Report and Financial Statements

Total Page:16

File Type:pdf, Size:1020Kb

Report and Financial Statements The Cathedral Church of the Holy and Undivided Trinity in Bristol REPORT AND FINANCIAL STATEMENTS for the year ended 31 December 2013 The Cathedral Church of the Holy and Undivided Trinity in Bristol CONTENTS Page Legal and administrative information 1 - 2 Annual report 3 – 25 Independent auditor's report 26 Consolidated statement of financial activities 27 Consolidated balance sheet 28 Cathedral balance sheet 29 Notes to the accounts 30-41 The Cathedral Church of the Holy and Undivided Trinity, Bristol LEGAL AND ADMINISTRATIVE INFORMATION for the year ended 31 December 2013 Address Auditors Bristol Cathedral Bishop Fleming LLP College Green Chartered Accountants Bristol 16 Queen Square BS1 5TJ Bristol BS1 4NT Bankers Stockbrokers NatWest Bank plc CCLA Investment Management Limited PO Box 238 80 Cheapside 32 Corn Street London Bristol EC2V 6DZ BS99 7UG THE CATHEDRAL CHAPTER During the year under review, the membership of the Chapter was as follows: Dean The Very Revd Dr David Hoyle Canons Residentiary The Revd Canon Wendy Wilby (until Jul 2013) Canon Precentor The Revd Canon Nicola Stanley (from Mar 2014) Canon Precentor The Revd Canon Timothy Higgins (until Feb 2014) City Canon and Vice Dean The Revd Canon Robert Bull Canon Pastor Other members of the Chapter (Capitular Canons) Canon Richard Outhwaite - Canon Treasurer (term ended Oct 2013, but temporary cover provided to Feb 2014) Canon John Savage – Canon Treasurer (from Feb 2014) Canon Timothy Harle (until Dec 2013) Canon Susan Topalian Canon Jon Cannon – Keeper of the Fabric Chapter Clerk Miss Wendy Matthews Consultant Architect Ms Louise Bainbridge Consultant Archaeologist Mr Kevin Blockley Master of the Choristers and Organist Mr Mark Lee Assistant Organist Mr Paul Walton Education Officer Mrs Amy White (until Dec 2013). Mrs Margaret Bull (temporary cover from Jan 2014) Head Verger & Sub-Sacrist Mr Glynn Usher 1 The Cathedral Church of the Holy and Undivided Trinity, Bristol LEGAL AND ADMINISTRATIVE INFORMATION for the year ended 31 December 2013 Vergers Mr Roger Dubois, Ms Louisa Pittman, Mr Nigel Nash Music Secretary Mr Tim Popple Executive Assistant & PA to the Dean Mrs Sarah Morris Secretary, Bristol Cathedral Trust Mr Chris Harries (until Dec 2013), Ms Naomi Miller (from Jan 2014) Trust Secretary Mrs Wendy Pradalie Finance Manager Mr Matthew Hall FCA (until Sep 2013) (seconded from the Bristol Diocesan Board of Finance Ltd) Mr Andrew Webb (from Oct 2013, also seconded) Finance Assistant Mrs Chrissie Graham (previously Gill) Coffee Shop staff Ms Caroline Wren, Mrs Dyon Campbell Finance Advisory Committee: Mr Colin Havill (Chairman), The Dean, Mr Richard Bacon, Mr Mark Blackmore, Mr Richard Bott, Canon Richard Outhwaite (until Dec 2013). In attendance: the Chapter Clerk and the Finance Manager. Fabric Advisory Committee: Mr Quentin Alder (Chairman), Mr Alistair Brooke, Mrs Mary Greenacre, Mr Derek Worthing, Dr Beth Williamson, Dr Martin Crossley-Evans, Mr Andrew Foyle. In attendance: Dean, Canon Jon Cannon, Architect, Archaeologist and the Chapter Clerk. 2 The Cathedral Church of the Holy and Undivided Trinity in Bristol ANNUAL REPORT for the year ended 31 December 2013 Introduction Our aim at Bristol Cathedral is to be a glimpse of the kingdom of heaven in the heart of Bristol city and the Diocese. This report talks about those glimpses, in a year when we made major changes to the way the Cathedral presents itself and communicates its message, and when we successfully delivered projects that made us a more welcoming and inviting place. Highlights included Sally Vickers reading her new work, ‘The Cleaner of Chatres’, at a joint event organised with the Central Library, and a challenging slavery exhibition by artist Sokari Douglas Camp. We also hosted a joint event with Christian Aid and the Bishop of Derby to highlight the debate on developing economies and tax