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Unsettling 2 3
Unsettling 2 3 Bendale neighbourhood Unsettling Basil AlZeri Lori Blondeau Duorama Terrance Houle Lisa Myers Curated by Bojana Videkanic Cover: Scarborough Bluffs 6 7 Highland Creek Contents 12 (Un)settled Histories Bojana Videkanic 36 Nourishment as Resistance Elwood Jimmy 40 Sub/urban/altern Cosmopolitanism: Unsettling Scarborough’s Cartographic Imaginary Ranu Basu 54 Scarborough Cannot Be Boxed In Shawn Micallef 88 List of Works 92 Bios 98 Acknowledgements 10 11 Gatineau Hydro Corridor 13 I am moved by my love for human life; (Un)settled Histories by the firm conviction that all the world Bojana Videkanic must stop the butchery, stop the slaughter. I am moved by my scars, by my own filth to re-write history with my body to shed the blood of those who betray themselves To life, world humanity I ascribe To my people . my history . I address my vision. —Lee Maracle, “War,” Bent Box To unsettle means to disturb, unnerve, and upset, but could also mean to offer pause for thinking otherwise about an issue or an idea. From May to October 2017, (Un)settled, a six-month-long curatorial project, took place at Guild Park and Gardens in south Scarborough, and at the Doris McCarthy Gallery at the University of Toronto Scarborough (where the exhibition was titled Unsettling), showcasing the work of Lori Blondeau, Lisa Myers, Duorama, Basil AlZeri, and Terrance Houle. The project was a multi-pronged collaboration between myself, the Department of Fine Arts at the University of Waterloo, the Doris McCarthy Gallery, Friends of the Guild, the Waterloo Archives, the 7a*11d International Performance Art Festival’s special project 7a*md8, curated by Golboo Amani and Francisco-Fernando Granados, and the Landmarks Project. -
Janet Cardiff & George Bures Miller
JANET CARDIFF & G. B. MILLER page 61 JANET CARDIFF & GEORGE BURES MILLER Live & work in Grindrod, Canada Janet Cardiff Born in 1957, Brussels, Canada George Bures Miller Born in 1960, Vegreville, Canada AWARDS 2021 Honorary degrees, NSCAD (Nova ScoOa College of Art & Design) University, Halifax, Canada 2011 Käthe Kollwitz Prize, Akademie der Künste, Berlin, Germany 2004 Kunstpreis der Stadt Jena 2003 Gershon Iskowitz Prize 2001 Benesse Prize, 49th Venice Biennale, Venice, Italy Biennale di Venezia Special Award, 49th Venice Biennale, Venice, Italy 2000 DAAD Grant & Residency, Berlin, Germany SELECTED INDIVIDUAL EXHIBITIONS 2019 Janet Cardiff & George Bures Miller, Museo de Arte Contemporaneo de Monterrey, Monterrey, Mexico 2018-2019 Janet Cardiff & Geroge Bures Miller: The Instrument of Troubled Dreams, Oude Kerk, Amsterdam, The Netherlands 2018 Janet Cardiff & George Bures Miller: The Poetry Machine and other works, Fraenkel Gallery, FRAENKELGALLERY.COM [email protected] JANET CARDIFF & G. B. MILLER page 62 San Francisco, CA FOREST… for a thousand years, UC Santa Cruz Arboretum and Botanic Garden, Santa Cruz, CA Janet Cardiff & George Bures Miller: Two Works, SCAD Art Museum, Savannah, GA 2017-18 Janet Cardiff & George Bures Miller, 21st Century Museum of Contemporary Art, Kanazawa, Japan 2017 Janet Cardiff: The Forty Part Motet, Switch House at Tate Modern, London, England; Nelson Atkins Museum of Art, Kansas City, MO; Mobile Museum of Art, Mobile, AL; Auckland Castle, Durham, England; TRAFO Center for Contemporary Art, Szczecin, Poland -
Difficulty in the Origins of the Canadian Avant-Garde Film
