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Von Billy Wilder]
Kleine Filmografie [von Billy Wilder] Objekttyp: Group Zeitschrift: Filmbulletin : Zeitschrift für Film und Kino Band (Jahr): 22 (1980) Heft 116 PDF erstellt am: 24.09.2021 Nutzungsbedingungen Die ETH-Bibliothek ist Anbieterin der digitalisierten Zeitschriften. Sie besitzt keine Urheberrechte an den Inhalten der Zeitschriften. Die Rechte liegen in der Regel bei den Herausgebern. Die auf der Plattform e-periodica veröffentlichten Dokumente stehen für nicht-kommerzielle Zwecke in Lehre und Forschung sowie für die private Nutzung frei zur Verfügung. Einzelne Dateien oder Ausdrucke aus diesem Angebot können zusammen mit diesen Nutzungsbedingungen und den korrekten Herkunftsbezeichnungen weitergegeben werden. Das Veröffentlichen von Bildern in Print- und Online-Publikationen ist nur mit vorheriger Genehmigung der Rechteinhaber erlaubt. Die systematische Speicherung von Teilen des elektronischen Angebots auf anderen Servern bedarf ebenfalls des schriftlichen Einverständnisses der Rechteinhaber. Haftungsausschluss Alle Angaben erfolgen ohne Gewähr für Vollständigkeit oder Richtigkeit. Es wird keine Haftung übernommen für Schäden durch die Verwendung von Informationen aus diesem Online-Angebot oder durch das Fehlen von Informationen. Dies gilt auch für Inhalte Dritter, die über dieses Angebot zugänglich sind. Ein Dienst der ETH-Bibliothek ETH Zürich, Rämistrasse 101, 8092 Zürich, Schweiz, www.library.ethz.ch http://www.e-periodica.ch KLEINE FILMOGRAFIE Geboren am 22. Juni 1906 in Sucha, Provinz Galizien, Oesterreich (heute Polen) als Samuel Wilder. Rufname Billie. Gymnasium in Wien, Um 1926 als freier Mitarbeiter zahlreicher Tageszeitungen und als Ghostwriter verschiedener Stummfilmautoren tätig in Berlin. Erste Nennung als Drehbuchautor beim Stummfilm DER TEUFELSREPORTER (1929). Laufbahn als professioneller Drehbuchautor nach dem mit Freunden realisierten MENSCHEN AM SONNTAG (1930^ R: Robert Siodmak/E.G.UImer). -
Highlands Cleaners and Laundry
THE GAUX W S AUGUST 35 1967 PAGE 17 Highlands Cleaners and Laundry Phone 526--2136 GOOD CLEANING GIVES A SMART APPEARANCE LOWEST PRICES FOR QUALITY FURNITURE "THE FORTUNE COOKIE" EARLY AMERICAN REPRODUCTIONS "The Fortune Cookie", a MLrisch Cor poration presentation in Panavision play IN Cherry - Maple - P i n e ing Wednesday, August 9th, at the GALAX THEATRE, is six-time-Academy-Ai^ard winning ANTIQUE GLASS PATTERNS Billy Wilder's latest comedy caper. Starring Jack Lemmon and Walter Mat thau, the fun-for-all starts when a TV SPRINGS AND MATTRESSES cameraman gets tran^led by a galloping football player — then sues everybody he LAMPS - GIFTS can think of for a million dollars 1 Ron Rich and Cliff Osmond are featured PICTURES - RUGS in the farce, which introduces Judi West. Wilder both produced and directed and al so co-authored the script with longtime partner, I.A.L. Diamond, Andre Previn, (ROTARY OTS, CONTINUED MIOM PAGE FIVE) who earned one of his three Academy A- programs before, and they are always ex wards for the music in another Wilder cellent. On the final Tuesday of August, film, "Irma La Douce," scored "The For the 29th, Rotarian Nathan Sharp, of Nash tune Cookie", ville, Tennessee, who is spending some time at Highlands Country Club, iid.ll pre sent a program on Rhodesia, August 3! 3sOO p.m. - Tour of the Botan With programs of this magnitude, the ical Garden. Miss fc'tin Wadeqitz, High August meetings should produce record at- lands Biological Station, leader# tnedance in both local members and visit ing Rotarians. -
Schedule of the Films of Billy Wilder
