Bill Haley and His Comets Rock the Joint Mp3, Flac, Wma

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Bill Haley And His Comets Rock The Joint mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Rock The Joint Country: UK Released: 1957 Style: Rock & Roll MP3 version RAR size: 1579 mb FLAC version RAR size: 1184 mb WMA version RAR size: 1540 mb Rating: 4.4 Votes: 388 Other Formats: AAC WMA TTA APE MMF MIDI AHX Tracklist A Rock The Joint B Yes Indeed! Other versions Category Artist Title (Format) Label Category Country Year Bill Haley Rock The Joint / 45-HLF.8371 And His Yes Indeed! (7", London Records 45-HLF.8371 Belgium 1955 Comets Single, Pus) Bill Haley Rock The Joint (7", 45-HL-F-8371 And His London Records 45-HL-F-8371 UK 1957 Single, Mono) Comets Bill Haley Rock The Joint (7", DL 20 080 And His London Records DL 20 080 Germany 1957 Single) Comets Rock The Joint / Bill Haley Yes Indeed! HL-1155 And His London Records HL-1155 Australia Unknown (Shellac, 10", Comets Single) London Bill Haley Yes Indeed (7", Records, HLF 8371 And His S/Sided, Mono, London HLF 8371 UK Unknown Comets Promo) American Recordings Related Music albums to Rock The Joint by Bill Haley And His Comets Bill Haley And The Comets - Live In London '74 Bill Haley And The Comets - Rock 'N Roll Revival Bill Haley And His Comets - Rock The Joint / How Many Bill Haley And His Comets - Pat-A-Cake / Fractured Bill Haley And His Comets - Bill Haley And His Comets Bill Haley And His Comets - Bill Haley's Scrapbook Bill Haley And His Comets - Ten Little Indians / Rocking Chair On The Moon Bill Haley And His Comets - Spanish Twist / My Kind Of Woman Bill Haley And His Comets - Shake, Rattle And Roll Bill Haley And His Comets - La Cucaracha Bill Haley And The Comets - The King Of Rock 'N' Roll Bill Haley And His Comets - Rock And Roll.

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JUKEBOX JAZZ by Ian Muldoon* ______
JUKEBOX JAZZ by Ian Muldoon* ____________________________________________________ n 1955 Bill Haley’s Rock Around the Clock was the first rock and roll record to become number one on the hit parade. It had made a stunning introduction in I the opening moments to a film called Blackboard Jungle. But at that time my favourite record was one by Lionel Hampton. I was not alone. Me and my three jazz loving friends couldn’t be bothered spending hard-earned cash on rock and roll records. Our quartet consisted of clarinet, drums, bass and vocal. Robert (nickname Orgy) was learning clarinet; Malcolm (Slim) was going to learn drums (which in due course he did under the guidance of Gordon LeCornu, a percussionist and drummer in the days when Sydney still had a thriving show scene); Dave (Bebop) loved the bass; and I was the vocalist a la Joe (Bebop) Lane. We were four of 120 RAAF apprentices undergoing three years boarding school training at Wagga Wagga RAAF Base from 1955-1957. Of course, we never performed together but we dreamt of doing so and luckily, dreaming was not contrary to RAAF regulations. Wearing an official RAAF beret in the style of Thelonious Monk or Dizzy Gillespie, however, was. Thelonious Monk wearing his beret the way Dave (Bebop) wore his… PHOTO CREDIT WILLIAM P GOTTLIEB _________________________________________________________ *Ian Muldoon has been a jazz enthusiast since, as a child, he heard his aunt play Fats Waller and Duke Ellington on the household piano. At around ten years of age he was given a windup record player and a modest supply of steel needles, on which he played his record collection, consisting of two 78s, one featuring Dizzy Gillespie and the other Fats Waller.
