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January 2021
JANUARY 2021 1 FRIDAY 8:30 Poldark Season 3 On Masterpiece "Season MON-FRI DAYTIME SCHEDULE 3, Episode: Four" With Dwight languishing 7:00 Washington Week in a French prison, Ross takes a desperate All programming subject to change 7:30 Articulate with Jim Cotter "Drawing gamble. Meaning from Life" a.m. morning p.m. afternoon/evening 9:40 Poldark Season 3 On Masterpiece "Season 8:00 Great Performances "From Vienna: The a = Rocky Mountain PBS original program 3, Episode: Five" Frogs drive George to the New Year's Celebration 2021" Ring in 2021 (Date) = shown on this date only breaking point, leading him to set a trap for with host Hugh Bonneville joined by guest Drake. 4:30 Rick Steves' Europe conductor Riccardo Muti and the Vienna 10:45 Poldark Season 3 On Masterpiece Philharmonic performing a festive selection 5:00 Wai Lana Yoga "Season 3, Episode: Six" Rev. Whitworth of Strauss Family waltzes. 5:30 Classical Stretch: By Essentrics puts Morwenna through the tortures of the 9:30 Poldark On Masterpiece "Part One" After damned. 6:00 Molly of Denali fighting for England in the American 6:30 Wild Kratts Revolution, Poldark returns home to 7:00 Hero Elementary Cornwall and finds wrenching change. He 7:30 Xavier Riddle and the Secret Museum loses one close friend and gains another. 3 SUNDAY 8:00 Colorado Classroom: Learn with Me 10:30 Poldark On Masterpiece "Part Two" 12:00 Poldark Season 3 On Masterpiece "Season at Home Determined to open his risky copper mine, 3, Episode: Seven" 10:00 Sesame Street Poldark seeks backers. -
About Endgame
BBC FILMS and ENDGAME ENTERTAINMENT present AN EDUCATION A SONY PICTURES CLASSICS RELEASE Directed by LONE SCHERFIG Produced by FINOLA DWYER and AMANDA POSEY a FINOLA DWYER PRODUCTIONS / WILDGAZE FILMS Production Screenplay by NICK HORNBY adapted from a memoir by Lynn Barber Starring PETER SARSGAARD OLIVIA WILLIAMS CAREY MULLIGAN EMMA THOMPSON ALFRED MOLINA CARA SEYMOUR DOMINIC COOPER MATTHEW BEARD ROSAMUND PIKE SALLY HAWKINS *Official Selection: 2009 Sundance Film Festival *Winner - Audience Award, World Cinema Dramatic Competition, 2009 Sundance Film Festival *Winner - Cinematography Award, World Cinema Dramatic Competition, 2009 Sundance Film Festival East Coast Publicity West Coast Publicity Distributor IHOP Public Relations Block‐Korenbrot PR Sony Pictures Classics Jeff Hill Melody Korenbrot Carmelo Pirrone Jessica Uzzan Rebecca Fisher Lindsay Macik 853 7th Ave, 3C 110 S. Fairfax Ave, #310 550 Madison Ave New York, NY 10019 Los Angeles, CA 90036 New York, NY 10022 Tel : 212‐265‐4373 Tel : 323‐634‐7001 Tel : 212‐833‐8833 INTRODUCTION AN EDUCATION is the story of a teenage girl’s coming-of-age, set in Britain in the early 1960s on the cusp of the strait-laced, post-war period and the free-spirited decade to come. Directed by award-winning Danish filmmaker Lone Scherfig (Wilbur Wants to Kill Himself, Italian for Beginners) from a screenplay by Nick Hornby (High Fidelity, About a Boy) AN EDUCATION was adapted from a memoir by journalist Lynn Barber, which originally appeared in the literary magazine Granta. AN EDUCATION stars Peter Sarsgaard (Boys Don’t Cry, Kinsey, Shattered Glass), Carey Mulligan (Pride & Prejudice), Alfred Molina (Spiderman 2, Frida), Dominic Cooper (Mamma Mia!, The History Boys), Rosamund Pike (Fracture, Die Another Day), Cara Seymour (American Psycho, Gangs of New York), Olivia Williams (Rushmore, The Sixth Sense), Sally Hawkins (Happy-Go-Lucky (Golden Globe Winner)), and Emma Thompson (Last Chance Harvey, Primary Colors, Sense and Sensibility). -