CODES OF THE NORTH: DIFFICULTY IN THE ORIGINS OF THE CANADIAN AVANT-GARDE FILM by Stephen Broomer Master of Arts, York University, Toronto, Canada, 2008 Bachelor of Fine Arts, York University, Toronto, Canada, 2006 A dissertation presented to Ryerson University and York University in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Joint Program in Communication and Culture Toronto, Ontario, Canada, 2015 © Stephen Broomer, 2015 Author’s Declaration I hereby declare that I am the sole author of this dissertation. This is a true copy of the dissertation, including any required final revisions, as accepted by my examiners. I authorize Ryerson University to lend this dissertation to other institutions or individuals for the purpose of scholarly research. I further authorize Ryerson University to reproduce this dissertation by photocopying or by other means, in total or in part, at the request of other institutions or individuals for the purpose of scholarly research. I understand that my dissertation may be made electronically available to the public. ii Codes of the North: Difficulty in the Origins of the Canadian Avant-Garde Film Stephen Broomer Doctor of Philosophy in Communication and Culture, 2015 Ryerson University and York University Abstract This dissertation chronicles the formation of a Canadian avant-garde cinema and its relation to the tradition of art of purposeful difficulty. It is informed by the writings of George Steiner, who advanced a typology of difficult forms in poetry. The major works of Jack Chambers (The Hart of London), Michael Snow (La Region Centrale), and Joyce Wieland (Reason Over Passion) illustrate the ways in which a poetic vanguard in cinema is anchored in an aesthetic of difficulty. -
Doris Mccarthy: a Century of Roughing It in the Bush
FEATURES / / Doris McCarthy: A Century of Roughing It in the Bush Doris McCarthy painting in Grise Fjord, Nunavut 1976 JUNE 30, 2010 BY CANADIAN ART In some trend-oriented sectors of contemporary art, hot names seem to linger for just a few days, never mind decades. And that sometimes-ckle nature of the art world makes Doris McCarthy’s creative longevity all the more impressive. On July 7, McCarthy turns 100, with a variety of exhibitions running to honour her eight-decade practice in landscape painting, plein-air process, art education and more. The largest and most important of these shows, “Doris McCarthy: Roughing It in the Bush,” takes place at McCarthy’s namesake gallery on the University of Toronto’s Scarborough campus as well as at the university’s downtown art centre. Combining rarely exhibited hard-edge abstractions from the 1960s with classic McCarthy landscapes and assorted travel ephemera, “Roughing It in the Bush” promises to present the artist’s much-loved oeuvre in a fresh and unexpected way. Independent curator Nancy Campbell, who organized “Roughing It,” certainly has a track record of highlighting vanguard qualities in overlooked or familiar-seeming bodies of work. Her projects presenting contemporary Inuit artists alongside their southern, urban counterparts have made Annie Pootoogook and Shuvinai Ashoona into deservedly well-known talents, and currently pair Ed Pien and Samonie Toonoo at the Justina M. Barnicke Gallery. No doubt Campbell’s eye for cutting-edge content in unexpected material continues in the presentation of these little-seen McCarthy abstracts. Doris McCarthy Keyhole Harbour 1965 Courtesy of the artist / photo Toni Hafkenscheid Also honouring McCarthy’s legacy is “Eight Paintings/Eight Decades,” an exhibition spanning the 1930s through to the 2000s at McCarthy’s Toronto dealer, Wynick/Tuck; a show of some other 1960s abstractions at the MacLaren Art Centre in Barrie; and an art camp and plein-air painting competition organized by Mountain Galleries in Jasper. -