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Whiskey River (Take My Mind) I
whiskey river (take my mind) i introduction 00 Bush rev pg proofs 000i-xxiv i i 12/11/06 9:58:38 AM THIS PAGE INTENTIONALLY LEFT BLANK whiskey river (take my mind) iii The True Story of Texas Honky-Tonk by johnny bush with rick mitchell foreword by willie nelson University of Texas Press, Austin introduction 00 Bush rev pg proofs 000i-xxiv iii iii 12/11/06 9:58:39 AM iv copyright © 2007 by the university of texas press All rights reserved Printed in the United States of America First edition, 2007 Requests for permission to reproduce material from this work should be sent to: Permissions University of Texas Press P.O. Box 7819 Austin, TX 78713-7819 www.utexas.edu/utpress/about/bpermission.html ∞ The paper used in this book meets the minimum requirements of ansi/niso z39.48-1992 (r1997) (Permanence of Paper). library of congress cataloging-in-publication data Bush, Johnny. Whiskey river (take my mind) : the true story of Texas honky-tonk / by Johnny Bush with Rick Mitchell ; foreword by Willie Nelson. — 1st ed. p. cm. Includes discography (p. ), bibliographical references (p. ), and index. isbn-13: 978-0-292-71490-8 (cl. : alk. paper) isbn-10: 0-292-71490-4 1. Bush, Johnny. 2. Country musicians—Texas—Biography. 3. Spasmodic dysphonia—Patients—Texas—Biography. 4. Honky-tonk music—Texas— History and criticism. I. Mitchell, Rick, 1952– II. Title. ml420.b8967a3 2007 782.421642092—dc22 [B] 2006033039 whiskey river (take my mind) 00 Bush rev pg proofs 000i-xxiv iv iv 12/11/06 9:58:39 AM Dedicated to v John Bush Shinn, Jr., my dad, who encouraged me to follow my dreams.
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ROCK'n'roll's 1ST DECADE Week
ROCK'N'ROLL’S 1ST DECADE Week One: The Roots of Rock Recommended Listening: The Delmore Brothers, Freight Train Boogie (Ace, 1993). Country-boogie songs from 1946-51 by this brother duo, whose more uptempo material was not only some of the finest country music of the era, but an important building block of rockabilly and early rock & roll. Fats Domino, The Early Imperial Singles 1950-1952 (Ace, 1996 & 1997). Thorough collections of the first few years or so of singles by the most important early New Orleans rock'n'roll star, whose singles of the early 1950s weren't all that different from the pop hits he had after rock took off. The Drifters, Let the Boogie-Woogie Roll: Greatest Hits 1953-1958 (Atlantic, 1988). Perhaps the most consistent, and certainly one of the most important, of the doo wop groups that had their first success prior to 1955. This has their mid-1950s R&B hits, some of them featuring lead singer Clyde McPhatter. The Drifters who had numerous early soul hits in the late 1950s and early 1960s had entirely different personnel, and were linked to this version of the group only by the trademark name. Bill Haley & His Comets, Rock the Joint! The Original Essex Recordings 1951-1954 (Rollercoaster, 1992). Bill Haley & His Comets were the first white band to fuse rhythm and blues with country music into something recognizable as rock'n'roll, and were doing so for four years before "Rock Around the Clock" became the first huge rock hit. This has those early recordings, including one from 1952 ("Rock the Joint") quite similar to "Rock Around the Clock," and his first single to become a Top Twenty pop hit, 1953's "Crazy, Man, Crazy." John Lee Hooker, The Legendary Modern Recordings 1948- 1954 (Flair/Virgin, 1993).
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Introduction to Rock Music
Introduction to Rock Music Rock ‘n’ Roll Explodes! In the beginning… There is absolutely no Some Examples: agreement as to when Bill Haley Rock ‘n’ Roll began. Crazy Man Crazy Why? Explain…! The Dominoes Development over Sixty Minute Man time. Evolutionary process. Li’l Son Jackson Rockin’ and Rollin’ Definition: What do you define as Rock Wynonie Harris ‘n’ Roll. Good Rockin’ Rhythm and Tonight Blues? Musical Genre Sexual metaphor Cultural Diversity The Roots of Rock ‘n’ Roll •• R&B + C&W = R&R •• In addition to race, ethnicity, –– What is wrong with this musical culture, issues of class statement? and gender must be looked at. •• “The clichclichèè is that rock & roll •• Fully erupted into the was a melding of country music mainstream market in 1956. and blues, and if you are talking Had an “integration” type about Chuck Berry & Elvis phenomenon. The rock charts Presley, the description, though were more racially equal than at simplistic, does fit. But the any other time. black innerinner--citycity vocalvocal--groupgroup –– Much of early rock ‘n’ roll was sound…had little to do with based on predominantly either blues or country music in African American forms that their purer forms.” became more mainstream –– What does this mean? The Gender Game Early rock ‘n’ roll had a large effect on the success of women in the music industry? Why do you think that is? Only an average of 2 women in the top 25 records or songs each year. Rock ‘n’ Roll had a definite male sexuality at the beginning. Women did not sing, they were sung about.
