Exploring Paris Paris
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Observing Protest from a Place
VISUAL AND MATERIAL CULTURE, 1300-1700 Knox Giles Knox Sense Knowledge and the Challenge of Italian Renaissance Art El Greco, Velázquez, Rembrandt of Italian Renaissance Art Challenge the Knowledge Sense and FOR PRIVATE AND NON-COMMERCIAL USE AMSTERDAM UNIVERSITY PRESS Sense Knowledge and the Challenge of Italian Renaissance Art FOR PRIVATE AND NON-COMMERCIAL USE AMSTERDAM UNIVERSITY PRESS Visual and Material Culture, 1300–1700 A forum for innovative research on the role of images and objects in the late medieval and early modern periods, Visual and Material Culture, 1300–1700 publishes monographs and essay collections that combine rigorous investigation with critical inquiry to present new narratives on a wide range of topics, from traditional arts to seemingly ordinary things. Recognizing the fluidity of images, objects, and ideas, this series fosters cross-cultural as well as multi-disciplinary exploration. We consider proposals from across the spectrum of analytic approaches and methodologies. Series Editor Dr. Allison Levy, an art historian, has written and/or edited three scholarly books, and she has been the recipient of numerous grants and awards, from the Nation- al Endowment for the Humanities, the American Association of University Wom- en, the Getty Research Institute, the Dumbarton Oaks Research Library of Harvard University, the Whiting Foundation and the Bogliasco Foundation, among others. www.allisonlevy.com. FOR PRIVATE AND NON-COMMERCIAL USE AMSTERDAM UNIVERSITY PRESS Sense Knowledge and the Challenge of Italian Renaissance Art El Greco, Velázquez, Rembrandt Giles Knox Amsterdam University Press FOR PRIVATE AND NON-COMMERCIAL USE AMSTERDAM UNIVERSITY PRESS This book was published with support from the Office of the Vice Provost for Research, Indiana University, and the Department of Art History, Indiana University. -
Spring Break in Paris
Spring Break in Paris Friday, March 21st to Sunday, March 30th, 2014 What you’ll do . Friday, March 21st – You’ll depart from Huntsville or Nashville International Airport bound for Europe. Usually there is a stop in one of the major cities of the east coast in order to catch your trans-Atlantic flight to Paris. Saturday, March 22nd – After flying through the night, you’ll land at Charles de Gaulle International Airport. After collecting your luggage and passing through customs, you’ll transfer into the city, usually by train. On evening one, there’s a short time for resting and refreshing at the hotel before heading out into the city for dinner and some sightseeing. You will ascend the 58-story Tour Montparnasse for the best views of Paris as the sun goes down and the lights come on in the city. Sunday, March 23rd– You’ll visit the Royal Palace of Versailles, just outside of Paris. In addition to touring the palace itself, you’ll want to visit the gardens, since Sunday is the only day the world-famous fountains are turned on. You will also have the opportunity to visit the Grand and Petit Trianon, small palaces built by the king on the grounds of Versailles in order to escape the pressures of palace life. Also not to be missed is the village-like hameau of Marie Antoinette. Later, you’ll head back to Paris for dinner and a visit to the Sacré-Coeur Basilica in Montmartre, the bohemian quarter of Paris. In Montmartre, you’ll also visit the Place du Tertre, where an artist will paint your portrait for a price. -
Teffont 38 Amanda Hall Rare Books