Cv in Pdf Format
I N G R I D B A C H M A N N_______________________ 4003 rue Drolet , Montreal, QC H2W 2L3 514.496.0501 [email protected] www.ingridbachmann.com Born in London, Canada Lives in Montreal Represented by Art Mûr Gallery EDUCATION 1996-98 The School of The Art Institute of Chicago, Chicago, USA MA, Modern Art History, Theory and Criticism 1987-90 York University, Toronto, Canada Interdisciplinary Studies and Art History PROJECTS/SOLO EXHIBITIONS 2021 Galeria Tallerlolo, Manizales, (Cuba) 2017 Angry Work. Art Mûr Gallery, Montreal (Canada) 2015 Counterpoint. Art Mûr Gallery, Montreal (Canada) Survey exhibition that included The Portable Sublime, Pelt (Bestiary) and Symphony for 54 Shoes Pelt (Bestiary). Galerie Diagonale, Montreal (Canada) 2011 Institute of Everyday Life. La Cité internationale des arts, Paris (France) 2008 Symphony for 54 Shoes. Galerie des arts visuels, Université Laval, Quebec (Canada) 2007 Memo. Galerie D.V.O., Brussels (Belgium) Memo. La Vitrine, Montreal (Canada) 2006 Symphony for 54 Shoes. Kinetic Installation. Neutral Ground Gallery, Regina, (Canada) 2003 Digital Crustaceans. Installation and Web Project. Articule Gallery, Montreal, (Canada) The Portable Sublime. Optica Gallery, Montreal (Canada) 2001 Sonar. Site Specific Installation, with Lorraine Oades and Ana Rewakowicz, Bain St-Michel, Montreal (Canada) 2000 Fluid Exchanges and Twitching Automata. Three installation works - Interactive Still Lives, Knit One, Swim2, and Talking Walls. The Hearts Art Gallery, Oakland (USA) 1998 Interactive Still Lives. AKA Gallery, Saskatoon (Canada) 1997 Migration. Site Specific Installation, Franconia Sculpture Park, Minneapolis (USA) 1996 Talking Walls. Oboro Gallery, Montreal (Canada) 1995 Fault Lines: A Montreal and Los Angeles Link. Collaboration with Barbara Layne La Centrale Gallery, Montréal (Canada) and Side Street Projects, Los Angeles (USA) Talking Walls. -
Audio Mobilité
LOCUS SONUS Symposium #8 Audio mobilité Proceedings www.locusonus.org [Author Name] UTC LOCUS SONUS — 8th International Symposium — Audio Mobility — 16-18th of April 2014 Aix en Provence http://locusonus.org/ LOCUS SONUS 8th International Symposium AUDIO MOBILITY 16-18th of April 2014 Aix en Provence http://locusonus.org/ Scientific committee: Richard Kronland-Martinet (LMA - CNRS), Samuel Bordreuil (AMU/CNRS-LAMES), Jean- Paul Thibaud (CRESSON- CNRS), Jacques Sapiega (AMU - ASTRAM), Angus Carlyle (CRISAP), Jean Cristofol (ESAA), Peter Sinclair (ESAA - Locus Sonus), Jérôme Joy (ENSAB - Locus Sonus), Anne Roquigny (Locus Sonus), Elena Biserna, Marie Muller, Laurent Di Biase, Fabrice Métais. 3 LOCUS SONUS — 8th International Symposium — Audio Mobility — 16-18th of April 2014 Aix en Provence http://locusonus.org/ 4 LOCUS SONUS — 8th International Symposium — Audio Mobility — 16-18th of April 2014 Aix en Provence http://locusonus.org/ PROGRAMME Mercredi 16 Avril 2014 @ AMU/LAMES MMSH - Salle Duby 8h30 : Accueil 9h00 : Discours de bienvenue SESSION 1 : GPS, Geolocalisation and Soundwalks. Modérateurs : Elena Biserna & Marie Muller 9h15 Placed Sound(s). The Sound of Locative Media, Frauke Behrendt 9h45 Walking with Ghosts, François Parra 10h15 Mediated Listening Paths: Breaking the Auditory Bubble, Elena Biserna 10h45 Walking, Telling, Listening. Audio Walks, Justin Bennett 11h15 Pause 11h35 Mapping the Iceberg: An Attempt to Model the City of Aix-en-Provence as 3D Sound Mapped on a Real Space, Marie Muller 11h45 Perspectives on Sound Based Augmented Reality Theatre, Joel Cahen 12h15 De l'oreille à l'oeil. Des conditions d'une écriture située, Emmanuel Guez & Xavier Boissarie 12h45 Pause déjeuner SESSION 2 : Mobile Microphones and Remote Listening. -