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BILL HALEY, JR., LOCAL AUTHOR, at POTTSTOWN LIBRARY Author of Crazy Man, Crazy: the Bill Haley Story Appears Nov
BOOK SIGNING / Q&A EVENT BILL HALEY, JR., LOCAL AUTHOR, AT POTTSTOWN LIBRARY Author of Crazy Man, Crazy: The Bill Haley Story appears Nov. 8, 2019 Bill Haley, Jr., local businessman, pub - tragedy his father created for his family. lisher, musician, and now author, will The family stories and background are as appear at the Pottstown Regional Public interesting as the music, even after all these Library on Friday, November 8, 2019, from many years. The book, written by Bill Jr. 2:00 pm – 4:00 pm, to discuss his new book, with noted biographer Peter Benjaminson, Crazy Man, Crazy: The Bill Haley Story , a has been celebrated as the first complete biography of his father, Bill Haley, and his biography to tell the story of the first star of band, the Comets. rock ‘n’ roll. Bill Haley and the Comets were a break - You know the melodies and basslines, through group who introduced the biggest you know the words, you probably even change in mainstream music up until that know the dance steps. Come to the Library time. In 1953, the song “Crazy Man, Crazy” to hear stories about all of it, compiled by Bill became the first rock ‘n’ roll song to be in the Jr. from years of research and interviews. Billboard Top 20, followed by “Rock RSVPs are appreciated for the author- Around the Clock” at number one. The program and book-signing on November music of Bill Haley and the Comets has been 8th, but not necessary. There is no charge a constant in American culture ever since, to attend.
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Rock & Roll's War Against
Rock & Roll’s War Against God Copyright 2015 by David W. Cloud ISBN 978-1-58318-183-6 Tis book is published for free distribution in eBook format. It is available in PDF, Mobi (for Kindle, etc.) and ePub formats from the Way of Life web site. See the Free eBook tab at www.wayofife.org. We do not allow distribution of our free books from other web sites. Published by Way of Life Literature PO Box 610368, Port Huron, MI 48061 866-295-4143 (toll free) - [email protected] www.wayofife.org Canada: Bethel Baptist Church 4212 Campbell St. N., London Ont. N6P 1A6 519-652-2619 Printed in Canada by Bethel Baptist Print Ministry ii Table of Contents Introduction ...........................................................................1 What Christians Should Know about Rock Music ...........5 What Rock Did For Me ......................................................38 Te History of Rock Music ................................................49 How Rock & Roll Took over Western Society ...............123 1950s Rock .........................................................................140 1960s Rock: Continuing the Revolution ........................193 Te Character of Rock & Roll .........................................347 Te Rhythm of Rock Music .............................................381 Rock Musicians as Mediums ...........................................387 Rock Music and Voodoo ..................................................394 Rock Music and Insanity ..................................................407 Rock Music and Suicide ...................................................429
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Bill Haley Declared As the Battle Raged Over the Lyrics of |Those Newfangledrhythm-And-Blues- Based Pop Hits
| ‘We steer clear o fanything suggestive, ’ ‘ Bill Haley declared as the battle raged over the lyrics of |those newfangled rhythm-and-blues- based pop hits. Haley’s version of ' ‘Shake, R a ttle and R o ll’ ‘ was one o f the tunes in question, since it happened to be sweeping the nation. Of course, most of the good stuff from the lyrics o f Big Joe Turner’s original rendition had been removed or changed - lines like ' ‘Well, you wear low dresses/The sun comes shining through/I can’t believe my eyes/That all this belongs to you. ’ ’ As Haley explained, ‘ ‘We take a lot o f care with lyrics because we don’t want to offend anybody. The m usic is the m ain thing. ’ ’ He was right about the music: it was the way he played the tune that made ‘ ‘Shake, Rattle and Roll’ ’ a landmark success. Haley was BOBBY “ BLUE” BLAND trying to streamline the beat, to make it easy for an audience to dance, clap and sing along. In songs he composed himself, like “Crazy, Man, Crazy, ’ ’ Haley deliberately used simple BOBBY BARIN phrases o f teen slang to g et his message across better. Haley had hit the road at age nineteen with a country and western combo called the Downhomers. He then became musical director o f the Saddlemen, performing on the air with them in a regular gig at a Chester, Pennsylvania, radio station. He tried to bring d ifferen t sounds into the Saddlem en’s m usic, attempting to blend, in his words, ‘ ‘country and western, Dixieland and the old-style rhythm and blues.