justice, and a major fabric conference for the Cathedrals Fabric Commission for England. Our first Messy Cathedral day went extremely well, with 250 children taking part, and we continued to experiment with new services and liturgy and hosted a number of special services, including a new Easter vigil service that was reviewed on the popular ‘Ship of Fools’ website by a mystery worshipper. In June we celebrated 10 years of Bishop Mike’s ministry in the Diocese in style, and hosted a fusion East meets West concert with Shaheen Chaudhry, the first Muslim High Sheriff of Bristol. The wider political, social and economic context continued to present its challenges, both to the Cathedral as an organisation and to the wider Bristol community. During the year we saw increased use of the city’s foodbanks. The Cathedral became a donation point for the foodbanks and a launch venue for the Diocesan ‘Christmas begins with Christ’ campaign, which highlighted issues around food poverty as well as the Christmas message. The Mayor and Bristol City Council are facing the challenges of delivering deep budget cuts. During 2014 we will use the Archbishop of Canterbury’s visit to highlight some of the key social issues in the city relating to children. This report summarises the progress that has been made in the last year and covers: Governance and relationship management. Activities, achievements and performance against our corporate objectives. Corporate development and delivery. Evaluation and outcomes. Financial review. 3 The Cathedral Church of the Holy and Undivided Trinity in Bristol ANNUAL REPORT (continued) for the year ended 31 December 2013 Governance and relationship management The Cathedral is formally the seat of the Bishop and a centre for worship, teaching and mission in the Diocese of Bristol. It extends geographically through Swindon, South Gloucestershire and North Wiltshire. The Constitution and Statutes governing the Cathedral were approved in 2001 under the Cathedrals Measure (1999). The Measure also defines the governance structures that are required for the effective management of Cathedrals, which includes: The Cathedral Council, College of Canons, and the Chapter, with its associated standing committees for finance and fabric. The sections below summarise their role, membership, and activities during 2013. Cathedral Council The Council is responsible for furthering and supporting the work of the Cathedral, “spiritual, pastoral, evangelistic, social and ecumenical, reviewing and advising upon the direction and oversight of that work by the Chapter...” (Cathedral Statutes 2001). The Council consists of up to twenty members with a chair person appointed by the Bishop. Members are drawn from the Cathedral congregation, the Chapter, the College of Canons, the diocesan synod and the diocese and wider community. The Council met twice in 2013 and discussed a range of topics including music and fabric related issues, and received the annual report and accounts for 2012. Four new community members were elected during the year: James Redshaw, Mick Leary, Shirley-Ann Bell and Keith Norton. College of Canons The College is made up of 40 clerical and lay representatives from the Cathedral and the wider diocese1. They met on two occasions in 2013 to discuss progress on key projects, and received the annual report and accounts for 2012. Chapter The Chapter is the main body responsible for the direction and oversight of the Cathedral and is made up of the Dean and three residentiary Canons, and four lay non-residentiary members. The clerical representatives are appointed, after consultation, by the Crown, and the lay representatives are appointed, after consultation, by the Bishop. The current membership is set out on page 1 (see above). The lay canons hold office for terms of three years, which are renewable. Induction support for new members is provided by the Association of English Cathedrals. The Chapter is required to meet at least nine times