TEFFONT 38 AMANDA HALL RARE BOOKS Home Farmhouse Teffont Evias Wiltshire SP3 5RG England Tel: + 44 (0) 1722 717944 Fax: + 44 (0) 1722 717959 Email: [email protected] Cover design taken from 30 Dorat, Les Plaisirs de l’Amour. Frontispiece & final vignette from 90 Senneterre, Nouveaux Contes des Fées. All books are sent on approval and may be returned for any reason within ten days of receipt. Any items returned must be insured for the invoiced value. All books remain the property of the seller until payment has been received in full. EC customers who are registered for VAT should quote their VAT number when ordering. VAT number GB 685 384 980 Enlightenment: Femmes & Philosophes including books from a private collection AMANDA HALL RARE BOOKS 2016 This is the first of several catalogues to include books from the library of Claude Lebédel. A voracious collector of Diderot and his circle, he had an eye for the exceptional and the esoteric, eagerly pursuing little known works, interesting provenances and unusual bindings alongside the masterpieces of the philosophes. This catalogue presents a selection of these books, the often outlandish and eccentric publications that formed the backdrop to the great philosophical upheaval of the Age of Enlightenment. The majority of books in this catalogue are ‘les petits textes du XVIIIe siècle’: the forbidden best-sellers, the books by and about women, the forgotten sallies against the ancien régime, the libertine novels and fairy tales (some ‘très libres’), the ‘self-help’ titles and many curious and little known ‘livres facétieux et galants’. Alongside great works by Diderot, Voltaire and Rousseau are lesser known titles by Restif, Mirabeau, La Mettrie, Sylvain Maréchal and the comte de Caylus. -
Angkor Redux: Colonial Exhibitions in France
Angkor Redux: Colonial Exhibitions in France Dawn Rooney offers tantalising glimpses of late 19th-early 20th century exhibitions that brought the glory of Angkor to Europe. “I saw it first at the Paris Exhibition of 1931, a pavilion built of concrete treated to look like weathered stone. It was the outstanding feature of the exhibition, and at evening was flood-lit F or many, such as Claudia Parsons, awareness of the with yellow lighting which turned concrete to Angkorian kingdom and its monumental temples came gold (Fig. 1). I had then never heard of Angkor through the International Colonial Exhibitions held in Wat and thought this was just a flight of fancy, France in the late nineteenth and early twentieth centuries a wonder palace built for the occasion, not a copy of a temple long existent in the jungle of when French colonial presence in the East was at a peak. French Indo-China. Much earlier, the Dutch had secured domination over Indonesia, the Spanish in the Philippines, and the British But within I found photographs and read in India and Burma. France, though, did not become a descriptions that introduced me to the real colonial power in Southeast Asia until the last half of the Angkor and that nest of temples buried with it nineteenth century when it obtained suzerainty over Cam- in the jungle. I became familiar with the reliefs bodia, Vietnam (Cochin China, Tonkin, Annam) and, lastly, and carved motifs that decorated its walls, Laos. Thus, the name ‘French Indochina’ was coined not and that day I formed a vow: Some day . -
CHAMPS-ELYSEES ROLL OR STROLL from the Arc De Triomphe to the Tuileries Gardens
CHAMPS-ELYSEES ROLL OR STROLL From the Arc de Triomphe to the Tuileries Gardens Don’t leave Paris without experiencing the avenue des Champs-Elysées (shahnz ay-lee-zay). This is Paris at its most Parisian: monumental side- walks, stylish shops, grand cafés, and glimmering showrooms. This tour covers about three miles. If that seems like too much for you, break it down into several different outings (taxis roll down the Champs-Elysées frequently and Métro stops are located every 3 blocks). Take your time and enjoy. It’s a great roll or stroll day or night. The tour begins at the top of the Champs-Elysées, across a huge traffic circle from the famous Arc de Triomphe. Note that getting to the arch itself, and access within the arch, are extremely challenging for travelers with limited mobility. I suggest simply viewing the arch from across the street (described below). If you are able, and you wish to visit the arch, here’s the informa- tion: The arch is connected to the top of the Champs-Elysées via an underground walkway (twenty-five 6” steps down and thirty 6” steps back up). To reach this passageway, take the Métro to the not-acces- sible Charles de Gaulle Etoile station and follow sortie #1, Champs- Elysées/Arc de Triomphe signs. You can take an elevator only partway up the inside of the arch, to a museum with some city views. To reach the best views at the very top, you must climb the last 46 stairs. For more, see the listing on page *TK. -