Download Essay
1 GLAM NORTH GLAM NORTH Doris McCarthy and Her New Contemporaries David Clarkson Sarah Anne Johnson Colette Laliberté Angela Leach Doris McCarthy Alex McLeod Laura Millard Samonie Toonoo Robert Wiens Curated by Jennifer Rudder & Alexander Irving February 26 - April 26, 2014 Doris McCarthy Gallery, University of Toronto Scarborough CONTENTS Glam North (or South) Jennifer Rudder 5 The Trick is to Learn How to See Alexander Irving 11 List of Works 47 Acknowledgements 50 GLAM NORTH (AND SOUTH) Jennifer Rudder 6 For much of the last century, most Canadians were her Iceberg Fantasy paintings in an exhibition in largely unaware of the existence and realities of 1973. The Gallery Stratford organized an exhibition the Arctic. Huddled along the 49th Parallel in our in 1991, which toured to eleven galleries in Ontario urban and rural centres, its impact on our daily and Québec, and was instrumental in presenting lives was minimal, if not negligible. In the 1950s, and validating this body of work. [1] the Canadian Government created artist co-ops in Cape Dorset, and Innu artists were encouraged to Three of the “new contemporary” artists included learn, produce and be paid for their work in print- in this exhibition have gone on extended circum- making and carving. Artists’ works were sold to navigation tours of the Arctic or participated in specialist collectors in the south and in Canadian residencies that brought them face to face with an tourist shops, and yet there was little to no connec- iceberg or glacier. The expedition experience has tion between the people who made the art and impacted their practice and subject matter di- those who were buying it. -
Solo Exhibitions 2010 – Red Deer District Museum, Red Deer, Alberta
Jean Pederson, 4039 Comanche Rd. N.W., Calgary, Alberta, T2L0N9, [email protected] – www.jeanpederson.com - 403-289-6106 Solo Exhibitions 2010 – Red Deer District Museum, Red Deer, Alberta 2009 – Pynlogs Public Gallery, Invermere, B.C. 2007 - Birchwood Gallery, Yellowknife, Northwest Territories 2005 - Leighton Centre, Calgary, Alberta 2002 - Birchwood Gallery, Yellowknife, Northwest Territories 1998 - Unisource Gallery, Calgary, Alberta Selected Exhibitions 2010 - China International Invitational Water Media Exhibition, Jiangsu Water Color Institute 2010 – T.W.S.A. International Exhibition, Kenosha Public Museum, WI 2009 – 08,07, 06, 04, 03, 02, 01, 00- CSPWC Open water Exhibition, Toronto 2009 – Drawing Project 2009, Annette Howell Turner Center for the Arts, Valdosta, Georgia 2008 – Triangle Gallery Artist’s Circle Exhibition, Calgary, Alberta 2008 – 06, 05, 01 - A.W.S. 134th International Exhibition, Salmagundi Club, N.Y., N.Y. 2008 – C.I.P.A. International Portrait Exhibition, Calgary, Alberta 2008 - 07 – China International Invitational Water Media Exhibition, Jiangsu Water Color Institute 2007 - 05, 03,02,01,00 - C.W.S. National Exhibition, Academy of Art University Gallery, San Francisco 2007 - 06, 03 – N.W.W.S. 63rd Exhibition, Artists Gallery, Seattle 2006 - CIPA National Open Exhibition, Red Deer Museum, Red Deer 2006 – T.W.S.A. 30th International Exhibition, Elmhurst Art Museum, Elmhurst, IL 2005 - 04, 03 – Painting on the Edge, Federation Gallery, Vancouver 2004 – CIPA National Exhibition, Calgary 2004 - C.S.P.W.C. 80th Anniversary -