a year and its main role is to “order the worship and promote the mission of the Cathedral” (Statutes 2001). The main responsibilities of the Chapter are to: Articulate the Cathedral’s priorities and to formulate appropriate plans for their delivery. Oversee the management of the Cathedral’s assets and investments, and ensure that all necessary repair, maintenance and development works to the fabric and precincts are carried out. Oversee the management of the Cathedral and to make sure appropriate policies and processes are in place for child protection, health and safety, HR and other issues. Oversee the preparation of an annual budget and an annual report and audited accounts. Monitor and evaluate the performance of the Cathedral. Review the Constitution and Statutes. 1 The College of Canons consists of up to 22 Honorary Canons (clergy), the Archdeacon and up to six Lay Canons, all of whom are appointed by the Bishop; other members are the Suffragan Bishop, the Dean and all members of the Chapter. Members of the Chapter other than the Dean and the Canons Residentiary are collated to supernumerary canonries, known as Capitular Canonries, and in virtue of that they are full members of the College of Canons. 4 The Cathedral Church of the Holy and Undivided Trinity in Bristol ANNUAL REPORT (continued) for the year ended 31 December 2013 (The full version of the Constitution and Statutes is available upon request.) The Chapter’s specific financial responsibilities, under Section 27 of the Cathedrals Measure 1999, are as follows: Preparing and publishing an annual report and audited accounts which give a true and fair view of the financial activities for each financial year and of the assets, liabilities and funds at the end of each financial year of the Cathedral and its connected entities, the report and accounts to comply in all material respects with the guidelines on the subject prepared by the Association of English Cathedrals. Stating that they have complied in all material respects with the regulations on the subject prepared by the Cathedrals Administration and Finance Association (CAFA) or describing which recommendations have not been complied with and giving reasons for the non-compliance.
Recommended publications
  • WAR, GOVERNMENT and ARISTOCRACY in the BRITISH ISLES, C.1150-1500
    WAR, GOVERNMENT AND ARISTOCRACY IN THE BRITISH ISLES, c.1150-1500 Essays in Honour of Michael Prestwich Edited by Chris Given-Wilson Ann Kettle Len Scales THE BOYDELL PRESS © Contributors 2008 All rights reserved. Except as permitted under current legislation no part of this work may be photocopied, stored in a retrieval system, published, performed in public, adapted, broadcast, transmitted, recorded or reproduced in any form or by any means, without the prior permission of the copyright owner First published 2008 The Boydell Press, Woodbridge ISBN 978-1-84383-389-5 The Boydell Press is an imprint of Boydell & Brewer Ltd PO Box 9, Woodbridge, Suffolk IP 12 3DF, UK and of Boydell & Brewer Inc. 668 Mt Hope Avenue, Rochester, NY 14620, USA website: www.boydellandbrewer.com A CIP record for this book is available from the British Library This publication is printed on acid-free paper Printed in Great Britain by CPI Antony Rowe, Chippenham, Wiltshire Contents List of Contributors Vll Introduction ix Abbreviations xvii Did Henry II Have a Policy Towards the Earls? 1 Nicholas Vincent The Career of Godfrey of Crowcombe: Household Knight of King John 26 and Steward of King Henry III David Carpenter Under-Sheriffs, The State and Local Society c. 1300-1340: A Preliminary 55 Survey M. L. Holford Revisiting Norham, May-June 1291 69 Archie Duncan Treason, Feud and the Growth of State Violence: Edward I and the 84 'War of the Earl of Carrick', 1306-7 Matthew Strickland The Commendatio Lamentabilis for Edward I and Plantagenet Kingship 114 Bjorn Weiler Historians, Aristocrats and Plantagenet Ireland, 1200-1360 131 Robin Frame War and Peace: A Knight's Tale.