Kings and Courtesans: a Study of the Pictorial Representation of French Royal Mistresses
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 2008 Kings and Courtesans: A Study of the Pictorial Representation of French Royal Mistresses Shandy April Lemperle The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Lemperle, Shandy April, "Kings and Courtesans: A Study of the Pictorial Representation of French Royal Mistresses" (2008). Graduate Student Theses, Dissertations, & Professional Papers. 1258. https://scholarworks.umt.edu/etd/1258 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. KINGS AND COURTESANS: A STUDY OF THE PICTORIAL REPRESENTATION OF FRENCH ROYAL MISTRESSES By Shandy April Lemperlé B.A. The American University of Paris, Paris, France, 2006 Thesis presented in partial fulfillment of the requirements for the degree of Master of Arts in Fine Arts, Art History Option The University of Montana Missoula, MT Spring 2008 Approved by: Dr. David A. Strobel, Dean Graduate School H. Rafael Chacón, Ph.D., Committee Chair Department of Art Valerie Hedquist, Ph.D., Committee Member Department of Art Ione Crummy, Ph.D., Committee Member Department of Modern and Classical Languages and Literatures Lemperlé, Shandy, M.A., Spring 2008 Art History Kings and Courtesans: A Study of the Pictorial Representation of French Royal Mistresses Chairperson: H. -
Table of Contents
editorial note index amber 832, 1028 American Dream 753 American Institute of Architects “a major modification of the human organism, 21 Club 601, 697 (AIA) 106, 150, 695, 816, 858, 869, 1066, namely its ability to pay attention, occurred when 3D printing 114, 159, 1449 2159, 2277 a major cultural innovation, domestication, was 9/11 676, 685, 844, 918–919, 1382, 1387, American Restroom Association adopted. … the house … should be viewed as 1760–1761, 2130 641, 695, 1646 Aalto, Alvar 639, 762, 772–773, 859 American Society of Heating a technical and cognitive instrument, a tool for aboriginal 1058, 1430 Refrigeration and Air Conditioning thought as well as a technology of shelter.” Abraj Al-Bait tower, Mecca 703, 786 Engineers 814, 825, 858 absolutism 900–901 American Society of Mechanical — Peter J. Wilson, The Domestication of Abu Dhabi 125, 480, 537, 1047, 1430, Engineers 290, 380, 2041, 2117 1551, 2288 American Standard 785, 1601, 1624, the Human Species (Yale, 1988). Acconci, Vito 59, 63 1673, 1675, 1680, 2279, 2281, 2286 Ackerman, James 898, 2333 American Standards Association 183 When our species domesticated itself – started acoustics 150, 203, 223, 260–261, Americans with Disabilities Act, living in permanent dwellings rather than 264–265, 267–269, 272, 274, 279, 304, 1990 1648, 1721, 1764 temporary encampments – architecture remade 348, 352, 360, 380, 485, 825, 1150 Ammannati, Bartolomeo 1936, 1963 Acropolis 900 amphitheater 1094, 1166, 1247, 2136, our sensory world in a revolution never seen acrylic 813, 842, 949, 1016, 1394 -
Table Des Matières Introduction