Winnie Truong CV Jun 15 2020
WINNIE TRUONG EDUCATION 2010 Bachelor of Fine Arts, OCAD University SOLO EXHIBITIONS 2019 Supernatural, SAW Gallery, Ottawa, ON, Canada 2019 Garden, Brucebo Konstnärshemmet, Själsö, Gotland, Sweden 2018 Perennials, VivianeArt, Calgary, AB, Canada 2017 Mother Of Pearl, Mulherin, New York, NY, USA 2016 Paper Cuts, Erin Stump Projects, Toronto, ON, Canada 2014 invisble/visible, Erin Stump Projects, Toronto, ON, Canada 2014 Rites of Passage, Galleri Benoni, Copenhagen, Denmark 2013 The Other Ends, Mulherin + Pollard, New York, NY, USA 2013 A Slow Immersion, Erin Stump Projects, Toronto, ON, Canada 2012 Double Twist, Galerie Trois Points, Montreal, QC, Canada 2011 The Fringes, Erin Stump Projects, Toronto, ON, Canada 2011 Winnie Truong, Mulherin + Pollard, New York, NY, USA 2010 The Harmless Anomalies, Show & Tell Gallery , Toronto, ON, Canada 2010 Hirsutus, Erin Stump Exhibitions at KMCAP, Toronto, ON, Canada SELECTED GROUP EXHIBITIONS 2020 Crossroads, Patel Gallery, Toronto, ON, Canada 2019 Second Skin, Glenbow Museum, Calgary, AB, Canada 2019 Terrestrial Beings, Esplanade Arts & Heritage Centre, Medicine Hate, AB, Canada 2019 Chromatic Festival, Usine C, Montreal, QC, Canada 2018 The Long And Short Of It: The Tangled History of Hair, Museum London, London, ON, Canada 2018 Multi Layered Surfaces, Nihonbashi Institute of Contemporary Art, Tokyo, Japan 2018 Multi Layered Surfaces, Prince Takamodo Gallery Embassy of Canada, Tokyo, Japan 2018 Bodies Of Work, Brilliant Champions, Brooklyn, NY, USA 2018 The Sunshine Eaters, Onsite Gallery, Toronto, ON, Canada 2017 Shaping the Future, Kallenbach Gallery, Amsterdam, the Netherlands 2017 What Is Left? What is Right?, Forest City Gallery, London, ON, Canada 2017 Paper Works, VivianeArt, Calgary, AB, Canada 2017 Muscle Memory, Athen B. -
Shary Boyl CV Jun 11 2020
SHARY BOYLE SOLO EXHIBITIONS & COLLABORATIONS 2012 Outside the Palace of Me, Gardiner Museum, Toronto, ON, Canada 2020 White Elephant, CAFKA, Kitchener-Waterloo, ON, Canada 2019 Face of the Deep, with Shuvinai Ashoona and Rajni Perera, PATEL Gallery, Toronto, ON, Canada 2018 Kabuki-za, The Gardiner Museum, Toronto, ON, Canada 2018 The Illuminations Project, with Emily Vey Duke. Art Gallery of Nova Scotia, Halifax, NS, Canada 2017 Slipper, with Ambera Wellman. Suzanne Biederberg Gallery, Amsterdam, the Netherlands 2017 The Smile at the Bottom of the Ladder, Galerie 3, Quebec City, PQ, Canada 2017 Scarecrow, MacKenzie Art Gallery, Regina, SK, Canada 2015 Universal Cobra, with Shuvinai Ashoona. PFOAC, Montreal, PQ, Canada 2014 Illuminations Project, with Emily Vey Duke. Oakville Galleries, Oakville, ON, CA 2013 Music for Silence, Canada Pavilion, 55th Venice Biennale, ITA 2012 Buttermint Equilux, Louis Vuitton Maison, Toronto, ON, CA 2012 Stranger, Jessica Bradley Gallery, Toronto, ON, CA 2012 Canadian Artist, BMO Project Room, Toronto, ON, CA 2012 The Illuminations Project, Institute of Contemporary Art, Philadelphia, US 2010 Shary Boyle: Flesh and Blood, Art Gallery of Ontario, Toronto; Galerie de l’UQAM. Montreal, PQ (2011); Contemporary Art Gallery, Vancouver, BC (2011) 2009 Moon Hunter, Fumetto Festival, Lucerne, CHE 2009 The Cave, Jessica Bradley Art + Projects, Toronto, ON, CA 2008 The History of Light, Southern Alberta Art Gallery, Lethbridge, AB, CA 2007 The Clearances, Space Gallery, London, UK 2007 Wonderlust, Jessica Bradley Art -