    [Show full text]
  • The Cathedral Church of the Holy
    The Baptism of Christ 10 January 2021 Welcome to the Cathedral Church of the Holy and Undivided Trinity, Bristol Whether you are a regular worshipper, or this is your first time visiting the Cathedral, you are most welcome. The Eucharist will be broadcast on our social media channels. To book for any service, visit tinyurl.com/cathedralbooking. The Dean and Chapter are grateful for all the Christmas cards, gifts, and good wishes they received, and wish everyone a very Happy New Year! COVID-19 UPDATE Following the announcement of the third National Lockdown, the new pattern of worship and opening from Tuesday 12 January is as follows: BROADCAST WORSHIP (unchanged) Morning Prayer 8.00am Monday - Saturday Cathedral Eucharist 10.00am Sunday ON SITE WORSHIP Lunchtime Eucharist 12.30pm Tuesday – Saturday Choral Evensong * 5.15pm Friday BCP Communion * 8.00am Sunday Cathedral Eucharist * 10.00am Sunday * bookable via tinyurl.com/cathedralbooking. CATHEDRAL OPENING HOURS FOR PRIVATE PRAYER 12noon to 1.00pm Tuesday – Saturday If you would like to receive this notice sheet by email each week, please email [email protected]. GENERAL Support your Cathedral If you would like to support the Cathedral financially, particularly during these difficult times, there is a new donate button on our website. To donate, visit here: tinyurl.com/cathedraldonate. Thank you. A gentle reminder that, following the service, we ask you please to not mingle with those outside your household either inside or outside the building. New Chapter Members The Bishop has appointed two new members to Chapter, the governing body of the Cathedral.
    [Show full text]
  • Records of Bristol Cathedral
    BRISTOL RECORD SOCIETY’S PUBLICATIONS General Editors: MADGE DRESSER PETER FLEMING ROGER LEECH VOL. 59 RECORDS OF BRISTOL CATHEDRAL 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 RECORDS OF BRISTOL CATHEDRAL EDITED BY JOSEPH BETTEY Published by BRISTOL RECORD SOCIETY 2007 1 ISBN 978 0 901538 29 1 2 © Copyright Joseph Bettey 3 4 No part of this volume may be reproduced or transmitted in any form or by any means, 5 electronic or mechanical, including photocopying, recording, or any other information 6 storage or retrieval system. 7 8 The Bristol Record Society acknowledges with thanks the continued support of Bristol 9 City Council, the University of the West of England, the University of Bristol, the Bristol 10 Record Office, the Bristol and West Building Society and the Society of Merchant 11 Venturers. 12 13 BRISTOL RECORD SOCIETY 14 President: The Lord Mayor of Bristol 15 General Editors: Madge Dresser, M.Sc., P.G.Dip RFT, FRHS 16 Peter Fleming, Ph.D. 17 Roger Leech, M.A., Ph.D., FSA, MIFA 18 Secretaries: Madge Dresser and Peter Fleming 19 Treasurer: Mr William Evans 20 21 The Society exists to encourage the preservation, study and publication of documents 22 relating to the history of Bristol, and since its foundation in 1929 has published fifty-nine 23 major volumes of historic documents concerning the city.
    [Show full text]
  • The Capital Sculpture of Wells Cathedral: Masons, Patrons and The
    The Capital Sculpture of Wells Cathedral: Masons, Patrons and the Margins of English Gothic Architecture MATTHEW M. REEVE For Eric Fernie This paper considers the sculpted capitals in Wells cathedral. Although integral to the early Gothic fabric, they have hitherto eluded close examination as either a component of the building or as an important cycle of ecclesiastical imagery in their own right. Consideration of the archaeological evidence suggests that the capitals were introduced mid-way through the building campaigns and were likely the products of the cathedral’s masons rather than part of an original scheme for the cathedral as a whole. Possible sources for the images are considered. The distribution of the capitals in lay and clerical spaces of the cathedral leads to discussion of how the imagery might have been meaningful to diCerent audiences on either side of the choir screen. introduction THE capital sculpture of Wells Cathedral has the dubious honour of being one of the most frequently published but least studied image cycles in English medieval art. The capitals of the nave, transepts, and north porch of the early Gothic church are ornamented with a rich array of figural sculptures ranging from hybrid human-animals, dragons, and Old Testament prophets, to representations of the trades that inhabit stiC-leaf foliage, which were originally highlighted with paint (Figs 1, 2).1 The capitals sit upon a highly sophisticated pier design formed by a central cruciform support with triple shafts at each termination and in the angles, which oCered the possibility for a range of continuous and individual sculpted designs in the capitals above (Fig.