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CD) June 15, 2018
PRODUCT INFO (CD) June 15, 2018 Artist Various Artists Title The Bill Haley Connection 29 Roots And Covers Of Bill Haley And His Comets Label Bear Family Productions Catalog no. BCD17531 Price code: AR EAN 5397102175312 Format CD (Digipac) with 52-page booklet Genre Rock 'n' Roll, Rhythm & Blues, Pop No. of tracks 29 c. 74 mns Release date June 15, 2018 INFO: A smart compilation with those songs that inspired Bill Haley. In addition the most important cover versions of his classics! Cross-genre, from Rock 'n' Roll and R&B to Pop songs, recordings from 1938 - 1959. Comprehensive illustrated booklet with artist CVs and discographic information by Chris Gardner, carefully remastered. Bill Haley was the first boss of Rock'n' Roll. Bear Family presents with this compilation the music that has influenced Haley and - in addition - a cross-genre collection of the best cover versions of his classic songs. The CD album covers two decades with recordings from 1938 - 1959! Sound influences of the early years When Haley along with his Saddlemen turned to Boogie themes and R&B tracks during the late 1940s, Bill - coming from Western Swing - almost automatically mixed the styles and developed an early form of Rock 'n' Roll music. Most of the black Rhythm & Blues originals, which reach as far back as early Jazz, are included here and range from Count Basie (1938) and Jimmy Preston to Danny Overbea (1953). Bill Haley's cover songs Everybody did it back then. Everybody covered extensively black originals, Pat Boone and Elvis Presley, and Bill Haley.
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Rock Around the Clock“
SONNTAG, 11. MAI 2014 / NR. 22 041 DIE GESCHICHTE DER TAGESSPIEGEL S7 aro k un Bill Haley gelingt 1954 c der erste große Hit d des Rock’n’Roll: 2 Minuten 8 Sekunden o treffen den Nerv Die Schmalzlocke wurde Haleys Markenzeichen (links). Angefan- der Jugend – die bei gen hat er als Jodler in einer Wes- Haleys Auftritt in Berlin Rock around ternband (oben, Zweiter von links). R Fotos: Michael Ochs Archive/ den Sportpalast zerlegt the Clock Getty Images, Cinetext/HBA Von Christoph Dorner r rockt am 25. Oktober 1958 t hängt die Band auf der drichsen, die im März diesen Jahres er- nichtaroundtheclock.Nichtein- Fähre nach New Jersey schienen ist: Nicht die Band entscheidet mal eine ganze Umdrehung fest, die auf einer Sand- mitihremSound allein, was Pop-Musikist schafftdergroßeZeigerderUhr. bank im Delaware-Fluss – und auch nicht eine kapitalistische Kul- Nach acht Songs und 40 Minu- stecken bleibt. Haley & His turindustrie mit ihren Vermarktungsstra- EtenistderSpaßfür7000Zuschauerimaus- k Comets kommen zwei Stun- tegien. Pop-Musik, und damit auch der verkauften Berliner Sportpalast schon h denzu spät ins Studio.Dort hält Rock’n’Roll als seine früheste Form, wird wieder zu Ende. sich Produzent Milt Gabler lange für Diederichsen erst lebendig, wenn der Der Konzertabend, der mit preußi- mit der Aufnahme von „Thirteen Hörer mit einem Musikstück persönliche schem Jazz von Kapellmeister Kurt Edel- Women“ auf, weil er glaubt, mit dem Zusammenhängeherstellt.WenneinMäd- hagen beginnt und mit zivilisiertem SongdieweißeZielgruppedesLabelsbes- chen wissen muss, wie die Musiker ausse- Schunkeln zuBillHaley enden soll,kippt c ser erreichen zu können. Für „Rock hen, die im Radio zu hören sind.