Umbrella Stand 2014
UMBRELLA STAND 2014 UK FILM CENTRE, STAND 1D-A13, FILMART, HALL 1, HONG KONG CONVENTION AND EXHIBITION CENTRE, 1 HARBOUR ROAD, WANCHAI, HONG KONG VISIT: WEAREUKFILM.COM standard and improve customer service stars Elena Anaya [THE SKIN I LIVE IN] and Our bestselling titles have tackled the world Titles include; “RETREAT” starring Cillian UK FILM by listening to customer feedback. SALES Emily Browning [POMPEII, SUCKER PUNCH]. of marine park entertainment , Blackfish, Murphy, Thandie Newton and Jamie Bell We also have a co-ordination role across Shoots October 2014 in Buenos Aires. taken on the international modelling (Sony USA/UK), “THE ROMANTICS” ORGANISATIONS government to establish a more systematic COMPANIES INTO THE FOREST - an apocalyptic/eco industry Girl Model, and featured a modern starring Katie Holmes, Josh Duhamel and approach to relationships with companies drama from director Patricia Rozema icon How Much Does Your Building Weigh, Anna Paquin (Paramount USA), “COCKNEYS which are the most economically significant ALTITUDE FILM ENTERTAINMENT [MANSFIELD PARK], starring Ellen Page Mr Foster? and one of the most prominent VS ZOMBIES” (Studiocanal UK/Germany) BRITISH FILM INSTITUTE investors and exporters. Attending: [X-MEN, INCEPTION, JUNO] and Evan Rachel contemporary artists alive today Marina and animation titles “THE REEF”(TWC) The BFI is the UK’s lead organisation for the Wood [THE IDES OF MARCH, WHATEVER Abramovic: The Artist is Present. “GARFIELD PET FORCE 3D” (Fox) and the cultural, creative and economic aspects of Vicki Brown, International Sales Executive For further information please visit: Email: [email protected] WORKS], from the producer of NOVEMBER award-winning “A LIAR’S AUTOBIOGRAPHY” film, and through the BFI Film Fund invests www.ukti.gov.uk/home MAN. -
HH Gaffney Dmitry Gorenburg
CIM D0012804.A3/1Rev August 2005 CNA’s Russia Program, 1991-2004: A Valedictory H. H. Gaffney Dmitry Gorenburg Contents Summary.............................................................................................................1 Key Themes from Our Dialogues with the Russians..............................................................................................5 Fear of Humiliation ...................................................................................5 Perceptions of U.S.-Russian Relations ......................................................6 The Future of the Russian Navy ................................................................7 The Future of Nuclear Weapons and Arms Control................................9 Russian Military Reform ..........................................................................10 NATO Enlargement and NATO-Russian relations ................................11 Economic Issues.......................................................................................12 New Security Concerns: The Far East and Terrorism............................12 But what about Russia itself? ...................................................................13 The Seminars and Other Discussions Between the Center For Naval Analyses (CNA) and The Institute For USA and Canada Studies Of The Russian Academy Of Sciences (ISKRAN) .......................................................................................................15 The Inaugural Visit to Russia ..................................................................15 -
The Cognitive Dimension--" Edge of Darkness."