    [Show full text]
  • REACHING out a Celebration of the Work of the Choir Schools’ Association
    REACHING OUT A celebration of the work of the Choir Schools’ Association The Choir Schools’ Association represents 46 schools attached to cathedrals, churches and college chapels educating some 25,000 children. A further 13 cathedral foundations, who draw their choristers from local schools, hold associate membership. In total CSA members look after nearly 1700 boy and girl choristers. Some schools cater for children up to 13. Others are junior schools attached to senior schools through to 18. Many are Church of England but the Roman Catholic, Scottish and Welsh churches are all represented. Most choir schools are independent but five of the country’s finest maintained schools are CSA members. Being a chorister is a huge commitment for children and parents alike. In exchange for their singing they receive an excellent musical training and first-class academic and all-round education. They acquire self- discipline and a passion for music which stay with them for the rest of their lives. CONTENTS Introduction by Katharine, Duchess of Kent ..................................................................... 1 Opportunity for All ................................................................................................................. 2 The Scholarship Scheme ....................................................................................................... 4 CSA’s Chorister Fund ............................................................................................................. 6 Finding Choristers .................................................................................................................
    [Show full text]
  • Centenary Celebration Report
    Celebrating 100 years CHOIR SCHOOLS’ ASSOCIATION CONFERENCE 2018 Front cover photograph: Choristers representing CSA’s three founding member schools, with lay clerks and girl choristers from Salisbury Cathedral, join together to celebrate a Centenary Evensong in St Paul’s Cathedral 2018 CONFERENCE REPORT ........................................................................ s the Choir Schools’ Association (CSA) prepares to enter its second century, A it would be difficult to imagine a better location for its annual conference than New Change, London EC4, where most of this year’s sessions took place in the light-filled 21st-century surroundings of the K&L Gates law firm’s new conference rooms, with their stunning views of St Paul’s Cathedral and its Choir School over the road. One hundred years ago, the then headmaster of St Paul’s Cathedral Choir School, Reverend R H Couchman, joined his colleagues from King’s College School, Cambridge and Westminster Abbey Choir School to consider the sustainability of choir schools in the light of rigorous inspections of independent schools and regulations governing the employment of children being introduced under the terms of the Fisher Education Act. Although cathedral choristers were quickly exempted from the new employment legislation, the meeting led to the formation of the CSA, and Couchman was its honorary secretary until his retirement in 1937. He, more than anyone, ensured that it developed strongly, wrote Alan Mould, former headmaster of St John’s College School, Cambridge, in The English
    [Show full text]
  • Wells Cathedral Library and Archives
    GB 1100 Archives Wells Cathedral Library and Archives This catalogue was digitised by The National Archives as part of the National Register of Archives digitisation project NR A 43650 The National Archives Stack 02(R) Library (East Cloister) WELLS CATHEDRAL LIBRARY READERS' HANDLIST to the ARCHIVES of WELLS CATHEDRAL comprising Archives of CHAPTER Archives of the VICARS CHORAL Archives of the WELLS ALMSHOUSES Library PICTURES & RE ALIA 1 Stack 02(R) Library (East Cloister) Stack 02(R) Library (East Cloister) CONTENTS Page Abbreviations Archives of CHAPTER 1-46 Archives of the VICARS CHORAL 47-57 Archives of the WELLS ALMSHOUSES 58-64 Library PICTURES 65-72 Library RE ALIA 73-81 2 Stack 02(R) Library (East Cloister) Stack 02(R) Library (East Cloister) ABBREVIATIONS etc. HM C Wells Historical Manuscripts Commission, Calendar ofManuscripts ofthe Dean and Chapter of Wells, vols i, ii (1907), (1914) LSC Linzee S.Colchester, Asst. Librarian and Archivist 1976-89 RSB R.S.Bate, who worked in Wells Cathedral Library 1935-40 SRO Somerset Record Office 3 Stack 02(R) Library (East Cloister) Stack 02(R) Library (East Cloister) ARCHIVES of CHAPTER Pages Catalogues & Indexes 3 Cartularies 4 Charters 5 Statutes &c. 6 Chapter Act Books 7 Chapter Minute Books 9 Chapter Clerk's Office 9 Chapter Administration 10 Appointments, resignations, stall lists etc. 12 Services 12 Liturgical procedure 13 Registers 14 Chapter and Vicars Choral 14 Fabric 14 Architect's Reports 16 Plans and drawings 16 Accounts: Communar, Fabric, Escheator 17 Account Books, Private 24 Accounts Department (Modern) 25 Estates: Surveys, Commonwealth Survey 26 Ledger Books, Record Books 26 Manorial Court records etc.