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Carl Perkins Little Richard the Drifters
Jerry Lee Lewis Lee Jerry CRR019 rock ‘n’ roll legend roll ‘n’ rock Buddy Holly Buddy CRR017 rock ‘n’ roll legend roll ‘n’ rock Bill Haley & His Comets His & Haley Bill CRR005 rock ‘n’ roll legends roll ‘n’ rock CRR019 Chuck Berry Chuck CRR027 rock ‘n’ roll legend roll ‘n’ rock and many more many and Maybe, Baby Maybe, and many more many and CRR017 Oh, Boy! Oh, Break Up Break Everyday High School Confidential School High CRR005 Peggy Sue Peggy Breathless That’ll Be The Day The Be That’ll Great Balls Of Fire Of Balls Great featuring Whole Lotta Shakin’ Goin’ On Goin’ Shakin’ Lotta Whole CRR027 featuring and many more many and Jerry Lee Lewis Jerry Lee Man Handsome Brown-Eyed legend School Day School rock ‘n’ roll ‘n’ rock Roll Over Beethoven Over Roll Buddy HollyBuddy Maybellene Lewis Music Roll & Rock featuring legends rock ‘n’ roll ‘n’ rock Comets legend Jerry Lee Jerry Chuck Berry Bill Haley & His Comets & Haley Bill rock ‘n’ roll ‘n’ rock legend rock ‘n’ roll ‘n’ rock Buddy Holly Buddy Berry and his and and many more many and Haley Bill Burn That Candle That Burn rock ‘n’ roll legend Shake, Rattle And Roll And Rattle Shake, Jerry Lee Lewis Lee Jerry CRR019 Chuck See You Later, Alligator Later, You See rock ‘n’ roll legend roll ‘n’ rock Rock Around The Clock The Around Rock rock ‘n’ roll legend featuring Buddy Holly Buddy CRR017 rock ‘n’ roll legend roll ‘n’ rock rock ‘n’ roll legends Bill Haley & His Comets His & Haley Bill CRR005 rock ‘n’ roll legends roll ‘n’ rock C R R 0 1 9 rock ‘n’ roll legend Chuck Berry Chuck Jerry Lee www.southmiamiplaza.nl CRR027 rock ‘n’ roll legend roll ‘n’ rock Lewis 1.
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ROCK'n'roll's 1ST DECADE Week
ROCK'N'ROLL’S 1ST DECADE Week Two: Rock’n’Roll Takes Off Recommended Listening: Bill Haley & His Comets, The Best Of Bill Haley & His Comets: 20th Century Masters Millennium Collection (MCA). Basic primer of his mid-1950s hits, including "Rock Around the Clock" and his first Top Ten pop hit, 1954's "Shake, Rattle and Roll." Elvis Presley, Elvis at Sun (BMG, 2004). Both sides of all five of the singles Elvis Presley did for Sun records in 1954 and 1955, along with some outtakes. These were the recordings that, more than other, gave birth to rockabilly. Though they predate his rise to international superstardom in 1956, many critics consider these his finest recordings, and some consider them the very finest in all of rock'n'roll. A fuller document of Presley’s pre-1956 recordings, including many live performances of varying fidelity and studio outtakes, is on the three-CD box set A Boy From Tupelo: The Complete 1953-1955 Recordings. Various Artists, The Doo Wop Box (Rhino, 1994). Although this four-CD box goes all the way up to the mid-1960s, the first disc covers important hits from the late 1940s through the mid-1950s that were crucial to establish the black R&B vocal group sound. Especially important ones were the Crows' "Gee," the Chords' "Sh- Boom," and the Penguins' "Earth Angel," all of which were big pop hits in 1953 and 1954, before "Rock Around the Clock." Two subsequent four-CD box doo wop box sets on Rhino include much other material from both this era and post-1955.
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Rock Around the Clock” Started out As a Highly‐Underrated Pop Song; It Wound up Being a Snapshot of Teenage Life in the Mid‐1950’S
1, 2, 3 O’Clock, 4 O’Clock, Rock… “Rock Around the Clock” started out as a highly‐underrated pop song; it wound up being a snapshot of teenage life in the mid‐1950’s. Written at some point in late 1952, the song almost went nowhere…twice. In winter 1953, songwriter Max Freedman had the song transcribed for the purpose of publishing the music. He sold co‐authorship of the song to James Myers (Jimmy DeKnight) in exchange for publishing the song and, one presumes, for seeking an artist to record it. Freedman died in 1962, and Myers’ story after that varied, but we know that after registering the copyright for the song, James Myers approached Bill Haley about recording it. “And what? Haley didn’t like it?” Quite the opposite: Bill Haley wanted to record it right away. By this time Haley was having a regional hit with “Crazy, Man, Crazy,” and was looking for new material to take his band to the top. According to members of the Comets, the group tested the popularity of the song by introducing it to live audiences. Apparently the first audience to hear “Rock Around the Clock” by Bill Haley and his Comets was at the Hofbrau Hotel in Wildwood, NJ, in July, 1953. Although the crowds liked it, Haley’s producer did not. Dave Miller refused to record “Rock Around the Clock” for Essex Records – apparently because Miller and Myers were not on friendly terms. Myers’ business partner, Jack Howard, pitched the song to Paschall Salvatore Vennitti (better known as Sonny Dae).
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