DOCUMENT RESUME ED 294 529 IR 013 074 AUTHOR McGuigan, Jim TITLE The Cognitive Dimension--"Edge of Darkness." PUB DATE Jul 86 NOTE 21p.; Paper presented at the International Television Studies Conference (London, England, July 10-12, 1986). PUB TYPE Information Analyses (070) -- Speeches/Conference Papers (150) EDRS PRICE MF01/PC01 Plus Postage. DESCRIPTORS Broadcast Industry; Capitalism; *Cognitive Proceuses; Content Analysis; Cultural Influences; Dramatics; Fiction; Foreign Countries; Information Technology; Mass Media; *Modernism; *Naturalism; *Programing (Broadcast); *Realism; Social Structure; Television Research IDENTIFIERS Marx (Karl); *United Kingdom ABSTRACT This paper discusses the cognitive effect of a highly successful 1985 British television program, "Edge of Darkness," which was viewed by millions and received critical plaudits and the accolade of the industry itself. The program is shown to represent a significant television event for formal and cognitive reasons that can usefully be related to the politics of television fiction and postmodern culture. Before describing the program in detail, the relevance of situating it within this broader framework is outlined, i.e., how cognition works in relation to the story's discursive process. The specific qualities of Edge of Darkness are clarified by considering the text itself and why and how it was made. The program is identified as postmodernist stylistically because it: (1) moved to and fro between the lo;ic of realism/naturalism and a kind of modernist reflexivity; (2) explored complex psychic and political depths; (3) dealt with the concept of mapping; and (4) wove a number of themes (the "back story") into an engaging fiction. The knowledge and understanding the program generated is analyzed by situating the text in its contexts of consumption and production. -
Ep 1 LILAC Shooting Script 29 03 07 Title Page
(Name of Project) by (Name of First Writer) (Based on, If Any) Revisions by (Names of Subsequent Writers, in Order of Work Performed) Current Revisions by (Current Writer, date) Name (of company, if applicable) Address Phone Number AB1 INT. RESEARCH LABORATORY (TEHRAN) - DAY AB1 * A biological research laboratory. White, shining, sterile. * Two SCIENTISTS are working on equipment. * Without warning the lights go off. * The scientists panic. * Immediately they pick up torches and shine them into the * glass where we see the centifrugal spinner slow and stop. * Instinctively they turn their torches to a flask attached to * a rotary evaporator. Because of the lost power, its grip * loosens and the flask drops off and cracks on the floor. And * from within the flask we see the vial, with a green liquid, * spilling out of it. * One of the scientists - Ebrahim - stares at it in horror. * Then we see the vial again. There is a vapour haze coming off * it. Similar to one we will see coming from Asnik’s suitcase * after the train crash. * Ebrahim hits the extractor fan. * The other scientist panics as he hits the alarm. * AA1 INT. RESEARCH LABORATORY (TEHRAN) - DAY AA1 * 17 hours later. On a bench near an ELECTRON MICROSCOPE lies a * GLASS VIAL. We see the BIOHAZARD sign. * On the floor lies the TWISTED CORPSE of the IRANIAN * SCIENTIST. His fingers and neck BLACKENED BY LESIONS. BLOOD * pooling on the white floor - coughed up in his death agony. * EBRAHIM - blood round his mouth, blackened fingers - stands * at an OBSERVATION WINDOW. * On the other side of the glass, in civvies, stands MEHAN * ASNIK. -
After the Butler Report: Time to Take on the Group Think in Washington and London
After the Butler Report: time to take on the group think in Washington and London Ian Davis and Andreas Persbo Basic Papers – occasional papers on international security policy, 1 July 2004 Key Points • The Butler report found intelligence evidence stretched to the “outer limits” and (like the US Senate Intelligence Committee) attributed failings to “group think” rather than individuals. • This paper confirms that many of the symptoms associated with ‘group think’ do appear to be prevalent in the way intelligence was handled by British agencies and Downing Street. • Such errors may have been avoided by a few simple precautionary steps, such as encouraging analysts to be critical evaluators of the intelligence; setting up ‘devils advocate’ sub-groups to criticise the main intelligence findings; more diversity in the ‘group’ (especially among the Joint Intelligence Committee and the Downing Street inner-circle); and encouragement of the presentation of a minimum of three interpretations and a minimum of three arguments for and against each interpretation. • US-UK ‘group think’ also appears to be shaping the wider contemporary security threat (the alleged nexus between international terrorism, WMD proliferation and failing states) and the US-led policy response. This could be resulting in errors of judgement, particularly in the ‘war on terror’, that may compound the policy mistakes in Iraq. • Recommendations: — Acknowledge past mistakes — Learn the right lessons — Review the role of intelligence — Bring the spooks out of the shadows — Re-examine the doctrine of pre-emption — Return UN inspectors to Iraq — Create a permanent international cadre of inspectors — Support multilateral and international law-based solutions to WMD proliferation — Think about WMD closer to home Introduction The justification for the US-led military intervention in Iraq has once again been brought into the media spotlight with the publication of the reports of the Butler Inquiry (July 14) and US Senate Intelligence Committee (9 July).