max & Louie Productions enhances lives through the arts, by presenting bold, brave plays with humor and heart that entertain and challenge, bringing artists and audiences togeth- er in a shared experience that illumi- nates life through joy and the release of laughter. -
I HATE HAMLET PRODUCTION STAFF by Paul Rudnick Shop Foreman
SEASON OF EVENTS UABDEPARTMENTOFTHEATREANDDANCE Howard L. Reynolds, Chair A TERRIBLE BEAUTY presents Written and Performed by Jacquie Eyre-Young November 5 & 6, 1993; Hulsey Center forthe Performing Arts, Studio 311 A SREETCAR NAMED DESIRE by Tennessee Williams November 5 - 7 & 9 - 14, 1993;Town and GownTheatre UPRISING An original ballet work by Stevan Grebel November 12 - 14, 1993; Bell Theatre LITTLE SHOP OF HORRORS Book and Lyrics by Howard Ashman, Music by Alan Menken Based on the filmby Roger Corman, Screenplay by Charles Griffin February4 - 6 & 8 - 13, 1994; Town and Gown Theatre OTHELLO by William Shakespeare February 15 - 19, 1994; Bell Theatre COMEDIA MISCELLANIA An original ballet work by Melanie Grebel March 4 - 6, 1994; Bell Theatre BROADWAY BOUND by Neil Simon March 11 - 13 & 15 - 20, 1994; Town and Gown Theatre AS MY LORD COMMANDS by LeeShackelford April 26 - 30, 1994; Bell Theatre GYPSY Book by Arthur Laurents, Music by Jule Styne A Paul Rudnick Comedy Lyrics by Stephen Sondheim, Suggested by the Memoirs of GYPSY ROSE LEE May 6 - 8 & 10 - 15, 1994; Town and GownTheatre UABSouthside RepertoryTheatre BellTheatre, 700 13th StreetSouth DANCEMOS/ACS An original jazzwork by Marcus Alford October 26 - 30 May 27 - 29, 1994; Bell Theatre 8:00pm The UAB Department of Theatre and Dance sincerely GeneralAdmission: $6 appreciates the cooperation of the local and state-wide media for UAB Students FREE with L D. their efforts in support of its projects. This production funded in part by UAB Cultural Activites Committee I HATE HAMLET PRODUCTION STAFF by Paul Rudnick Shop Foreman.................................................... Russ Friedrikis Assistant Stage Manager....................................... -
Rudnick, Paul (B
Rudnick, Paul (b. 1957) by Robert Kellerman Paul Rudnick. Image is a still from a Encyclopedia Copyright © 2015, glbtq, Inc. promotional video for Entry Copyright © 2002, glbtq, inc. Standing on Ceremony: Reprinted from http://www.glbtq.com The Gay Plays, a collection of monologues and short plays American playwright, novelist, and screenwriter Paul Rudnick is a humorist who writes regularly for a variety of media, often on gay subjects. His subversive wit characteristically punctures pretensions and lays bare hypocrisies, yet it is also typically forgiving and healing. Born in 1957 in the New York City suburb of Piscataway, New Jersey to a father who was a physicist and a mother who worked as an arts publicist, Rudnick recalls his childhood as uneventful. He had the advantage of frequent theater trips, which cemented his early goal to be a playwright, and a very funny family, which provided him with a great deal of source material and a comic outlook on life. Rudnick knew he was gay by the time he went to Yale University, where he received a B. A. in theater. He considered further study at Yale's graduate program in drama, but soon decided he needed to move to New York to begin a career in writing. In New York, he initially supported himself with a variety of odd jobs--copy writer, stage set painter, and the like--until his first play, Poor Little Lambs, a comedy recounting the antics of the all-male Yale singing group the Whiffenpoofs, was produced in 1982. The play, which starred the young Kevin Bacon, received a mixed critical reception, so Rudnick turned to novel writing. -
Howtosucceed Visionloss Flyer:Wicked, Millie Flyer.Qxd.Qxd
Theatre Development Fund presents 2 Audio Described Performances of How to Succeed in Business Without Really Trying for Elementary, Middle and High School Students who are blind or have low vision **Priority will be given to students/schools who have not participated in the past** HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING Al Hirschfeld Theatre, 302 West 45th St. (between 8th & 9th Aves.) New York City Running Time: 2 hours 15 minutes including one 15 minute intermission Students under 4 will not be allowed in the theatre Following the advice of a book entitled "How to Succeed in Business" a young window-cleaner, J. Pierrepont Finch, begins a meteoric rise from the mail-room to Vice President of Advertising at the World-Wide Wicket Company. Finch's unorthodox and morally-questionable business practices jeopardize not only his career, but also his romance with co-worker Rosemary Pilkington. With a beloved score by Frank Loesser, this whimsical musical is packed with hit standards such as "I Believe in You," "Happy to Keep His Dinner Warm," "The Company Way," and "The Brotherhood of Man.” “Exhilarating, bright and Irresistible!" – Variety *Please note: Nick Jonas may not be starring in the show in April. Deadline: SEE BELOW **These tickets will sell out fast, so order NOW!