je Museum of Modern Art November 1964 53 Street, New York, N.Y. 10019 Circle 5-8900 Cable: Modernart THE MUSEUM OF MODERN ART FILM LIBRARY PRESENTS THE FILMS OF BILLY WILDER Dec. 13.16 MENSCHEN AM SONNTAG (PEOPLE ON SUNDAY). I929. Robert Siodmak's cele brated study of proletarian life gave Wilder hie first taste of film making. (George Eastman House) 55 minutes. No English titles. Dec. IT-19 EMIL UND DIE DETEKTIVE. 1951. Small boys carry on psychological war fare against a crook in this Gerhard Lamprecht comedy for which Wilder helped write the script. (The Museum of Modern Art) 70 minutes. No English titles. Dec. 20-23 NINOTCHKA. 1939. Ernst Lubitsch's ironic satire on East-West relations just before World War II, in which Garbo gave her most delicately articulated performance with Melvyn Douglas, and for which Wilder, with Charles Brackett and Walter Reisch, wrote the script. Based on the story by Melchior Lengyel. (M-G-M) 110 minutes. Dec. 2k~26 MIDNIGHT. 1959. One of the most completely and purposely ridiculous examples of the era of screwball comedy, with a powerhouse of a cast, including Claudette Colbert, Don Ameche and John Barrymore, and Wilder and Brackett*s brilliant non-sequitur script. (MCA) 9U minutes. Dec. 27-30 HOLD BACK THE DAWN. 19*11. The plight of "stateless persons" in the late '30s and early 'UOs, with Olivia de Havllland, romantically yet convincingly dramatised by Wilder and Brackett. Directed by Mitchell Leisen. (MCA) 115 minutes. Dec. 31* THE MAJOR AND THE MINOR. 19te. This, the first film Wilder directed, Jan. -
FOREST LAWN MEMORIAL PARK Hollywood Hills Orry George Kelly December 31, 1897 - February 27, 1964 Forest Lawn Memorial Park Hollywood Hills
Welcome to FOREST LAWN MEMORIAL PARK Hollywood Hills Orry George Kelly December 31, 1897 - February 27, 1964 Forest Lawn Memorial Park Hollywood Hills Order of Service Waltzing Matilda Played by the Forest Lawn Organist – Anthony Zediker Eulogy to be read by Jack. L. Warner Pall Bearers, To be Announced. Photo by Tony Duran Orry George Kelly December 31, 1897 - February 27, 1964 Forest Lawn Memorial Park Hollywood Hills Photo by Tony Duran Orry George Kelly December 31, 1897 - February 27, 1964 Forest Lawn Memorial Park Hollywood Hills Orry-Kelly Filmography 1963 Irma la Douce 1942 Always in My Heart (gowns) 1936 Isle of Fury (gowns) 1963 In the Cool of the Day 1942 Kings Row (gowns) 1936 Cain and Mabel (gowns) 1962 Gypsy (costumes designed by) 1942 Wild Bill Hickok Rides (gowns) 1936 Give Me Your Heart (gowns) 1962 The Chapman Report 1942 The Man Who Came to Dinner (gowns) 1936 Stage Struck (gowns) 1962 Five Finger Exercise 1941 The Maltese Falcon (gowns) 1936 China Clipper (gowns) (gowns: Miss Russell) 1941 The Little Foxes (costumes) 1936 Jailbreak (gowns) 1962 Sweet Bird of Youth (costumes by) 1941 The Bride Came C.O.D. (gowns) 1936 Satan Met a Lady (gowns) 1961 A Majority of One 1941 Throwing a Party (Short) 1936 Public Enemy’s Wife (gowns) 1959 Some Like It Hot 1941 Million Dollar Baby (gowns) 1936 The White Angel (gowns) 1958 Auntie Mame (costumes designed by) 1941 Affectionately Yours (gowns) 1936 Murder by an Aristocrat (gowns) 1958 Too Much, Too Soon (as Orry Kelly) 1941 The Great Lie (gowns) 1936 Hearts Divided (gowns) -
The Apartment the Fortune Cookie
the title was changed from “Jealous Lover” to again by Andre Previn (his fourth for Wilder, “Theme From The Apartment.” The Apartment and his final original Hollywood film score), and THE APARTMENT went on to receive several Academy Award once again I thought it was absolutely perfect. nominations, including picture, screenplay, di - His themes were truly memorable and clever THE FORTUNE COOKIE rection, art direction, editing, photography, and really served the film beautifully. Thankfully, sound, and nominations for Lemmon, there was an LP, and, of course, like all the oth - “Shut up and deal.” MacLaine, and co-star Jack Kruschen. It took ers, I bought it and played it to death. The film A marriage made in heaven, Wilder and home statues for picture, screenplay, direction, won an Oscar for Matthau, and was nominated Lemmon-wise. art direction, and editing. The soundtrack album for screenplay, photography, and art direction. was nominated for a Grammy. Eight years after Previn uses not only Cole Porter’s great “You’d In 1959, Billy Wilder made screen history with the film was made, The Apartment became a Be So Nice To Come Home To” in the score, but one of the funniest films ever made. Those who big hit Broadway musical called Promises, also his own “Second Chance” from Two For watch it today in the privacy of their home the - Promises , with a book by Neil Simon, and The Seesaw . aters might not understand what all the fuss score by Burt Bacharach and Hal David. was about, but seeing Some Like It Hot in its Flash forward a few years later and I am, of Wilder and Lemmon would make three more first-run engagement was an unbelievable ex - course, at the Grauman’s Chinese for the open - films together – Avanti, The Front Page , and perience – I know, I was there. -