Pederson C V 2013 November
JEAN PEDERSON 4039 Comanche Rd. N.W., Calgary, Alberta, T2L0N9 www.jeanpederson.com 403-289-6106 [email protected] SOLO EXHIBITIONS 2011 – Centre 64 Public Gallery, Kimberley, B.C. 2011 – Estevan Art Gallery and Museum, Estevan Saskatchewan 2010 – Red Deer District Museum, Red Deer, Alberta 2010 – The Avens Gallery, Canmore, Alberta 2009 – Pynlogs Public Gallery, Invermere, B.C. 2007 - Birchwood Gallery, Yellowknife, Northwest Territories 2005 - LEIGHTON CENTRE, CALGARY, ALBERTA 2002 - Birchwood Gallery, Yellowknife, Northwest Territories 1998 - Unisource Gallery, Calgary, Alberta SELECTED GROUP EXHIBITIONS 2013 – 12, 11,10, 09, 08, 07, 06, 04, 03, 02, 01, 00- CSPWC Open water Exhibition, Toronto 2012 – Group Exhibition, F.C.A. Gallery, Vancouver, B.C. 2012 – Pennsylvania Watercolor Society State Museum of Pennsylvania, Harrisburg, PA 2012 – China International Invitational Water Media Exhibition, Jiangsu Water Color Institute 2011 – C.W.A. National Exhibition, Gallery Concord, Concord CA 2010 – C.I.P.A. International Portrait Exhibition, Mount Royal University, Calgary, Alberta 2010 - China International Invitational Water Media Exhibition, Jiangsu Water Color Institute 2010 – T.W.S.A. International Exhibition, Kenosha Public Museum, WI 2009 – Drawing Project 2009, Annette Howell Turner Center for the Arts, Valdosta, GA 2008 – Triangle Gallery Artist’s Circle Exhibition, Calgary, Alberta 2008 – 06, 05, 01 - A.W.S. 134th International Exhibition, Salmagundi Club, N.Y., N.Y. 2008 – C.I.P.A. International Portrait Exhibition, Calgary, Alberta 2008 - 07 – China International Invitational Water Media Exhibition, Jiangsu Water Color Institute 2007 - 05, 03,02,01,00 - C.W.S. National Exhibition, Academy of Art University Gallery, San Francisco 2007 - 06, 03 – N.W.W.S. -
Curriculum Vitae
CURRICULUM VITAE SIMONE JONES www.simonejones-studio.com [email protected] Exhibitions (solo) 2018 Simone Jones | Gord Peteran (collaboration), 12 Degrees, Toronto, Ontario 2016 Warden & McNicoll, Doris McCarthy Gallery, University of Toronto Scarborough, Scarborough, Ontario 2014 Within Distance, Christopher Cutts Gallery, Toronto, Ontario All That Is Solid, The Reach Gallery Museum, Abbotsford, British Columbia 2013 Within Distance, The Doris McCarthy Gallery, University of Toronto Scarborough, Scarborough, Ontario All That Is Solid, The Thames Art Gallery, Chatham, Ontario All That Is Solid, Rodman Hall Art Centre, St. Catharines, Ontario 2012 All That Is Solid, The Robert McLaughlin Gallery, Oshawa, Ontario End of Empire. (collaboration with Lance Winn), The IceBox, Crane Arts Center, Philadelphia, Pennsylvania 2011 Simone Jones, Ronald Feldman Fine Arts, New York, New York 2007 Knock, (collaboration with Lance Winn), Plan B, The Walter Phillips Gallery The Banff Centre, Banff, Alberta 2001 Displacement, Regina Gouger Miller Gallery, Pittsburgh, Pennsylvania 2000 Clear and Present Danger, Galerie Clark, Montréal, Québec 1999 Flux, Centre des Artes Contemporains du Québec à Montréal, Montréal, Québec 1998 New Work, The Red Head Gallery, Toronto, Ontario Exhibitions (group) 2020 Rescue, featured in Canadian Forces Artist Program – Group 8, Canadian War Museum, Ottawa, Ontario 2018 Perfect Vehicle, featured in Art & Bike, Cui Zhen Kuan Art Museum, X’ian, China 2017 Perfect Vehicle, featured in Into the Landscape, curated by Jenifer