** When: Wednesday, April 18, 2012 at 2:00 PM Deadline: April 2, 2012 Wednesday, April 25, 2012 at 2:00 PM Deadline: April 2, 2012 Tickets: Orchestra seating with no ticket fee Please use your school’s recommended student : adult ratio guidelines. Ratio cannot exceed 1 adult to 1 student Please fill out the form below and return it by mail, fax or email. -
Theatre Management & Producing at Columbia University
MFA in Theatre Management & Producing at Columbia University 2020 Online Q&A Steven Chaikelson Victoria Bailey Professor Adjunct Professor Theatre Management & Producing Theatre Management & Producing Concentration Director Concentration Advisor President Executive Director Snug Harbor Productions Theatre Development Fund Dodge Hall – 116th Street and Broadway • Film • Theatre • Writing • Visual Arts Theatre Program The Oscar Hammerstein II Center for Theatre Studies Offering MFA Degrees in: • Acting • Directing • Dramaturgy • Playwriting • Stage Management • Theatre Management & Producing • Joint JD/MFA with Columbia Law School Why an MFA? • The Big Picture and In-Depth Study • Expand Your Toolkit • Colleagues • Networking • Teaching • Inspiration Class of 2017 at the Shubert Archive Theatre Management & Producing Program Summary • 8-10 Students per year • 3 Year Program • 60 Credits over the first 2 years / 4 semesters • Producing/Management Requirement • 3 Internships • Collaboration Weekend • Crew Assignment • Free Tickets • Thesis Class of 2022 – Collaboration Weekend Faculty Working Professionals • Victoria Bailey (Theatre Development Fund) • Sue Frost (Come From Away) • Renee Blinkwolt (Ars Nova) • Barry Grove (Manhattan Theatre Club) • Jeremy Blocker (New York Theatre Workshop) • Justin Karr (Jujamcyn Theaters) • Gigi Bolt (Arts Consultant) • Karen Kowgios (Withum) • Chris Boneau (Boneau/Bryan-Brown) • Dessie Moynihan (Shubert Organization) • Chris Burney (New York Stage & Film) • Michael Naumann (Theatre Development Fund) • Carolyn -
February 19 - March 22, 2020
Based on the Motion Picture Written and Directed by JOHN CARNEY Directed by MARK CUDDY Book by ENDA WALSH Music Director Music and Lyrics by DON KOT GLEN HANSARD Choreography by and MARKÉTA IRGLOVÁ WHITNEY G-BOWLEY A Co-production with SYRACUSE STAGE February 19 - March 22, 2020 Lead Co-Producers: Co-Producer: Associate Producer: Media Sponsors: Honorary Producers: Ken & Joan Slater 1 ABOUT GEVA THEATRE CENTER Geva Theatre Center is your not-for-profit theatre company dedicated to creating and producing professional theatre productions, programs and services of a national standard. As Rochester’s flagship professional theatre, Geva is the most attended regional theatre in New York State, and one of the 25 most subscribed in the country, serving up to 160,000 patrons annually, including 20,000 students. Founded in 1972 by William Selden and Cynthia Mason Selden, Geva was originally housed in the Rochester Business Institute building on South Clinton Avenue. In 1982, Geva purchased and converted its current space – formerly a NYS Arsenal designed by noted Rochester architect Andrew J Warner and built in 1868 – and opened its new home at the Richard Pine Theatre in March 1985. Geva operates two venues – the 516-seat Elaine P. Wilson Stage and the 180-seat Ron & Donna Fielding Stage. As one of the country’s leading theatre companies and a member of the national League of Resident Theatres, Geva produces a varied contemporary repertoire from musicals to world premieres celebrating the rich tapestry of our diverse community. We draw upon the talents of some of the country’s top actors, directors, designers and writers who are shaping the American Theatre scene. -
March 4 – 22, 2020