    [Show full text]
  • TRANSFORMATION of an INSTITUTION: the Design of a Catholic Church for Boston's South End
    TRANSFORMATION OF AN INSTITUTION: The Design of a Catholic Church for Boston's South End Elizabeth M. Beliveau B.S.A.D. Massachusetts Institute of Technology Cambridge, Massachusetts June 1984 Submitted to the Department of Architecture in partial fulfillment of the requirements for the degree of Master of Architecture at the Massachusetts Institute of Technology June 1988 ( Elizabeth M.Beliveau 1988 The author hereby grants to M.I.T. permission to reproduce and to distribute publicly copies of this thesis document in whole or in part. Signature of author Elizabeth M. Beliveau Department of Architecture 4May 6. 1988 Certified by ,Willfth L. Porter Professor of Architecture and Planning Thesis Supervisor Accepted by _______ William Q. HubbarN Chairman Departmental Committee for Graduate Students 1 uBARE~S Rotd Transformation of an Institution: The Design of a Catholic Church for Boston's South End by Elizabeth M. Beliveau Submitted to the Department of Architecture on May 6, 1988 in partial fulfillment of the requirements for the degree of Master of Architecture. ABSTRACT Architecture can influence or be influenced by its environment. Because this is so, buildings often reflect the beliefs, understandings, or prejudices of a society. Architecture can also help to shape society's understanding of the institutions it houses. The traditional forms of the Catholic Church in this country have followed society's expectations of this facility. To date, there have been few significant challenges to this image. Through the transformation of this historic and often inappropriate form, the architecture can begin to influence both the Church's understanding of itself and its environs, and society's impression of this community.
    [Show full text]
  • Services and Music List
    Services and Music List December 2018 WELCOME December begins almost immediately with the thrill of Advent and our Carol Service, How shall we call Thee?, built around the Great Advent Antiphons. These are set to music this year by Richard Allain under the title Vero Cras. Amid the many celebrations of Christmas hosted by the Cathedral throughout Advent, we keep the daily round of prayer and praise as excitement builds, and we are surprised again by God’s gift of himself. We hope very much that you will join us when you can. The Reverend Canon Nicholas Jepson-Biddle, Precentor Communicant members of other churches in good standing are welcome to receive the Sacrament in this church if they so desire. IN RESIDENCE December 1: The Reverend Canon Nicholas Jepson-Biddle, Precentor December 2 – 8: The Very Reverend Dr John Davies DL, Dean December 9 – 15: The Reverend Canon Rosalind Paul, Pastor December 16 – 25: The Reverend Canon Nicholas Jepson-Biddle, Precentor December 26 – 31: The Reverend Canon Rosalind Paul, Pastor WELLS CATHEDRAL CHOIR The Cathedral’s Organist and Master of the Choristers, Prebendary Matthew Owens, is always pleased to hear from parents of prospective choristers. Scholarships and additional bursaries for Wells Cathedral School, which all choristers attend, are available. For more information, or about choral and organ scholarships at the Cathedral, please telephone 01749 832204 or email [email protected] USE OF INCENSE At certain services throughout the year, incense is used to enhance the festal nature of the day. These services are marked with an asterisk (*). ANTHEMS Selected translations of anthems which are not sung in English may be found towards the back of the Services and Music List, following the final listed week.