Download Document
Filmoteca de Andalucía Sala Val Del Omar Programación MAR 2018 ciclo JUE VIE BILLy WILDER 22 20:30 23 18:00 Irma la dulce Billy Wilder. EEUU. 1963. 142 min. Color. v.o.s.e. SINOPSIS Un infeliz gendarme, fiel cumplidor de su trabajo, se enamo - ra perdidamente de una prostituta a la que detiene en una redada. Por ella dejará su trabajo, se enfrentará al chulo que la explota y, gracias a un golpe de suerte, se convertirá en el nuevo matón del pintoresco barrio de "Les Halles", el mercado de abastos de París. A partir de ese momento, aunque con ciertos escrúpulos, vive de la chica, que lo con - sidera su nuevo protector, y él por amor la deja hacer. COMENTARIO Tres años después del éxito de ‘El apartamento’, Jack Lemmon y Shirley MacLaine volvieron a trabajar juntos en FICHA TÉCNICA ‘Irma la Dulce’, adaptación de un musical de Alexandre Título original: Irma la Douce. Breffort que había causado furor en Francia. Sin embargo, la Título español: Irma la dulce. idea inicial de Billy Wilder era que Lemmon tuviera otra com - Nacionalidad: EEUU. Año de producción: 1963. pañera de reparto. Primero pensó en Elizabeth Taylor, pero Dirección: Billy Wilder. su turbulento romance con Richard Burton le echó para atrás. Guión: Billy Wilder, I.A.L. Diamond. Según la obra de teatro de Y luego quiso recuperar a la Marilyn Monroe de ‘Con faldas Alexandre Breffort. y a lo loco’, pero la rubia platino murió meses antes de Producción: United Artists. Productor: Edward L. Alperson, Billy Wilder. comenzar el rodaje. -
NINOTCHKA (1939, 110 Min)
February 1, 2011 (XXII:3) Ernst Lubitsch, NINOTCHKA (1939, 110 min) Directed by Ernst Lubitsch Written by Charles Brackett, Billy Wilder, Walter Reisch, Melchior Lengyel (story) Produced by Ernst Lubitsch and Sidney Franklin Cinematography by William H. Daniels Edited by Gene Ruggiero Art Direction by Cedric Gibbons Costume Design by Adrian Greta Garbo...Ninotchka Melvyn Douglas...Leon Ina Claire...Swana Bela Lugosi...Razinin Sig Ruman...Iranoff Felix Bressart...Buljanoff Alexander Granach...Kopalski Gregory Gaye...Rakonin CHARLES BRACKETT (November 26, 1892, Saratoga Springs, New National Film Registry 1990 York – March 9, 1969, Los Angeles, California) won four Academy Awards: 1946 – Best Screenplay (The Lost Weekend) – shared w. ERNST LUBITSCH (January 28, 1892, Berlin, Germany – November Billy Wilder; 1951 – Best Screenplay (Sunset Blvd.) – w. Billy 30, 1947, Hollywood, California) won an honorary Academy Wilder, D.M. Marshman Jr.; 1954 – Best Screenplay (Titanic) – w. Award in 1947. He directed 47 films, some of which were 1948 Walter Reisch, Richard L. Breen; and 1958 – Honorary Award – That Lady in Ermine, 1946 Cluny Brown, 1943 Heaven Can Wait, (“for outstanding service to the Academy”). He has 46 1942 To Be or Not to Be, 1941 That Uncertain Feeling, 1940 The screenwriting titles, some of which are 1959 Journey to the Center Shop Around the Corner, 1939 Ninotchka, 1938 Bluebeard's Eighth of the Earth, 1956 “Robert Montgomery Presents”, 1955 The Girl Wife, 1937 Angel, 1935 La veuve joyeuse, 1934 The Merry Widow, in the Red Velvet -
Discussion Questions for Women in Film Gathering, June 19, 2012