By Molly Smith Metzler Directed by M. Bevin O’Gara A production of the Kitchen Theatre, Ithaca MARCH 4 – 22, 2020 The Fielding Studio Series is supported in part by Associate Producer: Media Sponsor: 1 2 ABOUT GEVA THEATRE CENTER Geva Theatre Center is your not-for-profit theatre company dedicated to creating and producing professional theatre productions, programs and services of a national standard. As Rochester’s flagship professional theatre, Geva is the most attended regional theatre in New York State, and one of the 25 most subscribed in the country, serving up to 160,000 patrons annually, including 20,000 students. Founded in 1972 by William Selden and Cynthia Mason Selden, Geva was originally housed in the Rochester Business Institute building on South Clinton Avenue. In 1982, Geva purchased and converted its current space – formerly a NYS Arsenal designed by noted Rochester architect Andrew J Warner and built in 1868 – and opened its new home at the Richard Pine Theatre in March 1985. Geva operates two venues – the 516-seat Elaine P. Wilson Stage and the 180-seat Ron & Donna Fielding Stage. As one of the country’s leading theatre companies and a member of the national League of Resident Theatres, Geva produces a varied contemporary repertoire from musicals to world premieres celebrating the rich tapestry of our diverse community. We draw upon the talents of some of the country’s top actors, directors, designers and writers who are shaping the American Theatre scene. Geva’s education programs serve 20,000 students annually through student matinees, in-school workshops, theatre tours, career day, the acclaimed Summer Academy training program, and opportunities such as the Stage Door Project, which pairs a local school with a production in the Geva season giving students an exclusive look into the entire process of producing a show. -
Downloaded by Michael Mitnick and Grace, Or the Art of Climbing by Lauren Feldman
The Dream Continues: American New Play Development in the Twenty-First Century by Gregory Stuart Thorson B.A., University of Oregon, 2001 M.A., University of Colorado, 2008 A thesis submitted to the Faculty of the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Doctor of Philosophy Department of Theatre This thesis entitled: The Dream Continues: American New Play Development in the Twenty-First Century written by Gregory Stuart Thorson has been approved by the Department of Theatre and Dance _____________________________________ Dr. Oliver Gerland ____________________________________ Dr. James Symons Date ____________ The final copy of this thesis has been examined by the signatories, and we Find that both the content and the form meet acceptable presentation standards of scholarly work in the above mentioned discipline. IRB protocol # 12-0485 iii Abstract Thorson, Gregory Stuart (Ph.D. Department of Theatre) The Dream Continues: American New Play Development in the Twenty-First Century Thesis directed by Associate Professor Oliver Gerland New play development is an important component of contemporary American theatre. In this dissertation, I examined current models of new play development in the United States. Looking at Lincoln Center Theater and Signature Theatre, I considered major non-profit theatres that seek to create life-long connections to legendary playwrights. I studied new play development at a major regional theatre, Denver Center Theatre Company, and showed how the use of commissions contribute to its new play development program, the Colorado New Play Summit. I also examined a new model of play development that has arisen in recent years—the use of small black box theatres housed in large non-profit theatre institutions. -
Syllabus: Theatre Management Trip to New York City, March 20-24, 2002
Syllabus: Theatre Management Trip to New York City, March 20-24, 2002 Leslie Shook and Maury Collins, instructors, The Theatre School, DePaul University Updated: 3/19/02 Hotel information: Millennium Broadway Manhattan Hotel, 145 W 44th St., New York, NY 10036 - (212) 768-4400 Students: Please read this and study the websites before we go to New York. Also, think about the questions you would like to ask, and write them down BEFORE we go to each meeting. Wednesday, March 20, 2002 3:30 p.m. Meet in Millennium Broadway Hotel lobby. 4:00 p.m. Discussion about producing - Nancy Nagel Gibbs and Susan Vargo - American Airlines Theatre, 227 W. 42nd Street, New York, Nabisco Lounge, 6th floor. The matinee is getting out at 4 p.m. so it will be a bit like salmon swimming upstream, but your names will be with the security guard. Take the elevator to 6. 6:00 p.m. Dinner with East Coast Alumni - Virgil's Barbecue, 152 W. 44th Street, New York, NY 10036 (212) 921-9494. Gary Gorman and others will join us for dinner. 8:00 p.m. Top Dog/Underdog, Ambassador Theatre, 219 West 49th St., New York, NY Thursday, March 21, 2002 10:00 a.m. Lyceum Theatre, 149 West 45th Street, New York, NY 10036 Meet with Reagan Fletcher, Director, Shubert Archives for tour of the Lyceum, one of the oldest Shubert Broadway houses, and then visit the Shubert Archives, repository of the records of 100 years of the Shuberts, and others, on Broadway. 2:30 p.m.