TABLE DES MATIÈRES INTRODUCTION G BALADES INSOLITES À PARIS ........................................................................... 15 LE PARIS GALLO-ROMAIN G BALADE No 1 .................................. 18 musée de Cluny • Les arènes de • La crypte archéologique de Lutèce Notre-Dame • Les thermes du LE PARIS MÉDIÉVAL : ÎLE DE LA CITÉ ET RIVE GAUCHE G BALADE No 2 .................................. 23 chapelle du collège de Dormans- • La Conciergerie • La Sainte- Beauvais • La rue Galande et Chapelle • Le parvis et la crypte l’église Saint-Julien-le-Pauvre archéologique de Notre-Dame • L’église Saint-Séverin • La cha- • Notre-Dame • Les rues alen- pelle des Mathurins • Le musée tour et le pont de l’Archevêché national du Moyen Âge • Le jardin • Le collège des Bernardins • La médiéval • Le couvent des Cor- rue du Cardinal-Lemoine • Les deliers • La cour du Commerce- vestiges de l’enceinte de Philippe Saint-André • Le passage Dau- Auguste • Le lycée Henri-IV et phine, la rue Mazarine et l’abbaye l’abbaye Sainte-Geneviève • La de Saint-Germain-des-Prés LE PARIS MÉDIÉVAL : RIVE DROITE G BALADE No 3 .................................. 32 Saint-Martin-des-Champs et le • La place du Châtelet et le théâtre Conservatoire national des arts de la Ville, la tour Saint-Jacques et métiers : l’ancien réfectoire • L’église Saint-Merri • L’église et la collégiale • La maison de Saint-Germain-l’Auxerrois • Le la rue Volta et l’hôtel de Clisson Louvre médiéval • Les vesti- • La rue des Francs-Bourgeois ges de l’enceinte de Philippe et l’impasse des -
Panthéon Et La Construction D’Un Arc De Triomphe À La E 1810 : À L’Occasion Des Cérémonies De Mariage De Gloire De La Grande Armée
DOSSIER ENSEIGNANT Arc de triomphe de l’Étoile L’arc de triomphe de l’Étoile, dont la construction fut ordonnée par Napoléon Ier en 1806 en l’honneur des armées impériales, fut achevé sous le règne de Louis-Philippe en 1836. L’architecte Chalgrin s’ins- pira des arcs antiques pour en élaborer les plans. À travers son histoire, son architecture, ses inscriptions, ses sources d’inspiration et ses sculptures, l’élè- ve perçoit la fonction symbolique de l’Arc. S’il célèbre toujours le triomphe des armées françaises de la Révolution à nos jours, sa signification a toutefois évolué depuis le XIXe siècle. Il occupe aujourd’hui une place de premier plan dans la vie civique et civile. Abordant l’histoire des XIXe et XXe siècles, l’ur- banisme, l’éducation civique ou encore les arts plastiques, l’étude du monument répond aux exigences de l’interdisciplinarité. Ce dossier enseignant reprend de manière didactique ces différents axes de travail, précise les objectifs pédagogiques et prépare la visite du monument. La construction : du projet napoléonien 1 à l’inauguration sous Louis-Philippe OBJECTIFS Faire de Paris la plus belle ville du monde Champagny le jour de la fête de l’Empereur, organi- sée pour son anniversaire, alors qu’aucun projet défi- m situer le monument e 1806 : de retour d’Austerlitz e où il a vaincu les nitif n’a encore été adopté. dans le temps Austro-Russes, Napoléon Ier souhaite faire de Paris la e 1807 : le premier projet est présenté à Napoléon. Il m établir des liens plus belle ville du monde. -
Marketing at the Museum
FRANCE Marketing at the Museum BY ZOÉ COSSON To celebrate the thirtieth anniversary of the Louvre Pyramid by (recently deceased) archi- tect Ieoh Ming Pei, the museum joined forces with Airbnb for a kind of sweepstake. To- gether they offer a winning couple the chance to drink an aperitif alongside the Mona Lisa and dine before the Venus de Milo before curling up in bed in one of the museum rooms. It’s all part of a new era in experiential marketing. It is nothing new, or rare, to privatize the galleries of the Musée du Louvre, hundreds of movies are shot there each year. However skepticism, even criticism of the Louvre is moun- ting, for instance by other international museums, in a collective questioning of conservation ethics, notably when it comes to the spiritual protection of artworks. Indeed, conservation implies protecting pieces from physical alterations but also from moral ones. In this light, it is valid to analyze the relationships nurtured by public cultural institutions with corporations or private interests. After granting permission for the controversial video shoot Apeshit by Beyoncé and JAY-Z, where the singer can be seen dancing in front of masterpieces, the Louvre also opened its doors to the French televised game show Questions pour un champion in August 2018. The show attracted 1,5 million French viewers, whereas the Apeshit video had over 160 million views. For the biggest museum in the world, it’s an easy calculation: use media to increase visibility, update its image and diversify clientele. Essentially, the former residence of French kings seems ready today to do anything that will draw numbers, abandoning the arts in support of the tourism and cultural industries. -