1 Discussion Questions for Women in Film Gathering, June 19, 2012: Focal Film: The Apartment (1960; U.S.; Co‐written and Directed by Billy Wilder) Billy Wilder (1906‐2002) was one of the 20th century’s most respected writer/directors working in film. Born in Austria‐Hungary, he first wrote films for the German “national” studio, UFA. He was strongly influenced by a director who had earlier emigrated from Germany to the U.S.—Ernst Lubitsch. Both of these men were noted for their sophisticated comedies and elegantly constructed dramas, and in The Apartment, we may get both. Both men produced films of great distinction, handily earning the title of “auteur” of their works. And both frequently visited notions of gender roles, and relationships between the sexes. Some of Lubitsch’s films you might recognize are Ninotchka (with Greta Garbo and Melvin Douglas), Shop Around the Corner (with Jimmy Stewart and Margaret Sullavan; remade twice, lastly as You’ve Got Mail), and To Be or Not To Be (with Jack Benny and Carole Lombard). Important Billy Wilder films include Ninotchka (which he co‐wrote for Lubitsch), and the many films he both wrote or co‐wrote and directed, such as Double Indemnity (with Barbara Stanwyck and Fred MacMurray), The Lost Weekend (with Ray Milland), Sunset Boulevard (with Gloria Swanson and William Holden), Stalag 17 (with William Holden), Sabrina (with Audrey Hepburn, Humphrey Bogart, and William Holden), The Seven Year Itch (with Marilyn Monroe), Some Like It Hot (with Marilyn Monroe, Tony Curtis, and Jack Lemmon), Irma la Douce (with Shirley MacLaine and Jack Lemmon), and The Fortune Cookie (the first pairing of Jack Lemmon and Walter Matthau; set and partially shot in Cleveland, BTW). -
INNOVATIVE TITLES ® ACADEMIC Cognella PUBLISHING
INSPIRING ACADEMIC EXCELLENCE THROUGH INNOVATIVE TITLES ® ACADEMIC cognella PUBLISHING Watching Wilder: A Critical Guide to Director Billy Wilder’s Films leads students through the experience of critically viewing the American films of Billy Wilder, one of the most influential and celebrated directors of the 20th century. Beginning with The Major and the Minor, the film that marks Billy Wilder’s American directorial debut in 1942, the text offers students a chronological tour of 25 films, including renowned works such as Double Indemnity, Sunset Blvd., Sabrina, The Apartment, and Some Like It Hot. Students are provided with background information for each film, as well as a set of thought-provoking questions that put them in the critic’s seat and elicit deeper analysis. As they progress through the films, students are encouraged to identify key themes and observe how Wilder’s work evolved over time. They learn from Wilder’s artistic eye for creating amazing mise en scene and his ability to successfully direct films across genres, including film noir, for which Wilder shares credit as a creator. The only comprehensive viewing guide for Billy Wilder’s films,Watching Wilder is a valuable resource for film courses with concentration in directing, writing, and production. Sherry Lowell-Lewis is a film actor and screenwriter, tele- vision actor, stage actor and playwright, and voice recording artist. She received her M.A. in drama and speech from the University of Texas at El Paso. Lowell-Lewis previously taught Watching Wilder courses in drama and film at El Paso Community College and A Critical Guide to Director Billy Wilder’s Films currently serves as a lecturer of communication and film at The University of Texas at El Paso. -
Winter2018smaller.Pdf
new releases Great War Horses (The Fate of 1918) Closing Gambit Over 130,000 Australian horses served in the Great War 1978 Korchnoi versus Karpov and the Kremlin. and none came home. Known as Walers, they could Fascinating story of the 1978 World Chess withstand great heat, travel great distances and perform Championship between the Soviet Communist Party’s great feats in battle. They served their Light Horsemen in protege, Anatoly Karpov, and the traitor and Soviet the ‘Desert War’. Across the inhospitable terrain of the defector, Viktor Korchnoi. One of those instances in life Middle East, they carried the first of the victorious Allied where truth is stranger than fiction. forces into Damascus in 1918. REF: SBD117 | E | 2016 | PRICE: £9.99 REF: SBD114 | E | 2018 | PRICE: £12.99 Two Female Spies With Flowered Panties Checkmate Lina