    [Show full text]
  • Wells Cathedral, but ‘We Had a Very Listed Building Control
    WELLS 01 PROJECT ARCHITECT: CATHEDRAL Martin Stancliffe, New entry cloister, Education and Music Purcell Miller Tritton Resource Centre, chapter house CATHEDRAL ARCHITECT: undercroft, works yard Peter Bird In some ways, the great medieval cathedrals are dinosaurs: creations of another era, fascinating, impressive and inspiring – but ill-equipped for the demands of the twenty-first century. Yet their continued significance is not to be doubted. Wells attracts some 470,000 visitors a year,170,000 of whom attend one of the 1,730 services, concerts, educational visits and other events organised by the cathedral. That’s almost five events a day, each with its own logistical demands, each attracting a different public. So it is easy to understand why the chapter at Wells had, by the late 1990s, begun to feel as if they were reaching a kind of evolutionary crossroads. There was no safe accommodation for visiting school groups, no disabled access to many areas of the cathedral church itself, and no covered route to the visitors’ toilets. The cathedral shop and restaurant occupied one walk of the medieval cloister; part of the Song School filled another. Girl choristers practised in the chapter house undercroft, which had otherwise become a large storeroom; choirs of both sexes robed here, too. Child protection legislation and the Disability Discrimination Act increased the imperative for change. The status quo was untenable. It took some time for the right solution to emerge. The first scheme was opposed by several consultees. It took all the negotiation skills of the cathedral authorities and planning advisors, including English Heritage and the CFCE, to arrive at the eventual answer – a design which balanced the building’s extraordinary significance with the needs of modern users and which was capable of attracting consent and funding.
    [Show full text]
  • Wells Cathedral, Font
    WELLS cathedral, Somerset. At Wells cathedral there is, in the south transept, a rare survivor, an Anglo-Saxon font, which was moved from the old cathedral to the new cathedral which was commenced c.1170. A background history. The church of St Andrew at Wells is reputed to have been founded in the early eighth century, by Ine, king of Wessex; but little is known of its history in the eighth and ninth centuries. Wells was known as Fontinetum in the Anglo-Saxon period. This may be a survival from the Roman name, which derives from a series of springs rising to the E of the present cathedral – one of which was dedicated to St. Andrew by the C8. The site has a complex history: sometime in the Roman period a mausoleum with a subterranean burial chamber was constructed 50m to the W of this well. Primary interments were placed into the chamber, and secondary burials were placed on the floor at ground level. In the C8 or sometime before, Christian burials were being made to the W of the structure. Later, the Roman mausoleum was dismantled and the primary burials removed, while the secondary burials were shifted into the subterranean chamber, and the remains of the structure were levelled, over which a chapel was built that contained the graves of three adults and two children, cut through the floor. To the W of this structure a nave was added, and the chapel dedicated to St Mary the Virgin. The Anglo-Saxon minster of St Andrew was built to the immediate W by 776, aligned to the chapel of St.
    [Show full text]
  • The Developing Female Chorister Voice: Case-Study Evidence of Musical Development
    The developing female chorister voice: case-study evidence of musical development David M Howard(1), Graham F Welch(2), Evangelos Himonides(2) and Matthew Owens(3) (1) Department of Electronic Engineering, Royal Holloway, University of London, UK (2)UCL Institute of Education, University College London, UK (3) Organist and Master of the Choristers of Wells Cathedral, UK Abstract The human singing voice changes throughout the lifespan and there are gender- specific variations that need to be taken into account. Life changes in terms of voice are different for females and males and this paper concentrates on the female singing voice in the context of choral singing. Case-study data from three choristers are presented relating to the changing female voice during puberty as part of a longitudinal study of female choristers in a major English Cathedral Choir School. In addition, discussion is presented on important considerations with respect to the female choral singing voice with a particular focus on specific choral aspects during rehearsals and performance. Keywords: Singing, choral, performance, chorister, girls Introduction Singing is something that provides great pleasure and satisfaction to many people, whether they sing in the privacy of their own home, sing in a choir or sing individually in public audiences [cf 1, 2]. For many such singers, singing is simply something that they can do without necessarily realising that, with some added knowledge, vocal improvements could probably be made quite readily, such as through the application of established craft knowledge and research evidence [e.g. 3, 4]. Our understanding of the way in which the human voice works in terms of its underlying anatomy and physiology, how best to ‘play’ the voice as an ‘instrument and the nature of the resulting acoustic output, has moved on hugely over the last 20– 30 years.
    [Show full text]