LATERAN IV to IGNORANTIA SACERDOTUM by Andrew B
TEACHING THE CREED AND ARTICLES OF FAITH IN ENGLAND: LATERAN IV TO IGNORANTIA SACERDOTUM By Andrew B. Reeves A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Centre for Medieval Studies University of Toronto © Copyright by Andrew B. Reeves 2009 Abstract Title: Teaching the Creed and Articles of Faith in England: Lateran IV to Ignorantia sacerdotum Submitted by: Andrew B. Reeves Degree: Doctor of Philosophy (2009) Department: Medieval Studies, University of Toronto This study examines how English laypeople and clergy of lower ranks were taught the basic principles of Christian doctrine as articulated in the Apostles‘ Creed and Articles of Faith. Chapter one addresses the theological and historical background. Over the course of the twelfth century, school-based theologians came to place an increasing emphasis on faith as a cognitive state while at the same time moral theologians sought to make sure that all Christians had a basic participation in the life of the Church. These trends led to an effort by the Church as an institution to make sure that all Christians had at least a basic understanding of the Christian religion. Chapter two examines how the episcopate carried out a drive to ensure this basic level of understanding through the venues of councils, synods, and deanery and archdeaconry meetings. In all three of these venues, the requirements of making sure the laity know the Creed and Articles of Faith were passed on to parochial clergy, and through these clergy to the laity. Chapter three concerns one particular aspect of presenting the basics of doctrine to the laity, viz., preaching. -
Victor Hugo's Paris J-Term Course in Paris, France, 2019
Victor Hugo’s Paris J-Term course in Paris, France, 2019 (ISHU 3720) BIS Program, School of Continuing and Professional Studies December 28, 2018-January 10, 2019 Syllabus DRAFT NB: Details may change because of specialists’ availability, site openings, weather or text availability. Program Director & Instructor: Marva Barnett Professor Emeritus (formerly professor at the UVA Center for Teaching Excellence and in the Drama and French Departments) Important Contact Info Marva Barnett’s cell in France: US cell: TBA Assistant’s US cell in France: TBA “To study in Paris is to be born in Paris!” « Étudier à Paris, c’est être né à Paris! » ― Victor Hugo, Les Misérables I, 3, ii “Whoever contemplates the depths of Paris is seized with vertigo. Nothing is more fantastic, nothing is more tragic, nothing is more superb.” « Qui regarde au fond de Paris a le vertige. Rien de plus fantasque, rien de plus tragique, rien de plus superbe. » ― Victor Hugo, Introduction to Paris-Guide, Part III, 1867 “To stray is human; to saunter is Parisian.” « Errer est humain, flâner est parisien. » ― Victor Hugo, Les Misérables III, 4, i Note: To get Hugo’s joke, you need to understand the French pun. “Errer” means both “to err” and “to stray, or get lost” and “errer est humain“ is as familiar as our “to err is human.” Course Description: One might argue, as slate.fr has, that Victor Hugo is Paris. A great Romantic poet and world-renowned novelist and social-justice fighter, Victor Hugo dominated nineteenth-century Paris. Students taking this BIS-affiliated J-Term course, “Victor Hugo’s Paris” will explore the City of Lights from literary, historical, artistic, biographical and cultural perspectives.