Romay (Bared Wire Dolls and Macumba) and Gorgeous Mediterranean beaches are no distraction Lynn Monteil (Zombie Lake and Sadomania) star as for the Checkmate grandmasters. Ten of the top a pair of cunning bisexual strippers released from chess champions in the world bring their best game prison to work undercover for the U.S. government. to the table, while hosts Anna and Simon provide What follows is a deranged mélange of kinky quick-witted commentary on the competition. threesomes, crazed S&M, depraved white slavers and audacious international politics. REF: MR008 | 18 | 1980 | PRICE: £9.99 REF: SBD118 | E | 2017 | PRICE: £14.99 Cecilia Meatball Machine Kodoku blu-ray After repeatedly flaunting her peerless body to 50 year-old nebbish debt collector, Yuji, tries to her servants, snobbish aristocrat Cecila (Muriel turn his life around when he meets the young and Montrossé) becomes the victim of abuse. -
Billy Wilder: Eine Arbeitsbibliographie 2012
Repositorium für die Medienwissenschaft Hans Jürgen Wulff Billy Wilder: Eine Arbeitsbibliographie 2012 https://doi.org/10.25969/mediarep/12774 Veröffentlichungsversion / published version Buch / book Empfohlene Zitierung / Suggested Citation: Wulff, Hans Jürgen: Billy Wilder: Eine Arbeitsbibliographie. Hamburg: Universität Hamburg, Institut für Germanistik 2012 (Medienwissenschaft: Berichte und Papiere 141). DOI: https://doi.org/10.25969/mediarep/12774. Erstmalig hier erschienen / Initial publication here: http://berichte.derwulff.de/0141_12.pdf Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Nicht kommerziell - Keine Bearbeitungen 4.0/ Attribution - Non Commercial - No Derivatives 4.0/ License. For Lizenz zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz more information see: finden Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0/ https://creativecommons.org/licenses/by-nc-nd/4.0/ Medienwissenschaft / Hamburg: Berichte und Papiere 141, 2012: Billy Wilder. Redaktion und Copyright dieser Ausgabe: Hans J. Wulff. ISSN 1613-7477. ULR: http://www.rrz.uni-hamburg.de/Medien/berichte/arbeiten/0141_12.pdf Letzte Änderung: 20.8.2012. Billy Wilder: Eine Arbeitsbibliographie Zusammengestellt v. Hans J. Wulff [*] Für Hinweise danke ich Ludger Kaczmarek und Ina Kreuzregister der Titel Wuff. Eingegangen sind Teile der verdienstvollen Biblio- graphie, die Frank Arnold für den Begleitband der Berli- (in der Chronologie der Filme) -
Kirk Douglas...Charles
February 5, 2008 (XVI:4) Mervyn LeRoy Gold Diggers of 1933 19 Billy Wilder, Ace in the Hole 1951 (111min) 11((((117(117minmin.)minutes) Kirk Douglas...Charles 'Chuck' Tatum Jan Sterling...Lorraine Minosa Robert Arthur...Herbie Cook Porter Hall...Jacob Q.Boot Frank Cady...Mr.Federber Richard Benedict...Leo Minosa Ray Teal...Sheriff Gus Kretzer Lewis Martin...McCardle John Berkes...Papa Minosa Frances Dominguez...Mama Minosa Gene Evans...Deputy Sheriff Frank Jaquet...Sam Smollett Harry Harvey...Dr.Hilton Bob Bumpas...Radio Announcer Geraldine Hall...Nellie Federber Richard Gaines...Nagel Iron Eyes Cody...Indian Copy Boy Directed by Billy Wilder Written by Billy Wilder, Lesser Samuels & Walter Newman Produced by Billy Wilder Original Music by Hugo Friedhofer Cinematography by Charles Lang Film Editing by Arthur P.Schmidt Costume Design by Edith Head Makeup Department Wally Westmore BILLY WILDER (Samuel Wilder, Sucha, Austria-Hungary, 22 June 1906—27 March 2002, pneumonia) wrote more than 60 Big Heat (1953), Ace in the Hole (1951), A Foreign Affair (1948), screenplays and directed 24. Some of the films he wrote and So Proudly We Hail! (1943), Tovarich (1937), The Lives of a directed are Irma La Douce 1963, The Apartment 1960, Some Like Bengal Lancer (1935), Death Takes a Holiday (1934), A Farewell it Hot 1959, The Spirit of St. Louis 1957, Witness for the to Arms (1932), and The Night Patrol (1926). He was nominated Prosecution 1957, The Seven Year Itch 1955, The Lost Weekend for 18 best cinematography Oscars but took home only one, for A (1945), Double Indemnity 1944; The Lost Weekend 1945, director, Farewell to Arms.